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Architecture of the territory/ Guilherme Wisnik/ Museum and theatre, Vitoria/ Montevideo Bay/ ERSU Viale la Playa university campus, Cagliari/ State Art Museum, Sao Paulo/ National Museum of Fine Art, Rio de Janeiro/ FIESP Cultural Centre, Sao Paulo/ Torre del Gallo-Galileo apartment, Florence/ Nossa Senhora de Conceiçao Chapel, Recife/ Cândido and Eliana(...)
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Architecture of the territory/ Guilherme Wisnik/ Museum and theatre, Vitoria/ Montevideo Bay/ ERSU Viale la Playa university campus, Cagliari/ State Art Museum, Sao Paulo/ National Museum of Fine Art, Rio de Janeiro/ FIESP Cultural Centre, Sao Paulo/ Torre del Gallo-Galileo apartment, Florence/ Nossa Senhora de Conceiçao Chapel, Recife/ Cândido and Eliana(...)
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2G 45: Paulo Mendes da Rocha: recent work
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Architecture of the territory/ Guilherme Wisnik/ Museum and theatre, Vitoria/ Montevideo Bay/ ERSU Viale la Playa university campus, Cagliari/ State Art Museum, Sao Paulo/ National Museum of Fine Art, Rio de Janeiro/ FIESP Cultural Centre, Sao Paulo/ Torre del Gallo-Galileo apartment, Florence/ Nossa Senhora de Conceiçao Chapel, Recife/ Cândido and Eliana House, Sao Paulo/ Leme Gallery, Sao Paulo/ Housing in Vallecas, Madrid/ Parque Dom Pedro II Bus Station, Sao Paulo/ Patriarca Square, Sao Paulo/ SESC Tatuapé Cultural Centre, Brasilia/ Museum Square, the University of Sao Paulo/ Master plan for the campus of Vigo University/ Biography/ Nexus/ Interviews with Paulo Mendes da Rocha and his collaborators
2G 45: Paulo Mendes da Rocha: recent work
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Architecture of the territory/ Guilherme Wisnik/ Museum and theatre, Vitoria/ Montevideo Bay/ ERSU Viale la Playa university campus, Cagliari/ State Art Museum, Sao Paulo/ National Museum of Fine Art, Rio de Janeiro/ FIESP Cultural Centre, Sao Paulo/ Torre del Gallo-Galileo apartment, Florence/ Nossa Senhora de Conceiçao Chapel, Recife/ Cândido and Eliana House, Sao Paulo/ Leme Gallery, Sao Paulo/ Housing in Vallecas, Madrid/ Parque Dom Pedro II Bus Station, Sao Paulo/ Patriarca Square, Sao Paulo/ SESC Tatuapé Cultural Centre, Brasilia/ Museum Square, the University of Sao Paulo/ Master plan for the campus of Vigo University/ Biography/ Nexus/ Interviews with Paulo Mendes da Rocha and his collaborators
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journals and magazines
journals and magazines
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June 2008, Barcelona
June 2008, Barcelona
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Magazines
Magazines
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books
books
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Habitat marocain documents
Habitat marocain documents
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Casablanca’s Habitat Marocain housing project was built between 1954 and 1956 by Swiss architects Jean Hentsch and André Studer, part of the major postwar reconstruction and expansion undertaken by the French colonial administration after World War II. The building was intended to house local inhabitants rather than European expats, and that intention guided the(...)
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Casablanca’s Habitat Marocain housing project was built between 1954 and 1956 by Swiss architects Jean Hentsch and André Studer, part of the major postwar reconstruction and expansion undertaken by the French colonial administration after World War II. The building was intended to house local inhabitants rather than European expats, and that intention guided the(...)
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Habitat marocain documents
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Casablanca’s Habitat Marocain housing project was built between 1954 and 1956 by Swiss architects Jean Hentsch and André Studer, part of the major postwar reconstruction and expansion undertaken by the French colonial administration after World War II. The building was intended to house local inhabitants rather than European expats, and that intention guided the architects in their design, which reflected a number of ethnographic assumptions about the Moroccan populace. This richly illustrated book explores the process of designing and building Habitat Marocain, illustrating the complicated interplay of ethnographic imagination and design synthesis, as well as the increasingly informal further development of the project after it was officially completed.
Habitat marocain documents
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Casablanca’s Habitat Marocain housing project was built between 1954 and 1956 by Swiss architects Jean Hentsch and André Studer, part of the major postwar reconstruction and expansion undertaken by the French colonial administration after World War II. The building was intended to house local inhabitants rather than European expats, and that intention guided the architects in their design, which reflected a number of ethnographic assumptions about the Moroccan populace. This richly illustrated book explores the process of designing and building Habitat Marocain, illustrating the complicated interplay of ethnographic imagination and design synthesis, as well as the increasingly informal further development of the project after it was officially completed.
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books
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August 2015
August 2015
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Collective Housing
Collective Housing
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6435 drawings, 0,27 l.m. of photographic materials, 5.93 l.m. of textual records, other materials, Arranged by series: Series 1. Student work and professional work in...
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6435 drawings, 0,27 l.m. of photographic materials, 5.93 l.m. of textual records, other materials, Arranged by series: Series 1. Student work and professional work in...
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Victor Prus fonds, 1945-1992.
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6435 drawings, 0,27 l.m. of photographic materials, 5.93 l.m. of textual records, other materials, Arranged by series: Series 1. Student work and professional work in...
Victor Prus fonds, 1945-1992.
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6435 drawings, 0,27 l.m. of photographic materials, 5.93 l.m. of textual records, other materials, Arranged by series: Series 1. Student work and professional work in...
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328 pages : illustrations ; 23 cm.
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328 pages : illustrations ; 23 cm.
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Chicago : The University of Chicago Press, [2015], ©2015
Chicago : The University of Chicago Press, [2015], ©2015
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A world of homeowners : American power and the politics of housing aid / Nancy H. Kwak.
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328 pages : illustrations ; 23 cm.
A world of homeowners : American power and the politics of housing aid / Nancy H. Kwak.
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328 pages : illustrations ; 23 cm.
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books
books
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Chicago : The University of Chicago Press, [2015], ©2015
Chicago : The University of Chicago Press, [2015], ©2015
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$61.95
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The German architect Rudolf Schwarz (1897–1961) numbers among the leading masters of church architecture in the twentieth century. Inspired by the Catholic Youth Movement, Schwarz designed more than forty religious buildings after 1924 and played an integral role in Cologne’s reconstruction in the aftermath of World War II. In addition, he made a name for himself as the(...)
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The German architect Rudolf Schwarz (1897–1961) numbers among the leading masters of church architecture in the twentieth century. Inspired by the Catholic Youth Movement, Schwarz designed more than forty religious buildings after 1924 and played an integral role in Cologne’s reconstruction in the aftermath of World War II. In addition, he made a name for himself as the(...)
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Rudolf Schwarz: church architecture
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The German architect Rudolf Schwarz (1897–1961) numbers among the leading masters of church architecture in the twentieth century. Inspired by the Catholic Youth Movement, Schwarz designed more than forty religious buildings after 1924 and played an integral role in Cologne’s reconstruction in the aftermath of World War II. In addition, he made a name for himself as the author of fundamental texts on sacred architecture. Praised by Mies van der Rohe as “designed order full of meaning,” Schwarz’s architecture was intended to house religious contemplation. He became famous for his vast, light-filled spaces, minimalist in form yet overflowing with symbolism. This volume documents Schwarz’s transformative sacred buildings in Germany and Austria alongside his collaborations with visual artists such as Ewald Mataré and Georg Meistermann.
Rudolf Schwarz: church architecture
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The German architect Rudolf Schwarz (1897–1961) numbers among the leading masters of church architecture in the twentieth century. Inspired by the Catholic Youth Movement, Schwarz designed more than forty religious buildings after 1924 and played an integral role in Cologne’s reconstruction in the aftermath of World War II. In addition, he made a name for himself as the author of fundamental texts on sacred architecture. Praised by Mies van der Rohe as “designed order full of meaning,” Schwarz’s architecture was intended to house religious contemplation. He became famous for his vast, light-filled spaces, minimalist in form yet overflowing with symbolism. This volume documents Schwarz’s transformative sacred buildings in Germany and Austria alongside his collaborations with visual artists such as Ewald Mataré and Georg Meistermann.
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books
books
Publication:
September 2018
September 2018
Subject:
Architecture Monographs
Architecture Monographs
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books
books
Title:
Hannah Höch: Interior garden
Hannah Höch: Interior garden
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At the onset of World War II, the visionary Dada artist Hannah Höch (1889–1978) retreated to a secluded house on the outskirts of Berlin, fleeing persecution for her radical collage work and her unflagging opposition to fascism. In the decades that followed, the surrounding garden became her artistic muse, but it was also a means of survival: its fruits and vegetables(...)
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At the onset of World War II, the visionary Dada artist Hannah Höch (1889–1978) retreated to a secluded house on the outskirts of Berlin, fleeing persecution for her radical collage work and her unflagging opposition to fascism. In the decades that followed, the surrounding garden became her artistic muse, but it was also a means of survival: its fruits and vegetables(...)
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Hannah Höch: Interior garden
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At the onset of World War II, the visionary Dada artist Hannah Höch (1889–1978) retreated to a secluded house on the outskirts of Berlin, fleeing persecution for her radical collage work and her unflagging opposition to fascism. In the decades that followed, the surrounding garden became her artistic muse, but it was also a means of survival: its fruits and vegetables were a vital source of sustenance during wartime, and its grounds served as the hiding place for her priceless collection of Dada artworks. Eighty years later, this richly illustrated and deeply researched book reimagines Höch’s garden from an artist’s perspective. It brings together Höch’s botanical collages and garden photographs with deep archival cuts exploring her queer history with Til Brugman; new art by the artists Scott Roben and Johanna Tiedtke, based on visits to Höch’s garden; and an essay by the writer Alhena Katsof. Together, these elements interweave past and present, private and public, personal and political, offering new views into Höch’s lush refuge.
Hannah Höch: Interior garden
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At the onset of World War II, the visionary Dada artist Hannah Höch (1889–1978) retreated to a secluded house on the outskirts of Berlin, fleeing persecution for her radical collage work and her unflagging opposition to fascism. In the decades that followed, the surrounding garden became her artistic muse, but it was also a means of survival: its fruits and vegetables were a vital source of sustenance during wartime, and its grounds served as the hiding place for her priceless collection of Dada artworks. Eighty years later, this richly illustrated and deeply researched book reimagines Höch’s garden from an artist’s perspective. It brings together Höch’s botanical collages and garden photographs with deep archival cuts exploring her queer history with Til Brugman; new art by the artists Scott Roben and Johanna Tiedtke, based on visits to Höch’s garden; and an essay by the writer Alhena Katsof. Together, these elements interweave past and present, private and public, personal and political, offering new views into Höch’s lush refuge.
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books
books
Publication:
January 2022
January 2022
Subject:
Gardens
Gardens
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books
books
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$27.95
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When World War II came along, the American military found itself in need of a prefabricated, lightweight shelter that could be easily shipped and quickly assembled. The quonset hut, that sliced tube of corrugated metal, was the answer. Over a hundred thousand were produced as part of the war effort. In its aftermath, even more were built and existing huts were adapted to(...)
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When World War II came along, the American military found itself in need of a prefabricated, lightweight shelter that could be easily shipped and quickly assembled. The quonset hut, that sliced tube of corrugated metal, was the answer. Over a hundred thousand were produced as part of the war effort. In its aftermath, even more were built and existing huts were adapted to(...)
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Quonset hut : metal living for a modern age
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When World War II came along, the American military found itself in need of a prefabricated, lightweight shelter that could be easily shipped and quickly assembled. The quonset hut, that sliced tube of corrugated metal, was the answer. Over a hundred thousand were produced as part of the war effort. In its aftermath, even more were built and existing huts were adapted to house the postwar population boom. Of course, it couldn't last: the American desire for permanence meant decay and neglect for many of these rough-and-ready shelters and quickie warehouses. But in the midst of its almost tragic tale of extinction, the quonset hut has emerged as an unexpected icon of Americana and an oasis of architectural imagination. Travel the back roads of America and you will find the quonset's distinctive shape enclosing everything from houses of worship to houses of pancakes. "Quonset Hut" tells the story of this unique architectural phenomena, from its birth during WWII as a mass-production shelter to its new status as an icon of American pragmatism, ingenuity, perseverance, and individuality.
Quonset hut : metal living for a modern age
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When World War II came along, the American military found itself in need of a prefabricated, lightweight shelter that could be easily shipped and quickly assembled. The quonset hut, that sliced tube of corrugated metal, was the answer. Over a hundred thousand were produced as part of the war effort. In its aftermath, even more were built and existing huts were adapted to house the postwar population boom. Of course, it couldn't last: the American desire for permanence meant decay and neglect for many of these rough-and-ready shelters and quickie warehouses. But in the midst of its almost tragic tale of extinction, the quonset hut has emerged as an unexpected icon of Americana and an oasis of architectural imagination. Travel the back roads of America and you will find the quonset's distinctive shape enclosing everything from houses of worship to houses of pancakes. "Quonset Hut" tells the story of this unique architectural phenomena, from its birth during WWII as a mass-production shelter to its new status as an icon of American pragmatism, ingenuity, perseverance, and individuality.
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books
books
Publication:
August 2005, New York
August 2005, New York
Subject:
sale books
sale books
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books
books
Title:
Sugimoto : architecture
Sugimoto : architecture
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Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's(...)
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Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's(...)
Subject:
Photography monographs
Photography monographs
Publication:
March 2003, New York
March 2003, New York
Title:
Sugimoto : architecture
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Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Nôtre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaudí's Casa Batlló II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America, and Asia.
Sugimoto : architecture
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$82.50
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Known for his long-exposure photographic series of empty movie theaters and drive-ins, seascapes, museum dioramas, and waxworks, Hiroshi Sugimoto has been turning his camera on international icons of 20th-century architecture since 1997. His deliberately blurred and seemingly timeless photographs depict structures as diverse as the Empire State Building, Le Corbusier's Chapel de Nôtre Dame du Haut, and Tadao Ando's Church of Light in Osaka. The resulting black-and-white photographs, shot distinctly out of focus and from unusual angles, are not attempts at documentation but rather evocation--meant to isolate the buildings from their contexts, allowing them to exist as dreamlike, uninhabited ideals. Among the other buildings represented in the series are Philippe Starck's Asahi Breweries, Fumihiko Maki's Fujisawa Municipal Gymnasium, the United Nations Building, the Chrysler Building, Giuseppi Terragni's Santelia Monument Como, the World Trade Center, Mies van der Rohe's Seagram Building, Antonio Gaudí's Casa Batlló II, the 1922 Schindler House, and buildings by Frank Gehry, Frank Lloyd Wright, and many others in Europe, North America, and Asia.
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books
books
Publication:
March 2003, New York
March 2003, New York
Subject:
Photography monographs
Photography monographs
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books
books
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican(...)
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican(...)
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Havana modern: Critical readings in Cuban architecture
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican Modernity (2005), Freud’s Mexico (2010) and Proust’s Latin Americans (2014)—the volume is arranged in 10 chapters authored by current and former Princeton faculty members and graduate students. These essays, which arose from seminars organized by Gallo and historian Beatriz Colomina, examine Max Abramovitz’s American Embassy; Richard Neutra’s De Schultess House; Martín Domínguez Esteban, Miguel Gastón and Emilio del Junco’s Radiocentro; Mies van Der Rohe’s office building for Ron Barcardí S.A.; Vittorio Garatti, Roberto Gottardi and Ricardo Porro’s National Art Schools for Havana; Mario Girona’s Coppelia Ice-cream parlor and park; Vittorio Garatti, Hugo D’Acosta and Sergio Baroni’s Cuban Pavilion at Expo 67; Antonio Quintana and Alberto Rodriguez’s "Edificio Experimental"; and Aleksandr Grigorievich Rochegov’s USRR Embassy. Havana Modern draws on history, politics, culture, literature and film to elucidate this outstandingly rich era in architectural history.
Havana modern: Critical readings in Cuban architecture
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In the decades after World War II, from just prior to the revolution and into the mid-1980s, modernist architecture blossomed in Cuba, attracting both native talent and leading international architects from Europe. Havana Modern examines Cuban modernism’s highlights with a wealth of archival materials, photos and new scholarship. Edited by Rubén Gallo—author of Mexican Modernity (2005), Freud’s Mexico (2010) and Proust’s Latin Americans (2014)—the volume is arranged in 10 chapters authored by current and former Princeton faculty members and graduate students. These essays, which arose from seminars organized by Gallo and historian Beatriz Colomina, examine Max Abramovitz’s American Embassy; Richard Neutra’s De Schultess House; Martín Domínguez Esteban, Miguel Gastón and Emilio del Junco’s Radiocentro; Mies van Der Rohe’s office building for Ron Barcardí S.A.; Vittorio Garatti, Roberto Gottardi and Ricardo Porro’s National Art Schools for Havana; Mario Girona’s Coppelia Ice-cream parlor and park; Vittorio Garatti, Hugo D’Acosta and Sergio Baroni’s Cuban Pavilion at Expo 67; Antonio Quintana and Alberto Rodriguez’s "Edificio Experimental"; and Aleksandr Grigorievich Rochegov’s USRR Embassy. Havana Modern draws on history, politics, culture, literature and film to elucidate this outstandingly rich era in architectural history.
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books
books
Publication:
September 2023
September 2023
Subject:
Architecture since 1900, Americas
Architecture since 1900, Americas
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books
books
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$73.50
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Between the early 1930s and 1950s, modernist architecture underwent a spectacular change of fortune in Britain – from a small-scale avant-garde movement, to the official, state-funded architectural idiom of the post-1945 Welfare State. FRS Yorke (1906–62) was an architect who completely followed that trajectory. His book "The modern house" (1934) placed his detailed(...)
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Between the early 1930s and 1950s, modernist architecture underwent a spectacular change of fortune in Britain – from a small-scale avant-garde movement, to the official, state-funded architectural idiom of the post-1945 Welfare State. FRS Yorke (1906–62) was an architect who completely followed that trajectory. His book "The modern house" (1934) placed his detailed(...)
Title:
FRS Yorke and the evolution of English modernism
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Between the early 1930s and 1950s, modernist architecture underwent a spectacular change of fortune in Britain – from a small-scale avant-garde movement, to the official, state-funded architectural idiom of the post-1945 Welfare State. FRS Yorke (1906–62) was an architect who completely followed that trajectory. His book "The modern house" (1934) placed his detailed knowledge of European architecture as an introduction to modern architecture for generations of architects, and provided inspiration for his own designs. But it was only after World War II, and the social and political change which came in its wake, that Yorke was able to turn his reputation as a modernist into commercial success. As his pre-War contemporaries gave up architecture or moved abroad, his practice – Yorke, Rosenberg and Mardall – drew on his experience of working on large, state-funded construction projects during the War, and participated in the transformation of Britain’s social and physical fabric with its new housing, hospitals, schools, universities and airports. This book concludes with a memoir by David Allford, who worked with Yorke and Yorke, Rosenberg and Mardall from 1952 until 1989.
FRS Yorke and the evolution of English modernism
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Between the early 1930s and 1950s, modernist architecture underwent a spectacular change of fortune in Britain – from a small-scale avant-garde movement, to the official, state-funded architectural idiom of the post-1945 Welfare State. FRS Yorke (1906–62) was an architect who completely followed that trajectory. His book "The modern house" (1934) placed his detailed knowledge of European architecture as an introduction to modern architecture for generations of architects, and provided inspiration for his own designs. But it was only after World War II, and the social and political change which came in its wake, that Yorke was able to turn his reputation as a modernist into commercial success. As his pre-War contemporaries gave up architecture or moved abroad, his practice – Yorke, Rosenberg and Mardall – drew on his experience of working on large, state-funded construction projects during the War, and participated in the transformation of Britain’s social and physical fabric with its new housing, hospitals, schools, universities and airports. This book concludes with a memoir by David Allford, who worked with Yorke and Yorke, Rosenberg and Mardall from 1952 until 1989.
Form:
books
books
Publication:
May 2003, Chichester
May 2003, Chichester
Subject:
Architecture Monographs
Architecture Monographs
