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392 pages : color illustrations ; 23 cm.
Paris : Félin, ©2010.
Histoire de l'habitat idéal : de l'Orient à l'Occident / Augustin Berque.
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Description:
392 pages : color illustrations ; 23 cm.
books
Paris : Félin, ©2010.
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Who is Amsterdam, really? This book presents the Dutch capital as experienced by the residents themselves. Many who call Amsterdam home – especially those most often pushed to the margins – translate their experiences into maps, drawings, photos, and graphics. You’ll see streets you’ve not yet walked down, far beyond the historical centre, through the eyes of people you(...)
Subjective atlas of Amsterdam
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Who is Amsterdam, really? This book presents the Dutch capital as experienced by the residents themselves. Many who call Amsterdam home – especially those most often pushed to the margins – translate their experiences into maps, drawings, photos, and graphics. You’ll see streets you’ve not yet walked down, far beyond the historical centre, through the eyes of people you may not have met, but who could be your neighbours. These pages illustrate unsung neighbourhoods, subjective mundanities, vital criticism, and declarations of love, creating a nuanced collection that captures something difficult to quantify or make tangible: how cultures shape a city. Initiated by the Architecture Centre of Amsterdam (Arcam), this book, and the plural realities within it, reflect on how to make the city a better place, for everyone.
Contemporary Architecture
$32.00
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This book addresses the contemporary pavilion phenomenon and those often temporary and functionless architectural structures commissioned and exhibited by art institutions around the world (including the annual Serpentine Pavilion in London, Young Architects Program at MoMA PS1 in New York and the MPavilion in Melbourne). Despite its ubiquity and popular success, the(...)
Pavilion propositions: nine points on an architectural phenomenon
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This book addresses the contemporary pavilion phenomenon and those often temporary and functionless architectural structures commissioned and exhibited by art institutions around the world (including the annual Serpentine Pavilion in London, Young Architects Program at MoMA PS1 in New York and the MPavilion in Melbourne). Despite its ubiquity and popular success, the contemporary pavilion has been inconsistently theorized and frequently disparaged. In this book, the authors reclaim the pavilion against those that would dismiss the phenomenon as symptomatic of the exhaustion of the critical potential of architecture's intersection with art. The pavilion phenomenon also occasions a timely interrogation of larger questions concerning the changing relations between culture and the economy- changes that are shifting the planes on which architecture and art meet.
Contemporary Architecture
$66.00
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Centré sur le XIXe siècle, cet ouvrage tente d'éclairer ce phénomène de standardisation à travers le cas des ornements en carton-pierre, puis des terres cuites produites dans la région toulousaine. Il montre comment, en dépit de leurs formes empruntées au répertoire classique, les premiers éléments de série constituent des matériaux nouveaux, qui modifient le travail de(...)
March 2006, Sprimont
L'ornement en série : architecture, terre cuite et carton-pierre
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Centré sur le XIXe siècle, cet ouvrage tente d'éclairer ce phénomène de standardisation à travers le cas des ornements en carton-pierre, puis des terres cuites produites dans la région toulousaine. Il montre comment, en dépit de leurs formes empruntées au répertoire classique, les premiers éléments de série constituent des matériaux nouveaux, qui modifient le travail de conception et la pratique du chantier, mais aussi la hiérarchie entre architecture monumentale et architecture courante. Dans cette perspective, les catalogues commerciaux qui accompagnent la production de masse, et s'imposent à ceux qui conçoivent, comme à ceux qui réalisent, apparaissent comme des outils déterminants au statut ambigu. Cette enquête sur l'ornement en série révèle l'implication active des architectes et des sculpteurs dans l'invention technique, la production mécanique et le commerce une variété d'acteurs et de démarches qui montre la diversité des pratiques de l'architecture au début de la période contemporaine.
Abstract 2015
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ABSTRACT is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2015 edition includes the applied(...)
Abstract 2015
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ABSTRACT is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2015 edition includes the applied research of the school's laboratories and projects from design studios taught by Benjamin Aranda, Eric Bunge and Mimi Hoang, Juan Herreros, Steven Holl, Jeffrey Inaba, Andres Jaque, Laura Kurgan, Jing Liu, LOT-EK, Reinhold Martin, Kate Orff, Jorge Otero-Pailos, Hilary Sample, Bernard Tschumi, Nanako Umemoto and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.
Contemporary Architecture
Still Cabanon
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In 1952, Le Corbusier designed a small wooden building for himself that he would inhabit for years as a home-shelter. Le Cabanon would be remembered as a reflection on the concentration of inhabited space, on the versatility of space and its uses. This formed the basis for a challenge posed to a group of authors from different fields in art, architecture and design. Their(...)
Still Cabanon
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In 1952, Le Corbusier designed a small wooden building for himself that he would inhabit for years as a home-shelter. Le Cabanon would be remembered as a reflection on the concentration of inhabited space, on the versatility of space and its uses. This formed the basis for a challenge posed to a group of authors from different fields in art, architecture and design. Their aim: to think and design an intimate shelter space for themselves, where they would reflect on inhabiting the twenty-first century. The exhibition of their exercises and proposals, "Still Cabanon", took place during the 2017 Anozero Biennial, Coimbra (PT) and this book is its catalogue. With contributions by, among others Aires Mateus, Carvalho Araújo, Didier Fiuza Faustino, Eduardo Souto Moura, Fernanda Fragateiro, and José Pedro Croft.
Contemporary Architecture
Abstract 2017
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"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied(...)
Abstract 2017
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"Abstract" is the yearly publication of work and research from the Columbia University Graduate School of Architecture Planning and Preservation. Produced through the Office of the Dean Amale Andraos, the archive of student work contains documentation of exceptional projects, selected by faculty at the conclusion of each semester. The 2017 edition includes the applied research of the school's laboratories and projects from design studios taught by Eric Bunge and Mimi Hoang, Kersten Geers, Juan Herreros, Steven Holl, Andres Jaque, Momoyo Kaijima and Yoshiharu Tsukumoto, and Laura Kurgan, Jing Liu, LOT-EK, Reinhold Martin, Umberto Napolitano, Kate Orff, Jorge Otero-Pailos, Rural Urban Framework, Hilary Sample, Bernard Tschumi, and Enrique Walker and many others. This encyclopedic volume is conceived as both an organizational model for the school and a testament to the global distribution of the work included within.
Contemporary Architecture
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This book chronicles the fourth academic year of the studio led by Kersten Geers at the Academy of Architecture USI in Mendrisio. It was produced as a counterpart to Experiments in Thickness, a book which focused on the work of Giancarlo de Carlo in Urbino. As a means of grappling with that elephant in the room—the modern project—and its perceived failure of good(...)
Everything without content 241: A modernist ending
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This book chronicles the fourth academic year of the studio led by Kersten Geers at the Academy of Architecture USI in Mendrisio. It was produced as a counterpart to Experiments in Thickness, a book which focused on the work of Giancarlo de Carlo in Urbino. As a means of grappling with that elephant in the room—the modern project—and its perceived failure of good intentions, all the projects gathered here are an update of sorts. Abstract overarching narratives were updated as premises for projects in Milan, De Carlo’s campus in Urbino was updated to accommodate current student population, and unrealised projects in Milan were revived to create a radically contemporary urbanity. But this was not an exercise in nostalgia and retrieval of the lost cause, as much as seeking an opportunity in a modernist ending.
Contemporary Architecture
OfficeUS manual
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"OfficeUS Manual" is a critical, occasionally humorous and sometimes stupefying guide to the architectural workplace that documents and interrogates the protocols, policies and procedures of architectural offices. The book is the third publication of the OfficeUS series, which is dealing with the development of US architectural practices all over the world. "OfficeUS(...)
Contemporary Architecture
January 2016
OfficeUS manual
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"OfficeUS Manual" is a critical, occasionally humorous and sometimes stupefying guide to the architectural workplace that documents and interrogates the protocols, policies and procedures of architectural offices. The book is the third publication of the OfficeUS series, which is dealing with the development of US architectural practices all over the world. "OfficeUS Manual" contains historical material from large firms and small studios. Additionally it features contemporary reflections by more than fifty architects, artists and writers concerned with the needs and desires of professional architecture practices today. It analyses the methods and practices of architectural firms looking at the past one hundred years. The book with its exceptional use of photography is a resource for understanding – and reimagining – the nature and design of an architectural practice. It features original graphic analysis and images from "The Architects" by Amie Siegel.
Contemporary Architecture
Italian collage
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Several Italian architects have recently taken up the technique of collage again to present their ideas. The three masters of this tendency are Carmelo Baglivo, Luca Galofaro and Beniamino Servino, while the younger generation includes authors such as Davide Trabucco and robocoop. If collage has been one of the favorite techniques in Italian architecture since the(...)
Contemporary Architecture
December 2020
Italian collage
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Several Italian architects have recently taken up the technique of collage again to present their ideas. The three masters of this tendency are Carmelo Baglivo, Luca Galofaro and Beniamino Servino, while the younger generation includes authors such as Davide Trabucco and robocoop. If collage has been one of the favorite techniques in Italian architecture since the nineteen sixties, the current collagists are new in ways that relate to developments in digital technology. They use software like Photoshop to create their images, recur to social media like Facebook to post their work and they can refer to the whole history of architectural and non-architectural imagery, which is instantly accessible on the Web. Their collages can be visual comments as well as daring fantasies. The book presents a rich selection of images and original texts dedicated to this phenomenon.
Contemporary Architecture