1218 Results
Form:
books
books
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Description:
497 pages : illustrations ; 26 cm
Description:
497 pages : illustrations ; 26 cm
Subject:
- Alternative spaces (Arts facilities) New York (State) New York History 20th century.,
- Arts facilities New York (State) New York History 20th century.,
- Arts New York (State) New York History 20th century.,
- Centres d'artistes autogérés New York (État) New York Histoire 20e siècle.,
- Arts New York (État) New York 20e siècle Histoire.,
- Alternative spaces (Arts facilities),
- Arts.,
- Arts facilities.,
- New York (State) New York.,
- History.
(See more)
Publication:
Dijon : Presses du réel, [2017], ©2017
Dijon : Presses du réel, [2017], ©2017
Title:
Une histoire des espaces alternatifs à New York : de SoHo au South Bronx (1969-1985) / Pauline Chevalier.
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Description:
497 pages : illustrations ; 26 cm
Une histoire des espaces alternatifs à New York : de SoHo au South Bronx (1969-1985) / Pauline Chevalier.
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Holdings:
Description:
497 pages : illustrations ; 26 cm
Form:
books
books
Publication:
Dijon : Presses du réel, [2017], ©2017
Dijon : Presses du réel, [2017], ©2017
Subject:
- Alternative spaces (Arts facilities) New York (State) New York History 20th century.,
- Arts facilities New York (State) New York History 20th century.,
- Arts New York (State) New York History 20th century.,
- Centres d'artistes autogérés New York (État) New York Histoire 20e siècle.,
- Arts New York (État) New York 20e siècle Histoire.,
- Alternative spaces (Arts facilities),
- Arts.,
- Arts facilities.,
- New York (State) New York.,
- History.
(See more)
Form:
books
books
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Description:
352 pages : illustrations (some color), plans ; 24 cm
Description:
352 pages : illustrations (some color), plans ; 24 cm
Subject:
- Landscape architecture.,
- Landscape architecture Designs and plans.,
- Landscape architecture Case studies.,
- Landscape architecture Pictorial works.,
- Landscape architects.,
- Architecture du paysage.,
- Architecture du paysage Dessins et plans.,
- Architecture du paysage Études de cas.,
- Architecture du paysage Ouvrages illustrés.,
- Architectes paysagistes.,
- landscape architects.,
- landscape architecture (discipline),
- Landscape art & architecture.,
- Gartengestaltung,
- Landschaftsarchitekt,
- Landschaftsplanung,
- Nonfiction.,
- Case studies,
- Architectural drawings,
- Pictorial works,
- Études de cas.
(See more)
Publication:
New York : Thames & Hudson, 2008.
New York : Thames & Hudson, 2008.
Title:
Avant gardeners : 50 visionaries of the contemporary landscape / Tim Richardson ; with a foreword by Martha Schwartz.
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Description:
352 pages : illustrations (some color), plans ; 24 cm
Avant gardeners : 50 visionaries of the contemporary landscape / Tim Richardson ; with a foreword by Martha Schwartz.
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Description:
352 pages : illustrations (some color), plans ; 24 cm
Form:
books
books
Publication:
New York : Thames & Hudson, 2008.
New York : Thames & Hudson, 2008.
Subject:
- Landscape architecture.,
- Landscape architecture Designs and plans.,
- Landscape architecture Case studies.,
- Landscape architecture Pictorial works.,
- Landscape architects.,
- Architecture du paysage.,
- Architecture du paysage Dessins et plans.,
- Architecture du paysage Études de cas.,
- Architecture du paysage Ouvrages illustrés.,
- Architectes paysagistes.,
- landscape architects.,
- landscape architecture (discipline),
- Landscape art & architecture.,
- Gartengestaltung,
- Landschaftsarchitekt,
- Landschaftsplanung,
- Nonfiction.,
- Case studies,
- Architectural drawings,
- Pictorial works,
- Études de cas.
(See more)
Form:
books
books
Price:
$43.95
(available to order)
Summary:
For the past two decades Louise Lawler has been taking photographs of art in situ, from small black-and-white images of art in people's homes to large format glossy color pictures of art in museums and in auction houses. In addition she has produced a variety of objects-paperweights, etched drinking glasses, matchbooks, gallery announcements-all of which describe how art(...)
