530 Results
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Project
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Reference number:
AP056.S1.1995.PR03
Description:
This project series documents a competition entry for the University of Waterloo Centre for Environmental Sciences and Engineering in Waterloo, Ontario in 1995. The office identified the project number as 9502. This project consisted of a proposal to create a new, environmentally sustainable campus building within the scope of the University's master plan. The integrated complex would consist of the five-storey Research Laboratories building and the four-storey Earth Sciences office building, interconnected by the three-storey Interior Street. Corridors in the Research Laboratories building would separate visitors from the rigorously controlled environments of the labs and act as a hub of student activity. Glazed walls would allow visibility into the labs from the corridor. The office building, with a café and museum at its ground level, would have loft-like offices with operable windows for more eco-friendly temperature control. Other ecological features were proposed including a breathing, green wall, the use of local, sustainable materials and a bio-reactor plant, among others. This proposal was never built. The project is recorded through drawings, presentation paintings, a model and some accompanying textual records dating from on or around 1995. The drawings are predominantly original sketches and presentation drawings.
AP056.S1.1995.PR03
Description:
This project series documents a competition entry for the University of Waterloo Centre for Environmental Sciences and Engineering in Waterloo, Ontario in 1995. The office identified the project number as 9502. This project consisted of a proposal to create a new, environmentally sustainable campus building within the scope of the University's master plan. The integrated complex would consist of the five-storey Research Laboratories building and the four-storey Earth Sciences office building, interconnected by the three-storey Interior Street. Corridors in the Research Laboratories building would separate visitors from the rigorously controlled environments of the labs and act as a hub of student activity. Glazed walls would allow visibility into the labs from the corridor. The office building, with a café and museum at its ground level, would have loft-like offices with operable windows for more eco-friendly temperature control. Other ecological features were proposed including a breathing, green wall, the use of local, sustainable materials and a bio-reactor plant, among others. This proposal was never built. The project is recorded through drawings, presentation paintings, a model and some accompanying textual records dating from on or around 1995. The drawings are predominantly original sketches and presentation drawings.
People:
Date:
1995
1995
Title:
University of Waterloo Centre for Environmental Sciences and Engineering Competition, Waterloo, Ontario (1995)
Actions:
AP056.S1.1995.PR03
Description:
This project series documents a competition entry for the University of Waterloo Centre for Environmental Sciences and Engineering in Waterloo, Ontario in 1995. The office identified the project number as 9502. This project consisted of a proposal to create a new, environmentally sustainable campus building within the scope of the University's master plan. The integrated complex would consist of the five-storey Research Laboratories building and the four-storey Earth Sciences office building, interconnected by the three-storey Interior Street. Corridors in the Research Laboratories building would separate visitors from the rigorously controlled environments of the labs and act as a hub of student activity. Glazed walls would allow visibility into the labs from the corridor. The office building, with a café and museum at its ground level, would have loft-like offices with operable windows for more eco-friendly temperature control. Other ecological features were proposed including a breathing, green wall, the use of local, sustainable materials and a bio-reactor plant, among others. This proposal was never built. The project is recorded through drawings, presentation paintings, a model and some accompanying textual records dating from on or around 1995. The drawings are predominantly original sketches and presentation drawings.
University of Waterloo Centre for Environmental Sciences and Engineering Competition, Waterloo, Ontario (1995)
Actions:
AP056.S1.1995.PR03
Description:
This project series documents a competition entry for the University of Waterloo Centre for Environmental Sciences and Engineering in Waterloo, Ontario in 1995. The office identified the project number as 9502. This project consisted of a proposal to create a new, environmentally sustainable campus building within the scope of the University's master plan. The integrated complex would consist of the five-storey Research Laboratories building and the four-storey Earth Sciences office building, interconnected by the three-storey Interior Street. Corridors in the Research Laboratories building would separate visitors from the rigorously controlled environments of the labs and act as a hub of student activity. Glazed walls would allow visibility into the labs from the corridor. The office building, with a café and museum at its ground level, would have loft-like offices with operable windows for more eco-friendly temperature control. Other ecological features were proposed including a breathing, green wall, the use of local, sustainable materials and a bio-reactor plant, among others. This proposal was never built. The project is recorded through drawings, presentation paintings, a model and some accompanying textual records dating from on or around 1995. The drawings are predominantly original sketches and presentation drawings.
Level of archival description:
Project
Project
Date:
1995
1995
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
People:
Title:
Providence Healthcare Centre, Scarborough, Ontario (1995-2000)
Actions:
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
Providence Healthcare Centre, Scarborough, Ontario (1995-2000)
Actions:
AP056.S1.1995.PR02
Description:
This project series documents the Providence Healthcare Centre in Scarborough, Ontario from 1995-2000. The office identified the project number as 9504. This project, headed by Marianne McKenna in joint-venture with Montgomery and Sisam Architects, consisted of a long-term care facility on the Healthcare Centre campus located at the corner of St. Clair East and Warden Avenues. The facility diverged from the traditional institutional model to house 288 residents in a more residential setting. Bay windows, porches and chimneys were borrowed from residential architecture to contribute to this effect. The "houses," accommodating 18 residents each, were four-storeys high and arranged in two L-shaped wings with landscaped gardens in their interior courtyards. A double-height Great Hall joined the two volumes at the building's centre, which was built to house a variety of social and recreational activities for the residents. A chapel, hair salon, café and general store were also included. The project was also known as the Cardinal Ambrozic Houses of Providence. The project is recorded through drawings and presentation watercolour paintings dating from 1995-1999. The drawings are mostly originals and include a large number of sketches along with presentation renderings, plans, elevations, sections, perspectives and details.
Level of archival description:
Project
Project
People:
Form:
drawings
Quantity:
825 reprographic copy(ies)
drawings
Quantity:
825 reprographic copy(ies)
Actions:
Reference number:
ARCH286083
Description:
Plans, sections, schedules, axonometrics, elevations and details for the renovation of suites, public areas, staff areas, and for the design and construction of hotel furniture. The documents are stored in the original office folders, divided in the following categories: Communications room -- Conference rooms -- Employee cafeteria -- Chocolate shop -- Grand Avenue Bar -- Galeria Entries -- Public telephone room -- Pastry shop -- Public rest rooms -- Health Club -- American International Bank -- Schedule of drawings -- Kitchen details -- Reservation offices -- Biltmore Bowl -- Employee lockers -- Front desk -- Main lobby -- Bernard's -- Café.
ARCH286083
Description:
Plans, sections, schedules, axonometrics, elevations and details for the renovation of suites, public areas, staff areas, and for the design and construction of hotel furniture. The documents are stored in the original office folders, divided in the following categories: Communications room -- Conference rooms -- Employee cafeteria -- Chocolate shop -- Grand Avenue Bar -- Galeria Entries -- Public telephone room -- Pastry shop -- Public rest rooms -- Health Club -- American International Bank -- Schedule of drawings -- Kitchen details -- Reservation offices -- Biltmore Bowl -- Employee lockers -- Front desk -- Main lobby -- Bernard's -- Café.
People:
Date:
1976 - 1983
1976 - 1983
Title:
Plans, sections, schedules, axonometrics, elevations and details
Actions:
ARCH286083
Description:
Plans, sections, schedules, axonometrics, elevations and details for the renovation of suites, public areas, staff areas, and for the design and construction of hotel furniture. The documents are stored in the original office folders, divided in the following categories: Communications room -- Conference rooms -- Employee cafeteria -- Chocolate shop -- Grand Avenue Bar -- Galeria Entries -- Public telephone room -- Pastry shop -- Public rest rooms -- Health Club -- American International Bank -- Schedule of drawings -- Kitchen details -- Reservation offices -- Biltmore Bowl -- Employee lockers -- Front desk -- Main lobby -- Bernard's -- Café.
Plans, sections, schedules, axonometrics, elevations and details
Actions:
ARCH286083
Description:
Plans, sections, schedules, axonometrics, elevations and details for the renovation of suites, public areas, staff areas, and for the design and construction of hotel furniture. The documents are stored in the original office folders, divided in the following categories: Communications room -- Conference rooms -- Employee cafeteria -- Chocolate shop -- Grand Avenue Bar -- Galeria Entries -- Public telephone room -- Pastry shop -- Public rest rooms -- Health Club -- American International Bank -- Schedule of drawings -- Kitchen details -- Reservation offices -- Biltmore Bowl -- Employee lockers -- Front desk -- Main lobby -- Bernard's -- Café.
Form:
drawings
Quantity:
825 reprographic copy(ies)
drawings
Quantity:
825 reprographic copy(ies)
Date:
1976 - 1983
1976 - 1983
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1990.PR03
Description:
This project series documents the Joseph Stauffer Library at Queen's University in Kingston, Ontario from 1990-1994. The office identified the project number as 9011. This project was the winning entry of a national design competition and was completed with Thomas Payne at its head and with the firm Moffat Kinoshita Associates acting as consulting architects. Located at the corner of Alfred and University Streets, the project consisted of a new 200,000 square foot library for the campus. Influenced by the surrounding gothic collegiate buildings, the library's exteriors focused on vertical, upward movement and had rich textures created by limestone, copper flashing and wood window frames and entrance screens. The library's main entrance at the Union Street and University Street corner was a rotunda that featured a fireplace-lined reading room on the second floor. Other reading rooms and a café lined the building's exterior, while the main library stacks were housed in the core of the building. Wood panelling was disbursed amongst the walls to add warmth to the buildings interior. This project also included plans to expand the library in the following decades. This project received a Governor General's Award in Architecture in 1997. This project is recorded through drawings, photographs, presentation paintings and textual records dating from 1990-1994. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives, details and axonometric drawings. The photographs show the finished building, while the textual records consist of publicity on the building and the program description.
AP056.S1.1990.PR03
Description:
This project series documents the Joseph Stauffer Library at Queen's University in Kingston, Ontario from 1990-1994. The office identified the project number as 9011. This project was the winning entry of a national design competition and was completed with Thomas Payne at its head and with the firm Moffat Kinoshita Associates acting as consulting architects. Located at the corner of Alfred and University Streets, the project consisted of a new 200,000 square foot library for the campus. Influenced by the surrounding gothic collegiate buildings, the library's exteriors focused on vertical, upward movement and had rich textures created by limestone, copper flashing and wood window frames and entrance screens. The library's main entrance at the Union Street and University Street corner was a rotunda that featured a fireplace-lined reading room on the second floor. Other reading rooms and a café lined the building's exterior, while the main library stacks were housed in the core of the building. Wood panelling was disbursed amongst the walls to add warmth to the buildings interior. This project also included plans to expand the library in the following decades. This project received a Governor General's Award in Architecture in 1997. This project is recorded through drawings, photographs, presentation paintings and textual records dating from 1990-1994. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives, details and axonometric drawings. The photographs show the finished building, while the textual records consist of publicity on the building and the program description.
People:
Date:
1990-1994
1990-1994
Title:
Joseph Stauffer Library, Queen's University, Kingston, Ontario (1990-1994)
Actions:
AP056.S1.1990.PR03
Description:
This project series documents the Joseph Stauffer Library at Queen's University in Kingston, Ontario from 1990-1994. The office identified the project number as 9011. This project was the winning entry of a national design competition and was completed with Thomas Payne at its head and with the firm Moffat Kinoshita Associates acting as consulting architects. Located at the corner of Alfred and University Streets, the project consisted of a new 200,000 square foot library for the campus. Influenced by the surrounding gothic collegiate buildings, the library's exteriors focused on vertical, upward movement and had rich textures created by limestone, copper flashing and wood window frames and entrance screens. The library's main entrance at the Union Street and University Street corner was a rotunda that featured a fireplace-lined reading room on the second floor. Other reading rooms and a café lined the building's exterior, while the main library stacks were housed in the core of the building. Wood panelling was disbursed amongst the walls to add warmth to the buildings interior. This project also included plans to expand the library in the following decades. This project received a Governor General's Award in Architecture in 1997. This project is recorded through drawings, photographs, presentation paintings and textual records dating from 1990-1994. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives, details and axonometric drawings. The photographs show the finished building, while the textual records consist of publicity on the building and the program description.
Joseph Stauffer Library, Queen's University, Kingston, Ontario (1990-1994)
Actions:
AP056.S1.1990.PR03
Description:
This project series documents the Joseph Stauffer Library at Queen's University in Kingston, Ontario from 1990-1994. The office identified the project number as 9011. This project was the winning entry of a national design competition and was completed with Thomas Payne at its head and with the firm Moffat Kinoshita Associates acting as consulting architects. Located at the corner of Alfred and University Streets, the project consisted of a new 200,000 square foot library for the campus. Influenced by the surrounding gothic collegiate buildings, the library's exteriors focused on vertical, upward movement and had rich textures created by limestone, copper flashing and wood window frames and entrance screens. The library's main entrance at the Union Street and University Street corner was a rotunda that featured a fireplace-lined reading room on the second floor. Other reading rooms and a café lined the building's exterior, while the main library stacks were housed in the core of the building. Wood panelling was disbursed amongst the walls to add warmth to the buildings interior. This project also included plans to expand the library in the following decades. This project received a Governor General's Award in Architecture in 1997. This project is recorded through drawings, photographs, presentation paintings and textual records dating from 1990-1994. The drawings are mostly originals and include sketches, presentation drawings, plans, elevations, sections, perspectives, details and axonometric drawings. The photographs show the finished building, while the textual records consist of publicity on the building and the program description.
Level of archival description:
Project
Project
Date:
1990-1994
1990-1994
People:
Form:
drawings
Quantity:
10 drawing(s)
drawings
Quantity:
10 drawing(s)
Actions:
Reference number:
ARCH269760
Description:
Group consists of design exercises of different building typologies completed on pre-printed sheets. These include to-scale design development drawings of a two-family house, a bank, a mixed-use residential and commercial building, a country house, a schoolhouse, a youth hostel, and a cafe. Each exercise sheet inclues a space to complete floor plans, sections and elevations of the assigned building type.
ARCH269760
Description:
Group consists of design exercises of different building typologies completed on pre-printed sheets. These include to-scale design development drawings of a two-family house, a bank, a mixed-use residential and commercial building, a country house, a schoolhouse, a youth hostel, and a cafe. Each exercise sheet inclues a space to complete floor plans, sections and elevations of the assigned building type.
People:
Date:
1930-1931
1930-1931
Title:
Design exercises of different building typologies completed on pre-printed sheets
Actions:
ARCH269760
Description:
Group consists of design exercises of different building typologies completed on pre-printed sheets. These include to-scale design development drawings of a two-family house, a bank, a mixed-use residential and commercial building, a country house, a schoolhouse, a youth hostel, and a cafe. Each exercise sheet inclues a space to complete floor plans, sections and elevations of the assigned building type.
Design exercises of different building typologies completed on pre-printed sheets
Actions:
ARCH269760
Description:
Group consists of design exercises of different building typologies completed on pre-printed sheets. These include to-scale design development drawings of a two-family house, a bank, a mixed-use residential and commercial building, a country house, a schoolhouse, a youth hostel, and a cafe. Each exercise sheet inclues a space to complete floor plans, sections and elevations of the assigned building type.
Form:
drawings
Quantity:
10 drawing(s)
drawings
Quantity:
10 drawing(s)
Date:
1930-1931
1930-1931
People:
Form:
textual records, works of art
textual records, works of art
Actions:
Reference number:
DR1974:0002:036:006:001-006
Description:
Manuscript DR1974:0002:036:006:001-006 documents a project in which the Ministère des Affaires Étrangères would apparently retain the property of its archives and the Hôtel d'Etchegoyan. The project proposes the creation of a new street to provide access to the rear of the opera house and to isolate it from the Ministère des Affaires Étrangères. The principal façade of the opera house was to be on the property of the Hôtel du Timbre facing rue de la Paix. The manuscript includes proposed construction costs and rental income for the opera house, including its boutiques and café, and the adjacent shopping arcades, apartments, and houses.
DR1974:0002:036:006:001-006
Description:
Manuscript DR1974:0002:036:006:001-006 documents a project in which the Ministère des Affaires Étrangères would apparently retain the property of its archives and the Hôtel d'Etchegoyan. The project proposes the creation of a new street to provide access to the rear of the opera house and to isolate it from the Ministère des Affaires Étrangères. The principal façade of the opera house was to be on the property of the Hôtel du Timbre facing rue de la Paix. The manuscript includes proposed construction costs and rental income for the opera house, including its boutiques and café, and the adjacent shopping arcades, apartments, and houses.
People:
Subject:
architecture
architecture
Date:
13, 14, and 16 February 1840
13, 14, and 16 February 1840
Title:
Cost estimates, projected rental incomes, and a site plan for an opera house for the Théâtre Royal Italien and surrounding infrastructure on the Ministère des Affaires Étrangères and the Hôtel du Timbre site
Actions:
DR1974:0002:036:006:001-006
Description:
Manuscript DR1974:0002:036:006:001-006 documents a project in which the Ministère des Affaires Étrangères would apparently retain the property of its archives and the Hôtel d'Etchegoyan. The project proposes the creation of a new street to provide access to the rear of the opera house and to isolate it from the Ministère des Affaires Étrangères. The principal façade of the opera house was to be on the property of the Hôtel du Timbre facing rue de la Paix. The manuscript includes proposed construction costs and rental income for the opera house, including its boutiques and café, and the adjacent shopping arcades, apartments, and houses.
Cost estimates, projected rental incomes, and a site plan for an opera house for the Théâtre Royal Italien and surrounding infrastructure on the Ministère des Affaires Étrangères and the Hôtel du Timbre site
Actions:
DR1974:0002:036:006:001-006
Description:
Manuscript DR1974:0002:036:006:001-006 documents a project in which the Ministère des Affaires Étrangères would apparently retain the property of its archives and the Hôtel d'Etchegoyan. The project proposes the creation of a new street to provide access to the rear of the opera house and to isolate it from the Ministère des Affaires Étrangères. The principal façade of the opera house was to be on the property of the Hôtel du Timbre facing rue de la Paix. The manuscript includes proposed construction costs and rental income for the opera house, including its boutiques and café, and the adjacent shopping arcades, apartments, and houses.
Form:
textual records, works of art
textual records, works of art
Date:
13, 14, and 16 February 1840
13, 14, and 16 February 1840
People:
Subject:
architecture
architecture
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
People:
Date:
1991-1997
1991-1997
Title:
Royal Conservatory of Music, Master Plan, Toronto (1991)
Actions:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
Royal Conservatory of Music, Master Plan, Toronto (1991)
Actions:
AP056.S1.1991.PR07
Description:
This project series documents the master plan for the Royal Conservatory of Music in Toronto in 1991. The office identified the project number as 9107. This project consisted of long-range planning for renovations and additions to the music school, located in Victorian-era McMaster Hall on Bloor Street and originally built in 1881. This plan came in preparation of the Conservatory's separation from the University of Toronto in 1987. The program recognized the need for 73,450 square feet of space for the school to carry out its teaching, administrative, public, and performance duties. The building had a basement, six floors above grade and two levels of parking. The work was to focus around public spaces for socialization and to create grand spaces for the performance of music. Smaller teaching and practice rooms, along with administrative spaces, were also to be included. The plan proposed the restoration of McMaster Hall, the restoration of Memorial Hall to the east of the building as a 220-seat recital hall, the creation of a new enclosed courtyard surrounded by cloisters, and renovations to the South Pavilion as a cafe. A new West Wing was also proposed to accommodate teaching and practice areas, while a new East Wing would contain a 550-seat concert hall. These changes were to be carried out in phases, with 3 phases proposed as the most effecient and cost effective. The project is recorded through drawings, presentation paintings, a magazine, and textual records dating from 1991. The drawings include sketches, presentation drawings, plans, elevations and sections. The magazine is a special issue of the Canadian Architect Awards of Excellence, featuring this project, and the textual records present the complete project proposal.
Level of archival description:
Project
Project
Date:
1991-1997
1991-1997
People:
Level of archival description:
Project
Project
Reference number:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
People:
Date:
1988-1994
1988-1994
Title:
The Design Exchange, Toronto (1988-1994)
Actions:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
The Design Exchange, Toronto (1988-1994)
Actions:
AP056.S1.1988.PR04
Description:
This project series documents the first scheme and final design of The Design Exchange in Toronto from 1988-1994. The office identified the project numbers as 8801 for the first scheme and 9231 for the final design. Although two project numbers were used, materials for each project cannot be clearly separated. This project consisted of the renovation, restauration and expansion of the old Toronto Stock Exchange building, located at the base of the Ernst Young Tower in the Toronto Dominion Centre. The Design Exchange (D/X) was a new cultural institution, dedicated to the economic and cultural promotion of design in the country through exhibits, lectures, banquets, trade shows and other events. With Shirley Blumberg as the partner-in-charge, the art deco style trading floor was restored as an open event space, with the original Charles Comfort murals retained. In order to create harmony between the art deco building and the neo-modernist renovations, bold, linear architectural elements such as stairs, walls, screens and bridges were reiterated throughout the design. A staircase from the trading floor led to an overlooking bridge and created a connection between the trading floor, trading gallery and resource centre. Other areas of the 40,000 square foot building included an exhibit space, café, member's lounge, retail store, seminar rooms and administrative offices. Coloured planes of cobalt blue, chartreuse and ochre were set against a material palette of red oak, cherry, limestone, glass and stainless steel. The project is recorded through drawings and photographs dating from 1988-1994. The drawings are mostly originals and include a large amount of sketches. Also included are plans, elevations, sections, perspectives, details and drawings for custom furnishings. The photographs show the completed interiors of the building.
Level of archival description:
Project
Project
Date:
1988-1994
1988-1994
People:
Level of archival description:
Project
Project
Reference number:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
People:
Date:
1986-1988
1986-1988
Title:
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
University Art Museum
Actions:
AP143.S4.D65
Description:
File documents the unexecuted project for the University Art Museum, Long Beach, California. Material in this file was produced between 1986 and 1988. California State University, Long Beach (CSULB), commissioned Eisenman/Robertson Architects to design an art museum adjacent to the main campus entrance. The 67,500-square-foot building was to comprise four galleries, a black-box theater, an auditorium, a cafe, conference rooms, a library, offices, preparation spaces, and storage vaults. The project, sited on a 23-acre arboretum, included landscaping; terraced sculpture courtyards, botanical gardens, and a two-acre pond. Eisenman linked the northern and southern parts of the arboretum by an elevated public walkway through the museum. Sets of drawings were presented on 8 and 30 April, 2 June, and 5 Aug. In the first design phase Eisenman explores the cartographic figures which form the basis of his artificial excavation when superposed: a series of sketches establishes the analogical relationships which fix the relative scales of the plans and produce the superpositions; another series contextualizes the superposed figures by placing them within the museum site (DR1987:0859:087-090). The second phase concerns the building; the working model shows the building carved out of a square pit, from which spring an oil derrick and a reconstruction of a recreational pier (Rainbow Pier, 1920s) used here as circulatory bridge (DR1987:0859:160). In the third phase the architect systematizes his archeological procedure by using five significant cartographic dates - 1849, 1889, 1949, 1989, 2049 - each corresponding to a specific superposition (see DR1987:0859:274-277). In the fourth phase, Eisenman simplifies the superposition of 2049 to a few iconic colour-coded forms: ranch (green), ranch house (blue), campus site (red), and water forms (river and pond) (gold). Material for the fourth phase includes three relief models, four presentation drawings, and a model (property of the CSULB) (relief models: DR1987:0859:001-003; drawings: DR1987:0859:004-008). Eisenman "inhabits" his artifical archeology by detailed planning of interior spaces, and gives substance to the cartographic traces in a series of sketch sections, perspectives, and working models. Working models reveal how the central "canal" area gradually became the museum's access point (DR1987:0859:484-490); the museum, galleries, offices, and preparation areas are on one side of this deep cut, while the cafeteria and black-box theater are on the other. The upper level was to house offices, meeting rooms, and the library. File contains audiovisual material, conceptual drawings, design development drawings, presentation drawings, reference drawings, working drawings, photographic materials, and textual records.
Level of archival description:
File 65
File 65
Date:
1986-1988
1986-1988
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2018.PR03
Description:
The project series documents "Rebreathing Architecture" an installation designed by Pettena for the 2018 Biennale Gherdeina in Ortisei. The installation consists of strips of white plastic placed in front of the windows of the Hotel Ladinia Caffé in Ortisei. The intention is to give the impression that the building is breathing when the strips of plastic are blown in the wind. The project series contains photographs and videos of the installation.
AP207.S1.2018.PR03
Description:
The project series documents "Rebreathing Architecture" an installation designed by Pettena for the 2018 Biennale Gherdeina in Ortisei. The installation consists of strips of white plastic placed in front of the windows of the Hotel Ladinia Caffé in Ortisei. The intention is to give the impression that the building is breathing when the strips of plastic are blown in the wind. The project series contains photographs and videos of the installation.
People:
Date:
2018
2018
Title:
Rebreathing Architecture (2018)
Actions:
AP207.S1.2018.PR03
Description:
The project series documents "Rebreathing Architecture" an installation designed by Pettena for the 2018 Biennale Gherdeina in Ortisei. The installation consists of strips of white plastic placed in front of the windows of the Hotel Ladinia Caffé in Ortisei. The intention is to give the impression that the building is breathing when the strips of plastic are blown in the wind. The project series contains photographs and videos of the installation.
Rebreathing Architecture (2018)
Actions:
AP207.S1.2018.PR03
Description:
The project series documents "Rebreathing Architecture" an installation designed by Pettena for the 2018 Biennale Gherdeina in Ortisei. The installation consists of strips of white plastic placed in front of the windows of the Hotel Ladinia Caffé in Ortisei. The intention is to give the impression that the building is breathing when the strips of plastic are blown in the wind. The project series contains photographs and videos of the installation.
Level of archival description:
Project
Project
Date:
2018
2018
People:
