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It can be hard to keep up with New York City's surge of cutting-edge architecture since the turn of the millennium. This portable, easy-to-use guide directs readers to the city's newest architectural gems, all completed in the 21st century with some still under construction. Divided into ten 1- to 3-mile walks that extend from Columbia University through lower Manhattan(...)
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It can be hard to keep up with New York City's surge of cutting-edge architecture since the turn of the millennium. This portable, easy-to-use guide directs readers to the city's newest architectural gems, all completed in the 21st century with some still under construction. Divided into ten 1- to 3-mile walks that extend from Columbia University through lower Manhattan(...)
Title:
NYC Walks: guide to new architecture
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It can be hard to keep up with New York City's surge of cutting-edge architecture since the turn of the millennium. This portable, easy-to-use guide directs readers to the city's newest architectural gems, all completed in the 21st century with some still under construction. Divided into ten 1- to 3-mile walks that extend from Columbia University through lower Manhattan and across to Brooklyn and Queens, this guidebook highlights over 150 buildings, popular destinations like the High Line and Lincoln Center, and trendy locations such as Williamsburg and the Bowery. Led by author John Hill, these tours are highly informative, engaging, and filled with fascinating insights and details. Maps and numerous photographs make this guide the perfect companion for anyone visiting New York City, architecture buffs, and those wishing to better know the city they call home.
NYC Walks: guide to new architecture
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Summary:
It can be hard to keep up with New York City's surge of cutting-edge architecture since the turn of the millennium. This portable, easy-to-use guide directs readers to the city's newest architectural gems, all completed in the 21st century with some still under construction. Divided into ten 1- to 3-mile walks that extend from Columbia University through lower Manhattan and across to Brooklyn and Queens, this guidebook highlights over 150 buildings, popular destinations like the High Line and Lincoln Center, and trendy locations such as Williamsburg and the Bowery. Led by author John Hill, these tours are highly informative, engaging, and filled with fascinating insights and details. Maps and numerous photographs make this guide the perfect companion for anyone visiting New York City, architecture buffs, and those wishing to better know the city they call home.
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books
books
Publication:
March 2019
March 2019
Subject:
City Guides
City Guides
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books
books
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$34.95
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Paul Rudolph (1918–1997) authored some of Modernism's most powerful designs and served as an influential educator while chair of Yale's School of Architecture. His early residential work in Sarasota, Florida, garnered international attention, and his later exploration of Brutalist materials and forms, most famously embodied in his Yale Art & Architecture Building (1963),(...)
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Paul Rudolph (1918–1997) authored some of Modernism's most powerful designs and served as an influential educator while chair of Yale's School of Architecture. His early residential work in Sarasota, Florida, garnered international attention, and his later exploration of Brutalist materials and forms, most famously embodied in his Yale Art & Architecture Building (1963),(...)
Title:
Paul Rudolph: inspiration and process in architecture
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Paul Rudolph (1918–1997) authored some of Modernism's most powerful designs and served as an influential educator while chair of Yale's School of Architecture. His early residential work in Sarasota, Florida, garnered international attention, and his later exploration of Brutalist materials and forms, most famously embodied in his Yale Art & Architecture Building (1963), earned Rudolph both notoriety and acclaim. Many of the dynamic drawings included in this collection — selected from the architect's archive housed in the Library of Congress — illustrate his highly emotive hand and deft drafting skill. They include his designs for Tuskegee University Chapel, Interama, Lower Manhattan Expressway, his analysis of Mies van der Rohe's Barcelona Pavilion, and his own inventive penthouse on Beekman Place in New York City. A Rudolph interview, conducted in 1986, and a newly commissioned introductory essay provide context for the drawings.
Paul Rudolph: inspiration and process in architecture
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Paul Rudolph (1918–1997) authored some of Modernism's most powerful designs and served as an influential educator while chair of Yale's School of Architecture. His early residential work in Sarasota, Florida, garnered international attention, and his later exploration of Brutalist materials and forms, most famously embodied in his Yale Art & Architecture Building (1963), earned Rudolph both notoriety and acclaim. Many of the dynamic drawings included in this collection — selected from the architect's archive housed in the Library of Congress — illustrate his highly emotive hand and deft drafting skill. They include his designs for Tuskegee University Chapel, Interama, Lower Manhattan Expressway, his analysis of Mies van der Rohe's Barcelona Pavilion, and his own inventive penthouse on Beekman Place in New York City. A Rudolph interview, conducted in 1986, and a newly commissioned introductory essay provide context for the drawings.
Form:
books
books
Publication:
November 2019
November 2019
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$50.00
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Summary:
The essays and works of art and design featured in this publication are organized around three territories: the atmospheric, the biologic, and the geologic. Each cluster of essays is further framed by forewords and afterwords, which draw individual points of view into a larger articulation of what an ambiguous territory might be and how it operates. "Ambiguous Territory"(...)
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The essays and works of art and design featured in this publication are organized around three territories: the atmospheric, the biologic, and the geologic. Each cluster of essays is further framed by forewords and afterwords, which draw individual points of view into a larger articulation of what an ambiguous territory might be and how it operates. "Ambiguous Territory"(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
August 2022
August 2022
Title:
Ambiguous territory: Architecture, landscape and the postnatural
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The essays and works of art and design featured in this publication are organized around three territories: the atmospheric, the biologic, and the geologic. Each cluster of essays is further framed by forewords and afterwords, which draw individual points of view into a larger articulation of what an ambiguous territory might be and how it operates. "Ambiguous Territory" emerged from a symposium and exhibition held at the University of Michigan in the fall of 2017, and exhibitions at the University of Virginia and Pratt Manhattan Gallery in 2018, and at Ithaca College in 2019. This volume belongs in that territory of ambiguity and curiosity, a place where there is room for musings, laughter, and despair. The projects convey, in different ways, a hope for a better future, but also a sense of not knowing if that future is at all possible.
Ambiguous territory: Architecture, landscape and the postnatural
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$50.00
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Summary:
The essays and works of art and design featured in this publication are organized around three territories: the atmospheric, the biologic, and the geologic. Each cluster of essays is further framed by forewords and afterwords, which draw individual points of view into a larger articulation of what an ambiguous territory might be and how it operates. "Ambiguous Territory" emerged from a symposium and exhibition held at the University of Michigan in the fall of 2017, and exhibitions at the University of Virginia and Pratt Manhattan Gallery in 2018, and at Ithaca College in 2019. This volume belongs in that territory of ambiguity and curiosity, a place where there is room for musings, laughter, and despair. The projects convey, in different ways, a hope for a better future, but also a sense of not knowing if that future is at all possible.
Form:
books
books
Publication:
August 2022
August 2022
Subject:
Architectural Theory
Architectural Theory
Form:
journals and magazines
journals and magazines
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À l’occasion du dixième anniversaire de 9/11, 'A'A' consacre un dossier spécial à la ville de New York. La rubrique "chantier" revient sur l’après World Trade Center. Ground Zero, débarrassé de ses gravats, laisse aujourd’hui la place au projet visionnaire de l’architecte Daniel Libeskind qui livre à 'A'A' son point de vue sur la mutation de cet immense site en(...)
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À l’occasion du dixième anniversaire de 9/11, 'A'A' consacre un dossier spécial à la ville de New York. La rubrique "chantier" revient sur l’après World Trade Center. Ground Zero, débarrassé de ses gravats, laisse aujourd’hui la place au projet visionnaire de l’architecte Daniel Libeskind qui livre à 'A'A' son point de vue sur la mutation de cet immense site en(...)
Title:
'A'A' l'architecture d'aujourd'hui: New York 2001-2011
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À l’occasion du dixième anniversaire de 9/11, 'A'A' consacre un dossier spécial à la ville de New York. La rubrique "chantier" revient sur l’après World Trade Center. Ground Zero, débarrassé de ses gravats, laisse aujourd’hui la place au projet visionnaire de l’architecte Daniel Libeskind qui livre à 'A'A' son point de vue sur la mutation de cet immense site en construction et sur les leçons tirées des attentats de 2001. La rubrique "projets" passe en revue le nouveau skyline qui se dessine sur l’île de Manhattan, qui, depuis dix ans, a renoué avec les cabinets d’architectes internationaux et une vision urbaine cohérente. De quoi susciter la polémique mais aussi élever le débat. Neuf projets et réalisations de grande hauteur, un texte de Jean-Louis Cohen et un entretien avec Rick Bell apportent une vision panoramique du renouveau architectural et urbanistique new yorkais.
'A'A' l'architecture d'aujourd'hui: New York 2001-2011
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À l’occasion du dixième anniversaire de 9/11, 'A'A' consacre un dossier spécial à la ville de New York. La rubrique "chantier" revient sur l’après World Trade Center. Ground Zero, débarrassé de ses gravats, laisse aujourd’hui la place au projet visionnaire de l’architecte Daniel Libeskind qui livre à 'A'A' son point de vue sur la mutation de cet immense site en construction et sur les leçons tirées des attentats de 2001. La rubrique "projets" passe en revue le nouveau skyline qui se dessine sur l’île de Manhattan, qui, depuis dix ans, a renoué avec les cabinets d’architectes internationaux et une vision urbaine cohérente. De quoi susciter la polémique mais aussi élever le débat. Neuf projets et réalisations de grande hauteur, un texte de Jean-Louis Cohen et un entretien avec Rick Bell apportent une vision panoramique du renouveau architectural et urbanistique new yorkais.
Form:
journals and magazines
journals and magazines
Publication:
October 2011
October 2011
Subject:
Magazines
Magazines
Form:
books
books
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$66.95
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''Designed Forests: A Cultural History'' explores the unique kinship that exists between forests and spatial design; the forest’s influence on architectural culture and practice; and the potentials and pitfalls of “forest thinking” for more sustainable and ethical ways of doing architecture today. It tackles these subjects by focusing on architecture’s own dispositions,(...)
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''Designed Forests: A Cultural History'' explores the unique kinship that exists between forests and spatial design; the forest’s influence on architectural culture and practice; and the potentials and pitfalls of “forest thinking” for more sustainable and ethical ways of doing architecture today. It tackles these subjects by focusing on architecture’s own dispositions,(...)
Title:
Designed forests: A cultural history
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''Designed Forests: A Cultural History'' explores the unique kinship that exists between forests and spatial design; the forest’s influence on architectural culture and practice; and the potentials and pitfalls of “forest thinking” for more sustainable and ethical ways of doing architecture today. It tackles these subjects by focusing on architecture’s own dispositions, which stem from an ecology of metaphor that surrounds its encounters with the forest and undergird ideas about Nature and natural systems. The book weaves together global narratives and chapters explore a range of topics, such as the invention of forest plans in colonial India, the war waged on the jungles of Vietnam, economic land use concepts in rural Germany, precolonial ecological pasts in Manhattan, and technologically saturated forests in California. This book is essential for landscape architects, urbanists, architects, forestry experts, and everyone concerned with larger environmental contexts and the ever-evolving relationship between nature and culture.
Designed forests: A cultural history
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$66.95
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Summary:
''Designed Forests: A Cultural History'' explores the unique kinship that exists between forests and spatial design; the forest’s influence on architectural culture and practice; and the potentials and pitfalls of “forest thinking” for more sustainable and ethical ways of doing architecture today. It tackles these subjects by focusing on architecture’s own dispositions, which stem from an ecology of metaphor that surrounds its encounters with the forest and undergird ideas about Nature and natural systems. The book weaves together global narratives and chapters explore a range of topics, such as the invention of forest plans in colonial India, the war waged on the jungles of Vietnam, economic land use concepts in rural Germany, precolonial ecological pasts in Manhattan, and technologically saturated forests in California. This book is essential for landscape architects, urbanists, architects, forestry experts, and everyone concerned with larger environmental contexts and the ever-evolving relationship between nature and culture.
Form:
books
books
Publication:
December 2024
December 2024
Subject:
Landscape Theory
Landscape Theory
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books
books
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$9.95
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In the Fall of 2004, The Museum of Modern Art completed a major expansion and renovation of its famous midtown Manhattan building, doubling the Museum's size and introducing dynamic new galleries and public spaces. At the core of the remodeled Museum, designed by architect Yoshio Taniguchi, is the Abby Aldrich Rockefeller Sculpture Garden, newly restored to its 1953(...)
$9.95
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Summary:
In the Fall of 2004, The Museum of Modern Art completed a major expansion and renovation of its famous midtown Manhattan building, doubling the Museum's size and introducing dynamic new galleries and public spaces. At the core of the remodeled Museum, designed by architect Yoshio Taniguchi, is the Abby Aldrich Rockefeller Sculpture Garden, newly restored to its 1953(...)
Title:
A modern garden: The abby aldrich rochefeller sculpture garden at the museum of modern art
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In the Fall of 2004, The Museum of Modern Art completed a major expansion and renovation of its famous midtown Manhattan building, doubling the Museum's size and introducing dynamic new galleries and public spaces. At the core of the remodeled Museum, designed by architect Yoshio Taniguchi, is the Abby Aldrich Rockefeller Sculpture Garden, newly restored to its 1953 dimensions. Described by Taniguchi as "perhaps the most distinctive single element of the Museum today," the Sculpture Garden, an oasis of water, trees and masterpieces of modern sculpture, has long been the Museum's signature space--as well as its social heart. This fully illustrated, affordable, pocket-sized book is designed to convey the beauty and elegance of the garden. It also features a photographic chronology of the many performances, exhibitions and events held in the garden over the years, as well as an introduction and a brief historical narrative.
A modern garden: The abby aldrich rochefeller sculpture garden at the museum of modern art
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Summary:
In the Fall of 2004, The Museum of Modern Art completed a major expansion and renovation of its famous midtown Manhattan building, doubling the Museum's size and introducing dynamic new galleries and public spaces. At the core of the remodeled Museum, designed by architect Yoshio Taniguchi, is the Abby Aldrich Rockefeller Sculpture Garden, newly restored to its 1953 dimensions. Described by Taniguchi as "perhaps the most distinctive single element of the Museum today," the Sculpture Garden, an oasis of water, trees and masterpieces of modern sculpture, has long been the Museum's signature space--as well as its social heart. This fully illustrated, affordable, pocket-sized book is designed to convey the beauty and elegance of the garden. It also features a photographic chronology of the many performances, exhibitions and events held in the garden over the years, as well as an introduction and a brief historical narrative.
Form:
books
books
Publication:
April 2007, New York
April 2007, New York
Subject:
Gardens
Gardens
Form:
books
books
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$30.00
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Summary:
This volume presents, in a sequence of ten conversations, Bernard Tschumi's autobiography in architecture, from his conceptual proposals of the early 1970s through his major current buildings and projects. Tschumi approaches his work as the gradual construction of an argument. The conversations, drawn from a six-year series of interviews with critic Enrique Walker,(...)
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Summary:
This volume presents, in a sequence of ten conversations, Bernard Tschumi's autobiography in architecture, from his conceptual proposals of the early 1970s through his major current buildings and projects. Tschumi approaches his work as the gradual construction of an argument. The conversations, drawn from a six-year series of interviews with critic Enrique Walker,(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
September 2006, New York
September 2006, New York
Title:
Tschumi on architecture : conversations with Enrique Walker
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Summary:
This volume presents, in a sequence of ten conversations, Bernard Tschumi's autobiography in architecture, from his conceptual proposals of the early 1970s through his major current buildings and projects. Tschumi approaches his work as the gradual construction of an argument. The conversations, drawn from a six-year series of interviews with critic Enrique Walker, represent that argument in an analysis of Tschumi’s writings, buildings, and other works. The conversations offer a clear-eyed analysis of Tschumi’s work, suggesting the interwoven relationship between the strategies of each individual design and the formation of the architect’s overarching theoretical project. Among the major works of architecture investigated are Parc de la Villette in Paris; Le Fresnoy National Studio for Contemporary Arts in Tourcoing, France; and the New Acropolis Museum in Athens. Also included are Tschumi's conceptual works and writings such as "The Manhattan Transcripts" and "Architecture and Disjunction".
Tschumi on architecture : conversations with Enrique Walker
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$30.00
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Summary:
This volume presents, in a sequence of ten conversations, Bernard Tschumi's autobiography in architecture, from his conceptual proposals of the early 1970s through his major current buildings and projects. Tschumi approaches his work as the gradual construction of an argument. The conversations, drawn from a six-year series of interviews with critic Enrique Walker, represent that argument in an analysis of Tschumi’s writings, buildings, and other works. The conversations offer a clear-eyed analysis of Tschumi’s work, suggesting the interwoven relationship between the strategies of each individual design and the formation of the architect’s overarching theoretical project. Among the major works of architecture investigated are Parc de la Villette in Paris; Le Fresnoy National Studio for Contemporary Arts in Tourcoing, France; and the New Acropolis Museum in Athens. Also included are Tschumi's conceptual works and writings such as "The Manhattan Transcripts" and "Architecture and Disjunction".
Form:
books
books
Publication:
September 2006, New York
September 2006, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$40.50
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Summary:
''For Want of a Nail'' takes as its starting point a series of curious memoranda sent from J. Robert Oppenheimer's office in October 1943 and archived in the Los Alamos Historical Museum, in which the eminent scientist repeatedly requests a nail in the wall upon which he could hang his hat. The persistence and specificity of the request for this nail inspired the(...)
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Summary:
''For Want of a Nail'' takes as its starting point a series of curious memoranda sent from J. Robert Oppenheimer's office in October 1943 and archived in the Los Alamos Historical Museum, in which the eminent scientist repeatedly requests a nail in the wall upon which he could hang his hat. The persistence and specificity of the request for this nail inspired the(...)
Subject:
Environment and environmental theory
Environment and environmental theory
Publication:
March 2019
March 2019
Title:
Futurefarmers: For want of a nail
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''For Want of a Nail'' takes as its starting point a series of curious memoranda sent from J. Robert Oppenheimer's office in October 1943 and archived in the Los Alamos Historical Museum, in which the eminent scientist repeatedly requests a nail in the wall upon which he could hang his hat. The persistence and specificity of the request for this nail inspired the international art collective Futurefarmers to create, by hand (and after more than a half-century delay), three nails for the theoretical physicist: one forged from a meteorite, one cast using 1943 steel pennies, and a third made by re-fusing Trinitite, a material formed by residue from the Trinity nuclear bomb test. Throughout this multidisciplinary project, Futurefarmers constructs a narrative that runs parallel, and in some cases counter to, the conventional accounts of the Manhattan Project and Oppenheimer, its chief architect.
Futurefarmers: For want of a nail
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$40.50
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Summary:
''For Want of a Nail'' takes as its starting point a series of curious memoranda sent from J. Robert Oppenheimer's office in October 1943 and archived in the Los Alamos Historical Museum, in which the eminent scientist repeatedly requests a nail in the wall upon which he could hang his hat. The persistence and specificity of the request for this nail inspired the international art collective Futurefarmers to create, by hand (and after more than a half-century delay), three nails for the theoretical physicist: one forged from a meteorite, one cast using 1943 steel pennies, and a third made by re-fusing Trinitite, a material formed by residue from the Trinity nuclear bomb test. Throughout this multidisciplinary project, Futurefarmers constructs a narrative that runs parallel, and in some cases counter to, the conventional accounts of the Manhattan Project and Oppenheimer, its chief architect.
Form:
books
books
Publication:
March 2019
March 2019
Subject:
Environment and environmental theory
Environment and environmental theory
Form:
books
books
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$18.00
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Summary:
The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. "Red Plenty" is about that moment in(...)
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Summary:
The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. "Red Plenty" is about that moment in(...)
Title:
Red plenty: inside the fifties' soviet dream
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$18.00
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The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. "Red Plenty" is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Nikita Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan, every Lada would be better engineered than a Porsche and sputniks would lead the way to the stars. And it's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending.
Red plenty: inside the fifties' soviet dream
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The Soviet Union was founded on a fairytale. It was built on 20th-century magic called 'the planned economy', which was going to gush forth an abundance of good things that the penny-pinching lands of capitalism could never match. And just for a little while, in the heady years of the late 1950s, the magic seemed to be working. "Red Plenty" is about that moment in history, and how it came, and how it went away; about the brief era when, under the rash leadership of Nikita Khrushchev, the Soviet Union looked forward to a future of rich communists and envious capitalists, when Moscow would out-glitter Manhattan, every Lada would be better engineered than a Porsche and sputniks would lead the way to the stars. And it's about the scientists who did their genuinely brilliant best to make the dream come true, to give the tyranny its happy ending.
Form:
books
books
Publication:
August 2011
August 2011
Subject:
Architecture and the imaginary
Architecture and the imaginary
Form:
books
books
Price:
$52.00
(available to order)
Summary:
In 1966, Billy Klüver and Fred Waldhauer, engineers at Bell Labs in Murray Hill, New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.’s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances(...)
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Summary:
In 1966, Billy Klüver and Fred Waldhauer, engineers at Bell Labs in Murray Hill, New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.’s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances(...)
Title:
Sensing the future: Experiments in Art and Technology (E.A.T)
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$52.00
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In 1966, Billy Klüver and Fred Waldhauer, engineers at Bell Labs in Murray Hill, New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.’s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the Pepsi Pavilion at Expo ’70 in Osaka, Japan, presented a multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, the participants—including John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudor—imagined innovative ways for art and science to intersect and enrich society. "Sensing the future" tells the story of these collaborations between artists and engineers and how they led to new installations and technology-based artworks.
Sensing the future: Experiments in Art and Technology (E.A.T)
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$52.00
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Summary:
In 1966, Billy Klüver and Fred Waldhauer, engineers at Bell Labs in Murray Hill, New Jersey, teamed up with artists Robert Rauschenberg and Robert Whitman to form a nonprofit organization, Experiments in Art and Technology (E.A.T.). E.A.T.’s debut event, 9 Evenings: Theatre & Engineering, integrated art, theater, and groundbreaking technology in a series of performances at the 69th Regiment Armory in Manhattan. Its second major event, the Pepsi Pavilion at Expo ’70 in Osaka, Japan, presented a multisensory environment for the first world exposition held in Asia. At these events, and in the hundreds of collaborations E.A.T. facilitated in between, the participants—including John Cage, Lucinda Childs, Deborah Hay, Steve Paxton, Yvonne Rainer, and David Tudor—imagined innovative ways for art and science to intersect and enrich society. "Sensing the future" tells the story of these collaborations between artists and engineers and how they led to new installations and technology-based artworks.
Form:
books
books
Publication:
October 2024
October 2024
Subject:
Art Theory
Art Theory
