Art of the book
$64.00
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A comprehensive guide to printed volumes, this title not only features finished projects, but also profiles the techniques and materials of bookmaking as well as definitions of the terminology. Organized into chapters on structure, material, and technique, the pieces within have been hand stitched, bound in velvet, laser-cut, and silkscreened.
Art of the book
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$64.00
(available to order)
Summary:
A comprehensive guide to printed volumes, this title not only features finished projects, but also profiles the techniques and materials of bookmaking as well as definitions of the terminology. Organized into chapters on structure, material, and technique, the pieces within have been hand stitched, bound in velvet, laser-cut, and silkscreened.
Book Design
$80.00
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The installations inside the book are made with public interaction in mind, representing their location and the hopes and cultures of locals, and inspiring passers-by to explore the neighborhood or just pause, put their feet up, and take some time to think. The publication also includes precise diagrams and text detailing each piece from conception through construction.
Landscape installation art II
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$80.00
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The installations inside the book are made with public interaction in mind, representing their location and the hopes and cultures of locals, and inspiring passers-by to explore the neighborhood or just pause, put their feet up, and take some time to think. The publication also includes precise diagrams and text detailing each piece from conception through construction.
Urban Landscapes
Inter art actuel 129
$11.95
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The last issue is now in store!
Inter art actuel 129
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$11.95
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The last issue is now in store!
Magazines
audio
Description:
1 online resource.
[Place of publication not identified] : Lateral Addition, 2015.
audio
[Place of publication not identified] : Lateral Addition, 2015.
The gatherers
$45.00
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Accompanying the major exhibition at MoMA PS1, The Gatherers brings together original texts on issues relating to waste, accumulation and excess. In a time when social and political lives are shaped by the glut of garbage and information, the exhibition draws methodological parallels between 14 artists across four continents. This compendium features full-color(...)
The gatherers
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$45.00
(available in store)
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Accompanying the major exhibition at MoMA PS1, The Gatherers brings together original texts on issues relating to waste, accumulation and excess. In a time when social and political lives are shaped by the glut of garbage and information, the exhibition draws methodological parallels between 14 artists across four continents. This compendium features full-color illustrations of their artworks, which span sculptural installation, assemblage, painting, video and performance. In a longform essay, Ruba Katrib contextualizes their practices within the promises and failures of neoliberalism, the shifting constructions of East and West and the explosion of new technologies. Additionally, the catalog situates their practices within larger art historical trends, from Greek asàrotos òikos and Dutch still lifes, to 20th-century Surrealism and postwar assemblage. With newly commissioned texts on each of the participating artists by leading curators, theorists and writers from across the globe, the catalog offers incisive critical writing on issues in contemporary art and the 21st century.
$36.00
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This book documents and exhibition of contemporary Japanese artists who are active at the cutting edge of the global fiber-art movement, transforming fabrics into sculptures, pictures, emulations of nature, or even abstract meditations on memory and identity. The materials they use range from silk, cotton, recycled cocoons, antique paper scraps, jute, and hemp to(...)
October 2011
Fiber futures: Japan's textile pioneers
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$36.00
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This book documents and exhibition of contemporary Japanese artists who are active at the cutting edge of the global fiber-art movement, transforming fabrics into sculptures, pictures, emulations of nature, or even abstract meditations on memory and identity. The materials they use range from silk, cotton, recycled cocoons, antique paper scraps, jute, and hemp to stainless-steel wire and synthetic fiber. Their methods are sometimes traditional, but can also incorporate the latest weaving and dyeing technology, often with the goal of expressing an environmentally conscious green ethic. The thirty artists were selected for "Fiber Futures: Japan's Textile Pioneers," an exhibition at New York's Japan Society Gallery. Introductory essays by Hiroko Watanabe, President of International Textile Network, and Gallery Director Joe Earle provide the context for these innovative, beautiful, and sometimes challenging works of art. The catalogue section features artist statements, informative commentary, and lavish photography, much of it commissioned especially by Japan Society.
$99.00
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Using rediscovered documents from art history and cross-bridging the artistic with mathematical models, this monumental and illustrated book demonstrates a new theory about modern sculpture’s fundamental differences from works of the past. The publication unfolds the revolutionary trajectories of abstract sculpture in the twentieth and twenty-first centuries: from linear(...)
Negative space: Trajectories of sculpture
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$99.00
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Using rediscovered documents from art history and cross-bridging the artistic with mathematical models, this monumental and illustrated book demonstrates a new theory about modern sculpture’s fundamental differences from works of the past. The publication unfolds the revolutionary trajectories of abstract sculpture in the twentieth and twenty-first centuries: from linear and planar, suspended and pneumatic sculptures to virtual volumes and immersive environments.
$50.00
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Contested Site: Archives and the City is a peer-reviewed exhibition constructed as a complementary discursive engagement with the Universities Art Association of Canada (UAAC) conference being hosted by Concordia University in Fall 2012. The exhibition highlights the emerging phenomenon of research/creation, which is redefining institutions, pedagogy, funding agencies and(...)
Les cahiers : Contested site, archive and the city
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Contested Site: Archives and the City is a peer-reviewed exhibition constructed as a complementary discursive engagement with the Universities Art Association of Canada (UAAC) conference being hosted by Concordia University in Fall 2012. The exhibition highlights the emerging phenomenon of research/creation, which is redefining institutions, pedagogy, funding agencies and artistic practice in a reflexive manner, as perhaps a contested site itself.
New Jersey as non-site
$55.95
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This catalogue examines more than 100 works by sixteen artists, including Amiri Baraka, George Brecht, Dan Graham, Allan Kaprow, Gordon Matta-Clark, and George Segal. Organized around three themes—ruin, cooperation, and displacement—Kelly Baum’s essay considers their work in relationship to seismic shifts in the world of art and equally dramatic changes to New Jersey’s(...)
New Jersey as non-site
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$55.95
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Summary:
This catalogue examines more than 100 works by sixteen artists, including Amiri Baraka, George Brecht, Dan Graham, Allan Kaprow, Gordon Matta-Clark, and George Segal. Organized around three themes—ruin, cooperation, and displacement—Kelly Baum’s essay considers their work in relationship to seismic shifts in the world of art and equally dramatic changes to New Jersey’s economy, infrastructure, landscape, demography, and social stability.
$42.00
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Developed through artistic research in the Weltkulturen Museum’s Weltkulturen Labor research lab, Foreign Exchange raises questions about the relationship between the museum’s educational and scientific aims and global trade. Together, essays by anthropologists, art historians, artists, and curators form an extended conversation around the historical accumulation and(...)
August 2014
Foreign exchange: (or the stories you wouldn't tell a stranger)
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$42.00
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Developed through artistic research in the Weltkulturen Museum’s Weltkulturen Labor research lab, Foreign Exchange raises questions about the relationship between the museum’s educational and scientific aims and global trade. Together, essays by anthropologists, art historians, artists, and curators form an extended conversation around the historical accumulation and commodification of artifacts and, in particular, the representation of the human body in ethnographic photographs.