PH1985:0370
1867 ?
Musée d'Amiens: Overview showing entrance court and fountains, Amiens, France
Actions:
PH1985:0370
PH1985:0371
1859
Musée d'Amiens: View of domed building under construction, Amiens, France
Actions:
PH1985:0371
PH1985:0602
1906-1907
Arche de Triomphe, illustration for James' "Princess Casamassima", Paris, France
Actions:
PH1985:0602
PH1983:0042.06:008
1900
View of Pavillon de l'Algérie, Exposition universelle, 1900, Paris, France
Actions:
PH1983:0042.06:008
PH1983:0042.06:011
1900
View of Pavillon de l'Algérie, Exposition universelle, 1900, Paris, France
Actions:
PH1983:0042.06:011
PH1983:0042.06:038
1900
View of souk, Tunisian section, Exposition universelle, 1900, Paris, France
Actions:
PH1983:0042.06:038
PH1986:1426:022
Description:
- The group of 24 photographs PH1986:1426:001 - PH1986:1426:024 by Bernd and Hilla Becher show views of mineheads in France, Germany, Wales, England, and Belgium. - There are eight views of mineheads in France (PH1986:1426:008; PH1986:1426:012 - PH1986:1426:015; PH1986:1426:018; PH1986:1426:021 - PH1986:1426:022); seven views of mineheads in Germany (PH1986:1426:001; PH1986:1426:005 - PH1986:1426:006; PH1986:1426:011; PH1986:1426:017; PH1986:1426:019 - PH1986:1426:020); five views of mineheads in Wales (PH1986:1426:002 - PH1986:1426:004; PH1986:1426:007; PH1986:1426:009); two views of mineheads in England (PH1986:1426:010; PH1986:1426:023); and two views of mineheads in Belgium (PH1986:1426:016; PH1986:1426:024). -- Several of the views require further research to determine their location with certainty, including photographs: PH1986:1426:008 (France ?); PH1986:1426:019 - PH1986:1426:020 (Germany ?); PH1986:1426:010; and PH1986:1426:023 (England ?); and PH1986:1426:016 and PH1986:1426:024 (Belgium ?).
architecture, engineering
1967
View of a minehead of Puits Grenay No. 1, Bully-les-Mines, France
Actions:
PH1986:1426:022
Description:
- The group of 24 photographs PH1986:1426:001 - PH1986:1426:024 by Bernd and Hilla Becher show views of mineheads in France, Germany, Wales, England, and Belgium. - There are eight views of mineheads in France (PH1986:1426:008; PH1986:1426:012 - PH1986:1426:015; PH1986:1426:018; PH1986:1426:021 - PH1986:1426:022); seven views of mineheads in Germany (PH1986:1426:001; PH1986:1426:005 - PH1986:1426:006; PH1986:1426:011; PH1986:1426:017; PH1986:1426:019 - PH1986:1426:020); five views of mineheads in Wales (PH1986:1426:002 - PH1986:1426:004; PH1986:1426:007; PH1986:1426:009); two views of mineheads in England (PH1986:1426:010; PH1986:1426:023); and two views of mineheads in Belgium (PH1986:1426:016; PH1986:1426:024). -- Several of the views require further research to determine their location with certainty, including photographs: PH1986:1426:008 (France ?); PH1986:1426:019 - PH1986:1426:020 (Germany ?); PH1986:1426:010; and PH1986:1426:023 (England ?); and PH1986:1426:016 and PH1986:1426:024 (Belgium ?).
architecture, engineering
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture, urban planning
1953
Perspective for a villa with three workshops, Village Polychrome, near Biot, France
Actions:
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture, urban planning
DR1996:0009
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture
1952-1953
Perspective for a villa with three workshops, Village Polychrome, near Biot, France
Actions:
DR1996:0009
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
architecture
drawings
ARCH279519
circa 1965
drawings
circa 1965