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books
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Title:
The space of appearance
The space of appearance
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$41.95
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What is architecture's place in the world? Combining history, theory, and polemic, George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades, revealing the general failure of these theories to develop an architecture that is politically engaged and affirmative of the(...)
$41.95
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Summary:
What is architecture's place in the world? Combining history, theory, and polemic, George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades, revealing the general failure of these theories to develop an architecture that is politically engaged and affirmative of the(...)
Title:
The space of appearance
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$41.95
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What is architecture's place in the world? Combining history, theory, and polemic, George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades, revealing the general failure of these theories to develop an architecture that is politically engaged and affirmative of the public sphere. Hannah Arendt's imperative of worldliness plays a pivotal role in Baird's reading of what has come to be called architecture's belief system. It is not enough, he argues, to reject the totalizing models of publicness that have been typical both of modernism and of many of its postmodern successors. Rather, he insists, it is necessary to construct a "space of appearance" that is large and diverse enough to make places for all of us. Baird stakes out clearly and sharply the recent history of ideas that bear on the field, recovering influences and ideas that have been omitted from standard histories of modernism and building an understanding of our present dilemmas that is constructive and critically informed. The period from 1960 to the present has seen the collapse of the conditions that shored up modern architecture, as conventionally understood, and has also seen modernism succeeded by a whole series of tentative alternatives, none of which has successfully achieved the decisive legitimization modernism once held. After an extended introduction that situates architecture's current dilemmas within the broader currents of cultural theory, The Space of Appearance focuses on specific historical episodes or developments. Each chapter outlines a different controversy or series of controversies, or depicts the gradual and insidious erosion of certain firmly held beliefs. Each chapter is also structured around a conceptual account of issues that have evolved in the trajectory of contemporary cultural theory since the key interventions of Arendt in the 1950s. (first edition : 1995.)
The space of appearance
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$41.95
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Summary:
What is architecture's place in the world? Combining history, theory, and polemic, George Baird probes into the conceptual lineage and current expressions of postmodernism and the critique of postmodern architecture over the past four decades, revealing the general failure of these theories to develop an architecture that is politically engaged and affirmative of the public sphere. Hannah Arendt's imperative of worldliness plays a pivotal role in Baird's reading of what has come to be called architecture's belief system. It is not enough, he argues, to reject the totalizing models of publicness that have been typical both of modernism and of many of its postmodern successors. Rather, he insists, it is necessary to construct a "space of appearance" that is large and diverse enough to make places for all of us. Baird stakes out clearly and sharply the recent history of ideas that bear on the field, recovering influences and ideas that have been omitted from standard histories of modernism and building an understanding of our present dilemmas that is constructive and critically informed. The period from 1960 to the present has seen the collapse of the conditions that shored up modern architecture, as conventionally understood, and has also seen modernism succeeded by a whole series of tentative alternatives, none of which has successfully achieved the decisive legitimization modernism once held. After an extended introduction that situates architecture's current dilemmas within the broader currents of cultural theory, The Space of Appearance focuses on specific historical episodes or developments. Each chapter outlines a different controversy or series of controversies, or depicts the gradual and insidious erosion of certain firmly held beliefs. Each chapter is also structured around a conceptual account of issues that have evolved in the trajectory of contemporary cultural theory since the key interventions of Arendt in the 1950s. (first edition : 1995.)
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books
books
Publication:
April 2003, Cambridge / London
April 2003, Cambridge / London
Subject:
Architectural Theory
Architectural Theory
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books
books
Title:
Building home : Howard F. Ahmanson and the politics of the American dream / Eric John Abrahamson.
Building home : Howard F. Ahmanson and the politics of the American dream / Eric John Abrahamson.
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x, 357 pages, 24 unnumbered pages of plates : illustrations ; 24 cm
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x, 357 pages, 24 unnumbered pages of plates : illustrations ; 24 cm
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Berkeley : University of California Press, ©2013.
Berkeley : University of California Press, ©2013.
Title:
Building home : Howard F. Ahmanson and the politics of the American dream / Eric John Abrahamson.
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Description:
x, 357 pages, 24 unnumbered pages of plates : illustrations ; 24 cm
Building home : Howard F. Ahmanson and the politics of the American dream / Eric John Abrahamson.
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x, 357 pages, 24 unnumbered pages of plates : illustrations ; 24 cm
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books
books
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Berkeley : University of California Press, ©2013.
Berkeley : University of California Press, ©2013.
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$125.00
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Dieter Kienast (1945–1998) is a key Swiss figure in European landscape architecture. Amidst a striking change in societal understandings of nature, he sought a synthesis between design and ecology. He designed spaces to make the dissolving opposition between city and countryside legible and to enable aesthetic experience to help cope with increasingly complex everyday(...)
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Dieter Kienast (1945–1998) is a key Swiss figure in European landscape architecture. Amidst a striking change in societal understandings of nature, he sought a synthesis between design and ecology. He designed spaces to make the dissolving opposition between city and countryside legible and to enable aesthetic experience to help cope with increasingly complex everyday(...)
Title:
The landscapes of Dieter Kienast
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Dieter Kienast (1945–1998) is a key Swiss figure in European landscape architecture. Amidst a striking change in societal understandings of nature, he sought a synthesis between design and ecology. He designed spaces to make the dissolving opposition between city and countryside legible and to enable aesthetic experience to help cope with increasingly complex everyday life. Kienast introduced new challenges into the discussion of those fields. Critique of urban planning, processes of participation and the significance of urban vegetation played just as much a role in these discussions as did art, literature, architecture, and the popularity of postmodernism.
The landscapes of Dieter Kienast
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$125.00
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Dieter Kienast (1945–1998) is a key Swiss figure in European landscape architecture. Amidst a striking change in societal understandings of nature, he sought a synthesis between design and ecology. He designed spaces to make the dissolving opposition between city and countryside legible and to enable aesthetic experience to help cope with increasingly complex everyday life. Kienast introduced new challenges into the discussion of those fields. Critique of urban planning, processes of participation and the significance of urban vegetation played just as much a role in these discussions as did art, literature, architecture, and the popularity of postmodernism.
Form:
books
books
Publication:
June 2021
June 2021
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
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books
books
Title:
New York, New York : fifty years of art, architecture, cinema, performance, photography and video
New York, New York : fifty years of art, architecture, cinema, performance, photography and video
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$97.00
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After the second world war, New York became a laboratory for the avant-garde, a role it would maintain for decades. Despite the increasing globalisation and decentralization of the centers of artistic creativity, New York continues to embody some of the most significant artistic trends of the 20th century. Published on the occasion of the major exhibition at the Grimaldi(...)
$97.00
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Summary:
After the second world war, New York became a laboratory for the avant-garde, a role it would maintain for decades. Despite the increasing globalisation and decentralization of the centers of artistic creativity, New York continues to embody some of the most significant artistic trends of the 20th century. Published on the occasion of the major exhibition at the Grimaldi(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
August 2006, Milano
August 2006, Milano
Title:
New York, New York : fifty years of art, architecture, cinema, performance, photography and video
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$97.00
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After the second world war, New York became a laboratory for the avant-garde, a role it would maintain for decades. Despite the increasing globalisation and decentralization of the centers of artistic creativity, New York continues to embody some of the most significant artistic trends of the 20th century. Published on the occasion of the major exhibition at the Grimaldi Forum, the book is the first to explore this topic, broadly interpreted to encompass the fields of architecture, cinema, photography, music, performance and video. By selectively focusing on the successive arts movements of those decades (including Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, and Postmodernism ), it highlights the dominant role that American artists have, through their work, played in the art world; these American artists turned New York into a unique place to express themselves as fully as possible, and to become known and established on the international arts scene. The artists, photographers, architects, musicians and filmmakers included in the book: Vito Acconci, Laurie Anderson, Carl Andre, Diane Arbus, Richard Artschwager, Richard Avedon, Matthew Barney, Jean-Michel Basquiat, John Cage, John Chamberlain, Gregory Crewdson, Merce Cunningham, John Currin, Bruce Davidson, Willem de Kooning, Jim Dine, Mark di Suvero, Elliot Erwitt, Richard Estes, Eric Fischl, Dan Flavin, Robert Frank, Helen Frankenthaler, Lee Friedlander, Tom Friedman, Robert Gober, Nan Goldin, Felix Gonzalez-Torres, Eva Hesse, Hans Hoffman, Jenny Holzer, Peter Hujar, Jasper Johns, Donald Judd, Alex Katz, Ellsworth Kelly, Andrés Kertész, Franz Kline, Joseph Kosuth, Barbara Kruger, Annie Leibovitz, Sol LeWitt, Roy Lichtenstein, Robert Longo, Philip-Lorca diCorcia, Morris Louis, Robert Mapplethorpe, Brice Marden, Mary Ellen Mark, Agnes Martin, Susan Meiselas, Joel Meyerowitz, Duane Michals, Joan Mitchell, Robert Morris, Robert Motherwell, Bruce Nauman, Barnet Newman, Claes Oldenburg, Nam June Paik, Irving Penn, Gilles Peress, Sylvia Plachy, Jackson Pollock, Richard Prince, Robert Rauschenberg, Ad Reinhardt, Eugene Richards, James Rosenquist, Mark Rothko, Susan Rothenberg, Robert Ryman, David Salle, Lucas Samaras, Tom Sachs, Andres Serrano, Joel Shapiro, Julian Schnabel, Richard Serra, Cindy Sherman, Laurie Simmons, David Smith, Doug and Mike Starn, Frank Stella, Haim Steinbach, Joel Sternfeld, Clyfford Still, Cy Twombly, Kara Walker, Andy Warhol, Lawrence Weiner, Tom Wesselman, Brian Weil, Sue Williams, Garry Winogrand, David Wojnarowicz, Christopher Wool.
New York, New York : fifty years of art, architecture, cinema, performance, photography and video
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Price:
$97.00
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Summary:
After the second world war, New York became a laboratory for the avant-garde, a role it would maintain for decades. Despite the increasing globalisation and decentralization of the centers of artistic creativity, New York continues to embody some of the most significant artistic trends of the 20th century. Published on the occasion of the major exhibition at the Grimaldi Forum, the book is the first to explore this topic, broadly interpreted to encompass the fields of architecture, cinema, photography, music, performance and video. By selectively focusing on the successive arts movements of those decades (including Abstract Expressionism, Pop Art, Minimalism, Conceptual Art, and Postmodernism ), it highlights the dominant role that American artists have, through their work, played in the art world; these American artists turned New York into a unique place to express themselves as fully as possible, and to become known and established on the international arts scene. The artists, photographers, architects, musicians and filmmakers included in the book: Vito Acconci, Laurie Anderson, Carl Andre, Diane Arbus, Richard Artschwager, Richard Avedon, Matthew Barney, Jean-Michel Basquiat, John Cage, John Chamberlain, Gregory Crewdson, Merce Cunningham, John Currin, Bruce Davidson, Willem de Kooning, Jim Dine, Mark di Suvero, Elliot Erwitt, Richard Estes, Eric Fischl, Dan Flavin, Robert Frank, Helen Frankenthaler, Lee Friedlander, Tom Friedman, Robert Gober, Nan Goldin, Felix Gonzalez-Torres, Eva Hesse, Hans Hoffman, Jenny Holzer, Peter Hujar, Jasper Johns, Donald Judd, Alex Katz, Ellsworth Kelly, Andrés Kertész, Franz Kline, Joseph Kosuth, Barbara Kruger, Annie Leibovitz, Sol LeWitt, Roy Lichtenstein, Robert Longo, Philip-Lorca diCorcia, Morris Louis, Robert Mapplethorpe, Brice Marden, Mary Ellen Mark, Agnes Martin, Susan Meiselas, Joel Meyerowitz, Duane Michals, Joan Mitchell, Robert Morris, Robert Motherwell, Bruce Nauman, Barnet Newman, Claes Oldenburg, Nam June Paik, Irving Penn, Gilles Peress, Sylvia Plachy, Jackson Pollock, Richard Prince, Robert Rauschenberg, Ad Reinhardt, Eugene Richards, James Rosenquist, Mark Rothko, Susan Rothenberg, Robert Ryman, David Salle, Lucas Samaras, Tom Sachs, Andres Serrano, Joel Shapiro, Julian Schnabel, Richard Serra, Cindy Sherman, Laurie Simmons, David Smith, Doug and Mike Starn, Frank Stella, Haim Steinbach, Joel Sternfeld, Clyfford Still, Cy Twombly, Kara Walker, Andy Warhol, Lawrence Weiner, Tom Wesselman, Brian Weil, Sue Williams, Garry Winogrand, David Wojnarowicz, Christopher Wool.
Form:
books
books
Publication:
August 2006, Milano
August 2006, Milano
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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books
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Description:
283 pages : illustrations (some color) ; 20 cm.
Description:
283 pages : illustrations (some color) ; 20 cm.
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Dijon : Presses du réel, ©2012.
Dijon : Presses du réel, ©2012.
Title:
Claes Oldenburg et Coosje van Bruggen : la sculpture comme subversion de l'architecture, 1981-1997 / Éric Valentin.
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Description:
283 pages : illustrations (some color) ; 20 cm.
Claes Oldenburg et Coosje van Bruggen : la sculpture comme subversion de l'architecture, 1981-1997 / Éric Valentin.
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283 pages : illustrations (some color) ; 20 cm.
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books
books
Publication:
Dijon : Presses du réel, ©2012.
Dijon : Presses du réel, ©2012.
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books
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Description:
236 pages ; 21 cm.
Description:
236 pages ; 21 cm.
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Publication:
Cambridge, Massachusetts : The MIT Press ; London : Whitechapel Gallery, 2017.
Cambridge, Massachusetts : The MIT Press ; London : Whitechapel Gallery, 2017.
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books
books
Publication:
Cambridge, Massachusetts : The MIT Press ; London : Whitechapel Gallery, 2017.
Cambridge, Massachusetts : The MIT Press ; London : Whitechapel Gallery, 2017.
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