1170 Results
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books
books
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224 pages : illustrations (some color) ; 21 cm.
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224 pages : illustrations (some color) ; 21 cm.
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Paris : Éditions du patrimoine, Centre des monuments nationaux, [2015]
Paris : Éditions du patrimoine, Centre des monuments nationaux, [2015]
Title:
Le Corbusier : construire la vie moderne / Guillemette Morel Journel.
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224 pages : illustrations (some color) ; 21 cm.
Le Corbusier : construire la vie moderne / Guillemette Morel Journel.
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Description:
224 pages : illustrations (some color) ; 21 cm.
Form:
books
books
Publication:
Paris : Éditions du patrimoine, Centre des monuments nationaux, [2015]
Paris : Éditions du patrimoine, Centre des monuments nationaux, [2015]
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books
books
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Description:
xviii, 357 pages : illustrations (some color), color maps ; 22 cm
Description:
xviii, 357 pages : illustrations (some color), color maps ; 22 cm
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Publication:
Québec : Presses de l'Université du Québec, ©2012.
Québec : Presses de l'Université du Québec, ©2012.
Title:
Métropoles des Amériques en mutation / Luc-Normand Tellier et Carlos Vainer.
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xviii, 357 pages : illustrations (some color), color maps ; 22 cm
Métropoles des Amériques en mutation / Luc-Normand Tellier et Carlos Vainer.
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xviii, 357 pages : illustrations (some color), color maps ; 22 cm
Form:
books
books
Publication:
Québec : Presses de l'Université du Québec, ©2012.
Québec : Presses de l'Université du Québec, ©2012.
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$140.00
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Summary:
As every year for more than three decades, and coinciding now with the 40th anniversary of AV magazine, the Yearbook 2025 gathers in a double issue a selection of 25 works which now include, as in the previous edition, buildings by Spanish studios in other countries – Belgium, Italy, Romania, Germany, Norway, Argentina, and Taiwan –, taking stock of the growing(...)
$140.00
(available in store)
Summary:
As every year for more than three decades, and coinciding now with the 40th anniversary of AV magazine, the Yearbook 2025 gathers in a double issue a selection of 25 works which now include, as in the previous edition, buildings by Spanish studios in other countries – Belgium, Italy, Romania, Germany, Norway, Argentina, and Taiwan –, taking stock of the growing(...)
Title:
AV Monographs 271-272 : Spain yearbbook 2025
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$140.00
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As every year for more than three decades, and coinciding now with the 40th anniversary of AV magazine, the Yearbook 2025 gathers in a double issue a selection of 25 works which now include, as in the previous edition, buildings by Spanish studios in other countries – Belgium, Italy, Romania, Germany, Norway, Argentina, and Taiwan –, taking stock of the growing recognition Spanish architecture enjoys beyond our borders. Thus, prominent projects like the new stadium of the Real Madrid, by L35 with gmp and Ribas & Ribas, the refurbishment of the Atarazanas in Seville by Guillermo Vázquez Consuegra, the university building in Pozuelo de Alarcón (Madrid) by Emilio Tuñón, and the Financial Center in Almería by Ayala Arquitectos are published with others like the station by Benedetta Tagliabue in Naples, the museum by Juan Herreros near Buenos Aires, the exhibition center in Liège by Francisco Mangado, the hotel by Nieto Sobejano in Munich, and the building by Barozzi Veiga in Kiefersfelden.
AV Monographs 271-272 : Spain yearbbook 2025
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$140.00
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Summary:
As every year for more than three decades, and coinciding now with the 40th anniversary of AV magazine, the Yearbook 2025 gathers in a double issue a selection of 25 works which now include, as in the previous edition, buildings by Spanish studios in other countries – Belgium, Italy, Romania, Germany, Norway, Argentina, and Taiwan –, taking stock of the growing recognition Spanish architecture enjoys beyond our borders. Thus, prominent projects like the new stadium of the Real Madrid, by L35 with gmp and Ribas & Ribas, the refurbishment of the Atarazanas in Seville by Guillermo Vázquez Consuegra, the university building in Pozuelo de Alarcón (Madrid) by Emilio Tuñón, and the Financial Center in Almería by Ayala Arquitectos are published with others like the station by Benedetta Tagliabue in Naples, the museum by Juan Herreros near Buenos Aires, the exhibition center in Liège by Francisco Mangado, the hotel by Nieto Sobejano in Munich, and the building by Barozzi Veiga in Kiefersfelden.
Subject:
Magazines
Magazines
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$32.50
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Summary:
Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to(...)
$32.50
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Summary:
Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to(...)
Title:
From conceptualism to feminism: Lucy Lippard’s numbers shows,1969-74
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Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to London. From Conceptualism to Feminism follows Lippard’s curatorial trajectory, analyzing her transition from a writer about art to a maker of exhibitions, and tracing her growing political engagement and involvement with feminism. Extensive photographic material is complemented by a major new essay by Cornelia Butler and interviews with Lucy Lippard, Seth Siegelaub and with artists in c. 7,500. The volume also includes an analysis of artists’ initiatives in Argentina, which give a context for Lippard’s emerging political consciousness. From Conceptualism to Feminism is the third publication in Afterall’s Exhibition Histories series, which investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.
From conceptualism to feminism: Lucy Lippard’s numbers shows,1969-74
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$32.50
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Summary:
Between 1969 and 1974, Lucy Lippard curated four exhibitions of contemporary art, which have become renowned as her “numbers shows.” Each took the population of the city in which it was shown as its title: 557,087 in Seattle, 955,000 in Vancouver, 2,972,453 in Buenos Aires and c. 7,500, which opened in Valencia, California, before touring the U.S. and then traveling to London. From Conceptualism to Feminism follows Lippard’s curatorial trajectory, analyzing her transition from a writer about art to a maker of exhibitions, and tracing her growing political engagement and involvement with feminism. Extensive photographic material is complemented by a major new essay by Cornelia Butler and interviews with Lucy Lippard, Seth Siegelaub and with artists in c. 7,500. The volume also includes an analysis of artists’ initiatives in Argentina, which give a context for Lippard’s emerging political consciousness. From Conceptualism to Feminism is the third publication in Afterall’s Exhibition Histories series, which investigates exhibitions that have shaped the way contemporary art is experienced, made and discussed.
Subject:
Museology
Museology
Title:
Rafael Vinoly architects
Rafael Vinoly architects
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$110.00
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This monograph highlights the global works of Vinoly. For nearly half a century Rafael Vinoly has been driven by the belief that the responsibility of architecture is to elevate the public realm. While his early work in Argentina transformed the landscape of his native country, his first major international projects - the John Jay College of Criminal Justice in New York(...)
$110.00
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Summary:
This monograph highlights the global works of Vinoly. For nearly half a century Rafael Vinoly has been driven by the belief that the responsibility of architecture is to elevate the public realm. While his early work in Argentina transformed the landscape of his native country, his first major international projects - the John Jay College of Criminal Justice in New York(...)
Title:
Rafael Vinoly architects
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$110.00
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Summary:
This monograph highlights the global works of Vinoly. For nearly half a century Rafael Vinoly has been driven by the belief that the responsibility of architecture is to elevate the public realm. While his early work in Argentina transformed the landscape of his native country, his first major international projects - the John Jay College of Criminal Justice in New York and the International Forum in Tokyo - established Vinoly as a global presence in architecture, whose buildings sustain a structural originality that transcends passing fads. This monograph features a chronological sampling of Vinoly's best work in the United States, Latin America, Europe, Asia, Africa and the Middle East. The large and small-scale projects encompass courthouses, private residences, athletic facilities, performing arts centres, museums and educational buildings. Illustrated with photographs, plans and drawings, and accented by Vinoly's personal reflection on his career, this volume brings together the achievements of one of today's most internationally acclaimed architects.
Rafael Vinoly architects
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$110.00
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Summary:
This monograph highlights the global works of Vinoly. For nearly half a century Rafael Vinoly has been driven by the belief that the responsibility of architecture is to elevate the public realm. While his early work in Argentina transformed the landscape of his native country, his first major international projects - the John Jay College of Criminal Justice in New York and the International Forum in Tokyo - established Vinoly as a global presence in architecture, whose buildings sustain a structural originality that transcends passing fads. This monograph features a chronological sampling of Vinoly's best work in the United States, Latin America, Europe, Asia, Africa and the Middle East. The large and small-scale projects encompass courthouses, private residences, athletic facilities, performing arts centres, museums and educational buildings. Illustrated with photographs, plans and drawings, and accented by Vinoly's personal reflection on his career, this volume brings together the achievements of one of today's most internationally acclaimed architects.
Subject:
Architecture Monographs
Architecture Monographs
Title:
Rafael Vinoly
Rafael Vinoly
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$140.00
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Summary:
Rafael Viñoly is arguably our most consummate practitioner of architecture; Herbert Muschamp of the New York Times calls him "the most elegant architect now practicing in the United States," one whose powerful buildings "quicken your awareness of the present and its untapped possibilities." In a breathtaking list of major commissions, Viñoly has taken projects of an(...)
$140.00
(available to order)
Summary:
Rafael Viñoly is arguably our most consummate practitioner of architecture; Herbert Muschamp of the New York Times calls him "the most elegant architect now practicing in the United States," one whose powerful buildings "quicken your awareness of the present and its untapped possibilities." In a breathtaking list of major commissions, Viñoly has taken projects of an(...)
Title:
Rafael Vinoly
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$140.00
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Summary:
Rafael Viñoly is arguably our most consummate practitioner of architecture; Herbert Muschamp of the New York Times calls him "the most elegant architect now practicing in the United States," one whose powerful buildings "quicken your awareness of the present and its untapped possibilities." In a breathtaking list of major commissions, Viñoly has taken projects of an often conventional nature-conference centers, recital halls, exhibition halls, sports facilities-and transformed them into unconvential works of beauty, notable for their lucidity, and often breathtaking technical prowess. This encyclopedic monograph, designed by Lars Müller in the same spirit as his "Peter Zumthor: Works", is the first on Viñoly, and includes projects in the United States, Argentina, Egypt, Korea, and Japan. Featured are the recently opened Kimmel Performing Arts Center-the new home of the Philaldelphia Orchestra, the Pittsburgh Convention Center, the Climate Prediction Center on the Palisades, the Princeton University Stadium, and the dazzling Tokyo Forum-the gracefully expressive building Muschamp describes as "an absolutist building, perfectly realized." An essay by Joan Ockman, Director of the Buell Center of American Architecture at Columbia University, introduces Viñoly's work, which is copiously documented in more than 500 color images and drawings.
Rafael Vinoly
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$140.00
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Summary:
Rafael Viñoly is arguably our most consummate practitioner of architecture; Herbert Muschamp of the New York Times calls him "the most elegant architect now practicing in the United States," one whose powerful buildings "quicken your awareness of the present and its untapped possibilities." In a breathtaking list of major commissions, Viñoly has taken projects of an often conventional nature-conference centers, recital halls, exhibition halls, sports facilities-and transformed them into unconvential works of beauty, notable for their lucidity, and often breathtaking technical prowess. This encyclopedic monograph, designed by Lars Müller in the same spirit as his "Peter Zumthor: Works", is the first on Viñoly, and includes projects in the United States, Argentina, Egypt, Korea, and Japan. Featured are the recently opened Kimmel Performing Arts Center-the new home of the Philaldelphia Orchestra, the Pittsburgh Convention Center, the Climate Prediction Center on the Palisades, the Princeton University Stadium, and the dazzling Tokyo Forum-the gracefully expressive building Muschamp describes as "an absolutist building, perfectly realized." An essay by Joan Ockman, Director of the Buell Center of American Architecture at Columbia University, introduces Viñoly's work, which is copiously documented in more than 500 color images and drawings.
Subject:
Architecture Monographs
Architecture Monographs
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$58.00
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It's impossible not to think, even upon close inspection, that Olivo Barbieri's photographs aren't images of obsessively detailed architectural maquettes. The trees seem plastic, the cars resemble toys and the buildings look as though they would fall over if you so much as breathed on them. The Waterfall Project brings this unreal quality to landscape, specifically to(...)
$58.00
(available to order)
Summary:
It's impossible not to think, even upon close inspection, that Olivo Barbieri's photographs aren't images of obsessively detailed architectural maquettes. The trees seem plastic, the cars resemble toys and the buildings look as though they would fall over if you so much as breathed on them. The Waterfall Project brings this unreal quality to landscape, specifically to(...)
Title:
Olivo Barbieri: the waterfall project
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$58.00
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Summary:
It's impossible not to think, even upon close inspection, that Olivo Barbieri's photographs aren't images of obsessively detailed architectural maquettes. The trees seem plastic, the cars resemble toys and the buildings look as though they would fall over if you so much as breathed on them. The Waterfall Project brings this unreal quality to landscape, specifically to such touristy waterfalls as Victoria (Zambia/ Zimbabwe), Iguazu (Argentina, Brazil), Khone Papeng (Laos/Cambodia) and Niagara (USA/Canada). In these disorienting images, the spectators on the crowded viewing platforms look like M & M's in a candy bowl, a cluster of toytown Pointillistic color against a backdrop of watery froth. The results are vertiginous and wonderfully bizarre. Critic Walter Guadagnini writes in the introduction: There is an evident technical expedient in this, and it is the choice to photograph from above, to place oneself in a privileged and anomalous condition. In the past, this expedient already gave rise to numerous readings, which range from acknowledging the historical roots of this perspective (going back all the way to Nadar's photographs from a hot-air balloon) up to the socio-political implications deriving from 9/11."
Olivo Barbieri: the waterfall project
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$58.00
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Summary:
It's impossible not to think, even upon close inspection, that Olivo Barbieri's photographs aren't images of obsessively detailed architectural maquettes. The trees seem plastic, the cars resemble toys and the buildings look as though they would fall over if you so much as breathed on them. The Waterfall Project brings this unreal quality to landscape, specifically to such touristy waterfalls as Victoria (Zambia/ Zimbabwe), Iguazu (Argentina, Brazil), Khone Papeng (Laos/Cambodia) and Niagara (USA/Canada). In these disorienting images, the spectators on the crowded viewing platforms look like M & M's in a candy bowl, a cluster of toytown Pointillistic color against a backdrop of watery froth. The results are vertiginous and wonderfully bizarre. Critic Walter Guadagnini writes in the introduction: There is an evident technical expedient in this, and it is the choice to photograph from above, to place oneself in a privileged and anomalous condition. In the past, this expedient already gave rise to numerous readings, which range from acknowledging the historical roots of this perspective (going back all the way to Nadar's photographs from a hot-air balloon) up to the socio-political implications deriving from 9/11."
Subject:
Photography monographs
Photography monographs
Title:
Elisabeth Wild: Fantasias
Elisabeth Wild: Fantasias
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$47.95
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This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and(...)
$47.95
(available in store)
Summary:
This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and(...)
Title:
Elisabeth Wild: Fantasias
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$47.95
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Summary:
This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and precious stones are the cosmic architectural inhabitants that unveil the artist’s fantasies. Along with Wild’s collages, this volume includes contributions by poet Negma Coy, curator Adam Szymczyk, art educator and writer Barbara Casavecchia, art historian and critic Noit Banai, and gallerist Karolina Dankow of Karma International, all which frame the importance of this singular artist’s work and life. Born in Austria, Elisabeth Wild (1922-2020) fled to Argentina during WWII with her parents. In 1962 the family escaped the regime of Juan Peron and found a new home in Basel, Switzerland. Wild opened an antique shop at St. Johannstor which became the outlet for her creativity at the time and also supported her and her family financially. Until her death at the age of 98, Wild was carefully crafting her light-hearted, joyous abstract worlds walking the line between construction and deconstruction. Alongside her daughter, Vivian Suter, Wild has exhibited at Kunsthalle Basel, documenta 14, and the Powerplant in Toronto.
Elisabeth Wild: Fantasias
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Price:
$47.95
(available in store)
Summary:
This monograph exhibits Elisabeth Wild’s kaleidoscopic and vibrant collages. Using cutouts of commercial imagery from glossy magazines, Wild composes a dimensionless reality that is witty yet menacing, ancient yet immortal. Imagining figures that are structural and anatomical, her work presents a shimmering dream logic. Wooden totems and stone altars, woven rugs, and precious stones are the cosmic architectural inhabitants that unveil the artist’s fantasies. Along with Wild’s collages, this volume includes contributions by poet Negma Coy, curator Adam Szymczyk, art educator and writer Barbara Casavecchia, art historian and critic Noit Banai, and gallerist Karolina Dankow of Karma International, all which frame the importance of this singular artist’s work and life. Born in Austria, Elisabeth Wild (1922-2020) fled to Argentina during WWII with her parents. In 1962 the family escaped the regime of Juan Peron and found a new home in Basel, Switzerland. Wild opened an antique shop at St. Johannstor which became the outlet for her creativity at the time and also supported her and her family financially. Until her death at the age of 98, Wild was carefully crafting her light-hearted, joyous abstract worlds walking the line between construction and deconstruction. Alongside her daughter, Vivian Suter, Wild has exhibited at Kunsthalle Basel, documenta 14, and the Powerplant in Toronto.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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$39.95
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Summary:
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas(...)
$39.95
(available to order)
Summary:
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas(...)
Title:
Artificial hells : participatory art and the politics of spectatorship
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$39.95
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Artificial hells : participatory art and the politics of spectatorship
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$39.95
(available to order)
Summary:
Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
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books
books
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Description:
xxxv, 427 pages : illustrations (some color), facsimiles (some color), maps (some color), 1 plan ; 29 cm
Description:
xxxv, 427 pages : illustrations (some color), facsimiles (some color), maps (some color), 1 plan ; 29 cm
Author:
Subject:
- Rosenwald, Lessing J. (Lessing Julius), 1891-1979 Library.,
- Rosenwald, Lessing J. (Lessing Julius), 1891-1979 Bibliothèque.,
- Rosenwald, Lessing J. (Lessing Julius), 1891-1979,
- Rosenwald, Lessing J.,
- Lessing J. Rosenwald Collection (Library of Congress),
- Manuscripts Collectors and collecting United States.,
- Rare books Washington (D.C.) Bibliography.,
- Rare books Collectors and collecting United States.,
- Private libraries United States.,
- Book collecting United States.,
- Illumination of books and manuscripts.,
- Illustration of books.,
- Manuscripts History.,
- Printing History.,
- Rare books.,
- Illustration of books United States.,
- Manuscripts as Topic history,
- Printing history,
- Book Collecting history,
- Rare Books,
- Manuscrits Collectionneurs et collections États-Unis.,
- Livres rares Collectionneurs et collections États-Unis.,
- Enluminure.,
- Illustration des livres États-Unis.,
- Manuscrits Histoire.,
- Imprimerie Histoire.,
- Livres rares Washington (D.C.) Bibliographie.,
- Bibliothèques privées États-Unis.,
- Bibliophilie États-Unis.,
- Illustration des livres.,
- Livres rares.,
- illumination (image-making process),
- illustration (process),
- Book collecting,
- Libraries,
- Manuscripts,
- Manuscripts Collectors and collecting,
- Printing,
- Private libraries,
- Rare books Collectors and collecting,
- Bibliophiles Buch,
- Aufsatzsammlung,
- Bibliothek,
- Zeldzame en kostbare boeken.,
- Particuliere bibliotheken.,
- United States,
- Washington (D.C.),
- Rare books Bibliography Washington (D.C.),
- Government publications United States.,
- Bibliography,
- bibliographies.,
- Bibliographies,
- History,
- Typefaces (Type evidence) Monotype Bembo.
(See more)
Publication:
Washington : Library of Congress, 1991., Austin, Texas : W. Thomas Taylor.
Washington : Library of Congress, 1991., Austin, Texas : W. Thomas Taylor.
Title:
Vision of a collector : the Lessing J. Rosenwald Collection in the Library of Congress / Rare Book and Special Collections Division.
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xxxv, 427 pages : illustrations (some color), facsimiles (some color), maps (some color), 1 plan ; 29 cm
Vision of a collector : the Lessing J. Rosenwald Collection in the Library of Congress / Rare Book and Special Collections Division.
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Description:
xxxv, 427 pages : illustrations (some color), facsimiles (some color), maps (some color), 1 plan ; 29 cm
Form:
books
books
Publication:
Washington : Library of Congress, 1991., Austin, Texas : W. Thomas Taylor.
Washington : Library of Congress, 1991., Austin, Texas : W. Thomas Taylor.
Subject:
- Rosenwald, Lessing J. (Lessing Julius), 1891-1979 Library.,
- Rosenwald, Lessing J. (Lessing Julius), 1891-1979 Bibliothèque.,
- Rosenwald, Lessing J. (Lessing Julius), 1891-1979,
- Rosenwald, Lessing J.,
- Lessing J. Rosenwald Collection (Library of Congress),
- Manuscripts Collectors and collecting United States.,
- Rare books Washington (D.C.) Bibliography.,
- Rare books Collectors and collecting United States.,
- Private libraries United States.,
- Book collecting United States.,
- Illumination of books and manuscripts.,
- Illustration of books.,
- Manuscripts History.,
- Printing History.,
- Rare books.,
- Illustration of books United States.,
- Manuscripts as Topic history,
- Printing history,
- Book Collecting history,
- Rare Books,
- Manuscrits Collectionneurs et collections États-Unis.,
- Livres rares Collectionneurs et collections États-Unis.,
- Enluminure.,
- Illustration des livres États-Unis.,
- Manuscrits Histoire.,
- Imprimerie Histoire.,
- Livres rares Washington (D.C.) Bibliographie.,
- Bibliothèques privées États-Unis.,
- Bibliophilie États-Unis.,
- Illustration des livres.,
- Livres rares.,
- illumination (image-making process),
- illustration (process),
- Book collecting,
- Libraries,
- Manuscripts,
- Manuscripts Collectors and collecting,
- Printing,
- Private libraries,
- Rare books Collectors and collecting,
- Bibliophiles Buch,
- Aufsatzsammlung,
- Bibliothek,
- Zeldzame en kostbare boeken.,
- Particuliere bibliotheken.,
- United States,
- Washington (D.C.),
- Rare books Bibliography Washington (D.C.),
- Government publications United States.,
- Bibliography,
- bibliographies.,
- Bibliographies,
- History,
- Typefaces (Type evidence) Monotype Bembo.
(See more)