T pour Typographie
Feed is an independent graphic design studio founded in 1999 by Anouk Pennel and Raphaël Daudelin that specializes in branding, publishing and typeface design. In conjunction with the graphic design they created for the exhibition ABC: MTL, the studio invites university students to a typography drawing workshop. Each student will be assigned a letter of the alphabet and(...)
Shaughnessy House
21 February 2013, 3pm - 5pm
T pour Typographie
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Description:
Feed is an independent graphic design studio founded in 1999 by Anouk Pennel and Raphaël Daudelin that specializes in branding, publishing and typeface design. In conjunction with the graphic design they created for the exhibition ABC: MTL, the studio invites university students to a typography drawing workshop. Each student will be assigned a letter of the alphabet and(...)
Shaughnessy House
Project
Sheffield Festival
AP144.S2.D61
Description:
File documents an unrealized project for the Sheffield Festival which was organized by the University of Sheffield Union of Students, in Sheffield, England, United Kingdom. An early proposal by Feliks Topolski and Cedric Price called for lightweight and movable gem-shaped enclosures of metal tubing, and fibreglass panels to be illustrated by Topolski. Later proposals involved the participation of Richard Hamilton, Robyn Denny, Bernard Cohen, and Joe Tilson. Material in this file includes conceptual sketches, detail sketches of support system, reprographic copies from original drawings, and photographic views of a model. Some material in this file was published in Price, Cedric, with Peter Murray. 'The Second Instalment in the Cedric Price Supplement Series', 'Architectural Design', vol. 41, (January 1971), 38. Feliks Topolski and Cedric Price also collaborated on a later project (see Topolski/Waterloo AP144.S2.D88). Material in the file was produced between 1964 and 1968. File contains conceptual drawings, photographic materials, and textual records.
1964-1968
Sheffield Festival
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AP144.S2.D61
Description:
File documents an unrealized project for the Sheffield Festival which was organized by the University of Sheffield Union of Students, in Sheffield, England, United Kingdom. An early proposal by Feliks Topolski and Cedric Price called for lightweight and movable gem-shaped enclosures of metal tubing, and fibreglass panels to be illustrated by Topolski. Later proposals involved the participation of Richard Hamilton, Robyn Denny, Bernard Cohen, and Joe Tilson. Material in this file includes conceptual sketches, detail sketches of support system, reprographic copies from original drawings, and photographic views of a model. Some material in this file was published in Price, Cedric, with Peter Murray. 'The Second Instalment in the Cedric Price Supplement Series', 'Architectural Design', vol. 41, (January 1971), 38. Feliks Topolski and Cedric Price also collaborated on a later project (see Topolski/Waterloo AP144.S2.D88). Material in the file was produced between 1964 and 1968. File contains conceptual drawings, photographic materials, and textual records.
File 61
1964-1968
Sub-series
AP197.S1.SS3
Description:
This subseries documents Frampton's activities as Graham Foundation Fellow at the Institute for Architecture and Urban Studies (IAUS), including the development and design of IAUS’s only built project, the Low-Rise High-Density (LRHD) housing project in Brooklyn, New York. Also documented in this series are some of Frampton's other activities for IAUS. Frampton was not only co-founding editor of IAUS's magazine, "Oppositions" (1973), but also served as an editor for all of IAUS's publications; their journal, book series, and catalogue series. IAUS also served as a cultural space that held lectures for highschool and undergraduate students. Materials in this subseries consist of elevation and site drawings for the LRHD housing project and photographic materials for MoMA’s exhibition on the LRHD. Textual documentation is comprised of IAUS’s original application to the Ford Foundation and drafts of Frampton’s writings on the LRHD as well as IAUS meeting minutes, IAUS by-laws, announcement pamphlets, booklets, IAUS research programs and outlines of seminar sessions, correspondence, postcards, and posters. The subseries also includes an IAUS watch.
1970-2015
Institute for Architecture and Urban Studies (IAUS) (1970-1982)
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AP197.S1.SS3
Description:
This subseries documents Frampton's activities as Graham Foundation Fellow at the Institute for Architecture and Urban Studies (IAUS), including the development and design of IAUS’s only built project, the Low-Rise High-Density (LRHD) housing project in Brooklyn, New York. Also documented in this series are some of Frampton's other activities for IAUS. Frampton was not only co-founding editor of IAUS's magazine, "Oppositions" (1973), but also served as an editor for all of IAUS's publications; their journal, book series, and catalogue series. IAUS also served as a cultural space that held lectures for highschool and undergraduate students. Materials in this subseries consist of elevation and site drawings for the LRHD housing project and photographic materials for MoMA’s exhibition on the LRHD. Textual documentation is comprised of IAUS’s original application to the Ford Foundation and drafts of Frampton’s writings on the LRHD as well as IAUS meeting minutes, IAUS by-laws, announcement pamphlets, booklets, IAUS research programs and outlines of seminar sessions, correspondence, postcards, and posters. The subseries also includes an IAUS watch.
Subseries
1970-2015
The Unschool
What could a school be? For a week over summer 2012, students of The Unschool explored the spaces in and around schools and pushed the limits of the camera as a social instrument with guest curator Monica Nouwens. Participants compared how people live in schools and cities, and how design can encourage and limit behaviours, relationships, and activities. “Could(...)
30 July 2012 to 3 August 2012
The Unschool
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Description:
What could a school be? For a week over summer 2012, students of The Unschool explored the spaces in and around schools and pushed the limits of the camera as a social instrument with guest curator Monica Nouwens. Participants compared how people live in schools and cities, and how design can encourage and limit behaviours, relationships, and activities. “Could(...)
photographs
Quantity:
9 photograph(s)
ARCH269657
Description:
Group consists of various photographs predominantly of Chandigarh, India, including: - Model of the Governor's House by Le Corbusier (unrealized) - High Court's cornice in the Capitol Complex (2 photographs) - The Assembly viewed from the Secretariat in the Capitol Complex - The Post Graduate Institute for Medical Research in sector 12 - Roof of the Secretariat in the Capitol Complex - Bhakra Dam workers' houses in Talwara - House Type 5-J in sector 16 - Students in a classroom of an unidentified Higher secondary school
between 1951 and 1965
Photographs predominantly of Chandigarh
Actions:
ARCH269657
Description:
Group consists of various photographs predominantly of Chandigarh, India, including: - Model of the Governor's House by Le Corbusier (unrealized) - High Court's cornice in the Capitol Complex (2 photographs) - The Assembly viewed from the Secretariat in the Capitol Complex - The Post Graduate Institute for Medical Research in sector 12 - Roof of the Secretariat in the Capitol Complex - Bhakra Dam workers' houses in Talwara - House Type 5-J in sector 16 - Students in a classroom of an unidentified Higher secondary school
photographs
Quantity:
9 photograph(s)
between 1951 and 1965
Project
CD035.S1.1979.PR01
Description:
This project series predominantly consists of material related to Coen Beeker's involvement in the restructuring of a spontaneous neighbourhood in Ouagadougou, between the 1980s and early 2000s. Beeker acted as principal technical advisor for the collaboration program between the Ministère des Infrastructures de l'habitat et de l'urbanisme of Burkina Faso, the Ambassy of The Netherlands in Burkina Faso, and the Vrije Universiteit Amsterdam (VU University Amsterdam). The project series consists predominantly of textual records, including project reports, correspondence, and a student thesis, as well as aerial photographs, maps of the Ouagadougou area, and a recording of a documentary on Ouagadougou.
1960-2005
Restructuring of spontaneous neighbourhoods, Ouagadougou, Burkina Faso (1979-2005)
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CD035.S1.1979.PR01
Description:
This project series predominantly consists of material related to Coen Beeker's involvement in the restructuring of a spontaneous neighbourhood in Ouagadougou, between the 1980s and early 2000s. Beeker acted as principal technical advisor for the collaboration program between the Ministère des Infrastructures de l'habitat et de l'urbanisme of Burkina Faso, the Ambassy of The Netherlands in Burkina Faso, and the Vrije Universiteit Amsterdam (VU University Amsterdam). The project series consists predominantly of textual records, including project reports, correspondence, and a student thesis, as well as aerial photographs, maps of the Ouagadougou area, and a recording of a documentary on Ouagadougou.
Project
1960-2005
articles
Land and Law by Design
Land and Law by Design
Aamirah Nakhuda, Aidan Qualizza, and Sofia Munera Mora investigate Treaty 72
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photographs
ARCH280813
Description:
Group consists of photographs of models for the Panjab University's buildings in Chandigarh, India, including a student centre and a model of the university campus showing the library, the student centre and the convocation hall of Gandhi Bhawan.
1952-c.1970
Photographs of models for Panjab University's buildings in Chandigarh, India
Actions:
ARCH280813
Description:
Group consists of photographs of models for the Panjab University's buildings in Chandigarh, India, including a student centre and a model of the university campus showing the library, the student centre and the convocation hall of Gandhi Bhawan.
photographs
1952-c.1970
Project
AP075.S1.2005.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscale project for the King David High School garden, on Willow Street, in Vancouver. The project consists in a biblical garden that features plants and trees mentionned in the the Torah to teach biblical heritage to the students of the school outdoors as well as indoors. It includes signage of individual species with quotations from the Torah in Hebrew, English & Latin. Oberlander worked in this project in the mid-2000s with architect firm Acton Ostry Architects Inc. The project series contains research and documentation, correspondence, including with client and contractors, landscape specifications, project description, financial documents, physical and digital document related to the plant selection, and a few photographs of the construction. The project is also documented through design development drawings, such as landscape plans, elevations, details for the signs, some presentation drawings, and a sample of the plan identification signs. The material for this project also comprises documents related to landscape maintenance of the garden, including maintenance history summary and contract with contractor for maintenance of trees.
2005-2011
King David High School Biblical Garden, Vancouver, British Columbia (2005-2008)
Actions:
AP075.S1.2005.PR04
Description:
Project series documents Cornelia Hahn Oberlander's landscale project for the King David High School garden, on Willow Street, in Vancouver. The project consists in a biblical garden that features plants and trees mentionned in the the Torah to teach biblical heritage to the students of the school outdoors as well as indoors. It includes signage of individual species with quotations from the Torah in Hebrew, English & Latin. Oberlander worked in this project in the mid-2000s with architect firm Acton Ostry Architects Inc. The project series contains research and documentation, correspondence, including with client and contractors, landscape specifications, project description, financial documents, physical and digital document related to the plant selection, and a few photographs of the construction. The project is also documented through design development drawings, such as landscape plans, elevations, details for the signs, some presentation drawings, and a sample of the plan identification signs. The material for this project also comprises documents related to landscape maintenance of the garden, including maintenance history summary and contract with contractor for maintenance of trees.
Project
2005-2011
Project
Clay House (1972)
AP207.S1.1972.PR02
Description:
The project series documents "Clay House", an installation undertaken by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. It consisted of covering an entire inhabited house with clay located in a middle-class neighbourhood of Salt Lake City. The installation "was another study on the “working” of material, or rather a statement on the re-naturalization of denatured places and materials [...]." It also transformed the house by changing its colour from the other houses in the area, "all devitalized by the anonymity as well as the uniformity of their coloring." [2] The project series contains photographs of the residence before being covered in clay, a photograph of Pettena's team working at covering the house with clay, photographs of the finished installation, and a photograph of the model. The project series also contains drawings for the installation, and a drawing showing four stages of the installation. Source: [1] [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-clay-house-1972-1/ (last accessed 11 November 2019)
circa 1972-2016
Clay House (1972)
Actions:
AP207.S1.1972.PR02
Description:
The project series documents "Clay House", an installation undertaken by Pettena and a group of his students from the University of Utah, in Salt Lake City, in 1972. It consisted of covering an entire inhabited house with clay located in a middle-class neighbourhood of Salt Lake City. The installation "was another study on the “working” of material, or rather a statement on the re-naturalization of denatured places and materials [...]." It also transformed the house by changing its colour from the other houses in the area, "all devitalized by the anonymity as well as the uniformity of their coloring." [2] The project series contains photographs of the residence before being covered in clay, a photograph of Pettena's team working at covering the house with clay, photographs of the finished installation, and a photograph of the model. The project series also contains drawings for the installation, and a drawing showing four stages of the installation. Source: [1] [2] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/nat-clay-house-1972-1/ (last accessed 11 November 2019)
Project
circa 1972-2016