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events
events
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Description:
2016 Visiting Scholar Olumuyiwa Adegun presents his research: European cities of the nineteenth century, like African cities today, experienced severe housing problems. Shanty towns marked Berlin and Paris in ways that are similar to how Nairobi and Johannesburg have been characterized by informal settlements in the last few decades. This lecture explores the history of(...)
2016 Visiting Scholar Olumuyiwa Adegun presents his research: European cities of the nineteenth century, like African cities today, experienced severe housing problems. Shanty towns marked Berlin and Paris in ways that are similar to how Nairobi and Johannesburg have been characterized by informal settlements in the last few decades. This lecture explores the history of(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
4 August 2016, 6pm
4 August 2016, 6pm
Title:
Visiting Scholar Seminar: Olumuyiwa Adegun
Actions:
Description:
2016 Visiting Scholar Olumuyiwa Adegun presents his research: European cities of the nineteenth century, like African cities today, experienced severe housing problems. Shanty towns marked Berlin and Paris in ways that are similar to how Nairobi and Johannesburg have been characterized by informal settlements in the last few decades. This lecture explores the history of(...)
Visiting Scholar Seminar: Olumuyiwa Adegun
Actions:
Description:
2016 Visiting Scholar Olumuyiwa Adegun presents his research: European cities of the nineteenth century, like African cities today, experienced severe housing problems. Shanty towns marked Berlin and Paris in ways that are similar to how Nairobi and Johannesburg have been characterized by informal settlements in the last few decades. This lecture explores the history of(...)
Form:
events
events
Date:
4 August 2016
6pm
4 August 2016
6pm
Location:
Shaughnessy House
Shaughnessy House
Level of archival description:
Project
Project
Reference number:
AP140.S2.SS2.D39
Description:
File documents a dead project for the Deutsches Historisches Museum Competition, in Berlin, Germany. Material in this file was produced in 1987. File contains textual records, including several conceptual drawings.
AP140.S2.SS2.D39
Description:
File documents a dead project for the Deutsches Historisches Museum Competition, in Berlin, Germany. Material in this file was produced in 1987. File contains textual records, including several conceptual drawings.
People:
Date:
1987
1987
Title:
Deutsches Historisches Museum Competition
Actions:
AP140.S2.SS2.D39
Description:
File documents a dead project for the Deutsches Historisches Museum Competition, in Berlin, Germany. Material in this file was produced in 1987. File contains textual records, including several conceptual drawings.
Deutsches Historisches Museum Competition
Actions:
AP140.S2.SS2.D39
Description:
File documents a dead project for the Deutsches Historisches Museum Competition, in Berlin, Germany. Material in this file was produced in 1987. File contains textual records, including several conceptual drawings.
Level of archival description:
File 39
File 39
Date:
1987
1987
People:
Level of archival description:
Project
Project
Title:
Victims I
Victims I
Reference number:
AP145.S2.D55
Description:
File documents a project for Berlin, West Germany (now Germany). Material in this file was produced in 1984. File contains a sketchbook, conceptual drawings, design development drawings, and presentation drawings.
AP145.S2.D55
Description:
File documents a project for Berlin, West Germany (now Germany). Material in this file was produced in 1984. File contains a sketchbook, conceptual drawings, design development drawings, and presentation drawings.
People:
Date:
[1984]
[1984]
Title:
Victims I
Actions:
AP145.S2.D55
Description:
File documents a project for Berlin, West Germany (now Germany). Material in this file was produced in 1984. File contains a sketchbook, conceptual drawings, design development drawings, and presentation drawings.
Victims I
Actions:
AP145.S2.D55
Description:
File documents a project for Berlin, West Germany (now Germany). Material in this file was produced in 1984. File contains a sketchbook, conceptual drawings, design development drawings, and presentation drawings.
Level of archival description:
File 55
File 55
Date:
[1984]
[1984]
People:
Level of archival description:
Project
Project
Title:
Citlin
Citlin
Reference number:
AP144.S2.D144
Description:
File documents a contribution to an exhibition hosted by the Aedes Galerie in Berlin, Germany, entitled "Berlin - Denkmal oder Denkmodell?". Price's contribution is centred around the concept of four "Annual Portals", monumental (but disassemblable and movable) structures which are apparently meant to guide the long-term flow of citizens' urban activities as they live in and eventually leave the city. Material in this file was produced in 1979 and between 1987 and 1988, but predominantly in 1988. File contains conceptual drawings, presentation panels, models, photographic materials and textual records.
AP144.S2.D144
Description:
File documents a contribution to an exhibition hosted by the Aedes Galerie in Berlin, Germany, entitled "Berlin - Denkmal oder Denkmodell?". Price's contribution is centred around the concept of four "Annual Portals", monumental (but disassemblable and movable) structures which are apparently meant to guide the long-term flow of citizens' urban activities as they live in and eventually leave the city. Material in this file was produced in 1979 and between 1987 and 1988, but predominantly in 1988. File contains conceptual drawings, presentation panels, models, photographic materials and textual records.
People:
Date:
1979, 1987-1988, predominant 1988
1979, 1987-1988, predominant 1988
Title:
Citlin
Actions:
AP144.S2.D144
Description:
File documents a contribution to an exhibition hosted by the Aedes Galerie in Berlin, Germany, entitled "Berlin - Denkmal oder Denkmodell?". Price's contribution is centred around the concept of four "Annual Portals", monumental (but disassemblable and movable) structures which are apparently meant to guide the long-term flow of citizens' urban activities as they live in and eventually leave the city. Material in this file was produced in 1979 and between 1987 and 1988, but predominantly in 1988. File contains conceptual drawings, presentation panels, models, photographic materials and textual records.
Citlin
Actions:
AP144.S2.D144
Description:
File documents a contribution to an exhibition hosted by the Aedes Galerie in Berlin, Germany, entitled "Berlin - Denkmal oder Denkmodell?". Price's contribution is centred around the concept of four "Annual Portals", monumental (but disassemblable and movable) structures which are apparently meant to guide the long-term flow of citizens' urban activities as they live in and eventually leave the city. Material in this file was produced in 1979 and between 1987 and 1988, but predominantly in 1988. File contains conceptual drawings, presentation panels, models, photographic materials and textual records.
Level of archival description:
File 144
File 144
Date:
1979, 1987-1988, predominant 1988
1979, 1987-1988, predominant 1988
People:
Level of archival description:
Project
Project
Reference number:
AP145.S2.D50
Description:
File documents a project that was executed and shown at the Martin-Gropius-Bau, Berlin, West Germany (now Germany) in 1984. Material in this file was produced in 1984. File contains presentation drawings.
AP145.S2.D50
Description:
File documents a project that was executed and shown at the Martin-Gropius-Bau, Berlin, West Germany (now Germany) in 1984. Material in this file was produced in 1984. File contains presentation drawings.
People:
Date:
[1984]
[1984]
Title:
Studio for a Painter and Studio for a Musician
Actions:
AP145.S2.D50
Description:
File documents a project that was executed and shown at the Martin-Gropius-Bau, Berlin, West Germany (now Germany) in 1984. Material in this file was produced in 1984. File contains presentation drawings.
Studio for a Painter and Studio for a Musician
Actions:
AP145.S2.D50
Description:
File documents a project that was executed and shown at the Martin-Gropius-Bau, Berlin, West Germany (now Germany) in 1984. Material in this file was produced in 1984. File contains presentation drawings.
Level of archival description:
File 50
File 50
Date:
[1984]
[1984]
People:
Level of archival description:
Series
Series
Title:
Hans and Wassili Luckhardt
Hans and Wassili Luckhardt
Actions:
Reference number:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
People:
Date:
1919-1920
1919-1920
Title:
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Hans and Wassili Luckhardt
Actions:
AP162.S6
Description:
Series documents the contribution of architects Hans Luckhardt and Wasilli Luckhardt to the correspondence circle of Die gläserne Kette, with each writing under the pseudonyms Angkor and Zachen respectively. Born in Berlin in 1880, Hans Luckhardt studied architecture at the Technische Hochschule at Karlsruhe, Germany. In 1919, he joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians, and the Arbeitsrat für Kunst, lead by Bruno Taut. These two groups merged in November 1919. The same year, Luckhardt exhibitied his work at the Ausstellung für unbekannte Architekten and contributed to the organization of the Neues Bauen exhibition the next year. In 1921, Hans Luckhardt began his working collaboration with his brother Wassili. Born in Berlin in 1989, Wassili Luckhardt studied archictecture at the Technische Hochschule at Berlin-Charlottenburg and at the Technische Hochschule in Dresden. He undertook his military service from 1914 to 1918. Like his brother Hans, Wasilli joined the Novembergruppeand the Arbeitsrat für Kunst in 1919 and exhibited his work at the Ausstellung für unbekannte Architekten. During their collaboration, the Luckhardt brothers worked on designs for private commisions and competition schemes including some for Berlin and Hanover (1951-1952). Hans Luckhardt died in 1954 in Bad Wiessee. Wassili Luckhardt continued his work as an architect on various architectural projects. He died in 1972 in Berlin. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hans and Wasilli Luckhardt to the Die gläserne Kette circle, along with related drawings and photographs. The series also includes a photograph of a architectural model for a project by the Luckhart brothers.
Level of archival description:
series
series
Date:
1919-1920
1919-1920
People:
Form:
drawings
drawings
Reference number:
AP178.S2.1981.006
Description:
This sketchbook includes sketches of and notes for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany. There is also mention of the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA) and some sketches of people.
AP178.S2.1981.006
Description:
This sketchbook includes sketches of and notes for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany. There is also mention of the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA) and some sketches of people.
People:
Date:
August 1981
August 1981
Title:
Sketchbook 89: Berlim (Cunhal Creche) Retrato Ulli - Ovar
Actions:
AP178.S2.1981.006
Description:
This sketchbook includes sketches of and notes for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany. There is also mention of the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA) and some sketches of people.
