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This publication presents a critical history of architectural theory over the last forty years. Mallgrave employs the words theory and architecture in a broad sense - the latter encompassing aspects of urban planning, structural, and landscape design, while theory too is often indistinguishable from practice. The text surveys the intellectual history of architecture(...)
An introduction to architectural theory: 1968 to the present
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This publication presents a critical history of architectural theory over the last forty years. Mallgrave employs the words theory and architecture in a broad sense - the latter encompassing aspects of urban planning, structural, and landscape design, while theory too is often indistinguishable from practice. The text surveys the intellectual history of architecture since 1968, including criticisms of high modernism, the rise of postmodern and poststructural theory, critical regionalism and tectonics, and the significant changes that architectural thinking has undergone in the past fifteen years, concluding with an analysis of where architecture stands and where it will likely move in the coming years.
Architectural Theory
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This publication is a collection of “favorite” designs as selected by 80 graphic designers, typographers, teachers, scholars, writers and design impresarios. Designers have preferences, like modern over postmodern, serif over sans serif, decorative over minimal, but designers could not be engaged in design practice if they did not love design. The reasons for such a(...)
I heart design, featuring 80 remarkable graphic designs
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This publication is a collection of “favorite” designs as selected by 80 graphic designers, typographers, teachers, scholars, writers and design impresarios. Designers have preferences, like modern over postmodern, serif over sans serif, decorative over minimal, but designers could not be engaged in design practice if they did not love design. The reasons for such a charged emotion varies from individual to individual, but there are certain commonalities regarding form, function, outcome, and more. Design triggers something in all of us that may be solely aesthetic or decidedly content-driven, but in the final analysis, we are drawn to it through the heart.
Graphic Design and Typography
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xxvi, 209 pages ; 23 cm.
Albany : State University of New York Press, ©2000.
Hegel and aesthetics / edited by William Maker.
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xxvi, 209 pages ; 23 cm.
books
Albany : State University of New York Press, ©2000.
books
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xiv, 240 pages : illustrations, plans ; 26 cm
London : Philip Wilson Pub., 2008.
The persistence of the classical : essays on architecture presented to David Watkin / edited by Frank Salmon.
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xiv, 240 pages : illustrations, plans ; 26 cm
books
London : Philip Wilson Pub., 2008.
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Merz to Emigre and beyond : Avant-Garde magazine design of the twentieth century / Steven Heller.
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240 pages : illustrations (some color) ; 30 cm
London ; New York : Phaidon Press, 2003.
Merz to Emigre and beyond : Avant-Garde magazine design of the twentieth century / Steven Heller.
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240 pages : illustrations (some color) ; 30 cm
books
London ; New York : Phaidon Press, 2003.
books
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208 pages : illustrations (some color) ; 29 cm
New York, N.Y. : Monacelli Press, [1996], © 1996
Paradise transformed : the private garden for the twenty-first century / Guy Cooper and Gordon Taylor.
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208 pages : illustrations (some color) ; 29 cm
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New York, N.Y. : Monacelli Press, [1996], © 1996
books
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223 pages : illustrations (some color), plans ; 31 cm
Stuttgart : Edition Axel Menges, ©2007.
Reinhard Gieselmann : on the search of style = auf der Suche nach Stil / with an essay by Gerhard Kabierske ; [translation into English: Ilze Klavina].
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223 pages : illustrations (some color), plans ; 31 cm
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Stuttgart : Edition Axel Menges, ©2007.
$39.95
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"Modern architecture: The basics" examines technological, stylistic, socio-political, and cultural changes that have transformed the history of architecture since the late 18th century. Broad definitions of modernity and postmodernity introduce the book, which comprises 24 short thematic chapters looking at the concepts behind the development of modern and postmodern(...)
Modern architecture: The basics
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"Modern architecture: The basics" examines technological, stylistic, socio-political, and cultural changes that have transformed the history of architecture since the late 18th century. Broad definitions of modernity and postmodernity introduce the book, which comprises 24 short thematic chapters looking at the concepts behind the development of modern and postmodern architecture. These include major historical movements, key figures, and evolving building typologies. There is also an emphasis on the changing city during the 19th and 20th centuries. Approaches to representation and its impacts on architecture are studied, along with the changing global role of architecture as cultural expression. The book introduces new topics, including gender, race, postcolonialism, and indigeneity.
Modernism
Photography and doubt
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Recent decades have seen photography’s privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. "Photography and doubt" reflects on this interest in(...)
Theory of Photography
January 2017
Photography and doubt
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Recent decades have seen photography’s privileged relationship to the real come under question. Spurred by the postmodern critique of photography in the 1980s and the rise of digital technologies soon thereafter, scholars have been asking who and what built this understanding of the medium in the first place. "Photography and doubt" reflects on this interest in photography’s referential power by discussing it in rigorously historical terms. How was the understanding of photographic realism cultivated in the first place? What do cases of staged and manipulated photography reveal about that realism’s hold on audiences across the medium’s history? Have doubts about photography’s testimonial power stimulated as much knowledge as its realism?
Theory of Photography
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Gary Indiana's collected columns of art criticism from the Village Voice, documenting, from the front lines, the 1980s New York art scene. From March 1985 through June 1988 in The Village Voice, Gary Indiana reimagined the weekly art column. Thirty years later, ''Vile Days'' brings together for the first time all of those vivid dispatches, too long stuck in archival(...)
Vile days: the village voice art columns, 1985-1988
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$43.95
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Gary Indiana's collected columns of art criticism from the Village Voice, documenting, from the front lines, the 1980s New York art scene. From March 1985 through June 1988 in The Village Voice, Gary Indiana reimagined the weekly art column. Thirty years later, ''Vile Days'' brings together for the first time all of those vivid dispatches, too long stuck in archival limbo, so that the fire of Indiana's observations can burn again. In the midst of Reaganism, the grim toll of AIDS, and the frequent jingoism of postmodern theory, Indiana found a way to be the moment's Baudelaire. He turned the art review into a chronicle of life under siege.
Art Theory