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Title:
Rémy Marlot
Rémy Marlot
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Born in Paris in 1972, Rémy Marlot's work associates the concepts of nature and culture in his work, around the issues of the urban landscape, the garden, dreams and night time. Since 1999, he has oriented his work Alongside his photography, his developing videographic work establishes a dialogue between these two media. Rémy Marlot's work is exhibited in Europe, the(...)
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Born in Paris in 1972, Rémy Marlot's work associates the concepts of nature and culture in his work, around the issues of the urban landscape, the garden, dreams and night time. Since 1999, he has oriented his work Alongside his photography, his developing videographic work establishes a dialogue between these two media. Rémy Marlot's work is exhibited in Europe, the(...)
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Rémy Marlot
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Born in Paris in 1972, Rémy Marlot's work associates the concepts of nature and culture in his work, around the issues of the urban landscape, the garden, dreams and night time. Since 1999, he has oriented his work Alongside his photography, his developing videographic work establishes a dialogue between these two media. Rémy Marlot's work is exhibited in Europe, the United States and Japan.
Rémy Marlot
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Born in Paris in 1972, Rémy Marlot's work associates the concepts of nature and culture in his work, around the issues of the urban landscape, the garden, dreams and night time. Since 1999, he has oriented his work Alongside his photography, his developing videographic work establishes a dialogue between these two media. Rémy Marlot's work is exhibited in Europe, the United States and Japan.
Form:
books
books
Publication:
November 2009
November 2009
Subject:
Photography monographs
Photography monographs
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books
books
Title:
The object
The object
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Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such(...)
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Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such(...)
Title:
The object
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Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the "objectness" of production, with art as its focus.
The object
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Artists increasingly refer to "post-object-based" work while theorists engage with material artifacts in culture. A focus on "object-based" learning treats objects as vectors for dialogue across disciplines. Virtual imaging enables the object to be abstracted or circumvented, while immaterial forms of labor challenge materialist theories. This anthology surveys such reappraisals of what constitutes the "objectness" of production, with art as its focus.
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books
books
Publication:
March 2014
March 2014
Subject:
Art Theory
Art Theory
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books
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767 pages : color illustrations ; 18 cm
Description:
767 pages : color illustrations ; 18 cm
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Stuttgart : Axel Menges, ©2010.
Stuttgart : Axel Menges, ©2010.
Title:
Figures : a pictorial journal, 2000-2002 / Rob Krier ; with contributions by Ann Holyoke Lehmann, Vesna Andonovic.
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767 pages : color illustrations ; 18 cm
Figures : a pictorial journal, 2000-2002 / Rob Krier ; with contributions by Ann Holyoke Lehmann, Vesna Andonovic.
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767 pages : color illustrations ; 18 cm
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books
books
Publication:
Stuttgart : Axel Menges, ©2010.
Stuttgart : Axel Menges, ©2010.
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books
books
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$24.95
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Among the events of Turin World Design Capital, the project IN Residence, curated by Brondi and Marco Rainò, created a 48hours workshop, in which five designers reflected with a group of thirty students from specific institutions dedicated to design of the city of Turin. The subject of the discussion / creation was the role of design as an expressive resource sensitive(...)
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Among the events of Turin World Design Capital, the project IN Residence, curated by Brondi and Marco Rainò, created a 48hours workshop, in which five designers reflected with a group of thirty students from specific institutions dedicated to design of the city of Turin. The subject of the discussion / creation was the role of design as an expressive resource sensitive(...)
Title:
IN Residence: design dialogues, diary #1 nature through artifice
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Among the events of Turin World Design Capital, the project IN Residence, curated by Brondi and Marco Rainò, created a 48hours workshop, in which five designers reflected with a group of thirty students from specific institutions dedicated to design of the city of Turin. The subject of the discussion / creation was the role of design as an expressive resource sensitive to environmental conditions. In its impact with the environment, design produces "new" objects that become in time integral part of the landscape (moreover, they contribute to its construction and development). Pre-existing landscape and created object - "nature" and "artifice" - are the two starting points from which the IN Residence project starts. This book is dedicated to the project IN Residence.
IN Residence: design dialogues, diary #1 nature through artifice
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$24.95
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Summary:
Among the events of Turin World Design Capital, the project IN Residence, curated by Brondi and Marco Rainò, created a 48hours workshop, in which five designers reflected with a group of thirty students from specific institutions dedicated to design of the city of Turin. The subject of the discussion / creation was the role of design as an expressive resource sensitive to environmental conditions. In its impact with the environment, design produces "new" objects that become in time integral part of the landscape (moreover, they contribute to its construction and development). Pre-existing landscape and created object - "nature" and "artifice" - are the two starting points from which the IN Residence project starts. This book is dedicated to the project IN Residence.
Form:
books
books
Publication:
December 2010
December 2010
Subject:
Industrial Design
Industrial Design
Form:
books
books
Price:
$39.95
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Summary:
Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory(...)
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Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory(...)
Title:
Euphoria and dystophia: the Banff New Media Institute dialogues
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Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory culture. Each thematic chapter features an introduction, an original essay and carefully edited transcriptions drawn from thousands of hours of audio material with artists and theorists such as Laurie Anderson, Herve Fische, Kim Sawchuck, Zainub Verjee, Bill Vorn and many others. Also included is the catalogue of the exhibition, The Art Formerly Known As New Media, and a DVD based on the electronic journal, HorizonZero. Featured artists include Geoff Lillemon, Matthew Sloly, Maria Lantin, Shu Lea Cheang, Sara Diamond, Michael Naimark, Greg Niemeyer, Catherine Richards and Martin Wattenberg, Maciej Wisniewski. With a Forward by Kellogg Booth and an Afterword by Susan Kennard
Euphoria and dystophia: the Banff New Media Institute dialogues
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$39.95
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Summary:
Based on the research of the Banff New Media Institute from 1995 to 2005, these essays, transcripts and artists projects celebrate the belief that artists and cultural industries, in collaboration with scientists, social scientists and humanists, have a critical role to play in developing technologies that work for human betterment and allow for a more participatory culture. Each thematic chapter features an introduction, an original essay and carefully edited transcriptions drawn from thousands of hours of audio material with artists and theorists such as Laurie Anderson, Herve Fische, Kim Sawchuck, Zainub Verjee, Bill Vorn and many others. Also included is the catalogue of the exhibition, The Art Formerly Known As New Media, and a DVD based on the electronic journal, HorizonZero. Featured artists include Geoff Lillemon, Matthew Sloly, Maria Lantin, Shu Lea Cheang, Sara Diamond, Michael Naimark, Greg Niemeyer, Catherine Richards and Martin Wattenberg, Maciej Wisniewski. With a Forward by Kellogg Booth and an Afterword by Susan Kennard
Form:
books
books
Publication:
September 2011
September 2011
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Carlos Bunga: Serralves
Carlos Bunga: Serralves
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$55.00
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Barcelona-based Portuguese artist Carlos Bunga (Porto, 1976) is well known for his large scale installations in which he often uses fragile, perishable materials to build architectural structures, which he sometimes later destroys in performances or even before the exhibition opens. Built over weeks, his site-specific projects are made in direct dialogue with the(...)
$55.00
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Summary:
Barcelona-based Portuguese artist Carlos Bunga (Porto, 1976) is well known for his large scale installations in which he often uses fragile, perishable materials to build architectural structures, which he sometimes later destroys in performances or even before the exhibition opens. Built over weeks, his site-specific projects are made in direct dialogue with the(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
September 2014
September 2014
Title:
Carlos Bunga: Serralves
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Barcelona-based Portuguese artist Carlos Bunga (Porto, 1976) is well known for his large scale installations in which he often uses fragile, perishable materials to build architectural structures, which he sometimes later destroys in performances or even before the exhibition opens. Built over weeks, his site-specific projects are made in direct dialogue with the surrounding architecture. This publication documents the special commission made for the Sonae/Serralves Project in 2012 for which the artist created a very large structure for the entrance hall of the Serralves Museum emphasizing the space’s verticality and functionality, in dialogue with Álvaro Siza’s architecture. Illustrated with Bunga’s projects in other artistic contexts, the book features texts by João Fernandes and Ricardo Nicolau (exhibition curators), Adam Budak (curator at the Hirshhorn Museum and Sculpture Garden, Washington D.C.), Marta Jecu (writer and researcher at CICANT Institute, Universidade Lusófona, Lisbon) and an interview conducted by María Inez Rodríguez (former chief curator at Museo Universitario de Arte Contemporáneo in Mexico City) offering comprehensive insights into Carlos Bunga’s work.
Carlos Bunga: Serralves
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$55.00
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Barcelona-based Portuguese artist Carlos Bunga (Porto, 1976) is well known for his large scale installations in which he often uses fragile, perishable materials to build architectural structures, which he sometimes later destroys in performances or even before the exhibition opens. Built over weeks, his site-specific projects are made in direct dialogue with the surrounding architecture. This publication documents the special commission made for the Sonae/Serralves Project in 2012 for which the artist created a very large structure for the entrance hall of the Serralves Museum emphasizing the space’s verticality and functionality, in dialogue with Álvaro Siza’s architecture. Illustrated with Bunga’s projects in other artistic contexts, the book features texts by João Fernandes and Ricardo Nicolau (exhibition curators), Adam Budak (curator at the Hirshhorn Museum and Sculpture Garden, Washington D.C.), Marta Jecu (writer and researcher at CICANT Institute, Universidade Lusófona, Lisbon) and an interview conducted by María Inez Rodríguez (former chief curator at Museo Universitario de Arte Contemporáneo in Mexico City) offering comprehensive insights into Carlos Bunga’s work.
Form:
books
books
Publication:
September 2014
September 2014
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Form:
books
books
Title:
The critic as artist
The critic as artist
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In “The Critic as Artist”, Oscar Wilde harnesses his famous wit to demolish the supposed boundary between art and criticism. Subtitled “Upon the Importance of Doing Nothing and Discussing Everything”, the essay takes the form of a leisurely dialogue between two characters: Ernest, who insists upon Wilde’s own belief in art’s freedom from societal mandates and values, and(...)
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In “The Critic as Artist”, Oscar Wilde harnesses his famous wit to demolish the supposed boundary between art and criticism. Subtitled “Upon the Importance of Doing Nothing and Discussing Everything”, the essay takes the form of a leisurely dialogue between two characters: Ernest, who insists upon Wilde’s own belief in art’s freedom from societal mandates and values, and(...)
Title:
The critic as artist
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$20.00
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In “The Critic as Artist”, Oscar Wilde harnesses his famous wit to demolish the supposed boundary between art and criticism. Subtitled “Upon the Importance of Doing Nothing and Discussing Everything”, the essay takes the form of a leisurely dialogue between two characters: Ernest, who insists upon Wilde’s own belief in art’s freedom from societal mandates and values, and a quizzical Gilbert. With his playwright’s ear for dialogue, Wilde champions idleness and contemplation as prerequisites to artistic cultivation. Beyond the well-known dictum of art for art’s sake, Wilde’s originality lays an argument for the equality of criticism and art. For him, criticism is not subject to the work of art, but can in fact precede it: the artist cannot create without engaging his or her critical faculties first. And, as Wilde writes, “To the critic the work of art is simply a suggestion for a new work of his own.” The field of art and criticism should be open to the free play of the mind, but Wilde plays seriously, even prophetically.
The critic as artist
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Summary:
In “The Critic as Artist”, Oscar Wilde harnesses his famous wit to demolish the supposed boundary between art and criticism. Subtitled “Upon the Importance of Doing Nothing and Discussing Everything”, the essay takes the form of a leisurely dialogue between two characters: Ernest, who insists upon Wilde’s own belief in art’s freedom from societal mandates and values, and a quizzical Gilbert. With his playwright’s ear for dialogue, Wilde champions idleness and contemplation as prerequisites to artistic cultivation. Beyond the well-known dictum of art for art’s sake, Wilde’s originality lays an argument for the equality of criticism and art. For him, criticism is not subject to the work of art, but can in fact precede it: the artist cannot create without engaging his or her critical faculties first. And, as Wilde writes, “To the critic the work of art is simply a suggestion for a new work of his own.” The field of art and criticism should be open to the free play of the mind, but Wilde plays seriously, even prophetically.
Form:
books
books
Publication:
January 2019
January 2019
Subject:
Art Theory
Art Theory
Form:
books
books
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$25.00
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Summary:
What makes a good listener? There are a number of commonsensical ideas about what constitutes doing it well — patience, tolerance, availability, responsiveness, lack of moral judgement — but is it really so simple? Is it a skill one can easily learn or more of a quirk or talent? And why do some people seem to be so much better at it than others? Written by a psychoanalyst(...)
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What makes a good listener? There are a number of commonsensical ideas about what constitutes doing it well — patience, tolerance, availability, responsiveness, lack of moral judgement — but is it really so simple? Is it a skill one can easily learn or more of a quirk or talent? And why do some people seem to be so much better at it than others? Written by a psychoanalyst(...)
Title:
Uneasy listening: notes on hearing and being heard
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What makes a good listener? There are a number of commonsensical ideas about what constitutes doing it well — patience, tolerance, availability, responsiveness, lack of moral judgement — but is it really so simple? Is it a skill one can easily learn or more of a quirk or talent? And why do some people seem to be so much better at it than others? Written by a psychoanalyst and a violin maker, Uneasy Listening is a dialogue between two very different kinds of professional listener: the former working with speech, the latter with musical instruments. Beginning as total strangers, Anouchka Grose and Robert Brewer Young embark on an engaging, entertaining, and winding meditation on communication that weaves together wide-ranging references from across psychoanalytic theory, philosophy, contemporary politics and culture. As they discuss the differences, similarities, and resonances between their practices, they run up against some of the illuminating difficulties of dialogue itself. The result is a kind of awkward duet in which two thinkers and practitioners accommodate, interrupt, and perplex each other in an attempt to say something about what listening means.
Uneasy listening: notes on hearing and being heard
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$25.00
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Summary:
What makes a good listener? There are a number of commonsensical ideas about what constitutes doing it well — patience, tolerance, availability, responsiveness, lack of moral judgement — but is it really so simple? Is it a skill one can easily learn or more of a quirk or talent? And why do some people seem to be so much better at it than others? Written by a psychoanalyst and a violin maker, Uneasy Listening is a dialogue between two very different kinds of professional listener: the former working with speech, the latter with musical instruments. Beginning as total strangers, Anouchka Grose and Robert Brewer Young embark on an engaging, entertaining, and winding meditation on communication that weaves together wide-ranging references from across psychoanalytic theory, philosophy, contemporary politics and culture. As they discuss the differences, similarities, and resonances between their practices, they run up against some of the illuminating difficulties of dialogue itself. The result is a kind of awkward duet in which two thinkers and practitioners accommodate, interrupt, and perplex each other in an attempt to say something about what listening means.
Form:
books
books
Publication:
June 2022
June 2022
Subject:
Critical Theory
Critical Theory
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books
books
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Description:
264 pages : illustrations, portraits ; 25 cm
Description:
264 pages : illustrations, portraits ; 25 cm
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London ; New York : Thames & Hudson, ©2013.
London ; New York : Thames & Hudson, ©2013.
Title:
The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss / edited by Richard Shone and John-Paul Stonard.
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264 pages : illustrations, portraits ; 25 cm
The books that shaped art history : from Gombrich and Greenberg to Alpers and Krauss / edited by Richard Shone and John-Paul Stonard.
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264 pages : illustrations, portraits ; 25 cm
Form:
books
books
Publication:
London ; New York : Thames & Hudson, ©2013.
London ; New York : Thames & Hudson, ©2013.
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books
books
Title:
L'art des structures
L'art des structures
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$86.00
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Summary:
Le thème de la structure constitue depuis toujours un aspect fondamental de la construction, intéressant aussi bien les ingénieurs que les architectes. Cet ouvrage consacré aux structures en architecture s'est donné pour objectif de contribuer à faciliter le dialogue entre ces deux domaines professionnels. «L'art des structures» offre un panorama complet sur les(...)
$86.00
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Le thème de la structure constitue depuis toujours un aspect fondamental de la construction, intéressant aussi bien les ingénieurs que les architectes. Cet ouvrage consacré aux structures en architecture s'est donné pour objectif de contribuer à faciliter le dialogue entre ces deux domaines professionnels. «L'art des structures» offre un panorama complet sur les(...)
Title:
L'art des structures
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$86.00
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Le thème de la structure constitue depuis toujours un aspect fondamental de la construction, intéressant aussi bien les ingénieurs que les architectes. Cet ouvrage consacré aux structures en architecture s'est donné pour objectif de contribuer à faciliter le dialogue entre ces deux domaines professionnels. «L'art des structures» offre un panorama complet sur les structures portantes et leur fonctionnement, en décrivant la manière dont les charges sont reprises et transmises jusqu'au sol.
L'art des structures
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$86.00
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Le thème de la structure constitue depuis toujours un aspect fondamental de la construction, intéressant aussi bien les ingénieurs que les architectes. Cet ouvrage consacré aux structures en architecture s'est donné pour objectif de contribuer à faciliter le dialogue entre ces deux domaines professionnels. «L'art des structures» offre un panorama complet sur les structures portantes et leur fonctionnement, en décrivant la manière dont les charges sont reprises et transmises jusqu'au sol.
Form:
books
books
Publication:
June 2004, Lausanne
June 2004, Lausanne
Subject:
Engineering Structures
Engineering Structures