$43.95
(available to order)
Summary:
For the past two decades Louise Lawler has been taking photographs of art in situ, from small black-and-white images of art in people's homes to large format glossy color pictures of art in museums and in auction houses. In addition she has produced a variety of objects-paperweights, etched drinking glasses, matchbooks, gallery announcements-all of which describe how art(...)
Subject:
Photography monographs
Photography monographs
Publication:
October 2006, Cambridge, (MA), Columbus
October 2006, Cambridge, (MA), Columbus
Title:
Louise Lawler : twice untitled and other pictures (looking back)
Actions:
Price:
$43.95
(available to order)
Summary:
For the past two decades Louise Lawler has been taking photographs of art in situ, from small black-and-white images of art in people's homes to large format glossy color pictures of art in museums and in auction houses. In addition she has produced a variety of objects-paperweights, etched drinking glasses, matchbooks, gallery announcements-all of which describe how art comes to accrue value as it moves through various systems of exchange. Lawler's oeuvre was essential in creating an expanded field for photography, it was crucial in postmodern debates over theories of representation, it remains indelible within the field of institutional critique, and it has always been trenchant in its sustained commitment to a feminist vision of art, art history, and contemporary art practice. But Lawler is also an old-fashioned "artist's artist," long overdue for the kind of serious reconsideration and recognition that this volume affords. The very self-effacing nature of Lawler's practice, however, her continual suspicion about notions of authorship-and her sly disregard for museological conventions-have meant that she has resisted precisely the usual mid-career retrospective. "Twice untitled and other pictures", published in conjunction with Lawler's first major museum exhibition in the United States, organized by the Wexner Center for the Arts, eats away at the standard museum practices of chronology, linear development, and the presentation of masterpieces, opting instead to explore such themes and undercurrents in Lawler's practice as her relationship to sculpture, her long history of collaborative projects, her production of such ephemera as napkins, matchbooks, and announcement cards, and the steady political dimension of her work-which culminated most recently in works that are deeply critical of the American invasion of Iraq. With essays by art historian and political theorist Rosalyn Deutsche and curators Ann Goldstein and Helen Molesworth.
Louise Lawler : twice untitled and other pictures (looking back)
Actions:
Price:
$43.95
(available to order)
Summary:
For the past two decades Louise Lawler has been taking photographs of art in situ, from small black-and-white images of art in people's homes to large format glossy color pictures of art in museums and in auction houses. In addition she has produced a variety of objects-paperweights, etched drinking glasses, matchbooks, gallery announcements-all of which describe how art comes to accrue value as it moves through various systems of exchange. Lawler's oeuvre was essential in creating an expanded field for photography, it was crucial in postmodern debates over theories of representation, it remains indelible within the field of institutional critique, and it has always been trenchant in its sustained commitment to a feminist vision of art, art history, and contemporary art practice. But Lawler is also an old-fashioned "artist's artist," long overdue for the kind of serious reconsideration and recognition that this volume affords. The very self-effacing nature of Lawler's practice, however, her continual suspicion about notions of authorship-and her sly disregard for museological conventions-have meant that she has resisted precisely the usual mid-career retrospective. "Twice untitled and other pictures", published in conjunction with Lawler's first major museum exhibition in the United States, organized by the Wexner Center for the Arts, eats away at the standard museum practices of chronology, linear development, and the presentation of masterpieces, opting instead to explore such themes and undercurrents in Lawler's practice as her relationship to sculpture, her long history of collaborative projects, her production of such ephemera as napkins, matchbooks, and announcement cards, and the steady political dimension of her work-which culminated most recently in works that are deeply critical of the American invasion of Iraq. With essays by art historian and political theorist Rosalyn Deutsche and curators Ann Goldstein and Helen Molesworth.
Form:
books
books
Publication:
October 2006, Cambridge, (MA), Columbus
October 2006, Cambridge, (MA), Columbus
Subject:
Photography monographs
Photography monographs
Form:
books
books
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Description:
143 pages : illustrations (some color), plans (some color) ; 32 cm.
Description:
143 pages : illustrations (some color), plans (some color) ; 32 cm.
Subject:
- Terry, Quinlan, 1937- Themes, motives.,
- Terry, Quinlan, 1937-,
- Terry, Quinlan.,
- Architecture England History 20th century.,
- Classicism in architecture England.,
- Classicism in architecture.,
- Architecture Angleterre Histoire 20e siècle.,
- Classicisme en architecture Angleterre.,
- Classicisme en architecture.,
- 21.62 history of architecture.,
- Architecture.,
- Themes, motives.,
- Klassizismus,
- Postmoderne,
- Gebouwen.,
- Classicism in architecture Great Britain.,
- Architecture, Modern 20th century Great Britain.,
- Architects Great Britain 20th century.,
- England.,
- Architecture Classical style,
- Essays.,
- Writings.,
- History.
(See more)
Publication:
London : Academy Editions, 1993.
London : Academy Editions, 1993.
Title:
Quinlan Terry : selected works.
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Description:
143 pages : illustrations (some color), plans (some color) ; 32 cm.
Quinlan Terry : selected works.
Actions:
Holdings:
Description:
143 pages : illustrations (some color), plans (some color) ; 32 cm.
Form:
books
books
Publication:
London : Academy Editions, 1993.
London : Academy Editions, 1993.
Subject:
- Terry, Quinlan, 1937- Themes, motives.,
- Terry, Quinlan, 1937-,
- Terry, Quinlan.,
- Architecture England History 20th century.,
- Classicism in architecture England.,
- Classicism in architecture.,
- Architecture Angleterre Histoire 20e siècle.,
- Classicisme en architecture Angleterre.,
- Classicisme en architecture.,
- 21.62 history of architecture.,
- Architecture.,
- Themes, motives.,
- Klassizismus,
- Postmoderne,
- Gebouwen.,
- Classicism in architecture Great Britain.,
- Architecture, Modern 20th century Great Britain.,
- Architects Great Britain 20th century.,
- England.,
- Architecture Classical style,
- Essays.,
- Writings.,
- History.
(See more)
Form:
books
books
Holdings:
Description:
x, 234 pages : illustrations, maps ; 24 cm
Description:
x, 234 pages : illustrations, maps ; 24 cm
Subject:
- Venturi, Robert. Learning from Las Vegas Criticism, Textual.,
- Venturi, Robert 1925-2018,
- Scott Brown, Denise, 1931- Criticism and interpretation.,
- Venturi, Robert, 1925-2018.,
- Scott Brown, Denise, 1931-,
- Izenour, Steven, 1940-2001.,
- Venturi, Robert.,
- Umschulungswerkstätten für Siedler und Auswanderer Bitterfeld,
- Architectural writing United States.,
- Book design Massachusetts Cambridge History 20th century.,
- Architecture Art d'écrire États-Unis.,
- Livres Conception graphique Massachusetts Cambridge Histoire 20e siècle.,
- 21.60 architecture: general.,
- 21.73 urban development (architecture),
- Architectural writing.,
- Book design.,
- Postmoderne,
- Architektur,
- Architekturkritik,
- Architekturtheorie,
- Städtebau,
- Architectual theories.,
- City planning.,
- Modernism (culture),
- Massachusetts Cambridge.,
- United States.,
- Las Vegas, Nev.,
- Las Vegas.,
- USA.,
- Criticism, interpretation, etc.,
- History.
(See more)
Publication:
Cambridge, Mass. : MIT Press, ©2008.
Cambridge, Mass. : MIT Press, ©2008.
Title:
I am a monument : on Learning from Las Vegas / Aron Vinegar.
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Description:
x, 234 pages : illustrations, maps ; 24 cm
I am a monument : on Learning from Las Vegas / Aron Vinegar.
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Holdings:
Description:
x, 234 pages : illustrations, maps ; 24 cm
Form:
books
books
Publication:
Cambridge, Mass. : MIT Press, ©2008.
Cambridge, Mass. : MIT Press, ©2008.
Subject:
- Venturi, Robert. Learning from Las Vegas Criticism, Textual.,
- Venturi, Robert 1925-2018,
- Scott Brown, Denise, 1931- Criticism and interpretation.,
- Venturi, Robert, 1925-2018.,
- Scott Brown, Denise, 1931-,
- Izenour, Steven, 1940-2001.,
- Venturi, Robert.,
- Umschulungswerkstätten für Siedler und Auswanderer Bitterfeld,
- Architectural writing United States.,
- Book design Massachusetts Cambridge History 20th century.,
- Architecture Art d'écrire États-Unis.,
- Livres Conception graphique Massachusetts Cambridge Histoire 20e siècle.,
- 21.60 architecture: general.,
- 21.73 urban development (architecture),
- Architectural writing.,
- Book design.,
- Postmoderne,
- Architektur,
- Architekturkritik,
- Architekturtheorie,
- Städtebau,
- Architectual theories.,
- City planning.,
- Modernism (culture),
- Massachusetts Cambridge.,
- United States.,
- Las Vegas, Nev.,
- Las Vegas.,
- USA.,
- Criticism, interpretation, etc.,
- History.
(See more)
Form:
books
books
Title:
Loving the High Line
Loving the High Line
Actions:
Price:
$20.00
(available to order)
Summary:
As an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming(...)
$20.00
(available to order)
Summary:
As an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming(...)
Title:
Loving the High Line
Actions:
Price:
$20.00
(available to order)
Summary:
As an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming soil creating a meadow on the derelict railbed. This microcosmic biome then also became a heterotopic, other space, in the social ecology of the city as an efflorescence of new art forms and underground subcultures flourished in the evacuated post-industrial spaces of Chelsea. These processes would unfold as New York City was being transformed into a global center in an emerging political-economy defined by the integration of finance capital with media and information industries. In this, marginal spaces of the kind that developed in Chelsea, and the cultures that create them, became important sources of new aesthetic and cultural innovation, that offer an exploitable social ground from which to extract semiotic value. As the Bloomberg administration gave shape to this new regime, a project was initiated to convert the High Line into a publicly accessible, linear park. This would be realized through a convoluted process in which the manifold tensions and contradictions of the postmodern city would be dramatically played out and the disjunctions between ideal image regimes and the reality of the material substrates that support them would be brought to light, if only to be newly obscured. The High Line urban park has been both heralded as a definitive model for new urban development, and denounced as a driver, or at least a morbid symptom, of devastating gentrification, and the destructive financialization of urban space. This text, originally published in 2015 as part of the Deconstructing the High Line anthology, edited by Mark Linder and Brian Rosa, tracks a collection of interconnected historical treads that converge in the reconstruction of the High Line, and situates the project within architectural discourse and practice, and social and material conditions with which it struggles to engage.
Loving the High Line
Actions:
Price:
$20.00
(available to order)
Summary:
As an elevated rail line, designed to lift freight trains serving the Hudson River docks above street level circulation, The High Line was originally constructed as material infrastructure for an industrial city. It was closed in 1960s and stood abandoned for the next forty years. In this time organic debris accumulated and decayed, and seeds landed on the newly forming soil creating a meadow on the derelict railbed. This microcosmic biome then also became a heterotopic, other space, in the social ecology of the city as an efflorescence of new art forms and underground subcultures flourished in the evacuated post-industrial spaces of Chelsea. These processes would unfold as New York City was being transformed into a global center in an emerging political-economy defined by the integration of finance capital with media and information industries. In this, marginal spaces of the kind that developed in Chelsea, and the cultures that create them, became important sources of new aesthetic and cultural innovation, that offer an exploitable social ground from which to extract semiotic value. As the Bloomberg administration gave shape to this new regime, a project was initiated to convert the High Line into a publicly accessible, linear park. This would be realized through a convoluted process in which the manifold tensions and contradictions of the postmodern city would be dramatically played out and the disjunctions between ideal image regimes and the reality of the material substrates that support them would be brought to light, if only to be newly obscured. The High Line urban park has been both heralded as a definitive model for new urban development, and denounced as a driver, or at least a morbid symptom, of devastating gentrification, and the destructive financialization of urban space. This text, originally published in 2015 as part of the Deconstructing the High Line anthology, edited by Mark Linder and Brian Rosa, tracks a collection of interconnected historical treads that converge in the reconstruction of the High Line, and situates the project within architectural discourse and practice, and social and material conditions with which it struggles to engage.
Form:
books
books
Publication:
November 2022
November 2022
Subject:
Urban Landscapes
Urban Landscapes
Form:
books
books
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Description:
237 pages : illustrations (chiefly color), facsimile ; 24 cm
Description:
237 pages : illustrations (chiefly color), facsimile ; 24 cm
Author:
Subject:
- Art Exhibition techniques Exhibitions.,
- Art, Modern 20th century Exhibitions.,
- Installations (Art) Exhibitions.,
- Art and society Exhibitions.,
- Aesthetics Exhibitions.,
- Art Exhibition techniques.,
- Art and society.,
- Art Techniques d'exposition.,
- Art 20e siècle Expositions.,
- Installations (Art) Expositions.,
- Art et société.,
- Art Techniques d'exposition Expositions.,
- Art et société Expositions.,
- Aesthetics,
- Art, Modern,
- Installations (Art),
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
(See more)
Publication:
Leipzig : Spector Books, [2022], ©2022
Leipzig : Spector Books, [2022], ©2022
Title:
Broken relations : infrastructure, aesthetics, and critique / editors, Martin Beck, Beatrice von Bismarck, Sabeth Buchmann & Ilse Lafer ; introduction by the editors.
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Description:
237 pages : illustrations (chiefly color), facsimile ; 24 cm
Broken relations : infrastructure, aesthetics, and critique / editors, Martin Beck, Beatrice von Bismarck, Sabeth Buchmann & Ilse Lafer ; introduction by the editors.
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Description:
237 pages : illustrations (chiefly color), facsimile ; 24 cm
Form:
books
books
Publication:
Leipzig : Spector Books, [2022], ©2022
Leipzig : Spector Books, [2022], ©2022
Subject:
- Art Exhibition techniques Exhibitions.,
- Art, Modern 20th century Exhibitions.,
- Installations (Art) Exhibitions.,
- Art and society Exhibitions.,
- Aesthetics Exhibitions.,
- Art Exhibition techniques.,
- Art and society.,
- Art Techniques d'exposition.,
- Art 20e siècle Expositions.,
- Installations (Art) Expositions.,
- Art et société.,
- Art Techniques d'exposition Expositions.,
- Art et société Expositions.,
- Aesthetics,
- Art, Modern,
- Installations (Art),
- exhibition catalogs.,
- Exhibition catalogs,
- Catalogues d'exposition.
(See more)
Form:
books
books
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Description:
176 pages : illustrations (some color) ; 26 cm
Description:
176 pages : illustrations (some color) ; 26 cm
Subject:
- Jencks, Charles Et l'architecture postmoderne.,
- Jencks, Charles 1939-2019,
- Jencks, Charles.,
- Architecture.,
- Architecture and society.,
- System theory.,
- Computational complexity.,
- Systems Theory,
- Architecture 20e siècle Philosophie.,
- Architecture et société.,
- Théorie des systèmes.,
- Complexité de calcul (Informatique),
- architecture (discipline),
- Architektur,
- Architekturtheorie,
- Komplexität,
- Komplexitätstheorie,
- Zukunft,
- Bouwstijlen.,
- Theorieën.,
- Wetenschap.,
- Arquitetura moderna.,
- Arquitetura pós-moderna.
(See more)
Publication:
London : Academy Editions ; Lanham, MD : Distributed in the United States of America by National Book Network, 1995.
London : Academy Editions ; Lanham, MD : Distributed in the United States of America by National Book Network, 1995.
Title:
The architecture of the jumping universe : a polemic : how complexity science is changing architecture and culture / Charles Jencks.
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Description:
176 pages : illustrations (some color) ; 26 cm
The architecture of the jumping universe : a polemic : how complexity science is changing architecture and culture / Charles Jencks.
Actions:
Holdings:
Description:
176 pages : illustrations (some color) ; 26 cm
Form:
books
books
Publication:
London : Academy Editions ; Lanham, MD : Distributed in the United States of America by National Book Network, 1995.
London : Academy Editions ; Lanham, MD : Distributed in the United States of America by National Book Network, 1995.
Subject:
- Jencks, Charles Et l'architecture postmoderne.,
- Jencks, Charles 1939-2019,
- Jencks, Charles.,
- Architecture.,
- Architecture and society.,
- System theory.,
- Computational complexity.,
- Systems Theory,
- Architecture 20e siècle Philosophie.,
- Architecture et société.,
- Théorie des systèmes.,
- Complexité de calcul (Informatique),
- architecture (discipline),
- Architektur,
- Architekturtheorie,
- Komplexität,
- Komplexitätstheorie,
- Zukunft,
- Bouwstijlen.,
- Theorieën.,
- Wetenschap.,
- Arquitetura moderna.,
- Arquitetura pós-moderna.
(See more)