Sketchbook 89: Berlim (Cunhal Creche) Retrato Ulli - Ovar
Actions:
AP178.S2.1981.006
Description:
This sketchbook includes sketches of and notes for Edifício de Apartamentos Bonjour Tristesse in Berlin, Germany. There is also mention of the International Architectural Exhibition Berlin competition (International Bauaustellung, IBA) and some sketches of people.
Form:
drawings
drawings
Date:
August 1981
August 1981
People:
Form:
events
events
Actions:
Description:
Following an intense period of work in the mid-1970s with Portugal’s post-revolutionary housing initiatives, in the early 1980s Álvaro Siza contributed projects to two of the most important urban renewal programs in Europe: Berlin’s IBA and The Hague’s Stadsvernieuwing als Kulturel Aktiviteit (Urban Renewal as a Cultural Activity). This lecture will examine the(...)
Following an intense period of work in the mid-1970s with Portugal’s post-revolutionary housing initiatives, in the early 1980s Álvaro Siza contributed projects to two of the most important urban renewal programs in Europe: Berlin’s IBA and The Hague’s Stadsvernieuwing als Kulturel Aktiviteit (Urban Renewal as a Cultural Activity). This lecture will examine the(...)
Date:
26 November 2015
26 November 2015
Title:
Álvaro Siza’s Archaeology of the Ordinary
Actions:
Description:
Following an intense period of work in the mid-1970s with Portugal’s post-revolutionary housing initiatives, in the early 1980s Álvaro Siza contributed projects to two of the most important urban renewal programs in Europe: Berlin’s IBA and The Hague’s Stadsvernieuwing als Kulturel Aktiviteit (Urban Renewal as a Cultural Activity). This lecture will examine the(...)
Álvaro Siza’s Archaeology of the Ordinary
Actions:
Description:
Following an intense period of work in the mid-1970s with Portugal’s post-revolutionary housing initiatives, in the early 1980s Álvaro Siza contributed projects to two of the most important urban renewal programs in Europe: Berlin’s IBA and The Hague’s Stadsvernieuwing als Kulturel Aktiviteit (Urban Renewal as a Cultural Activity). This lecture will examine the(...)
Form:
events
events
Date:
26 November 2015
26 November 2015
Form:
events
events
Actions:
Description:
Thomas Demand gives a Mellon lecture describing the limitations but also the strange pre-eminence of models as artefacts. The artist, who has presented mid-career retrospectives at both MOMA and the Neue Nationalgalerie in Berlin, argues that whilst models describe a fragment of our surroundings, it is difficult to prove them wrong.
Thomas Demand gives a Mellon lecture describing the limitations but also the strange pre-eminence of models as artefacts. The artist, who has presented mid-career retrospectives at both MOMA and the Neue Nationalgalerie in Berlin, argues that whilst models describe a fragment of our surroundings, it is difficult to prove them wrong.
Date:
10 October 2013
10 October 2013
Title:
Thomas Demand: Models of Perception
Actions:
Description:
Thomas Demand gives a Mellon lecture describing the limitations but also the strange pre-eminence of models as artefacts. The artist, who has presented mid-career retrospectives at both MOMA and the Neue Nationalgalerie in Berlin, argues that whilst models describe a fragment of our surroundings, it is difficult to prove them wrong.
Thomas Demand: Models of Perception
Actions:
Description:
Thomas Demand gives a Mellon lecture describing the limitations but also the strange pre-eminence of models as artefacts. The artist, who has presented mid-career retrospectives at both MOMA and the Neue Nationalgalerie in Berlin, argues that whilst models describe a fragment of our surroundings, it is difficult to prove them wrong.
Form:
events
events
Date:
10 October 2013
10 October 2013
Level of archival description:
Project
Project
Title:
Klingelhöfer-Dreieck Housing
Klingelhöfer-Dreieck Housing
Actions:
Reference number:
AP143.S4.D112
Description:
File documents the unexecuted project for Klingelhöfer-Dreieck Housing, Berlin, Germany. Material int his file was produced in 1995. File contains design development drawings, presentation drawings, reference drawings, textual records, and models.
AP143.S4.D112
Description:
File documents the unexecuted project for Klingelhöfer-Dreieck Housing, Berlin, Germany. Material int his file was produced in 1995. File contains design development drawings, presentation drawings, reference drawings, textual records, and models.
People:
Date:
1995
1995
Title:
Klingelhöfer-Dreieck Housing
Actions:
AP143.S4.D112
Description:
File documents the unexecuted project for Klingelhöfer-Dreieck Housing, Berlin, Germany. Material int his file was produced in 1995. File contains design development drawings, presentation drawings, reference drawings, textual records, and models.
Klingelhöfer-Dreieck Housing
Actions:
AP143.S4.D112
Description:
File documents the unexecuted project for Klingelhöfer-Dreieck Housing, Berlin, Germany. Material int his file was produced in 1995. File contains design development drawings, presentation drawings, reference drawings, textual records, and models.
Level of archival description:
File 112
File 112
Date:
1995
1995
People:
