3869 Results
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
People:
Date:
circa 1987-2015
circa 1987-2015
Title:
Paesaggi Della Memoria [Landscapes of Memory] (1987)
Actions:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Paesaggi Della Memoria [Landscapes of Memory] (1987)
Actions:
AP207.S1.1987.PR01
Description:
The project series documents "Paesaggi Della Memoria", an installation presented at the Castello Aragonese, in Otranto in 1987. The installation consists of a small mound of sand on which is placed a plastic open suitcase and plastic cuttings that represent the mountains from Pettena's childhood landscape. This work by Pettena is a "metaphor for any possible personal interpretation of the universal theme of the landscape, bestow on it an artistic significance, the charge carried by the values of poetry, of the memory of a space and a time that here also acquire, thanks to the context, the “Mediterranean” dimension, reinforced by the presence of sand and the essential character of the setting." [1] The project series contains sketches and installation photographs and videos. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-landscapes-of-memory-1987/ (last accessed 11 December 2019).
Level of archival description:
Project
Project
Date:
circa 1987-2015
circa 1987-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2013.PR01
Description:
The project series documents "The Game of Architecture", a drawing realized in 2013. The drawing is of triangular-shaped structures made of bricks standing in a desert. This drawing is a reinterpretation of a previous project by Pettena "Situazioni Competitive" in 1971. "Here architecture, albeit with the same characteristic of competitiveness, becomes indistinct, confused, no longer the leading actor, at the mercy of an unknown context (a desert? the nature of an alien planet?) which, threatening to overwhelm it, seems to nullify its every need and characteristic." [1] The project series contains a drawing for the 2013 edition and the 2018 version, which is a digital photograph modified to show the architectural construction standing in rough water. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-game-of-architecture-2013-1/ (last accessed 28 January 2020)
AP207.S1.2013.PR01
Description:
The project series documents "The Game of Architecture", a drawing realized in 2013. The drawing is of triangular-shaped structures made of bricks standing in a desert. This drawing is a reinterpretation of a previous project by Pettena "Situazioni Competitive" in 1971. "Here architecture, albeit with the same characteristic of competitiveness, becomes indistinct, confused, no longer the leading actor, at the mercy of an unknown context (a desert? the nature of an alien planet?) which, threatening to overwhelm it, seems to nullify its every need and characteristic." [1] The project series contains a drawing for the 2013 edition and the 2018 version, which is a digital photograph modified to show the architectural construction standing in rough water. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-game-of-architecture-2013-1/ (last accessed 28 January 2020)
People:
Date:
2011-2018
2011-2018
Title:
The Game of Architecture (2013)
Actions:
AP207.S1.2013.PR01
Description:
The project series documents "The Game of Architecture", a drawing realized in 2013. The drawing is of triangular-shaped structures made of bricks standing in a desert. This drawing is a reinterpretation of a previous project by Pettena "Situazioni Competitive" in 1971. "Here architecture, albeit with the same characteristic of competitiveness, becomes indistinct, confused, no longer the leading actor, at the mercy of an unknown context (a desert? the nature of an alien planet?) which, threatening to overwhelm it, seems to nullify its every need and characteristic." [1] The project series contains a drawing for the 2013 edition and the 2018 version, which is a digital photograph modified to show the architectural construction standing in rough water. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-game-of-architecture-2013-1/ (last accessed 28 January 2020)
The Game of Architecture (2013)
Actions:
AP207.S1.2013.PR01
Description:
The project series documents "The Game of Architecture", a drawing realized in 2013. The drawing is of triangular-shaped structures made of bricks standing in a desert. This drawing is a reinterpretation of a previous project by Pettena "Situazioni Competitive" in 1971. "Here architecture, albeit with the same characteristic of competitiveness, becomes indistinct, confused, no longer the leading actor, at the mercy of an unknown context (a desert? the nature of an alien planet?) which, threatening to overwhelm it, seems to nullify its every need and characteristic." [1] The project series contains a drawing for the 2013 edition and the 2018 version, which is a digital photograph modified to show the architectural construction standing in rough water. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-the-game-of-architecture-2013-1/ (last accessed 28 January 2020)
Level of archival description:
Project
Project
Date:
2011-2018
2011-2018
People:
Form:
exhibitions
exhibitions
Actions:
Description:
As part of the CCA’s ongoing exploration of key issues in contemporary architecture with a specific focus on urban, social, and environmental concerns, Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa features recent architectural projects that propose new solutions to the challenges of building homes in dense urban environments. London and(...)
As part of the CCA’s ongoing exploration of key issues in contemporary architecture with a specific focus on urban, social, and environmental concerns, Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa features recent architectural projects that propose new solutions to the challenges of building homes in dense urban environments. London and(...)
Location:
Main galleries
Main galleries
Date:
14 May 2008 to 26 October 2008
14 May 2008 to 26 October 2008
Title:
Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa
Actions:
Description:
As part of the CCA’s ongoing exploration of key issues in contemporary architecture with a specific focus on urban, social, and environmental concerns, Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa features recent architectural projects that propose new solutions to the challenges of building homes in dense urban environments. London and(...)
Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa
Actions:
Description:
As part of the CCA’s ongoing exploration of key issues in contemporary architecture with a specific focus on urban, social, and environmental concerns, Some Ideas on Living in London and Tokyo by Stephen Taylor and Ryue Nishizawa features recent architectural projects that propose new solutions to the challenges of building homes in dense urban environments. London and(...)
Form:
exhibitions
exhibitions
Date:
14 May 2008 to
26 October 2008
14 May 2008 to
26 October 2008
Location:
Main galleries
Main galleries
Form:
research
research
Title:
Visiting Scholars 2001–2002
Visiting Scholars 2001–2002
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Date:
September 2001 to August 2002
September 2001 to August 2002
Title:
Visiting Scholars 2001–2002
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Visiting Scholars 2001–2002
Actions:
Description:
Theme: The Phenomenon of Paradigm Shifts in Architecture since Antiquity: Brigitte Desrochers, National Gallery of Canada, Ottawa, Canada Topic: Au-delà du style. Naissance du classicisme structurel dans les ruines de Pompei Joseph Disponzio, Graduate School of Design, Harvard University, Cambridge, United States Topic: Jean-Marie Morel and the Invention of Landscape(...)
Form:
research
research
Date:
September 2001 to
August 2002
September 2001 to
August 2002
Form:
textual records
textual records
Reference number:
AP206.S2.074
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.073. This file includes the following papers: "Le Corbusier's Chandigarh: Architecture in the Cultural Context," symposium talk, 1990 "Why not Ruralisation," paper outline "Growing Problems of Cities," book review of "The Politics of Urban Redevelopment: A Study of Old Delhi by Ajay K. Mehra," 1991 "Housing as Consumer Commodity," book review of "Housing and Urbanisation: A Study of India by Cedric Pugh," 1991 "Air Pollution and Conservation of the Environment," speech
AP206.S2.074
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.073. This file includes the following papers: "Le Corbusier's Chandigarh: Architecture in the Cultural Context," symposium talk, 1990 "Why not Ruralisation," paper outline "Growing Problems of Cities," book review of "The Politics of Urban Redevelopment: A Study of Old Delhi by Ajay K. Mehra," 1991 "Housing as Consumer Commodity," book review of "Housing and Urbanisation: A Study of India by Cedric Pugh," 1991 "Air Pollution and Conservation of the Environment," speech
People:
Date:
1986-1998
1986-1998
Title:
Published and unpublished papers (folder 3 of 3)
Actions:
AP206.S2.074
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.073. This file includes the following papers: "Le Corbusier's Chandigarh: Architecture in the Cultural Context," symposium talk, 1990 "Why not Ruralisation," paper outline "Growing Problems of Cities," book review of "The Politics of Urban Redevelopment: A Study of Old Delhi by Ajay K. Mehra," 1991 "Housing as Consumer Commodity," book review of "Housing and Urbanisation: A Study of India by Cedric Pugh," 1991 "Air Pollution and Conservation of the Environment," speech
Published and unpublished papers (folder 3 of 3)
Actions:
AP206.S2.074
Description:
File was originally housed in a binder along with content arranged in AP206.S2.072 and AP206.S2.073. This file includes the following papers: "Le Corbusier's Chandigarh: Architecture in the Cultural Context," symposium talk, 1990 "Why not Ruralisation," paper outline "Growing Problems of Cities," book review of "The Politics of Urban Redevelopment: A Study of Old Delhi by Ajay K. Mehra," 1991 "Housing as Consumer Commodity," book review of "Housing and Urbanisation: A Study of India by Cedric Pugh," 1991 "Air Pollution and Conservation of the Environment," speech
Form:
textual records
textual records
Date:
1986-1998
1986-1998
People:
Level of archival description:
Project
Project
Title:
Laundry (1969)
Laundry (1969)
Actions:
Reference number:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
People:
Date:
circa 1969-2017
circa 1969-2017
Title:
Laundry (1969)
Actions:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
Laundry (1969)
Actions:
AP207.S1.1969.PR02
Description:
This project series documents Pettena's installation "Laundry" realized in the context of the Campo Urbano, a series of artistic events staged during a day at the Piazza del Duomo, in the historic centre of Como, in Italy, on the 21st of September 1969. Pettena was one of the forty artists, musicians, architects and art critics invited to the event [2]. For his installation, "Pettena chose to hang out washing on clothes lines, with the aim of underlining the difference between the appearance of a city and the experience of living in it." [2]. The project series contains photographs of the installation at the Piazza del Duomo, in Como, sketches of the installation, and a project description in English and Italian. Sources: [1] Radical Pedagogies, https://radical-pedagogies.com/search-cases/i05-campo-urbano/ (last accessed 4 November 2019) [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-laundry-1969-1/ (last accessed 4 November 2019)
Level of archival description:
Project
Project
Date:
circa 1969-2017
circa 1969-2017
People:
Level of archival description:
Project
Project
Title:
Quarry (1971)
Quarry (1971)
Reference number:
AP207.S1.1971.PR03
Description:
The project series documents Pettena's project "Quarry". It consists of a series of three drawings showing a quarry wall painted in pink washed away by a rain storm, consequently creating and leading to the formation of a small lake of pink water at the bottom of the quarry. A camera, placed on the opposite side of the quarry, films the whole process. "The drawing traces an intervention in three successive phases in a context modified by the work of human beings and then reconquered by nature [...]." [1] The project series contains drawings of the three successive phases, one showing the painted wall, the second showing the rain storm, and the last one showing the lake formed at the bottom of the quarry with the pink stained water. It also includes project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-quarry-1971-1/ (last accessed 11 November 2019)
AP207.S1.1971.PR03
Description:
The project series documents Pettena's project "Quarry". It consists of a series of three drawings showing a quarry wall painted in pink washed away by a rain storm, consequently creating and leading to the formation of a small lake of pink water at the bottom of the quarry. A camera, placed on the opposite side of the quarry, films the whole process. "The drawing traces an intervention in three successive phases in a context modified by the work of human beings and then reconquered by nature [...]." [1] The project series contains drawings of the three successive phases, one showing the painted wall, the second showing the rain storm, and the last one showing the lake formed at the bottom of the quarry with the pink stained water. It also includes project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-quarry-1971-1/ (last accessed 11 November 2019)
People:
Date:
1971-2015
1971-2015
Title:
Quarry (1971)
Actions:
AP207.S1.1971.PR03
Description:
The project series documents Pettena's project "Quarry". It consists of a series of three drawings showing a quarry wall painted in pink washed away by a rain storm, consequently creating and leading to the formation of a small lake of pink water at the bottom of the quarry. A camera, placed on the opposite side of the quarry, films the whole process. "The drawing traces an intervention in three successive phases in a context modified by the work of human beings and then reconquered by nature [...]." [1] The project series contains drawings of the three successive phases, one showing the painted wall, the second showing the rain storm, and the last one showing the lake formed at the bottom of the quarry with the pink stained water. It also includes project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-quarry-1971-1/ (last accessed 11 November 2019)
Quarry (1971)
Actions:
AP207.S1.1971.PR03
Description:
The project series documents Pettena's project "Quarry". It consists of a series of three drawings showing a quarry wall painted in pink washed away by a rain storm, consequently creating and leading to the formation of a small lake of pink water at the bottom of the quarry. A camera, placed on the opposite side of the quarry, films the whole process. "The drawing traces an intervention in three successive phases in a context modified by the work of human beings and then reconquered by nature [...]." [1] The project series contains drawings of the three successive phases, one showing the painted wall, the second showing the rain storm, and the last one showing the lake formed at the bottom of the quarry with the pink stained water. It also includes project descriptions in English and in Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-quarry-1971-1/ (last accessed 11 November 2019)
Level of archival description:
Project
Project
Date:
1971-2015
1971-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1985.PR02
Description:
The project series documents "Poltramaca", an installation that consists of half an armchair carved into a tree trunk and half a hammock hanging from a tree. The installation was presented at the Salone del Mobile, Galleria Megapoli in Milan in 1985. "[...] the trunk, cut down and abandoned, is thereby reconquered by its context, “caught” by a net that connects it to a still living tree." [1] Two other editions of the installation were presented at the "Gianni Pettena one-man show" exhibition at the Museo Piaggio, in Pontedera, in 2003, and at the Galleria Enrico Fornello in Prato, in 2009. The project series contains sketches, three drawings showing the variations of the armchair-hammock design, notes, and photographs of the installation in 1985, 2003 and 2009, and a digital video of the 2009 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-hammock-1985/ (last accessed 11 December 2019).
AP207.S1.1985.PR02
Description:
The project series documents "Poltramaca", an installation that consists of half an armchair carved into a tree trunk and half a hammock hanging from a tree. The installation was presented at the Salone del Mobile, Galleria Megapoli in Milan in 1985. "[...] the trunk, cut down and abandoned, is thereby reconquered by its context, “caught” by a net that connects it to a still living tree." [1] Two other editions of the installation were presented at the "Gianni Pettena one-man show" exhibition at the Museo Piaggio, in Pontedera, in 2003, and at the Galleria Enrico Fornello in Prato, in 2009. The project series contains sketches, three drawings showing the variations of the armchair-hammock design, notes, and photographs of the installation in 1985, 2003 and 2009, and a digital video of the 2009 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-hammock-1985/ (last accessed 11 December 2019).
People:
Date:
circa 1985-2015
circa 1985-2015
Title:
Poltramaca [Armchair-Hammock] (1985)
Actions:
AP207.S1.1985.PR02
Description:
The project series documents "Poltramaca", an installation that consists of half an armchair carved into a tree trunk and half a hammock hanging from a tree. The installation was presented at the Salone del Mobile, Galleria Megapoli in Milan in 1985. "[...] the trunk, cut down and abandoned, is thereby reconquered by its context, “caught” by a net that connects it to a still living tree." [1] Two other editions of the installation were presented at the "Gianni Pettena one-man show" exhibition at the Museo Piaggio, in Pontedera, in 2003, and at the Galleria Enrico Fornello in Prato, in 2009. The project series contains sketches, three drawings showing the variations of the armchair-hammock design, notes, and photographs of the installation in 1985, 2003 and 2009, and a digital video of the 2009 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-hammock-1985/ (last accessed 11 December 2019).
Poltramaca [Armchair-Hammock] (1985)
Actions:
AP207.S1.1985.PR02
Description:
The project series documents "Poltramaca", an installation that consists of half an armchair carved into a tree trunk and half a hammock hanging from a tree. The installation was presented at the Salone del Mobile, Galleria Megapoli in Milan in 1985. "[...] the trunk, cut down and abandoned, is thereby reconquered by its context, “caught” by a net that connects it to a still living tree." [1] Two other editions of the installation were presented at the "Gianni Pettena one-man show" exhibition at the Museo Piaggio, in Pontedera, in 2003, and at the Galleria Enrico Fornello in Prato, in 2009. The project series contains sketches, three drawings showing the variations of the armchair-hammock design, notes, and photographs of the installation in 1985, 2003 and 2009, and a digital video of the 2009 installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-armchair-hammock-1985/ (last accessed 11 December 2019).
Level of archival description:
Project
Project
Date:
circa 1985-2015
circa 1985-2015
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.1992.PR01
Description:
The project series documents Pettena's preliminary study and proposal for the restoration and conversion of the Forte Inglese, a Napoleonic era fortification in Portoferraio, Italy. Pettena worked on this project in 1992. The restauration and conversion project for the fort was not realized because of changes in the local government. The proposal consisted of converting the fort into an exhibition space, an auditorium and a public garden "by simply adding spaces that utilized volumes created underground or at the rear: thus the respect of the preexisting context was assured, from the viewpoint of history as well as landscape." [1] The project series contains a preliminary study report by Pettena, sketches, site plans, floor plans, elevations, and sections for Pettena's proposal, reference photographs, research material, such as photocopies of publications on the fort and reference plans for the historic building. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-study-for-the-restoration-1992/ (last accessed 21 January 2020).
AP207.S1.1992.PR01
Description:
The project series documents Pettena's preliminary study and proposal for the restoration and conversion of the Forte Inglese, a Napoleonic era fortification in Portoferraio, Italy. Pettena worked on this project in 1992. The restauration and conversion project for the fort was not realized because of changes in the local government. The proposal consisted of converting the fort into an exhibition space, an auditorium and a public garden "by simply adding spaces that utilized volumes created underground or at the rear: thus the respect of the preexisting context was assured, from the viewpoint of history as well as landscape." [1] The project series contains a preliminary study report by Pettena, sketches, site plans, floor plans, elevations, and sections for Pettena's proposal, reference photographs, research material, such as photocopies of publications on the fort and reference plans for the historic building. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-study-for-the-restoration-1992/ (last accessed 21 January 2020).
People:
Date:
1992-2015
1992-2015
Title:
Studio Per Il Restauro E La Riconversione Del Forte Inglese [Study for the Restoration and Conversion of the Fort Inglese], Portoferraio, Italy (1992)
Actions:
AP207.S1.1992.PR01
Description:
The project series documents Pettena's preliminary study and proposal for the restoration and conversion of the Forte Inglese, a Napoleonic era fortification in Portoferraio, Italy. Pettena worked on this project in 1992. The restauration and conversion project for the fort was not realized because of changes in the local government. The proposal consisted of converting the fort into an exhibition space, an auditorium and a public garden "by simply adding spaces that utilized volumes created underground or at the rear: thus the respect of the preexisting context was assured, from the viewpoint of history as well as landscape." [1] The project series contains a preliminary study report by Pettena, sketches, site plans, floor plans, elevations, and sections for Pettena's proposal, reference photographs, research material, such as photocopies of publications on the fort and reference plans for the historic building. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-study-for-the-restoration-1992/ (last accessed 21 January 2020).
Studio Per Il Restauro E La Riconversione Del Forte Inglese [Study for the Restoration and Conversion of the Fort Inglese], Portoferraio, Italy (1992)
Actions:
AP207.S1.1992.PR01
Description:
The project series documents Pettena's preliminary study and proposal for the restoration and conversion of the Forte Inglese, a Napoleonic era fortification in Portoferraio, Italy. Pettena worked on this project in 1992. The restauration and conversion project for the fort was not realized because of changes in the local government. The proposal consisted of converting the fort into an exhibition space, an auditorium and a public garden "by simply adding spaces that utilized volumes created underground or at the rear: thus the respect of the preexisting context was assured, from the viewpoint of history as well as landscape." [1] The project series contains a preliminary study report by Pettena, sketches, site plans, floor plans, elevations, and sections for Pettena's proposal, reference photographs, research material, such as photocopies of publications on the fort and reference plans for the historic building. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/arch-study-for-the-restoration-1992/ (last accessed 21 January 2020).
Level of archival description:
Project
Project
Date:
1992-2015
1992-2015
People:
Level of archival description:
Project
Project
Title:
Housing Research
Housing Research
Reference number:
AP144.S2.D67
Description:
File documents Housing Research on flexible, pre-fabricated, short-life housing in the United Kingdom. Much of the material developed for this project was published in "Cedric Price Supplement No. 4", 'Architectural Design', vol. 41, (October 1971), 619-628; 630, and "Cedric Price Supplement No. 5", 'Architectural Design', vol. 42, (January 1972), 24-29; 38-43. Although the research was sponsored by Cedric Price it is possible that he presented the results to the Ministry of Housing. The published research examines housing's "life patterning" potential within broader social, economic, and historical contexts. Some of the material also relates to Steel House (AP144.S2.D60). Cedric Price developed proposals for two test sites: Rochdale in Greater Manchester and Tilbury in Thurrock, England. Material in this file was produced between 1951 and 1998, but predominantly between 1967 and 1971. File contains material and research by Royston Landau. File contains conceptual drawings, design development drawings, layout, maps, model, photographic materials, presentation panels, and textual records.
AP144.S2.D67
Description:
File documents Housing Research on flexible, pre-fabricated, short-life housing in the United Kingdom. Much of the material developed for this project was published in "Cedric Price Supplement No. 4", 'Architectural Design', vol. 41, (October 1971), 619-628; 630, and "Cedric Price Supplement No. 5", 'Architectural Design', vol. 42, (January 1972), 24-29; 38-43. Although the research was sponsored by Cedric Price it is possible that he presented the results to the Ministry of Housing. The published research examines housing's "life patterning" potential within broader social, economic, and historical contexts. Some of the material also relates to Steel House (AP144.S2.D60). Cedric Price developed proposals for two test sites: Rochdale in Greater Manchester and Tilbury in Thurrock, England. Material in this file was produced between 1951 and 1998, but predominantly between 1967 and 1971. File contains material and research by Royston Landau. File contains conceptual drawings, design development drawings, layout, maps, model, photographic materials, presentation panels, and textual records.
People:
Date:
1951-1998, predominant 1967-1971
1951-1998, predominant 1967-1971
Title:
Housing Research
Actions:
AP144.S2.D67
Description:
File documents Housing Research on flexible, pre-fabricated, short-life housing in the United Kingdom. Much of the material developed for this project was published in "Cedric Price Supplement No. 4", 'Architectural Design', vol. 41, (October 1971), 619-628; 630, and "Cedric Price Supplement No. 5", 'Architectural Design', vol. 42, (January 1972), 24-29; 38-43. Although the research was sponsored by Cedric Price it is possible that he presented the results to the Ministry of Housing. The published research examines housing's "life patterning" potential within broader social, economic, and historical contexts. Some of the material also relates to Steel House (AP144.S2.D60). Cedric Price developed proposals for two test sites: Rochdale in Greater Manchester and Tilbury in Thurrock, England. Material in this file was produced between 1951 and 1998, but predominantly between 1967 and 1971. File contains material and research by Royston Landau. File contains conceptual drawings, design development drawings, layout, maps, model, photographic materials, presentation panels, and textual records.
Housing Research
Actions:
AP144.S2.D67
Description:
File documents Housing Research on flexible, pre-fabricated, short-life housing in the United Kingdom. Much of the material developed for this project was published in "Cedric Price Supplement No. 4", 'Architectural Design', vol. 41, (October 1971), 619-628; 630, and "Cedric Price Supplement No. 5", 'Architectural Design', vol. 42, (January 1972), 24-29; 38-43. Although the research was sponsored by Cedric Price it is possible that he presented the results to the Ministry of Housing. The published research examines housing's "life patterning" potential within broader social, economic, and historical contexts. Some of the material also relates to Steel House (AP144.S2.D60). Cedric Price developed proposals for two test sites: Rochdale in Greater Manchester and Tilbury in Thurrock, England. Material in this file was produced between 1951 and 1998, but predominantly between 1967 and 1971. File contains material and research by Royston Landau. File contains conceptual drawings, design development drawings, layout, maps, model, photographic materials, presentation panels, and textual records.
Level of archival description:
File 67
File 67
Date:
1951-1998, predominant 1967-1971
1951-1998, predominant 1967-1971
People:
