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The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the(...)
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The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the(...)
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Earthwards. Robert Smithson and art after Babel
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The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the limitations of the museum prefigures key themes in postmodern criticism while underscoring the uniqueness of Smithson's own work as an artist, filmmaker, and writer. Gary Shapiro's elegant and incisive study of Smithson's career is the first book to address the full range of the artist's dazzling virtuosity. Ranging from Smithson's best known works such as Spiral Jetty and Partially Buried Woodshed to his photographs, films, and theoretical readings and writings, Shapiro's masterful book analyzes Smithson's art in relation to the legacy of American art of the 1960s and central philosophical themes in its contemporary reception.
Earthwards. Robert Smithson and art after Babel
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The death of Robert Smithson in 1973 robbed postwar American art of an unusually creative practitioner and thinker. Smithson's pioneering earthworks of the 1960s and 1970s anticipated contemporary concerns with environmentalism and the site-specific character of artistic production. His interrogation of authorship, the linear historiography of high modernism, and the limitations of the museum prefigures key themes in postmodern criticism while underscoring the uniqueness of Smithson's own work as an artist, filmmaker, and writer. Gary Shapiro's elegant and incisive study of Smithson's career is the first book to address the full range of the artist's dazzling virtuosity. Ranging from Smithson's best known works such as Spiral Jetty and Partially Buried Woodshed to his photographs, films, and theoretical readings and writings, Shapiro's masterful book analyzes Smithson's art in relation to the legacy of American art of the 1960s and central philosophical themes in its contemporary reception.
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books
books
Publication:
November 1997
November 1997
Subject:
Land Art
Land Art
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373 pages : illustrations (some color)
Description:
373 pages : illustrations (some color)
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2014.
2014.
Title:
Late Modern Industry : The politics, rhetoric, and design of industrialized housing in France, 1954-1981 / by Alison Fisher
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373 pages : illustrations (some color)
Late Modern Industry : The politics, rhetoric, and design of industrialized housing in France, 1954-1981 / by Alison Fisher
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373 pages : illustrations (some color)
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books
books
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2014.
2014.
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xlii, 546 pages : illustrations (some color) ; 27 cm
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xlii, 546 pages : illustrations (some color) ; 27 cm
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Llubljana, Slovenia : Moderna galerija, Museum of Modern Art ; Cambridge, Massachusetts ; London, England : The MIT Press, [2015], ©2015
Llubljana, Slovenia : Moderna galerija, Museum of Modern Art ; Cambridge, Massachusetts ; London, England : The MIT Press, [2015], ©2015
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NSK from Kapital to capital : Neue Slowenische Kunst, an event of the final decade of Yugoslavia / edited by Zdenka Badovinac, Eda Čufer and Anthony Gardner.
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xlii, 546 pages : illustrations (some color) ; 27 cm
NSK from Kapital to capital : Neue Slowenische Kunst, an event of the final decade of Yugoslavia / edited by Zdenka Badovinac, Eda Čufer and Anthony Gardner.
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xlii, 546 pages : illustrations (some color) ; 27 cm
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books
books
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Llubljana, Slovenia : Moderna galerija, Museum of Modern Art ; Cambridge, Massachusetts ; London, England : The MIT Press, [2015], ©2015
Llubljana, Slovenia : Moderna galerija, Museum of Modern Art ; Cambridge, Massachusetts ; London, England : The MIT Press, [2015], ©2015
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Dan Graham's New Jersey
Dan Graham's New Jersey
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Dan Graham, one of North America’s most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its(...)
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Dan Graham, one of North America’s most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its(...)
Title:
Dan Graham's New Jersey
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Dan Graham, one of North America’s most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its surfaces in the context of postmodern everyday culture represents an extremely important facet of his work. This publication presents new photographs by Dan Graham together with original photographs from the Homes for America series. The new images exhibit stark similarities to the old pictures, as they were taken in the same locations, the same deserts of suburban streets and housing that Graham photographed in the sixties. Creating a fascinating, multilayered reference system of repetitions and differences, both spatially as well as temporally, it raises questions about architecture and public space and their function in society.
Dan Graham's New Jersey
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Summary:
Dan Graham, one of North America’s most important contemporary artists, is best known today for his sculptural works and installations. His photographic works are generally not so well known, despite the fact that he first became famous for his photographic series Homes for America, pictures of typical American suburbia. To this day the theme of architecture and its surfaces in the context of postmodern everyday culture represents an extremely important facet of his work. This publication presents new photographs by Dan Graham together with original photographs from the Homes for America series. The new images exhibit stark similarities to the old pictures, as they were taken in the same locations, the same deserts of suburban streets and housing that Graham photographed in the sixties. Creating a fascinating, multilayered reference system of repetitions and differences, both spatially as well as temporally, it raises questions about architecture and public space and their function in society.
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books
books
Publication:
September 2011
September 2011
Subject:
Photography monographs
Photography monographs
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books
books
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Somewhere in the course of the late twentieth century, Dubai became more than itself. The city was, suddenly, a postmodern urban spectacle rising from the desert—precisely the glittering global consumer utopia imagined by Dubai’s rulers and merchant elite. "In Dubai, the City as Corporation", Ahmed Kanna looks behind this seductive vision to reveal the role of cultural(...)
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Somewhere in the course of the late twentieth century, Dubai became more than itself. The city was, suddenly, a postmodern urban spectacle rising from the desert—precisely the glittering global consumer utopia imagined by Dubai’s rulers and merchant elite. "In Dubai, the City as Corporation", Ahmed Kanna looks behind this seductive vision to reveal the role of cultural(...)
Title:
Dubai, the city as corporation
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Somewhere in the course of the late twentieth century, Dubai became more than itself. The city was, suddenly, a postmodern urban spectacle rising from the desert—precisely the glittering global consumer utopia imagined by Dubai’s rulers and merchant elite. "In Dubai, the City as Corporation", Ahmed Kanna looks behind this seductive vision to reveal the role of cultural and political forces in shaping both the image and the reality of Dubai. Exposing local struggles over power and meaning in the making and representation of Dubai, Kanna examines the core questions of what gets built and for whom. This publication offers an instructive picture of how different factions—from local and non-Arab residents and expatriate South Asians to the cultural and economic elites of the city—have all participated in the creation and marketing of Dubai. The result is an unparalleled account of the ways in which the built environment shapes and is shaped by the experience of globalization and neoliberalism in a diverse, multinational city.
Dubai, the city as corporation
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Somewhere in the course of the late twentieth century, Dubai became more than itself. The city was, suddenly, a postmodern urban spectacle rising from the desert—precisely the glittering global consumer utopia imagined by Dubai’s rulers and merchant elite. "In Dubai, the City as Corporation", Ahmed Kanna looks behind this seductive vision to reveal the role of cultural and political forces in shaping both the image and the reality of Dubai. Exposing local struggles over power and meaning in the making and representation of Dubai, Kanna examines the core questions of what gets built and for whom. This publication offers an instructive picture of how different factions—from local and non-Arab residents and expatriate South Asians to the cultural and economic elites of the city—have all participated in the creation and marketing of Dubai. The result is an unparalleled account of the ways in which the built environment shapes and is shaped by the experience of globalization and neoliberalism in a diverse, multinational city.
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books
books
Publication:
July 2011
July 2011
Subject:
Urban Theory
Urban Theory
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books
books
Title:
Perpetual inventory
Perpetual inventory
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The job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the "post-medium condition"—the abandonment by contemporary art of the(...)
$32.95
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The job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the "post-medium condition"—the abandonment by contemporary art of the(...)
Title:
Perpetual inventory
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$32.95
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The job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the "post-medium condition"—the abandonment by contemporary art of the modernist emphasis on the medium as the source of artistic significance. Jean-François Lyotard argued that the postmodern condition is characterized by the end of a "master narrative," and Krauss sees in the post-medium condition of contemporary art a similar farewell to coherence. The master narrative of contemporary art ended when conceptual art and other contemporary practices jettisoned the specific medium in order to juxtapose image and written text in the same work. For Krauss, this spells the end of serious art, and she devotes much of Perpetual Inventory to "wrest[ling] new media to the mat of specificity."
Perpetual inventory
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Summary:
The job of an art critic is to take perpetual inventory, constantly revising her ideas about the direction of contemporary art and the significance of the work she writes about. In these essays, which span three decades of assessment and reassessment, Rosalind Krauss considers what she has come to call the "post-medium condition"—the abandonment by contemporary art of the modernist emphasis on the medium as the source of artistic significance. Jean-François Lyotard argued that the postmodern condition is characterized by the end of a "master narrative," and Krauss sees in the post-medium condition of contemporary art a similar farewell to coherence. The master narrative of contemporary art ended when conceptual art and other contemporary practices jettisoned the specific medium in order to juxtapose image and written text in the same work. For Krauss, this spells the end of serious art, and she devotes much of Perpetual Inventory to "wrest[ling] new media to the mat of specificity."
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books
books
Publication:
March 2010
March 2010
Subject:
Art Theory
Art Theory
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books
books
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$120.00
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A Hundred Years of Dutch Architecture reconstructs the frames of reference within which Dutch architects operated in the century that has just ended. It exhaustively documents twenty buildings and complexes on the basis of the original drawings. Each of these projects embodies a 'take' on a particular architectural issue and serves as a crystallization point for five(...)
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A Hundred Years of Dutch Architecture reconstructs the frames of reference within which Dutch architects operated in the century that has just ended. It exhaustively documents twenty buildings and complexes on the basis of the original drawings. Each of these projects embodies a 'take' on a particular architectural issue and serves as a crystallization point for five(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
August 2003, Amsterdam
August 2003, Amsterdam
Title:
A hundred years of Dutch architecture : 1901-2000
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A Hundred Years of Dutch Architecture reconstructs the frames of reference within which Dutch architects operated in the century that has just ended. It exhaustively documents twenty buildings and complexes on the basis of the original drawings. Each of these projects embodies a 'take' on a particular architectural issue and serves as a crystallization point for five approaches - traditionalist, expressionist, functionalist, rationalist and postmodern - that can be distilled from the welter of design strategies. The significance both social and designwise of the five architectural strands is explored in as many essays before moving on to the documentation. A removable 'Calendar' traces the lines of development of Dutch architecture in a clear and easy-to-follow form. One hundred characteristic architectural works - one for each year - are placed against a backdrop of the technical and social developments. Among the projects documented at length in this book are designs by Berlage, De Klerk, Rietveld, Dudok, Oud, Friedhoff, Van Eyck, Hertzberger, Koolhaas and Coenen.
A hundred years of Dutch architecture : 1901-2000
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A Hundred Years of Dutch Architecture reconstructs the frames of reference within which Dutch architects operated in the century that has just ended. It exhaustively documents twenty buildings and complexes on the basis of the original drawings. Each of these projects embodies a 'take' on a particular architectural issue and serves as a crystallization point for five approaches - traditionalist, expressionist, functionalist, rationalist and postmodern - that can be distilled from the welter of design strategies. The significance both social and designwise of the five architectural strands is explored in as many essays before moving on to the documentation. A removable 'Calendar' traces the lines of development of Dutch architecture in a clear and easy-to-follow form. One hundred characteristic architectural works - one for each year - are placed against a backdrop of the technical and social developments. Among the projects documented at length in this book are designs by Berlage, De Klerk, Rietveld, Dudok, Oud, Friedhoff, Van Eyck, Hertzberger, Koolhaas and Coenen.
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books
books
Publication:
August 2003, Amsterdam
August 2003, Amsterdam
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Form:
books
books
Title:
Office (Object Lessons)
Office (Object Lessons)
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From its origins in the late 19th century to its decline in the 21st, Sheila Liming's ''Office'' narrates a cultural history of a place that has arguably been the primary site of labor in the postmodern economy. During the post-war decades of the 20th century, the office rose to prominence in culture, achieving an iconic status that is reflected in television, film,(...)
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From its origins in the late 19th century to its decline in the 21st, Sheila Liming's ''Office'' narrates a cultural history of a place that has arguably been the primary site of labor in the postmodern economy. During the post-war decades of the 20th century, the office rose to prominence in culture, achieving an iconic status that is reflected in television, film,(...)
Title:
Office (Object Lessons)
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From its origins in the late 19th century to its decline in the 21st, Sheila Liming's ''Office'' narrates a cultural history of a place that has arguably been the primary site of labor in the postmodern economy. During the post-war decades of the 20th century, the office rose to prominence in culture, achieving an iconic status that is reflected in television, film, literature, and throughout the history of advertising. Most people are well versed in the clichés of office culture, despite evidence that an increasing number of us no longer work in offices. With the development of computing technology in the 1980s and 90s, the office underwent many changes. Microsoft debuted its suite of multitasking applications known as Microsoft Office in 1989, firing the first shot in the war for the office's survival. This book therefore poses the question: how did culture become organized around the idea of the office, and how will it change if the office becomes extinct?
Office (Object Lessons)
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Summary:
From its origins in the late 19th century to its decline in the 21st, Sheila Liming's ''Office'' narrates a cultural history of a place that has arguably been the primary site of labor in the postmodern economy. During the post-war decades of the 20th century, the office rose to prominence in culture, achieving an iconic status that is reflected in television, film, literature, and throughout the history of advertising. Most people are well versed in the clichés of office culture, despite evidence that an increasing number of us no longer work in offices. With the development of computing technology in the 1980s and 90s, the office underwent many changes. Microsoft debuted its suite of multitasking applications known as Microsoft Office in 1989, firing the first shot in the war for the office's survival. This book therefore poses the question: how did culture become organized around the idea of the office, and how will it change if the office becomes extinct?
Form:
books
books
Publication:
November 2020
November 2020
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
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books
books
Title:
Landscape theory in design
Landscape theory in design
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$90.90
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Phenomenology, Materiality, Cybernetics, Palimpsest, Cyborgs, Landscape Urbanism, Typology, Semiotics, Deconstruction - the minefield of theoretical ideas that students must navigate today can be utterly confusing, and how do these theories translate to the design studio? "Landscape theory in design" introduces theoretical ideas to students without the use of jargon or an(...)
$90.90
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Phenomenology, Materiality, Cybernetics, Palimpsest, Cyborgs, Landscape Urbanism, Typology, Semiotics, Deconstruction - the minefield of theoretical ideas that students must navigate today can be utterly confusing, and how do these theories translate to the design studio? "Landscape theory in design" introduces theoretical ideas to students without the use of jargon or an(...)
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Landscape theory in design
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Phenomenology, Materiality, Cybernetics, Palimpsest, Cyborgs, Landscape Urbanism, Typology, Semiotics, Deconstruction - the minefield of theoretical ideas that students must navigate today can be utterly confusing, and how do these theories translate to the design studio? "Landscape theory in design" introduces theoretical ideas to students without the use of jargon or an assumption of extensive knowledge in other fields, and in doing so, links these ideas to the processes of design. In five thematic chapters Susan Herrington explains: the theoretic groundings of the theory of philosophy, why it matters to design, an example of the theory in a work of landscape architecture from the twentieth and twenty-first centuries, debates surrounding the theory (particularly as they elaborate modern and postmodern thought) and primary readings that can be read as companions to her text. An extensive glossary of theoretical terms also adds a vital contribution to students’ comprehension of theories relevant to the design of landscapes and gardens.
Landscape theory in design
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Phenomenology, Materiality, Cybernetics, Palimpsest, Cyborgs, Landscape Urbanism, Typology, Semiotics, Deconstruction - the minefield of theoretical ideas that students must navigate today can be utterly confusing, and how do these theories translate to the design studio? "Landscape theory in design" introduces theoretical ideas to students without the use of jargon or an assumption of extensive knowledge in other fields, and in doing so, links these ideas to the processes of design. In five thematic chapters Susan Herrington explains: the theoretic groundings of the theory of philosophy, why it matters to design, an example of the theory in a work of landscape architecture from the twentieth and twenty-first centuries, debates surrounding the theory (particularly as they elaborate modern and postmodern thought) and primary readings that can be read as companions to her text. An extensive glossary of theoretical terms also adds a vital contribution to students’ comprehension of theories relevant to the design of landscapes and gardens.
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books
books
Publication:
January 2017
January 2017
Subject:
Landscape Theory
Landscape Theory
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books
books
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$34.95
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Summary:
Thomas Jefferson, third president of the United States, felt that the founding and design of the University of Virginia in 1819 was his most lasting achievement. Jefferson's Academical Village centers on the Rotunda, the Lawn, and ten neoclassical Pavilions. Today, (...)
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Thomas Jefferson, third president of the United States, felt that the founding and design of the University of Virginia in 1819 was his most lasting achievement. Jefferson's Academical Village centers on the Rotunda, the Lawn, and ten neoclassical Pavilions. Today, (...)
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
Publication:
April 1999, New York
April 1999, New York
Title:
University of Virginia : the campus guide
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Thomas Jefferson, third president of the United States, felt that the founding and design of the University of Virginia in 1819 was his most lasting achievement. Jefferson's Academical Village centers on the Rotunda, the Lawn, and ten neoclassical Pavilions. Today, spanning 1,065 acres and the 80 buildings described in this guide, the campus features major architectural works by McKim, Mead & White, Michael Graves, Robert A.M. Stern, Hugh Stubbins, Hartman-Cox, and Tod Williams and Billie Tsien. Historians Richard Guy Wilson and Sara A. Butler take the reader on a tour of the University's heritage and recent works, from Jefferson's highly ordered nineteenth-century village to the suburban postmodern campus of the late twentieth century. Three-dimensional maps locate featured buildings on the campus and six sub-districts: The Lawn; Central Grounds; West Grounds; Health Sciences Center; Rugby Road and Carr's Hill; North Grounds; and Observatory Hill. Archival photographs and drawings recapture fragments of "lost" buildings and recall notable historic moments.
University of Virginia : the campus guide
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Thomas Jefferson, third president of the United States, felt that the founding and design of the University of Virginia in 1819 was his most lasting achievement. Jefferson's Academical Village centers on the Rotunda, the Lawn, and ten neoclassical Pavilions. Today, spanning 1,065 acres and the 80 buildings described in this guide, the campus features major architectural works by McKim, Mead & White, Michael Graves, Robert A.M. Stern, Hugh Stubbins, Hartman-Cox, and Tod Williams and Billie Tsien. Historians Richard Guy Wilson and Sara A. Butler take the reader on a tour of the University's heritage and recent works, from Jefferson's highly ordered nineteenth-century village to the suburban postmodern campus of the late twentieth century. Three-dimensional maps locate featured buildings on the campus and six sub-districts: The Lawn; Central Grounds; West Grounds; Health Sciences Center; Rugby Road and Carr's Hill; North Grounds; and Observatory Hill. Archival photographs and drawings recapture fragments of "lost" buildings and recall notable historic moments.
Form:
books
books
Publication:
April 1999, New York
April 1999, New York
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
