40270 Results
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
People:
Date:
1999-2000
1999-2000
Title:
Personal and professional correspondence from 1999-2000
Actions:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
Personal and professional correspondence from 1999-2000
Actions:
AP197.S3.009
Description:
The box is comprised of correspondence for the years of 1999-2000, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Tadao Ando; Alvaro Siza; Norman Foster; the Architectural Society of China; and the Università della Svizzera italiana. Correspondence relates to his participation/involvement in: the Centennial Conference; the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) conference in Brasilia; the Le Corbusier Seminar in France; the Aga Khan Award for Architecture; the Le Corbusier publication; Journal of Architectural Education (JAE)’s "Technology and Place;" and the English version of his essay in the publication Alvaro Siza: Complete works.
Form:
textual records
textual records
Date:
1999-2000
1999-2000
People:
Form:
textual records
textual records
Reference number:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
People:
Date:
1999
1999
Title:
Personal and professional correspondence from 1999
Actions:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Personal and professional correspondence from 1999
Actions:
AP197.S3.008
Description:
The box is comprised of correspondence for the year 1999. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: David Chipperfield; J.C. Calderon; Steven Holl; Phaidon Press Ltd.; Monacelli Press; the Barragan Foundation; Rafael Moneo; Renzo Piano; and the Architectural Society of China. This correspondence relates to articles Frampton has written such as: “Reflections on Minimalism;” the “Labyrinth of Barragan;” and an essay for the publication Tadao Ando in Body and Building: Essays on the Changing Relationship of Body and Architecture. Correspondence relating to Frampton’s position as a visiting professor at the Università della Svizzera italiana, a jury member for the Aga Khan Award, and as General Editor of World Architecture: a Critical Mosaic 1900-2000 Vols: 1-10 is also included in this box.
Form:
textual records
textual records
Date:
1999
1999
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Cedric Price fonds
Cedric Price fonds
Reference number:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
People:
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
Title:
Cedric Price fonds
Actions:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Cedric Price fonds
Actions:
AP144
Synopsis:
The Cedric Price fonds documents the personal activities and professional practice of architect Cedric Price, and includes his student work and architectural and urban planning projects. The fonds also contains records that document Cedric Price's teaching, publication, and exhibition activities. The archive comprises over 200 projects, from Price's student work in the 1950s at the University of Cambridge and the Architectural Association to projects he undertook as late as 2000. Key projects that are represented include New Aviary (1960-1966), Fun Palace (1961-1974), Potteries Thinkbelt (1963-1967), Inter-Action Centre (1971-1979), Generator (1976-1980), and Magnet (1995-1996).
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1903-2006, predominant 1953-2000
1903-2006, predominant 1953-2000
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1991.PR01
Description:
This project series documents a competition entry for the Vancouver Public Library in Vancouver from 1991-1992. The office identified the project number as 69112. The competition entry, submitted in 1991, consisted of the design of Vancouver's new public library, to be situated on the block between Homer, Georgia, Hamilton and Robson Streets. The project design included a seven-floor library connected by a walkway to an adjacent twenty-floor office tower that would house Public Works Canada. Both buildings had V shaped canopies on their roofs that looked like open books when viewed at an elevation. To the front of the library at ground level was the two-storey Library Concourse; a large hall made of glass windows and stone. The Concourse connected to the Robson Street entrance, and the Library Hall entrance at the corner of Homer and Georgia Streets. The architects described this as a porch-like space to be used for gatherings, public events, exhibits and displays. Moving into the heart of the library, patrons would pass through a cylindrical rotunda which extended upwards through every floor and above the roof terrace. The library would also have 2 levels of underground parking and a basement level with a circular theatre, concession areas and staff work areas. The ground floor would primarily consist of library stacks and tables but also included would be a gift shop, children's area, daycare, staff spaces, and an outdoor play area. The remaining floors were designated for library stacks, staff work areas and services. The top floor would hold administrative offices, built in a U shape around a large terrace. The terrace, complete with gardens, could be used for library events. This building would largely be made of glass windows at its exterior, with a round glass rotunda piercing through its rectangular shape. This project was never built. Although Kuwabara, Payne, McKenna, Blumberg Architects were finalists in this competition, the contract was eventually won and built by architect Moshe Safdie. The project is recorded through drawings, presentation panels, paintings, photographs and a model dating from 1991-1992. The drawings, which are mostly originals, include sketches, plans, sections, elevations, perspectives and isometrics. There are a number of watercolours (some mounted) and drawing panels used as presentation materials which have small texts about the project's design intention. The aquisition records for the 1993 donation of these project materials identify Michael McCann as the artist of 7 paintings in this project series; however it is not clear which 7 paintings were completed by this artist. The photographs show the completed project model, which is also contained in this project series.
AP056.S1.1991.PR01
Description:
This project series documents a competition entry for the Vancouver Public Library in Vancouver from 1991-1992. The office identified the project number as 69112. The competition entry, submitted in 1991, consisted of the design of Vancouver's new public library, to be situated on the block between Homer, Georgia, Hamilton and Robson Streets. The project design included a seven-floor library connected by a walkway to an adjacent twenty-floor office tower that would house Public Works Canada. Both buildings had V shaped canopies on their roofs that looked like open books when viewed at an elevation. To the front of the library at ground level was the two-storey Library Concourse; a large hall made of glass windows and stone. The Concourse connected to the Robson Street entrance, and the Library Hall entrance at the corner of Homer and Georgia Streets. The architects described this as a porch-like space to be used for gatherings, public events, exhibits and displays. Moving into the heart of the library, patrons would pass through a cylindrical rotunda which extended upwards through every floor and above the roof terrace. The library would also have 2 levels of underground parking and a basement level with a circular theatre, concession areas and staff work areas. The ground floor would primarily consist of library stacks and tables but also included would be a gift shop, children's area, daycare, staff spaces, and an outdoor play area. The remaining floors were designated for library stacks, staff work areas and services. The top floor would hold administrative offices, built in a U shape around a large terrace. The terrace, complete with gardens, could be used for library events. This building would largely be made of glass windows at its exterior, with a round glass rotunda piercing through its rectangular shape. This project was never built. Although Kuwabara, Payne, McKenna, Blumberg Architects were finalists in this competition, the contract was eventually won and built by architect Moshe Safdie. The project is recorded through drawings, presentation panels, paintings, photographs and a model dating from 1991-1992. The drawings, which are mostly originals, include sketches, plans, sections, elevations, perspectives and isometrics. There are a number of watercolours (some mounted) and drawing panels used as presentation materials which have small texts about the project's design intention. The aquisition records for the 1993 donation of these project materials identify Michael McCann as the artist of 7 paintings in this project series; however it is not clear which 7 paintings were completed by this artist. The photographs show the completed project model, which is also contained in this project series.
People:
Date:
1991-1992
1991-1992
Title:
Vancouver Public Library Competition, British Columbia (1991)
Actions:
AP056.S1.1991.PR01
Description:
This project series documents a competition entry for the Vancouver Public Library in Vancouver from 1991-1992. The office identified the project number as 69112. The competition entry, submitted in 1991, consisted of the design of Vancouver's new public library, to be situated on the block between Homer, Georgia, Hamilton and Robson Streets. The project design included a seven-floor library connected by a walkway to an adjacent twenty-floor office tower that would house Public Works Canada. Both buildings had V shaped canopies on their roofs that looked like open books when viewed at an elevation. To the front of the library at ground level was the two-storey Library Concourse; a large hall made of glass windows and stone. The Concourse connected to the Robson Street entrance, and the Library Hall entrance at the corner of Homer and Georgia Streets. The architects described this as a porch-like space to be used for gatherings, public events, exhibits and displays. Moving into the heart of the library, patrons would pass through a cylindrical rotunda which extended upwards through every floor and above the roof terrace. The library would also have 2 levels of underground parking and a basement level with a circular theatre, concession areas and staff work areas. The ground floor would primarily consist of library stacks and tables but also included would be a gift shop, children's area, daycare, staff spaces, and an outdoor play area. The remaining floors were designated for library stacks, staff work areas and services. The top floor would hold administrative offices, built in a U shape around a large terrace. The terrace, complete with gardens, could be used for library events. This building would largely be made of glass windows at its exterior, with a round glass rotunda piercing through its rectangular shape. This project was never built. Although Kuwabara, Payne, McKenna, Blumberg Architects were finalists in this competition, the contract was eventually won and built by architect Moshe Safdie. The project is recorded through drawings, presentation panels, paintings, photographs and a model dating from 1991-1992. The drawings, which are mostly originals, include sketches, plans, sections, elevations, perspectives and isometrics. There are a number of watercolours (some mounted) and drawing panels used as presentation materials which have small texts about the project's design intention. The aquisition records for the 1993 donation of these project materials identify Michael McCann as the artist of 7 paintings in this project series; however it is not clear which 7 paintings were completed by this artist. The photographs show the completed project model, which is also contained in this project series.
Vancouver Public Library Competition, British Columbia (1991)
Actions:
AP056.S1.1991.PR01
Description:
This project series documents a competition entry for the Vancouver Public Library in Vancouver from 1991-1992. The office identified the project number as 69112. The competition entry, submitted in 1991, consisted of the design of Vancouver's new public library, to be situated on the block between Homer, Georgia, Hamilton and Robson Streets. The project design included a seven-floor library connected by a walkway to an adjacent twenty-floor office tower that would house Public Works Canada. Both buildings had V shaped canopies on their roofs that looked like open books when viewed at an elevation. To the front of the library at ground level was the two-storey Library Concourse; a large hall made of glass windows and stone. The Concourse connected to the Robson Street entrance, and the Library Hall entrance at the corner of Homer and Georgia Streets. The architects described this as a porch-like space to be used for gatherings, public events, exhibits and displays. Moving into the heart of the library, patrons would pass through a cylindrical rotunda which extended upwards through every floor and above the roof terrace. The library would also have 2 levels of underground parking and a basement level with a circular theatre, concession areas and staff work areas. The ground floor would primarily consist of library stacks and tables but also included would be a gift shop, children's area, daycare, staff spaces, and an outdoor play area. The remaining floors were designated for library stacks, staff work areas and services. The top floor would hold administrative offices, built in a U shape around a large terrace. The terrace, complete with gardens, could be used for library events. This building would largely be made of glass windows at its exterior, with a round glass rotunda piercing through its rectangular shape. This project was never built. Although Kuwabara, Payne, McKenna, Blumberg Architects were finalists in this competition, the contract was eventually won and built by architect Moshe Safdie. The project is recorded through drawings, presentation panels, paintings, photographs and a model dating from 1991-1992. The drawings, which are mostly originals, include sketches, plans, sections, elevations, perspectives and isometrics. There are a number of watercolours (some mounted) and drawing panels used as presentation materials which have small texts about the project's design intention. The aquisition records for the 1993 donation of these project materials identify Michael McCann as the artist of 7 paintings in this project series; however it is not clear which 7 paintings were completed by this artist. The photographs show the completed project model, which is also contained in this project series.
Level of archival description:
Project
Project
Date:
1991-1992
1991-1992
People:
Form:
textual records
textual records
Reference number:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
People:
Date:
1958-1984
1958-1984
Title:
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Personal and professional correspondence from 1958-1984
Actions:
AP197.S3.001
Description:
This box is comprised of personal and professional correspondence, organized in chronological order, from 1958- 1983. Correspondence documents the beginning of Frampton's professional career and includes letters from his time as: a tutor at the Royal College of Art; the technical editor of the magazine Architectural Design; a visiting professor at Princeton University; an associate professor and, subsequently, Ware Professor of the Graduate School of Architecture, Planning and Preservation; a Fellow of the Institute for Architecture and Urban Studies; and an editor of Oppositions. This correspondence includes a letter inviting Frampton to teach at Princeton University and his acceptance of the position, his appointment to the Loeb Fellowship, and his appointment as an Associate Professor at Columbia University as well as correspondence concerning the first and second editions of Modern Architecture: a critical history. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Peter Eisenman; Robert Vickery; Anthony Hill; Melvin Charney; Richard Meier; Max Bill; Panos Koulermos; Tadao Ando; Tomás Maldonado; Manfredo Tafuri; Arata Isozaki; the Casabella; Architecture and Urbanism; DOMUS; and Thames and Hudson. Activities documented in this box include: various offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to attend or present lectures/symposiums/conferences; and requests to serve on juries.
Form:
textual records
textual records
Date:
1958-1984
1958-1984
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
People:
Date:
2002-2014
2002-2014
Title:
Personal and professional correspondence from 2002-2014
Actions:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
Personal and professional correspondence from 2002-2014
Actions:
AP197.S3.011
Description:
The box is comprised of correspondence for the years of 2002-2014, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various universities, architects, professors, publishers, and editors of various publications such as: Alvaro Siza; Mario Botta; Glenn Murcutt; Angelo Bucci; Kengo Kuma; Charles Correa; Rafael Moneo; Raj Rewal; Harry Wolf; Tadao Ando; and David Chipperfield. Correspondence relates to Frampton participation/involvement in: writing Richard Meier and Steven Holl essays for Electa Architecture and the Labor, Work and Architecture publication; in the Chinese translation of Studies in Tectonic Culture; in the International Committee for Documentation and Conservation of Buildings, Sites and Neighbourhoods of the Modern Movement’s (do.co,mo.mo) "The Challenge of the Modern Movement;" lecturing at the Bard Graduate Center; providing the keynote address at the Architectural Association of Ireland Symposium; acting as a jury member for the Museum of the History of Polish Jews.
Form:
textual records
textual records
Date:
2002-2014
2002-2014
People:
Form:
textual records
textual records
Actions:
Reference number:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
People:
Date:
1995-1997
1995-1997
Title:
Personal and professional correspondence from 1995-1997
Actions:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
Personal and professional correspondence from 1995-1997
Actions:
AP197.S3.006
Description:
The box is comprised of correspondence for the years of 1995-1997, organized in chronological order. The box documents Frampton’s career as Ware professor at the Graduate School of Architecture, Planning and Preservation, Columbia University and his related professional activities. Correspondence in this box includes: offers of teaching positions; requests to write articles, reviews, books and recommendation letters; invitations to teach, present, or attend at lectures/symposiums/conferences; and requests to serve on juries. Throughout this period, Frampton corresponded with various architects, professors, publishers, and editors of various publications such as: Thames and Hudson Ltd.; the Berlage Institute; the Italian Cultural Institute; Yukio Futagawa of GA/ADA Edita Tokyo Co CD; and the MIT Press. Correspondence relates to his participation/involvement in: the Michael Blackwood Production “In search of Louis Kahn: Six Buildings;” the Japanese and German translations for the Studies in Tectonic Culture publication; organizing lectures on Studies in tectonic Culture; the Jerusalem Seminar in Architecture “Technology, Place & and Architecture;” teaching at the École polytechnique fédérale de Lausanne; the Aga Khan Program for Islamic Architecture; and the Architectural Society of China. Correspondence concerning the following publications and lectures is included: “the Megaform as City in Miniature;” “Critical regionalism revisited,” a lecture at the Berlage Institute; the Le Corbusier publication; “Tradition and Innovation in the Work of Christoph Mackler;” and the forward for Vittorio Gregotti`s Inside Architecture.
Form:
textual records
textual records
Date:
1995-1997
1995-1997
People:
Form:
drawings, works of art
Quantity:
2 portfolio(s)
drawings, works of art
Quantity:
2 portfolio(s)
Actions:
Reference number:
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
People:
Subject:
architecture, interior design, ornament
architecture, interior design, ornament
Date:
between 1800 and 1868
between 1800 and 1868
Title:
Two portfolios of drawings of ornament and other architectural subjects, mainly Italian and Islamic, and details of English and French Gothic and Romanesque architecture
Actions:
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
Two portfolios of drawings of ornament and other architectural subjects, mainly Italian and Islamic, and details of English and French Gothic and Romanesque architecture
Actions:
DR1974:0002:032:001-066
Description:
- This group comprises two portfolios entitled Arabesques et Mosaïques (DR1974:0002:032:001 - DR1974:0002:032:048 and Ornements et architecture Gothique (DR1974:0002:032:049 - DR1974:0002:032:066). The portfolio entitled Arabesques et Mosaïques comprises 46 sheets, mostly ornament drawings and interior views which are partially or fully coloured with watercolour, or perhaps gouache. Geometric, interlacing and foliate ornament, many apparently of Islamic origin, and arabesques predominate. Inscriptions on some of the drawings indicate their sources which include mosques in Cairo, various buildings in Italy and Sicily and and arabesques from the Palazzo del Tè and Palazzo ducale in Mantua. A number of drawings are uninscribed and consequently the source of the ornament cannot be identified. The presence of inscribed numbers on some of the drawings suggests that they may have been copied or traced from books. Drawings DR1974:0002:032:034 - DR1974:0002:032:038, which depict two ancient tombs on mainland Italy and various architectural subjects in Sicily, are perhaps travel sketches. This portfolio also includes one sheet of drawings depicting pottery (DR1974:0002:032:028), and a partial side elevation and a detail of the entablature of a classical temple with polychrome ornament (DR1974:0002:032:029). -- The portfolio entitled Ornements Et architecture Gothique comprises 17 sheets, mostly graphite line drawings on tracing paper - some of which are probably tracings - depicting details of French and English Gothic and Romanesque architecture. This portfolio includes numerous drawings of capitals as well as other ornamented stone and wooden elements such as corbels, mouldings, finials and gargoyles. Inscriptions indicate the source of the detail on a number of the drawings. Also included in this portfolio is a sheet of numbered drawings of furniture (DR1974:0002:032:053), a longitudinal section of Cathédrale Sainte-Marie, Bayonne, France (DR1974:0002:032:056), and a frontal elevation of Freiburg Munster in Freiburg im Breisgau, Germany (DR1974:0002:032:065).
Form:
drawings, works of art
Quantity:
2 portfolio(s)
drawings, works of art
Quantity:
2 portfolio(s)
Date:
between 1800 and 1868
between 1800 and 1868
People:
Subject:
architecture, interior design, ornament
architecture, interior design, ornament
Form:
graphic materials
graphic materials
Reference number:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
People:
Date:
1965-1985, 1994, 2000-2003
1965-1985, 1994, 2000-2003
Title:
Portfolio of assorted posters
Actions:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
Portfolio of assorted posters
Actions:
DR2012:0015:027
Description:
Portfolio containing ephemera and posters advertising the following conferences, events, and exhibitions: - mailout/poster for a Frank Stella exhibition at Leo Castelli Gallery, New York; - mailout/poster for an exhibition at the Hyde Park Art Centre, Chicago; - posters for the 7th Venice biennale of architeture; - poster for the 1. Kolloquium Funktionialismus, Hamburg; - poster for a Jean Rustin exhibition at Maison de la culture et des loisirs; - signed poster for a Ric Evans exhibition, at David Mirvish Books, Toronto; - poster for an Edward Keinholz exhibition, London; - poster for a Frank Auerbach exhibition at the 42nd Venice Biennale; - paper placemat of the Taj Mahal; - poster of Hindu deities; - poster for Perspecta, the Yale School of design journal, in which Melvin Charney's article, Experimental strategies: notes for environmental design, appeared in the 11th edition; - poster of Albrecht Dürer's Rhinoceros; - mailout/poster for a Roy Lichtenstein exhibition at Leo Castelli gallery; - poster for a Pierre Alechinsky exhibition, in Brussels; - poster for an exhibition on Pliny the Younger's La villa Laurentine, Paris; - poster for an exhibition, Places and monuments, in Paris; - poster for an event at George Gund Hall, Harvard; - posters for the exhibition, Rothmans salutes citysite sculpture, Visual Arts Ontario, Toronto (Melvin Charney participated); - poster for event, Coop Himmelblau: der Engel des Tons; - poster, "Seize the time"; - poster, "Meeting solidarité Chili"; - poster for Don Judd exhibition at Leo Castelli Gallery, New York; - posters for Aurora Borealis event at le Centre international d'art contemporain de Montréal (Melvin Charney participated); - poster for James Stirling exhibition at Riba Heinz Gallery, London; - untitled poster; - poster for political demonstration, UQAM; - poster for Joe Zucker exhibition, Combinations, at Holly Solomon Gallery, New York; - poster, "The drifting acropolis"; - poster for Lucas Samaras exhibition, Reconstructions, boxes, and photo-transformations, at Richard Grey Gallery, Chicago; - poster for Erica Lennard exhibition, Les femmes, les soeurs, at Agatha Gaillard Gallery, Paris.
Form:
graphic materials
graphic materials
Date:
1965-1985, 1994, 2000-2003
1965-1985, 1994, 2000-2003
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP177
Synopsis:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
AP177
Synopsis:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
People:
Date:
1996-2015
1996-2015
Title:
RUR Architecture Kansai-kan of the National Diet Library project records
Actions:
AP177
Synopsis:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
RUR Architecture Kansai-kan of the National Diet Library project records
Actions:
AP177
Synopsis:
The RUR Architecture Kansai-kan of the National Diet Library project records, circa 1996, document the New York based firm’s competition entry for the Kansai Science City branch of Japan’s National Diet Library. Records show integration of landscape in the building’s design, exploration of the relationship between structure and surface, and a multimedia approach to building design. Records include 169 digital files, mostly CAD models and images; 42 drawings and printed renderings; and 5 models and casts.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1996-2015
1996-2015
People:
