What is the imagined North?
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The North has been imagined and represented for centuries by artists and writers of the Western world, which has led, over time and the accumulation of successive layers of discourse, to the creation of an “imagined North” – ranging from the “North” of Scandinavia, Greenland, Russia, to the “Far North” or the poles. Westerners have reached the North Pole only a century(...)
What is the imagined North?
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The North has been imagined and represented for centuries by artists and writers of the Western world, which has led, over time and the accumulation of successive layers of discourse, to the creation of an “imagined North” – ranging from the “North” of Scandinavia, Greenland, Russia, to the “Far North” or the poles. Westerners have reached the North Pole only a century ago, which makes the “North” the product of a double perspective: an outside one – made especially of Western images – and an inside one – that of Northern cultures (Inuit, Sami, Cree, etc.). The first are often simplified and the second, ignored. If we wish to understand what the “North” is in an overall perspective, we must ask ourselves two questions: how do images define the North, and which ethical principles should govern how we consider Northern cultures in order to have a complete view (including, in particular, those that have been undervalued by the South)? In this article, I try to address these two questions, first by defining what is the imagined North and then by proposing an inclusive program to “recomplexify” the cultural Arctic.
Current Exhibitions
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This book celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic — from the continuance of longstanding practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating publication,(...)
August 2022
Qummut Qukiria! Art, culture, and sovereignty across Inuit Nunaat and Sápmi: Mobilizing the circumpolar North
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This book celebrates art and culture within and beyond traditional Inuit and Sámi homelands in the Circumpolar Arctic — from the continuance of longstanding practices such as storytelling and skin sewing to the development of innovative new art forms such as throatboxing (a hybrid of traditional Inuit throat singing and beatboxing). In this illuminating publication, curators, scholars, artists, and activists from Inuit Nunangat, Kalaallit Nunaat, Sápmi, Canada, and Scandinavia address topics as diverse as Sámi rematriation and the revival of the ládjogahpir (a Sámi woman’s headgear), the experience of bringing Inuit stone carving to a workshop for inner-city youth, and the decolonizing potential of Traditional Knowledge and its role in contemporary design and beyond.
books
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387 pages : illustrations ; 23 cm.
[Ottawa] : Presses de l'Université d'Ottawa, [2011]
L'ère électrique = The electric age / dirigé par Olivier Asselin, Silvestra Mariniello, Andrea Oberhuber.
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387 pages : illustrations ; 23 cm.
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[Ottawa] : Presses de l'Université d'Ottawa, [2011]
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Cette publication anniversaire bilingue dont la première édition de 1000 copies sera numérotée, redonne vie de manière critique aux dix ans de production artistique de l’ATSA et rassemble une sélection de magnifiques photographies d’archives de leurs interventions urbaines majeures, le tout mis en page par Orangetango. Son lancement est intégré à une nouvelle(...)
ATSA: quand l'art passe à l'action
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Cette publication anniversaire bilingue dont la première édition de 1000 copies sera numérotée, redonne vie de manière critique aux dix ans de production artistique de l’ATSA et rassemble une sélection de magnifiques photographies d’archives de leurs interventions urbaines majeures, le tout mis en page par Orangetango. Son lancement est intégré à une nouvelle intervention urbaine de leur cru sur le marketing intitulée CHANGE avec l’ouverture d’un magasin temporaire. L’ouvrage de 144 pages comprend des textes inédits, ponctués d’annotations manuscrites des artistes, d’analystes et de communicateurs de renoms: Sami Aoun (politicologue), Patrick Beauduin (spécialiste du marketing), Dinu Bumbaru (Héritage Montréal), Guy Sioui Durand (sociologue de l’art), Steven Guilbeault (porte-parole de Équiterre), Louis Hamelin (écrivain), Louis Jacob (historien de l’art), Jean Lemire (cinéaste et biologiste), Patrice Loubier (critique d’art) et Laure Waridel (sociologue et co-fondatrice d’Équiterre). Ils ont été conviés à livrer leurs réflexions sur la démarche engagée de l’ATSA et sur les enjeux sociaux, environnementaux et patrimoniaux qui ont menés aux réalisations provocantes de ce duo d’artistes. Un entretien avec les artistes fondateurs Annie Roy et Pierre Allard, réalisé par Sonia Pelletier (critique d'art, commissaire et éditrice indépendante), met la table à cet ouvrage, disponible en librairie dès la semaine du 22 septembre par Édipresse inc. et en version dédicacée par les artistes au magasin CHANGE et ici sur le site internet de l’ATSA.
Canadian art
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1 online resource
[Place of publication not identified] : Sarai, CSDS, 2007.
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[Place of publication not identified] : Sarai, CSDS, 2007.
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The People’s Action against the Nordic Áltá-Guovdageaidnu Waterway (c. 1978-82) radically shook the course of history in the region. Its call to ''let the river live'' clamored against the construction of a large dam across the Alltáeatnu river in Norway. The action grew to an unexpectedly broad movement of solidarity across civil society—Sámi and Norwegian, as well as(...)
Art Theory
February 2021
Let the river flow: An eco-indigenous uprising and its legacies in art and politics
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The People’s Action against the Nordic Áltá-Guovdageaidnu Waterway (c. 1978-82) radically shook the course of history in the region. Its call to ''let the river live'' clamored against the construction of a large dam across the Alltáeatnu river in Norway. The action grew to an unexpectedly broad movement of solidarity across civil society—Sámi and Norwegian, as well as Indigenous and non-Indigenous peoples internationally—in which Sámi artists played a pivotal role. ''Let the river flow'' takes this eco-Indigenous rebellion, the first in Europe and inspirational worldwide, to reflect on events at the time and their correlations with international artists’ eco actions today. It is conceived as a reader, and addresses innovations in political organizing, new influences of Indigenous thinking on contemporary politics and the centrality of artists within the constellation of these activities. It also considers other Indigenous artists’ protests that happened in parallel to the actions mentioned.
Art Theory
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For nearly 25 years, Architecture in the Netherlands has provided an essential annual overview of the best in Dutch architecture. This year the editorial team selected 30 projects from over 400 submissions, including work by Atelier Pro, Jan Bakers, Claus en Kaan, Fact Architects, Meyeren Van Schooten, Onix, Marlies Rohmer, SeARCH and WAMArchitecten.
Architecture in the Netherlands
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$66.00
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For nearly 25 years, Architecture in the Netherlands has provided an essential annual overview of the best in Dutch architecture. This year the editorial team selected 30 projects from over 400 submissions, including work by Atelier Pro, Jan Bakers, Claus en Kaan, Fact Architects, Meyeren Van Schooten, Onix, Marlies Rohmer, SeARCH and WAMArchitecten.
Architecture since 1900, Europe
books
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98 pages : color illustrations, plans ; 26 x 26 cm
New Delhi : Urban Crayon Press, 2010.
Golconde : the introduction of modernism in India / Pankaj Vir Gupta, Christine Mueller, Cyrus Samii ; photographs by Ashok Dilwali, Robi Ganguli, Vir.Mueller archtects.
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98 pages : color illustrations, plans ; 26 x 26 cm
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New Delhi : Urban Crayon Press, 2010.
Are we the world?
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Part six of the Design and Politics series compares the Randstad region with São Paulo, Istanbul and Detroit, and speculates about alternative visions for city planning and idealistic architectural intervention for the cities involved. Are We the World? is not only a plea for a central role for city planning, and an active exchange of ideas, but primarily for new(...)
Are we the world?
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Part six of the Design and Politics series compares the Randstad region with São Paulo, Istanbul and Detroit, and speculates about alternative visions for city planning and idealistic architectural intervention for the cities involved. Are We the World? is not only a plea for a central role for city planning, and an active exchange of ideas, but primarily for new political involvement.
Urban Theory
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xv, 153 pages : illustrations ; 26 cm
Berkeley : University of California Press, ©1991.
The monument : art, vulgarity, and responsibility in Iraq / Samir al-Khalil.
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xv, 153 pages : illustrations ; 26 cm
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Berkeley : University of California Press, ©1991.