Patkau architects
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The firm of Patkau architects, founded in 1978 and based in Vancouver, British Columbia, has achieved international renown for work that draws on the principles of modern architecture and is simultaneously inspired by the traditions and often spectacular landscape of the Pacific Northwest. The office is known for a straightforward, multifaceted expression of material and(...)
Patkau architects
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$69.00
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The firm of Patkau architects, founded in 1978 and based in Vancouver, British Columbia, has achieved international renown for work that draws on the principles of modern architecture and is simultaneously inspired by the traditions and often spectacular landscape of the Pacific Northwest. The office is known for a straightforward, multifaceted expression of material and detail as well as a focus on the sculpture that is inherent in architecture. This monograph includes cultural and institutional projects, such as the Canadian Clay and Glass Gallery, the National Library of Quebec in Montreal, and a major addition to the Winnipeg Centennial Library; schools, notably the Seabird Island School and the Strawberry Vale School; and a series of residences, including the Shaw house, with a dramatic elevated lap pool, and the inventive Petite Maison du Weekend (Small Weekend House), a prototype for a self-sufficient holiday house for two.
Canadian Architects
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Robert Polidori (born 1951) has been making books at Steidl for over 18 years now, and for many of his visits he lodged in an apartment adjacent to the publishing house. To the left of this, at Düstere Straße 6, stands a small humble house, not only the oldest dwelling in Göttingen but, dating back to 1310, one of the oldest half-timbered houses in all of Germany.(...)
Robert Polidori: topographical histories
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Robert Polidori (born 1951) has been making books at Steidl for over 18 years now, and for many of his visits he lodged in an apartment adjacent to the publishing house. To the left of this, at Düstere Straße 6, stands a small humble house, not only the oldest dwelling in Göttingen but, dating back to 1310, one of the oldest half-timbered houses in all of Germany. Miraculously never demolished over the centuries (just altered, repaired and patched up), it has now been restored by Gerhard Steidl and today houses the Günter Grass Archive, part of the University of Göttingen. ''Topographical Histories'' presents Polidori's 2016 photos of the interior walls of the building, whose glorious crumbling layers- 14th-century structures of wattle and daub, clay bricks and plaster, and remnants of paint and wallpaper from different centuries- bear witness to living history.
Photography monographs
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Covering almost two decades of work by Roger Boltshauser, this issue takes a look at the Zurich-based architect’s uniquely contemporary manner of expression. With profiles of more than 20 projects conceived since the turn of the century, it outlines Boltshauser’s approach to materials and the methods he uses to reveal their intrinsic constructive and structural(...)
El Croquis 209: Roger Boltshauser (2002-2021) Impure Materiality
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Covering almost two decades of work by Roger Boltshauser, this issue takes a look at the Zurich-based architect’s uniquely contemporary manner of expression. With profiles of more than 20 projects conceived since the turn of the century, it outlines Boltshauser’s approach to materials and the methods he uses to reveal their intrinsic constructive and structural possibilities. Among the highlights are the rammed earth Rauch House, a clay observation tower at the Brickworks Museum in Cham, Oerlikon Sports and Swimming Centre, Ozeanium at Basel Zoo, and more. The issue also features a conversation with the architect and Jonathan Sergison, plus an essay by Jesús Vassallo.
El Croquis
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Seamlessly interweaving the new with the historic, the renovation by Selldorf Architects preserves The Frick Collection’s Gilded Age grandeur and sense of tranquillity while making more of the museum accessible and adding important new amenities. A museum of memorable rooms and superb Old Master holdings, The Frick Collection, the former home of industrialist Henry Clay(...)
Museums and Universal Exhibitions
January 2026
A Design for Continuity and Change: The Frick Collection
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Seamlessly interweaving the new with the historic, the renovation by Selldorf Architects preserves The Frick Collection’s Gilded Age grandeur and sense of tranquillity while making more of the museum accessible and adding important new amenities. A museum of memorable rooms and superb Old Master holdings, The Frick Collection, the former home of industrialist Henry Clay Frick, is one of New York City’s most beloved art institutions. Designed by Thomas Hastings of the New York firm of Carrère and Hastings, the original Fifth Avenue mansion was completed in 1914 and served the Frick family until 1931. With John Russell Pope’s expansion of the mansion in 1935, which included the addition of a library (today’s esteemed Frick Art Research Library), the residence was converted into a public museum. The goal of the renovation was to honor the architectural legacy and unique contemplative atmosphere of the Frick while adding new space and critical infrastructure updates. Visitors will enjoy the enhanced functionality of the institution, and its improved climate controls will ensure the preservation of the collection and the house for generations to come.
Museums and Universal Exhibitions
books
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Exploring America's material culture, "Common Places" reveals the history, culture, and social and class relationships that are the backdrop of the everyday structures and environments of ordinary people. Examining America's houses and cityscapes, its rural outbuildings and landscapes from perspectives including cultural geography, decorative arts, architectural history,(...)
History until 1900
January 1900, Athens, Georgia
Common places : readings in American vernacular architecture
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Exploring America's material culture, "Common Places" reveals the history, culture, and social and class relationships that are the backdrop of the everyday structures and environments of ordinary people. Examining America's houses and cityscapes, its rural outbuildings and landscapes from perspectives including cultural geography, decorative arts, architectural history, and folklore, these articles reflect the variety and vibrancy of the growing field of vernacular architecture. In essays that focus on buildings and spaces unique to the U.S. landscape, Clay Lancaster, Edward T. Price, John Michael Vlach, and Warren E. Roberts reconstruct the social and cultural contexts of the modern bungalow, the small-town courthouse square, the shotgun house of the South, and the log buildings of the Midwest. Surveying the buildings of America's settlement, scholars including Henry Glassie, Norman Morrison Isham, Edward A. Chappell, and Theodore H. M. Prudon trace European ethnic influences in the folk structures of Delaware and the houses of Rhode Island, in Virginia's Renish homes, and in the Dutch barn widely repeated in rural America. Ethnic, regional, and class differences have flavored the nation's vernacular architecture. Fraser D. Neiman reveals overt changes in houses and outbuildings indicative of the growing social separation and increasingly rigid relations between seventeenth-century Virginia planters and their servants. Fred B. Kniffen and Fred W. Peterson show how, following the westward expansion of the nineteenth century, the structures of the eastern elite were repeated and often rejected by frontier builders. Moving into the twentieth century, James Borchert tracks the transformation of the alley from an urban home for Washington's blacks in the first half of the century to its new status in the gentrified neighborhoods of the last decade, while Barbara Rubin's discussion of the evolution of the commercial strip counterpoints the goals of city planners and more spontaneous forms of urban expression. The illustrations that accompany each article present the artifacts of America's material past. Photographs of individual buildings, historic maps of the nation's agricultural expanse, and descriptions of the household furnishings of the Victorian middle class, the urban immigrant population, and the rural farmer's homestead complete the volume, rooting vernacular architecture to the American people, their lives, and their everyday creations.
books
January 1900, Athens, Georgia
History until 1900