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Gaetano Pesce
Gaetano Pesce
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Fruit d’une année d’entretiens avec Philippe Garnier, cet ouvrage a pris la forme d’un abécédaire. En une centaine de mots, depuis Adoption jusqu’à Zèbre, en passant par Bauhaus et Silicone, Gaetano Pesce y dévoile sa pensée, son parcours, ses émotions et ses souvenirs. Il a toujours su commenter son travail avec brio, culture, insolence et humour.
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Fruit d’une année d’entretiens avec Philippe Garnier, cet ouvrage a pris la forme d’un abécédaire. En une centaine de mots, depuis Adoption jusqu’à Zèbre, en passant par Bauhaus et Silicone, Gaetano Pesce y dévoile sa pensée, son parcours, ses émotions et ses souvenirs. Il a toujours su commenter son travail avec brio, culture, insolence et humour.
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Gaetano Pesce
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$35.95
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Fruit d’une année d’entretiens avec Philippe Garnier, cet ouvrage a pris la forme d’un abécédaire. En une centaine de mots, depuis Adoption jusqu’à Zèbre, en passant par Bauhaus et Silicone, Gaetano Pesce y dévoile sa pensée, son parcours, ses émotions et ses souvenirs. Il a toujours su commenter son travail avec brio, culture, insolence et humour.
Gaetano Pesce
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$35.95
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Fruit d’une année d’entretiens avec Philippe Garnier, cet ouvrage a pris la forme d’un abécédaire. En une centaine de mots, depuis Adoption jusqu’à Zèbre, en passant par Bauhaus et Silicone, Gaetano Pesce y dévoile sa pensée, son parcours, ses émotions et ses souvenirs. Il a toujours su commenter son travail avec brio, culture, insolence et humour.
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books
books
Publication:
January 2017
January 2017
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books
books
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$129.95
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Chefs-d'oeuvre de la Renaissance, classiques envolées ou délires baroques des XVIIe et XVIIIe siècles, grandioses escaliers d'apparat du XIXe siècle, fastes de l'Art nouveau, sensualité du Modernisme catalan, froids escaliers du Bauhaus, escaliers high-tech, créations oniriques urbaines contemporaines, art conceptuel..., les escaliers demeurent l'un des signes(...)
$129.95
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Chefs-d'oeuvre de la Renaissance, classiques envolées ou délires baroques des XVIIe et XVIIIe siècles, grandioses escaliers d'apparat du XIXe siècle, fastes de l'Art nouveau, sensualité du Modernisme catalan, froids escaliers du Bauhaus, escaliers high-tech, créations oniriques urbaines contemporaines, art conceptuel..., les escaliers demeurent l'un des signes(...)
Title:
L'escalier, un parcours dénivelé
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Chefs-d'oeuvre de la Renaissance, classiques envolées ou délires baroques des XVIIe et XVIIIe siècles, grandioses escaliers d'apparat du XIXe siècle, fastes de l'Art nouveau, sensualité du Modernisme catalan, froids escaliers du Bauhaus, escaliers high-tech, créations oniriques urbaines contemporaines, art conceptuel..., les escaliers demeurent l'un des signes emblématiques de l'innovation technologique et artistique des temps nouveaux.
L'escalier, un parcours dénivelé
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Chefs-d'oeuvre de la Renaissance, classiques envolées ou délires baroques des XVIIe et XVIIIe siècles, grandioses escaliers d'apparat du XIXe siècle, fastes de l'Art nouveau, sensualité du Modernisme catalan, froids escaliers du Bauhaus, escaliers high-tech, créations oniriques urbaines contemporaines, art conceptuel..., les escaliers demeurent l'un des signes emblématiques de l'innovation technologique et artistique des temps nouveaux.
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books
books
Publication:
April 2013
April 2013
Subject:
Engineering Structures
Engineering Structures
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books
books
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$120.00
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From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the auratic power of the unique artwork, or to foster a more democratic art culture. The Small Utopia provides a thorough overview of this tendency, looking at Malevich’s tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp’s(...)
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From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the auratic power of the unique artwork, or to foster a more democratic art culture. The Small Utopia provides a thorough overview of this tendency, looking at Malevich’s tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp’s(...)
Title:
The small utopia : ars multiplicata
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From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the auratic power of the unique artwork, or to foster a more democratic art culture. The Small Utopia provides a thorough overview of this tendency, looking at Malevich’s tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp’s readymades, films by Fischinger and Moholy-Nagy, Maciunas’ Fluxus kits, Minimalist and Pop art multiples, artist’s books and small press magazines, among other examples. The scholars who contributed to this volume include Maria Gough on Russian Productivism; Elena Gigli on Giacomo Balla; Annette Malochet on Sonia Delaunay’s Atelier Simultané; Karen Koehler on Bauhaus; Antonio Somaini on early sound art; Adina Kamien-Kazhdan on readymades; Marie Rebecchi on abstract cinema; Nicholas Fox Weber on Josef and Anni Albers; and Julia Robinson on Nouveau Realisme and Fluxus multiples. An illustrated chronology rounds out this essential and handsome publication.
The small utopia : ars multiplicata
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From Futurism to Fluxus, virtually every twentieth-century avant-garde produced art multiples of some kind, whether to defuse the auratic power of the unique artwork, or to foster a more democratic art culture. The Small Utopia provides a thorough overview of this tendency, looking at Malevich’s tea sets, Bauhaus textiles and toys, early audio multiples, Duchamp’s readymades, films by Fischinger and Moholy-Nagy, Maciunas’ Fluxus kits, Minimalist and Pop art multiples, artist’s books and small press magazines, among other examples. The scholars who contributed to this volume include Maria Gough on Russian Productivism; Elena Gigli on Giacomo Balla; Annette Malochet on Sonia Delaunay’s Atelier Simultané; Karen Koehler on Bauhaus; Antonio Somaini on early sound art; Adina Kamien-Kazhdan on readymades; Marie Rebecchi on abstract cinema; Nicholas Fox Weber on Josef and Anni Albers; and Julia Robinson on Nouveau Realisme and Fluxus multiples. An illustrated chronology rounds out this essential and handsome publication.
Form:
books
books
Publication:
October 2012
October 2012
Form:
books
books
Price:
$59.95
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Summary:
En avril 1919, Walter Gropius signe le prologue du Manifeste qui ratifie la fondation du Bauhaus de Weimar, apogée du rationalisme européen et en même temps naissance du design moderne. Certes, le dessin industriel était né au XIXe siècle, mais c'est à partir du Bauhaus, extraordinaire vivier de talents et d'idées, que s'est affirmée l'idée que l'art peut faire(...)
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En avril 1919, Walter Gropius signe le prologue du Manifeste qui ratifie la fondation du Bauhaus de Weimar, apogée du rationalisme européen et en même temps naissance du design moderne. Certes, le dessin industriel était né au XIXe siècle, mais c'est à partir du Bauhaus, extraordinaire vivier de talents et d'idées, que s'est affirmée l'idée que l'art peut faire(...)
Title:
Design
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En avril 1919, Walter Gropius signe le prologue du Manifeste qui ratifie la fondation du Bauhaus de Weimar, apogée du rationalisme européen et en même temps naissance du design moderne. Certes, le dessin industriel était né au XIXe siècle, mais c'est à partir du Bauhaus, extraordinaire vivier de talents et d'idées, que s'est affirmée l'idée que l'art peut faire joyeusement irruption dans la vie quotidienne, dans les gestes, dans les choses plus ou moins utiles, devenant ainsi accessible à tous. L'amélioration continue des processus de production, l'élargissement rapide et prometteur des marchés ont par la suite contribué à la diffusion du design, dont le but est de produire en grande quantité et à des prix modiques des objets, machines, meubles et autres ustensiles à la fois esthétiques et fonctionnels. Cet ouvrage offre un témoignage éclatant de cette évolution, à travers plus de 600 créations emblématiques de la Belle Epoque à nos jours.
Design
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En avril 1919, Walter Gropius signe le prologue du Manifeste qui ratifie la fondation du Bauhaus de Weimar, apogée du rationalisme européen et en même temps naissance du design moderne. Certes, le dessin industriel était né au XIXe siècle, mais c'est à partir du Bauhaus, extraordinaire vivier de talents et d'idées, que s'est affirmée l'idée que l'art peut faire joyeusement irruption dans la vie quotidienne, dans les gestes, dans les choses plus ou moins utiles, devenant ainsi accessible à tous. L'amélioration continue des processus de production, l'élargissement rapide et prometteur des marchés ont par la suite contribué à la diffusion du design, dont le but est de produire en grande quantité et à des prix modiques des objets, machines, meubles et autres ustensiles à la fois esthétiques et fonctionnels. Cet ouvrage offre un témoignage éclatant de cette évolution, à travers plus de 600 créations emblématiques de la Belle Epoque à nos jours.
Form:
books
books
Publication:
December 2009
December 2009
Subject:
Industrial Design
Industrial Design
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books
books
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$49.95
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not(...)
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not(...)
Title:
Piet Mondrian: New design. Bauhausbücher 5
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not surprising that Mondrian’s essays on art theory, most of them written for the De Stijl journal, were translated into German and published as number five in the Bauhausbücher series. “New Design” starts with a philosophical foray into art, which Mondrian describes as a figurative expression of human existence—an expression which will find its natural conclusion in his own concept of a “New Design.” Mondrian then considers the relationship between painting and architecture and dares to take a far-reaching look at the future of Neoplasticism, which he imagines revolutionizing design and architecture around the world.
Piet Mondrian: New design. Bauhausbücher 5
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Although Piet Mondrian (1872–1944) was not an active member of the Bauhaus, his name is often mentioned in connection with the art school. Mondrian, cofounder of the De Stijl movement in the Netherlands, called for a strict reduction of visual language to orthogonal composition and primary colors, which met with great approval in Bauhaus circles. It is therefore not surprising that Mondrian’s essays on art theory, most of them written for the De Stijl journal, were translated into German and published as number five in the Bauhausbücher series. “New Design” starts with a philosophical foray into art, which Mondrian describes as a figurative expression of human existence—an expression which will find its natural conclusion in his own concept of a “New Design.” Mondrian then considers the relationship between painting and architecture and dares to take a far-reaching look at the future of Neoplasticism, which he imagines revolutionizing design and architecture around the world.
Form:
books
books
Publication:
March 2019
March 2019
Subject:
Modernism
Modernism
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books
books
Price:
$35.00
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Summary:
Cooperatives, sharing communities, co-housing in the late 1920s the Bauhaus took a keen interest in the relationship between society and design, the individual and collaborative creation and production. A key figure in this development was architect Hannes Meyer (1889 1954), the second Bauhaus director, whose revolutionary collaborative design process is documented(...)
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Summary:
Cooperatives, sharing communities, co-housing in the late 1920s the Bauhaus took a keen interest in the relationship between society and design, the individual and collaborative creation and production. A key figure in this development was architect Hannes Meyer (1889 1954), the second Bauhaus director, whose revolutionary collaborative design process is documented(...)
Title:
The coop principle - Hannes Meyer and the Concept of Collective Design
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Cooperatives, sharing communities, co-housing in the late 1920s the Bauhaus took a keen interest in the relationship between society and design, the individual and collaborative creation and production. A key figure in this development was architect Hannes Meyer (1889 1954), the second Bauhaus director, whose revolutionary collaborative design process is documented here for the first time. With his appointment in 1928, Meyer brought a change in thinking: from author-architect to collective, from the need for luxury to the needs of the people, playing a key role radically orienting the school s teaching, workshops, its planning and architecture around the idea and needs of the collective until his politically motivated dismissal in 1930. Informative texts by researchers Werner Moller and Astrid Volpert, with introduction by director Claudia Perren, are illustrated with a wonderful array of archival photos of students, performances, furniture and building projects that convey the energy and optimism of the time.
The coop principle - Hannes Meyer and the Concept of Collective Design
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Summary:
Cooperatives, sharing communities, co-housing in the late 1920s the Bauhaus took a keen interest in the relationship between society and design, the individual and collaborative creation and production. A key figure in this development was architect Hannes Meyer (1889 1954), the second Bauhaus director, whose revolutionary collaborative design process is documented here for the first time. With his appointment in 1928, Meyer brought a change in thinking: from author-architect to collective, from the need for luxury to the needs of the people, playing a key role radically orienting the school s teaching, workshops, its planning and architecture around the idea and needs of the collective until his politically motivated dismissal in 1930. Informative texts by researchers Werner Moller and Astrid Volpert, with introduction by director Claudia Perren, are illustrated with a wonderful array of archival photos of students, performances, furniture and building projects that convey the energy and optimism of the time.
Form:
books
books
Publication:
December 2015
December 2015
Subject:
Design Theory
Design Theory
Form:
books
books
Price:
$75.00
(available to order)
Summary:
Browning highlights architecture’s best in a range of styles and eras—from James Deering’s Vizcaya, his 1916 Italian Renaissance–inspired villa in Miami, to postwar marvels by Bauhaus practitioners Ludwig Mies van der Rohe (Farnsworth House) and Marcel Breuer (Hooper House II), to more recent constructions, such as Marwan Al-Sayed’s mirage-like House of Earth and Light in(...)
$75.00
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Summary:
Browning highlights architecture’s best in a range of styles and eras—from James Deering’s Vizcaya, his 1916 Italian Renaissance–inspired villa in Miami, to postwar marvels by Bauhaus practitioners Ludwig Mies van der Rohe (Farnsworth House) and Marcel Breuer (Hooper House II), to more recent constructions, such as Marwan Al-Sayed’s mirage-like House of Earth and Light in(...)
Title:
Living architecture: Greatest American houses of the 20th Century
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Browning highlights architecture’s best in a range of styles and eras—from James Deering’s Vizcaya, his 1916 Italian Renaissance–inspired villa in Miami, to postwar marvels by Bauhaus practitioners Ludwig Mies van der Rohe (Farnsworth House) and Marcel Breuer (Hooper House II), to more recent constructions, such as Marwan Al-Sayed’s mirage-like House of Earth and Light in the Southwest desert.
Living architecture: Greatest American houses of the 20th Century
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$75.00
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Browning highlights architecture’s best in a range of styles and eras—from James Deering’s Vizcaya, his 1916 Italian Renaissance–inspired villa in Miami, to postwar marvels by Bauhaus practitioners Ludwig Mies van der Rohe (Farnsworth House) and Marcel Breuer (Hooper House II), to more recent constructions, such as Marwan Al-Sayed’s mirage-like House of Earth and Light in the Southwest desert.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Residential Architecture
Residential Architecture
Title:
Archipop: new perspectives
Archipop: new perspectives
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$29.50
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This inventive collection of notecards combines pop-ups and contemporary architecture. Inside each box, architecture and design lovers will find the Villa Savoye, the Pompidou Centre, the Guggenheim in New York City, the Sydney Opera House, the Royal Festival Hall, and the Bauhaus. Six landmarks of modern architecture seen in a new perspective. Original pop-up(...)
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This inventive collection of notecards combines pop-ups and contemporary architecture. Inside each box, architecture and design lovers will find the Villa Savoye, the Pompidou Centre, the Guggenheim in New York City, the Sydney Opera House, the Royal Festival Hall, and the Bauhaus. Six landmarks of modern architecture seen in a new perspective. Original pop-up(...)
Title:
Archipop: new perspectives
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$29.50
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This inventive collection of notecards combines pop-ups and contemporary architecture. Inside each box, architecture and design lovers will find the Villa Savoye, the Pompidou Centre, the Guggenheim in New York City, the Sydney Opera House, the Royal Festival Hall, and the Bauhaus. Six landmarks of modern architecture seen in a new perspective. Original pop-up designs by paper engineer Corina Fletcher.
Archipop: new perspectives
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$29.50
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Summary:
This inventive collection of notecards combines pop-ups and contemporary architecture. Inside each box, architecture and design lovers will find the Villa Savoye, the Pompidou Centre, the Guggenheim in New York City, the Sydney Opera House, the Royal Festival Hall, and the Bauhaus. Six landmarks of modern architecture seen in a new perspective. Original pop-up designs by paper engineer Corina Fletcher.
Publication:
September 2015
September 2015
Subject:
CAISSE
CAISSE
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books
books
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$37.95
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L'itinéraire de cet architecte-bâtisseur, exemplaire de l'engagement social et de l'implication professionnelle de toute une génération de ses confrères, nés en Europe central, formés au Bauhaus et qui, à la différence de leurs prestigieux maîtres exilés outre-Atlantique Walter Gropius, Mies van der Rohe...), iront en Palestine mettre en application l'enseignement(...)
$37.95
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L'itinéraire de cet architecte-bâtisseur, exemplaire de l'engagement social et de l'implication professionnelle de toute une génération de ses confrères, nés en Europe central, formés au Bauhaus et qui, à la différence de leurs prestigieux maîtres exilés outre-Atlantique Walter Gropius, Mies van der Rohe...), iront en Palestine mettre en application l'enseignement(...)
Subject:
Architecture Monographs
Architecture Monographs
Publication:
January 2001, Paris
January 2001, Paris
Title:
Munio Weinraub Gitai : parcours d'un architecte moderne
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L'itinéraire de cet architecte-bâtisseur, exemplaire de l'engagement social et de l'implication professionnelle de toute une génération de ses confrères, nés en Europe central, formés au Bauhaus et qui, à la différence de leurs prestigieux maîtres exilés outre-Atlantique Walter Gropius, Mies van der Rohe...), iront en Palestine mettre en application l'enseignement reçu. Des photos des bâtiments signées par Gabriele Basilico.
Munio Weinraub Gitai : parcours d'un architecte moderne
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L'itinéraire de cet architecte-bâtisseur, exemplaire de l'engagement social et de l'implication professionnelle de toute une génération de ses confrères, nés en Europe central, formés au Bauhaus et qui, à la différence de leurs prestigieux maîtres exilés outre-Atlantique Walter Gropius, Mies van der Rohe...), iront en Palestine mettre en application l'enseignement reçu. Des photos des bâtiments signées par Gabriele Basilico.
Form:
books
books
Publication:
January 2001, Paris
January 2001, Paris
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$40.00
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Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. Sensing the Future: Moholy-Nagy, Media and the Arts considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure in(...)
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Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. Sensing the Future: Moholy-Nagy, Media and the Arts considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure in(...)
Title:
Sensing the future: Moholy-Nagy, media and the arts
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$40.00
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Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. Sensing the Future: Moholy-Nagy, Media and the Arts considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure in the history of Modernism.
Sensing the future: Moholy-Nagy, media and the arts
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$40.00
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Life in the digital economy of information and images enriches us but often induces a sense of being overwhelmed. Sensing the Future: Moholy-Nagy, Media and the Arts considers the impact of technology by exploring ways it was addressed in the practice of the Hungarian polymath artist László Moholy-Nagy (1895-1946), a prominent professor at the Bauhaus and a key figure in the history of Modernism.
Form:
books
books
Publication:
September 2014
September 2014
Subject:
Art Theory
Art Theory
