19236 Results
Form:
exhibitions
exhibitions
Description:
The architectural model offers a means by which architectural ideas can be shared among architects, builders, and interested laymen. The Use of Models: Nineteenth-Century Church Architecture in Québec demonstrates a certain variety in functions ascribed to wooden architectural models around 1850. Witness to an era that saw architectural practice developing a heightened(...)
The architectural model offers a means by which architectural ideas can be shared among architects, builders, and interested laymen. The Use of Models: Nineteenth-Century Church Architecture in Québec demonstrates a certain variety in functions ascribed to wooden architectural models around 1850. Witness to an era that saw architectural practice developing a heightened(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
18 May 1994 to 11 September 1994
18 May 1994 to 11 September 1994
Title:
The Use of Models: Nineteenth-Century Church Architecture in Québec
Actions:
Description:
The architectural model offers a means by which architectural ideas can be shared among architects, builders, and interested laymen. The Use of Models: Nineteenth-Century Church Architecture in Québec demonstrates a certain variety in functions ascribed to wooden architectural models around 1850. Witness to an era that saw architectural practice developing a heightened(...)
The Use of Models: Nineteenth-Century Church Architecture in Québec
Actions:
Description:
The architectural model offers a means by which architectural ideas can be shared among architects, builders, and interested laymen. The Use of Models: Nineteenth-Century Church Architecture in Québec demonstrates a certain variety in functions ascribed to wooden architectural models around 1850. Witness to an era that saw architectural practice developing a heightened(...)
Form:
exhibitions
exhibitions
Date:
18 May 1994 to
11 September 1994
18 May 1994 to
11 September 1994
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Actions:
Description:
The exhibition focuses on one of Ernest Cormier’s masterworks—the Université de Montréal, built high on the northwest slope of Mount Royal between 1928 and 1943—and situates the Montréal architect and his work in the context of international thought where European and North American cultural and architectural ideas converged. The objects in the exhibition are drawn in(...)
The exhibition focuses on one of Ernest Cormier’s masterworks—the Université de Montréal, built high on the northwest slope of Mount Royal between 1928 and 1943—and situates the Montréal architect and his work in the context of international thought where European and North American cultural and architectural ideas converged. The objects in the exhibition are drawn in(...)
Location:
Main galleries
Main galleries
Date:
2 May 1990 to 21 October 1990
2 May 1990 to 21 October 1990
Title:
Ernest Cormier and the Université de Montréal
Actions:
Description:
The exhibition focuses on one of Ernest Cormier’s masterworks—the Université de Montréal, built high on the northwest slope of Mount Royal between 1928 and 1943—and situates the Montréal architect and his work in the context of international thought where European and North American cultural and architectural ideas converged. The objects in the exhibition are drawn in(...)
Ernest Cormier and the Université de Montréal
Actions:
Description:
The exhibition focuses on one of Ernest Cormier’s masterworks—the Université de Montréal, built high on the northwest slope of Mount Royal between 1928 and 1943—and situates the Montréal architect and his work in the context of international thought where European and North American cultural and architectural ideas converged. The objects in the exhibition are drawn in(...)
Form:
exhibitions
exhibitions
Date:
2 May 1990 to
21 October 1990
2 May 1990 to
21 October 1990
Location:
Main galleries
Main galleries
Form:
exhibitions
exhibitions
Description:
Disneyland, with its far-flung colonies in Florida, Japan, and France, is a key symbol of contemporary American culture that has been both celebrated and attacked as the ultimate embodiment of consumer society, of simulation and pastiche, of the blurring of distinctions between reality and mass-media imagery. The Architecture of Reassurance: Designing the Disney Theme(...)
Disneyland, with its far-flung colonies in Florida, Japan, and France, is a key symbol of contemporary American culture that has been both celebrated and attacked as the ultimate embodiment of consumer society, of simulation and pastiche, of the blurring of distinctions between reality and mass-media imagery. The Architecture of Reassurance: Designing the Disney Theme(...)
Location:
Main galleries
Main galleries
Date:
17 June 1997 to 28 September 1997
17 June 1997 to 28 September 1997
Title:
The Architecture of Reassurance: Designing the Disney Theme Parks
Actions:
Description:
Disneyland, with its far-flung colonies in Florida, Japan, and France, is a key symbol of contemporary American culture that has been both celebrated and attacked as the ultimate embodiment of consumer society, of simulation and pastiche, of the blurring of distinctions between reality and mass-media imagery. The Architecture of Reassurance: Designing the Disney Theme(...)
The Architecture of Reassurance: Designing the Disney Theme Parks
Actions:
Description:
Disneyland, with its far-flung colonies in Florida, Japan, and France, is a key symbol of contemporary American culture that has been both celebrated and attacked as the ultimate embodiment of consumer society, of simulation and pastiche, of the blurring of distinctions between reality and mass-media imagery. The Architecture of Reassurance: Designing the Disney Theme(...)
Form:
exhibitions
exhibitions
Date:
17 June 1997 to
28 September 1997
17 June 1997 to
28 September 1997
Location:
Main galleries
Main galleries
Form:
events
events
Actions:
Description:
In conjunction with the exhibition The Other Architect, Todd Rouhe and Rachel Himmelfarb of common room present the groups collaborative working process: This question—what’s the problem?—is central to how common room works. The question defines a process of searching, experiencing, interacting, and communicating that not only informs how we understand architecture and(...)
In conjunction with the exhibition The Other Architect, Todd Rouhe and Rachel Himmelfarb of common room present the groups collaborative working process: This question—what’s the problem?—is central to how common room works. The question defines a process of searching, experiencing, interacting, and communicating that not only informs how we understand architecture and(...)
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Date:
19 November 2015
19 November 2015
Title:
common room: What's the Problem?
Actions:
Description:
In conjunction with the exhibition The Other Architect, Todd Rouhe and Rachel Himmelfarb of common room present the groups collaborative working process: This question—what’s the problem?—is central to how common room works. The question defines a process of searching, experiencing, interacting, and communicating that not only informs how we understand architecture and(...)
common room: What's the Problem?
Actions:
Description:
In conjunction with the exhibition The Other Architect, Todd Rouhe and Rachel Himmelfarb of common room present the groups collaborative working process: This question—what’s the problem?—is central to how common room works. The question defines a process of searching, experiencing, interacting, and communicating that not only informs how we understand architecture and(...)
Form:
events
events
Date:
19 November 2015
19 November 2015
Location:
Paul-Desmarais Theatre
Paul-Desmarais Theatre
Form:
exhibitions
exhibitions
Description:
A look at Louis Kahn’s graphic work shows that his search for abstract monumentality, which culminated in his works of the 1960s, began decades earlier in his abundant drawings, travel sketches, and landscapes. The studies, travel sketches, and landscapes shown in the exhibition—such as Kahns intimate landscapes from Gaspé, where he regularly vacationed during the 1930s(...)
A look at Louis Kahn’s graphic work shows that his search for abstract monumentality, which culminated in his works of the 1960s, began decades earlier in his abundant drawings, travel sketches, and landscapes. The studies, travel sketches, and landscapes shown in the exhibition—such as Kahns intimate landscapes from Gaspé, where he regularly vacationed during the 1930s(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
19 May 1993 to 29 August 1993
19 May 1993 to 29 August 1993
Title:
An Architectural Odyssey: The Travel Sketches of Louis I. Kahn
Actions:
Description:
A look at Louis Kahn’s graphic work shows that his search for abstract monumentality, which culminated in his works of the 1960s, began decades earlier in his abundant drawings, travel sketches, and landscapes. The studies, travel sketches, and landscapes shown in the exhibition—such as Kahns intimate landscapes from Gaspé, where he regularly vacationed during the 1930s(...)
An Architectural Odyssey: The Travel Sketches of Louis I. Kahn
Actions:
Description:
A look at Louis Kahn’s graphic work shows that his search for abstract monumentality, which culminated in his works of the 1960s, began decades earlier in his abundant drawings, travel sketches, and landscapes. The studies, travel sketches, and landscapes shown in the exhibition—such as Kahns intimate landscapes from Gaspé, where he regularly vacationed during the 1930s(...)
Form:
exhibitions
exhibitions
Date:
19 May 1993 to
29 August 1993
19 May 1993 to
29 August 1993
Location:
Octagonal gallery
Octagonal gallery
Form:
exhibitions
exhibitions
Title:
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
Actions:
Description:
This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
11 December 2003 to 7 March 2004
11 December 2003 to 7 March 2004
Title:
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
Actions:
Description:
This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
West 37th Street, Manhattan, photographed by John Veltri between 13 September and 18 September 1966
Actions:
Description:
This exhibition highlights a work that the New York engineering firm Leonard S. Wegman Co. commissioned in 1966 from John Veltri. Veltri was to photograph every building, parking area, and shaftway on West 37th Street between 8th and 9th Avenues, at the heart of Manhattan’s busy Garment District. The photographs Veltri made in connection with Wegman Co.’s redevelopment(...)
Form:
exhibitions
exhibitions
Date:
11 December 2003 to
7 March 2004
11 December 2003 to
7 March 2004
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Date:
5 October 2017, 6:30pm
5 October 2017, 6:30pm
Title:
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Form:
events
events
Date:
5 October 2017
6:30pm
5 October 2017
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Form:
events
events
Actions:
Description:
While we wait for the climate crisis to convince us that it is real, what is the right attitude to take? Should we panic, start saving food, or just lie down and try to relax? Join us in a temporary tv studio for a live recording of diverse thinkers presenting their work and reflecting on how it suggests different ways forward. To mark the opening of It’s All Happening(...)
While we wait for the climate crisis to convince us that it is real, what is the right attitude to take? Should we panic, start saving food, or just lie down and try to relax? Join us in a temporary tv studio for a live recording of diverse thinkers presenting their work and reflecting on how it suggests different ways forward. To mark the opening of It’s All Happening(...)
Date:
16 November 2016
16 November 2016
Title:
Hostile or docile?
Actions:
Description:
While we wait for the climate crisis to convince us that it is real, what is the right attitude to take? Should we panic, start saving food, or just lie down and try to relax? Join us in a temporary tv studio for a live recording of diverse thinkers presenting their work and reflecting on how it suggests different ways forward. To mark the opening of It’s All Happening(...)
Hostile or docile?
Actions:
Description:
While we wait for the climate crisis to convince us that it is real, what is the right attitude to take? Should we panic, start saving food, or just lie down and try to relax? Join us in a temporary tv studio for a live recording of diverse thinkers presenting their work and reflecting on how it suggests different ways forward. To mark the opening of It’s All Happening(...)
Form:
events
events
Date:
16 November 2016
16 November 2016
Form:
exhibitions
exhibitions
Description:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Location:
Baile Park
Baile Park
Date:
6 May 2004 to 6 September 2004
6 May 2004 to 6 September 2004
Title:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970)
Actions:
Description:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970)
Actions:
Description:
Absent Wall: Recalling Gordon Matta-Clark’s Garbage Wall (1970), an installation in the CCA’s Baile Park, is a symbolic structure that evokes Matta-Clark’s interest in recycling, leftover spaces, and alternatives to architectural design. On the occasion of the first Earth Day, Gordon Matta-Clark orchestrated an event at Manhattan’s St. Mark’s Church that took place from(...)
Form:
exhibitions
exhibitions
Date:
6 May 2004 to
6 September 2004
6 May 2004 to
6 September 2004
Location:
Baile Park
Baile Park
Form:
exhibitions
exhibitions
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Location:
Main galleries
Main galleries
Date:
15 May 2003 to 14 September 2003
15 May 2003 to 14 September 2003
Title:
Traces of India: Photography, Architecture, and the Politics of Representation
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Traces of India: Photography, Architecture, and the Politics of Representation
Actions:
Description:
Traces of India depicts the social, political, and anthropological role of images, showing how they laid the historical foundations—real and imagined—on which an ordered empire may have been constructed, rather than an assemblage of colonial trading relationships. Organized around six themes, the exhibition explores some of the greatest architectural sites of the Indian(...)
Form:
exhibitions
exhibitions
Date:
15 May 2003 to
14 September 2003
15 May 2003 to
14 September 2003
Location:
Main galleries
Main galleries
