5736 Results
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP095
Synopsis:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
AP095
Synopsis:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
People:
Date:
1994-1996
1994-1996
Title:
Fonds Concours Biennale de Venise 1996
Actions:
AP095
Synopsis:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
Fonds Concours Biennale de Venise 1996
Actions:
AP095
Synopsis:
Le fonds Concours Biennale de Venise 1996 comprend principalement les 16 projets sélectionnés dans le cadre du concours national d'idées devant proposer un projet conceptuel pour un pavillon canadien de l'architecture à Venise. Les 16 projets lauréats ont été présentés, avec des oeuvres architecturales de l'agence Patkau Architects de Vancouver, pour représenter le Canada à la VIe Exposition internationale d'architecture de la Biennale de Venise 1996.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1994-1996
1994-1996
People:
Form:
drawings
drawings
Actions:
Reference number:
DR1988:0142
Description:
- Interpretation of the design depends on whether the blue and green areas represent sky and land; if so, this drawing could be interpreted as a view through the doorway of one building to the front elevation of another.
DR1988:0142
Description:
- Interpretation of the design depends on whether the blue and green areas represent sky and land; if so, this drawing could be interpreted as a view through the doorway of one building to the front elevation of another.
People:
Subject:
architecture
architecture
Date:
circa 1920-1921
circa 1920-1921
Title:
Imaginary view from one building to another
Actions:
DR1988:0142
Description:
- Interpretation of the design depends on whether the blue and green areas represent sky and land; if so, this drawing could be interpreted as a view through the doorway of one building to the front elevation of another.
Imaginary view from one building to another
Actions:
DR1988:0142
Description:
- Interpretation of the design depends on whether the blue and green areas represent sky and land; if so, this drawing could be interpreted as a view through the doorway of one building to the front elevation of another.
Form:
drawings
drawings
Date:
circa 1920-1921
circa 1920-1921
People:
Subject:
architecture
architecture
Form:
works of art
works of art
Reference number:
DR1988:0437:045
Description:
- This etching for a fireworks construction or macchina represents a game market constructed in the form of a two-storey wall with a central archway. Shops selling game are separated by a giant order of rusticated columns.
DR1988:0437:045
Description:
- This etching for a fireworks construction or macchina represents a game market constructed in the form of a two-storey wall with a central archway. Shops selling game are separated by a giant order of rusticated columns.
People:
Subject:
temporary architecture
temporary architecture
Date:
printed 1772
printed 1772
Title:
Etching of Posi's design for the "seconda macchina" of 1772
Actions:
DR1988:0437:045
Description:
- This etching for a fireworks construction or macchina represents a game market constructed in the form of a two-storey wall with a central archway. Shops selling game are separated by a giant order of rusticated columns.
Etching of Posi's design for the "seconda macchina" of 1772
Actions:
DR1988:0437:045
Description:
- This etching for a fireworks construction or macchina represents a game market constructed in the form of a two-storey wall with a central archway. Shops selling game are separated by a giant order of rusticated columns.
Form:
works of art
works of art
Date:
printed 1772
printed 1772
People:
Subject:
temporary architecture
temporary architecture
Level of archival description:
Project
Project
Title:
Memorie [Memories] (2005)
Memorie [Memories] (2005)
Actions:
Reference number:
AP207.S1.2005.PR01
Description:
The project series documents the installation "Memorie" presented at the Ecole des Beaux-Arts, in Chateauroux, in 2005. The installation consists of classroom furniture, such as desks, chairs and window panels, emerging from walls and "represent things that only partly resurface in the memory of each of us in different ways when we come across objects whose use is common to all." [1] The project series contains photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-memories-2005/ (last accessed 22 January 2020).
AP207.S1.2005.PR01
Description:
The project series documents the installation "Memorie" presented at the Ecole des Beaux-Arts, in Chateauroux, in 2005. The installation consists of classroom furniture, such as desks, chairs and window panels, emerging from walls and "represent things that only partly resurface in the memory of each of us in different ways when we come across objects whose use is common to all." [1] The project series contains photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-memories-2005/ (last accessed 22 January 2020).
People:
Date:
2005-2017
2005-2017
Title:
Memorie [Memories] (2005)
Actions:
AP207.S1.2005.PR01
Description:
The project series documents the installation "Memorie" presented at the Ecole des Beaux-Arts, in Chateauroux, in 2005. The installation consists of classroom furniture, such as desks, chairs and window panels, emerging from walls and "represent things that only partly resurface in the memory of each of us in different ways when we come across objects whose use is common to all." [1] The project series contains photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-memories-2005/ (last accessed 22 January 2020).
Memorie [Memories] (2005)
Actions:
AP207.S1.2005.PR01
Description:
The project series documents the installation "Memorie" presented at the Ecole des Beaux-Arts, in Chateauroux, in 2005. The installation consists of classroom furniture, such as desks, chairs and window panels, emerging from walls and "represent things that only partly resurface in the memory of each of us in different ways when we come across objects whose use is common to all." [1] The project series contains photographs of the installation. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-memories-2005/ (last accessed 22 January 2020).
Level of archival description:
Project
Project
Date:
2005-2017
2005-2017
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
People:
Date:
1994-2005
1994-2005
Title:
New Canadian Embassy in Berlin, Germany (1994-2005)
Actions:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
New Canadian Embassy in Berlin, Germany (1994-2005)
Actions:
AP075.S1.1994.PR01
Description:
Project series documents Cornelia Hahn Oberlander's project of a roof garden for the New Canadian Embassy at Leipziger Platz in Berlin, Germany. Oberlander worked on this project in from 1999-2005 with architectural firm Kuwabara, Payne, McKenna, Blumberg Architects. Oberlander's work for the project included a terrace at the Ambassador's Level (6th floor) with mounded evergreen white flowering groundcover azaleas, cascading roses hanging along the Leipzigerstrasse facade, and a green roof on top of the building. The concept of the landscaping of the green roof was to represente Canada's land of the north in an abstract form, simulating the river system of the MacKenzie River in the Northwest Territories, linking Alberta to the Arctic Ocean. She used black-glass panels to represente the water. The drainage for the green roof was also connected the drainage infrastructure of the building to recycle the water collected from the roof. The project series includes sketches and design development drawings for the green roof landscaping, planting details and irrigation details, presentation drawings from KPMB and drawings of the building used as reference. The project is also documented through research material, concept notes by Oberlander, correspondence, including with architects, consultants, contractors and clients, proposal, specifications, and press clippings about the project. The project series also includes sample of glass tiles used for the landscaping.
Level of archival description:
Project
Project
Date:
1994-2005
1994-2005
People:
Form:
textual records, photographs
Quantity:
7 file(s)
textual records, photographs
Quantity:
7 file(s)
Reference number:
DR1988:0016:001-007
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Consists of memorabelia of Paul Goesch, including 6 photographs and a diploma.
DR1988:0016:001-007
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Consists of memorabelia of Paul Goesch, including 6 photographs and a diploma.
People:
Date:
1911
1911
Title:
Material from Paul Goesch mostly for Die gläserne Kette
Actions:
DR1988:0016:001-007
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Consists of memorabelia of Paul Goesch, including 6 photographs and a diploma.
Material from Paul Goesch mostly for Die gläserne Kette
Actions:
DR1988:0016:001-007
Description:
Part of a miscellaneous group of visual and textual documents collected by Oswald Mathais Ungers, apparently to represent the work of artists/architects in Die gläserne Kette. Consists of memorabelia of Paul Goesch, including 6 photographs and a diploma.
Form:
textual records, photographs
Quantity:
7 file(s)
textual records, photographs
Quantity:
7 file(s)
Date:
1911
1911
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH280042
Description:
Index cards with projects names and lists of drawings reproduced on the microfiches. Organized by architectural project numbers (of which consists the first two number represent the last two numbers of the year). Contains project undertook between 1950 and 1972.
ARCH280042
Description:
Index cards with projects names and lists of drawings reproduced on the microfiches. Organized by architectural project numbers (of which consists the first two number represent the last two numbers of the year). Contains project undertook between 1950 and 1972.
People:
Date:
circa 1972
circa 1972
Title:
Index cards and microfiches of architecture projects drawings by Victor Prus
Actions:
ARCH280042
Description:
Index cards with projects names and lists of drawings reproduced on the microfiches. Organized by architectural project numbers (of which consists the first two number represent the last two numbers of the year). Contains project undertook between 1950 and 1972.
Index cards and microfiches of architecture projects drawings by Victor Prus
Actions:
ARCH280042
Description:
Index cards with projects names and lists of drawings reproduced on the microfiches. Organized by architectural project numbers (of which consists the first two number represent the last two numbers of the year). Contains project undertook between 1950 and 1972.
Form:
textual records
textual records
Date:
circa 1972
circa 1972
People:
Form:
exhibitions
exhibitions
Description:
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
Location:
Main galleries
Main galleries
Date:
18 June 1996 to 29 September 1996
18 June 1996 to 29 September 1996
Title:
Frank Lloyd Wright: Designs for an American Landscape, 1922-1932
Actions:
Description:
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
Frank Lloyd Wright: Designs for an American Landscape, 1922-1932
Actions:
Description:
A revolutionary approach to the relationship between building and landscape, which shaped them together according to peculiarly American ideals, is the subject of Frank Lloyd Wright: Designs for an American Landscape, 1922–1932. In this exhibition, the CCA reconstructs five unbuilt, visionary projects that imagined nothing less than a new American landscape, integrating(...)
Form:
exhibitions
exhibitions
Date:
18 June 1996 to
29 September 1996
18 June 1996 to
29 September 1996
Location:
Main galleries
Main galleries
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
A.D. Thacker fonds
A.D. Thacker fonds
Actions:
Reference number:
AP004
Synopsis:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
AP004
Synopsis:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
People:
Date:
1913-1944
1913-1944
Title:
A.D. Thacker fonds
Actions:
AP004
Synopsis:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
A.D. Thacker fonds
Actions:
AP004
Synopsis:
The A.D. Thacker fonds is comprised of project proposals and documentation dating from around 1913-1938, depicting structures designed by Thacker. Much of Thacker's work was completed in Quebec, but he also completed projects in Halifax, Nova Scotia. Thacker designed many churches for religious institutions that were directly involved in the oppressive, colonial assimilation policies and systems of the Canadian government towards indigenous people. The fonds contains 33 drawings, 16 reprographic copies, 12 photographs and 8 textual documents.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1913-1944
1913-1944
People:
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Reference number:
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
People:
Date:
2003-2011
2003-2011
Title:
Studio Gang Ford Calumet Environmental Center project records
Actions:
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
Studio Gang Ford Calumet Environmental Center project records
Actions:
AP196
Synopsis:
Studio Gang Ford Calumet Environmental Center project records, 2003-2012, documents the design process for the Ford Calumet Environmental Center in Chicago, United-States. The records represent both phases during the competition and the full-term design, after the firm won the project. The records consist of born-digital material, sketches and drawings, textual records, photographs and seven models.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
2003-2011
2003-2011
People:
