28974 Results
Form:
drawings
drawings
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Reference number:
DR1976:0008
Description:
- Drawings DR1976:0008 and DR1976:0009 show a project for a rotunda designed by Legrand and Molinos for the amphitheatre for the Museum of Natural History, Paris. The final design for a square building with three semi-circular rotundas, was built by Legrand and Molinos in the Jardin des Plantes, Paris (1791). These drawings were once part of an album of Legrand architectural designs.
DR1976:0008
Description:
- Drawings DR1976:0008 and DR1976:0009 show a project for a rotunda designed by Legrand and Molinos for the amphitheatre for the Museum of Natural History, Paris. The final design for a square building with three semi-circular rotundas, was built by Legrand and Molinos in the Jardin des Plantes, Paris (1791). These drawings were once part of an album of Legrand architectural designs.
People:
Date:
1792 ?
1792 ?
Title:
Principal elevation for an amphitheatre for the Museum of Natural History, Paris
Actions:
DR1976:0008
Description:
- Drawings DR1976:0008 and DR1976:0009 show a project for a rotunda designed by Legrand and Molinos for the amphitheatre for the Museum of Natural History, Paris. The final design for a square building with three semi-circular rotundas, was built by Legrand and Molinos in the Jardin des Plantes, Paris (1791). These drawings were once part of an album of Legrand architectural designs.
Principal elevation for an amphitheatre for the Museum of Natural History, Paris
Actions:
DR1976:0008
Description:
- Drawings DR1976:0008 and DR1976:0009 show a project for a rotunda designed by Legrand and Molinos for the amphitheatre for the Museum of Natural History, Paris. The final design for a square building with three semi-circular rotundas, was built by Legrand and Molinos in the Jardin des Plantes, Paris (1791). These drawings were once part of an album of Legrand architectural designs.
Form:
drawings
drawings
Date:
1792 ?
1792 ?
People:
Form:
events
events
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Date:
5 October 2017, 6:30pm
5 October 2017, 6:30pm
Title:
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Guido Beltramini, what was history for patrons and architects in Bologna in 1579?
Actions:
Description:
The history of architecture addresses the relationships between spaces, buildings, urban geometries, and social practices—it tells us how an experience of space corresponds to an experience of the world. To this end, this lecture will analyze the sixteenth-century debate around the completion of the facade of the Basilica of San Petronio in Bologna, partially built in the(...)
Form:
events
events
Date:
5 October 2017
6:30pm
5 October 2017
6:30pm
Location:
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Paul Desmarais Theatre Keyword(s):
Guido Beltramini, church of San Petronio, Bologna, Andrea Palladio, Baldassare Peruzzi, Giacomo da Vignola
Form:
textual records
textual records
Reference number:
ARCH153848
Description:
Education Programs 1981-1982 with list of Faculty and students Memos to PDE Folder with one-page handwriting notes introducing PDE's history class
ARCH153848
Description:
Education Programs 1981-1982 with list of Faculty and students Memos to PDE Folder with one-page handwriting notes introducing PDE's history class
People:
Date:
1980-1982
1980-1982
Title:
B. IAUS - Educational, 1980-1982, PDE - Undergraduate History
Actions:
ARCH153848
Description:
Education Programs 1981-1982 with list of Faculty and students Memos to PDE Folder with one-page handwriting notes introducing PDE's history class
B. IAUS - Educational, 1980-1982, PDE - Undergraduate History
Actions:
ARCH153848
Description:
Education Programs 1981-1982 with list of Faculty and students Memos to PDE Folder with one-page handwriting notes introducing PDE's history class
Form:
textual records
textual records
Date:
1980-1982
1980-1982
People:
Form:
drawings
drawings
Reference number:
DR2019:0015
Description:
Plan and sections for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
DR2019:0015
Description:
Plan and sections for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
People:
Date:
1983
1983
Title:
Sections and plan for Folly Three: The Rigorous Abolition of History
Actions:
DR2019:0015
Description:
Plan and sections for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Sections and plan for Folly Three: The Rigorous Abolition of History
Actions:
DR2019:0015
Description:
Plan and sections for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Form:
drawings
drawings
Date:
1983
1983
People:
Actions:
Reference number:
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
People:
Date:
between 1983 and 1995
between 1983 and 1995
Title:
Photograph of model for Folly Three: The Rigorous Abolition of History
Actions:
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Photograph of model for Folly Three: The Rigorous Abolition of History
Actions:
DR2019:0019
Description:
Photograph of a model for one of four "Folly" projects designed by Agrest and Gandelsonas for the exhibition "Architecture III: Follies: Architecture for the Late Twentieth-Century Landscape" at Leo Castelli Gallery, New York, October 22-November 19, 1983
Date:
between 1983 and 1995
between 1983 and 1995
People:
Form:
textual records
textual records
Reference number:
ARCH153847
Description:
Folder: Press Clippings Folder: Xerox: Prof. A.R. Rivkin: "Trois classes de Sémiologie architecturale" - Buenos Aires Xerox: Julia Kristeva: "The Semiotic Activity" Various drawings by PDE Notes on House X
ARCH153847
Description:
Folder: Press Clippings Folder: Xerox: Prof. A.R. Rivkin: "Trois classes de Sémiologie architecturale" - Buenos Aires Xerox: Julia Kristeva: "The Semiotic Activity" Various drawings by PDE Notes on House X
People:
Date:
1981
1981
Title:
Notes & syllabus of history class by PDE & Christian Hubert, 1981
Actions:
ARCH153847
Description:
Folder: Press Clippings Folder: Xerox: Prof. A.R. Rivkin: "Trois classes de Sémiologie architecturale" - Buenos Aires Xerox: Julia Kristeva: "The Semiotic Activity" Various drawings by PDE Notes on House X
Notes & syllabus of history class by PDE & Christian Hubert, 1981
Actions:
ARCH153847
Description:
Folder: Press Clippings Folder: Xerox: Prof. A.R. Rivkin: "Trois classes de Sémiologie architecturale" - Buenos Aires Xerox: Julia Kristeva: "The Semiotic Activity" Various drawings by PDE Notes on House X
Form:
textual records
textual records
Date:
1981
1981
People:
Form:
exhibitions
exhibitions
Description:
What role can history play in contemporary architecture practice? Rather than adopting a postmodern attitude or evoking past discussions and historical architectural forms, Go Hasegawa, Kersten Geers, and David Van Severen address contemporary issues in their work while remaining in dialogue with history. Even with distinct pasts and contexts, affinities emerge in shared(...)
What role can history play in contemporary architecture practice? Rather than adopting a postmodern attitude or evoking past discussions and historical architectural forms, Go Hasegawa, Kersten Geers, and David Van Severen address contemporary issues in their work while remaining in dialogue with history. Even with distinct pasts and contexts, affinities emerge in shared(...)
Location:
Main galleries Keyword(s):
Besides, History, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Main galleries Keyword(s):
Besides, History, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Date:
10 May 2017 to 15 October 2017
10 May 2017 to 15 October 2017
Title:
Besides, History: Go Hasegawa, Kersten Geers, David Van Severen
Actions:
Description:
What role can history play in contemporary architecture practice? Rather than adopting a postmodern attitude or evoking past discussions and historical architectural forms, Go Hasegawa, Kersten Geers, and David Van Severen address contemporary issues in their work while remaining in dialogue with history. Even with distinct pasts and contexts, affinities emerge in shared(...)
Besides, History: Go Hasegawa, Kersten Geers, David Van Severen
Actions:
Description:
What role can history play in contemporary architecture practice? Rather than adopting a postmodern attitude or evoking past discussions and historical architectural forms, Go Hasegawa, Kersten Geers, and David Van Severen address contemporary issues in their work while remaining in dialogue with history. Even with distinct pasts and contexts, affinities emerge in shared(...)
Form:
exhibitions
exhibitions
Date:
10 May 2017 to
15 October 2017
10 May 2017 to
15 October 2017
Location:
Main galleries Keyword(s):
Besides, History, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Main galleries Keyword(s):
Besides, History, Go Hasegawa, Kersten Geers, David Van Severen, Office, KGDVS, Bas Princen
Form:
events
events
Actions:
Description:
Visiting Scholar Tamar Zinguer presents her research: This talk explores the attraction that the quantitatively precise literary term “degree zero” holds. Through a selection of historic references to the zero degree in and about architecture, the talk articulates a plurality of zeroes and different modalities of nothingness as they apply to the discipline of(...)
Visiting Scholar Tamar Zinguer presents her research: This talk explores the attraction that the quantitatively precise literary term “degree zero” holds. Through a selection of historic references to the zero degree in and about architecture, the talk articulates a plurality of zeroes and different modalities of nothingness as they apply to the discipline of(...)
Location:
Shaughnessy House
Shaughnessy House
Date:
10 July 2014, 6PM
10 July 2014, 6PM
Title:
Visiting Scholar Seminar: Tamar Zinguer
Actions:
Description:
Visiting Scholar Tamar Zinguer presents her research: This talk explores the attraction that the quantitatively precise literary term “degree zero” holds. Through a selection of historic references to the zero degree in and about architecture, the talk articulates a plurality of zeroes and different modalities of nothingness as they apply to the discipline of(...)
Visiting Scholar Seminar: Tamar Zinguer
Actions:
Description:
Visiting Scholar Tamar Zinguer presents her research: This talk explores the attraction that the quantitatively precise literary term “degree zero” holds. Through a selection of historic references to the zero degree in and about architecture, the talk articulates a plurality of zeroes and different modalities of nothingness as they apply to the discipline of(...)
Form:
events
events
Date:
10 July 2014
6PM
10 July 2014
6PM
Location:
Shaughnessy House
Shaughnessy House
Form:
photographs
photographs
Title:
Views of models, floor plans and preliminary drawing for the Vassar College Art History Department
Views of models, floor plans and preliminary drawing for the Vassar College Art History Department
Actions:
Reference number:
ARCH252107
Description:
views of models, floor plans and preliminary drawing for the Vassar College Art History Department, Poughkeepsie, New York; of a model of The Portland Building, Portland, Oregon; and of models of the Sunar Showroom, Chicago, Illinois by architect Michael Graves, some photographs by Stephen Blutter
ARCH252107
Description:
views of models, floor plans and preliminary drawing for the Vassar College Art History Department, Poughkeepsie, New York; of a model of The Portland Building, Portland, Oregon; and of models of the Sunar Showroom, Chicago, Illinois by architect Michael Graves, some photographs by Stephen Blutter
People:
Date:
circa 1967-1982
circa 1967-1982
Title:
Views of models, floor plans and preliminary drawing for the Vassar College Art History Department
Actions:
ARCH252107
Description:
views of models, floor plans and preliminary drawing for the Vassar College Art History Department, Poughkeepsie, New York; of a model of The Portland Building, Portland, Oregon; and of models of the Sunar Showroom, Chicago, Illinois by architect Michael Graves, some photographs by Stephen Blutter
Views of models, floor plans and preliminary drawing for the Vassar College Art History Department
Actions:
ARCH252107
Description:
views of models, floor plans and preliminary drawing for the Vassar College Art History Department, Poughkeepsie, New York; of a model of The Portland Building, Portland, Oregon; and of models of the Sunar Showroom, Chicago, Illinois by architect Michael Graves, some photographs by Stephen Blutter
Form:
photographs
photographs
Date:
circa 1967-1982
circa 1967-1982
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
People:
Date:
2014-2015
2014-2015
Title:
Architettura "Correta" ["Revised" Architecture] (2014)
Actions:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Architettura "Correta" ["Revised" Architecture] (2014)
Actions:
AP207.S1.2014.PR01
Description:
The project series documents the installation "Architettura "Correta"" designed by Pettena for the exhibition "Soleil Politique" at the Museion in Bolzano, in 2014. The project was a design for a new museum entrance. The installation was made of three glass walls on which were drawn facade details of three historical buildings of the city. The central glass wall represents the entrance from the Piacentini square in Bolzano, with, at its left, a ‘serlian’ arch, and, at its right, a detail of the portico of a ‘Piazza d’Italia’ by Giorgio de Chirico. The idea was to "connect the museum to the city’s history, an architectural element was chosen, one which, in addition to favoring the idea of ‘entrance’ to the exhibit also permitted a view both of the urban and the natural setting, the sky, the mountains, an environment typical of the area in which the city itself rises." [1] The project series contains a sketch and a spiral bound volume with correspondence between Pettena and Pierre Bal Blanc, curator of the exhibitions, and proposals for the installation. The project series also contains photographs of the installation, including printouts. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-revised-architecture-2014/ (last accessed 27 January 2020)
Level of archival description:
Project
Project
Date:
2014-2015
2014-2015
People:
