43395 Results
Form:
drawings, textual records
drawings, textual records
Reference number:
DR1995:0255:752-881
Description:
tide tables, ordnance maps, drawings, correspondence, meteorological data tables, planning application and appeal forms, appraisal, notes, consultant's reports, work timetables, drafts and final version of Two Tree Island 'Logbook' (May 1973), including notes and drawings, and mock-up of Two Tree Island report (September 1972)
DR1995:0255:752-881
Description:
tide tables, ordnance maps, drawings, correspondence, meteorological data tables, planning application and appeal forms, appraisal, notes, consultant's reports, work timetables, drafts and final version of Two Tree Island 'Logbook' (May 1973), including notes and drawings, and mock-up of Two Tree Island report (September 1972)
People:
Title:
Tide tables, ordnance maps, drawings, correspondence
Actions:
DR1995:0255:752-881
Description:
tide tables, ordnance maps, drawings, correspondence, meteorological data tables, planning application and appeal forms, appraisal, notes, consultant's reports, work timetables, drafts and final version of Two Tree Island 'Logbook' (May 1973), including notes and drawings, and mock-up of Two Tree Island report (September 1972)
Tide tables, ordnance maps, drawings, correspondence
Actions:
DR1995:0255:752-881
Description:
tide tables, ordnance maps, drawings, correspondence, meteorological data tables, planning application and appeal forms, appraisal, notes, consultant's reports, work timetables, drafts and final version of Two Tree Island 'Logbook' (May 1973), including notes and drawings, and mock-up of Two Tree Island report (September 1972)
Form:
drawings, textual records
drawings, textual records
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP032.S1.SS1.D2
Description:
Documents relating to Goldsmith's education at Crane Technical High School, Chicago (graduated 1935), the Armour Institute of Technology (1935-1939), and the Illinois Institute of Technology, Chicago (1947-1953) and the University of Rome, Italy (1953-1955). Includes student papers, lecture and research notes, manuscripts, and material related to Goldsmith's work in the office of Mies van der Rohe (1946-1953).
AP032.S1.SS1.D2
Description:
Documents relating to Goldsmith's education at Crane Technical High School, Chicago (graduated 1935), the Armour Institute of Technology (1935-1939), and the Illinois Institute of Technology, Chicago (1947-1953) and the University of Rome, Italy (1953-1955). Includes student papers, lecture and research notes, manuscripts, and material related to Goldsmith's work in the office of Mies van der Rohe (1946-1953).
People:
Date:
[ca. 1933-1956]
[ca. 1933-1956]
Title:
Student Records and Research Notes
Actions:
AP032.S1.SS1.D2
Description:
Documents relating to Goldsmith's education at Crane Technical High School, Chicago (graduated 1935), the Armour Institute of Technology (1935-1939), and the Illinois Institute of Technology, Chicago (1947-1953) and the University of Rome, Italy (1953-1955). Includes student papers, lecture and research notes, manuscripts, and material related to Goldsmith's work in the office of Mies van der Rohe (1946-1953).
Student Records and Research Notes
Actions:
AP032.S1.SS1.D2
Description:
Documents relating to Goldsmith's education at Crane Technical High School, Chicago (graduated 1935), the Armour Institute of Technology (1935-1939), and the Illinois Institute of Technology, Chicago (1947-1953) and the University of Rome, Italy (1953-1955). Includes student papers, lecture and research notes, manuscripts, and material related to Goldsmith's work in the office of Mies van der Rohe (1946-1953).
Level of archival description:
File 2
File 2
Date:
[ca. 1933-1956]
[ca. 1933-1956]
People:
Level of archival description:
Series
Series
Title:
Hermann Finsterlin
Hermann Finsterlin
Reference number:
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
People:
Date:
1919-1923
1919-1923
Title:
Hermann Finsterlin
Actions:
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
Hermann Finsterlin
Actions:
AP162.S1
Description:
Series documents the contribution of artist Hermann Finsterlin to the correspondence circle of Die gläserne Kette. Finsterlin wrote under the pseudonym Prometh (sometime appears as "Prometheus"). Born in Munich in 1897, Finsterlin studied at Munich University in chemistry, then in physics and medicine, and later in philosophy. He studied painting at the Kunstakademie in Munich in 1917 and 1918 and exhibited his work at the Ausstlelling für unbekannte Architekten. He published in "Frühlich", a magazine edited by Bruno Taut in which works by some members of Die gläserne Kette were featured. He painted frescoes in Tripoli, Majorca, and Tenerife. During the Nazi period, Finsterlin was commissionned to paint frescoes and portraits for the regime, but most of his work was destroyed during the war. He died in Stuttgart, Germany, in 1973. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of the correspondence of Hermann Finsterlin to the Die gläserne Kette circle, including a postcard. The series also includes some drawings by Finsterlin.
Level of archival description:
series
series
Date:
1919-1923
1919-1923
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1963.PR01
Description:
This project series documents the Casa Rui Feijó house in Caminha, Portugal. While the records were held in the office’s archives this project was assigned the number 11/60. In the past the office identified the project as number 108. The office assigned the date 1963 to this project. Drawings suggest an L-shaped, single-storey building. This project was a vacation house with three bedrooms, a bathroom, kitchen, living-room, service bedroom, exterior annex, garage, lounge and terrace. The project was developed for the client Rui Feijó, however work on the project was halted in its prelimary phase. Siza used this prelimiary work to develop his submission for his CODA (Concurso para a Obtenção do Diploma de Arquitecto), which is also documented in this fonds (see project series AP178.S1.1965.PR01). Documenting this project are sketches, plans, elevations and details, as well as correspondence with the city of Caminha and competition documentation.
AP178.S1.1963.PR01
Description:
This project series documents the Casa Rui Feijó house in Caminha, Portugal. While the records were held in the office’s archives this project was assigned the number 11/60. In the past the office identified the project as number 108. The office assigned the date 1963 to this project. Drawings suggest an L-shaped, single-storey building. This project was a vacation house with three bedrooms, a bathroom, kitchen, living-room, service bedroom, exterior annex, garage, lounge and terrace. The project was developed for the client Rui Feijó, however work on the project was halted in its prelimary phase. Siza used this prelimiary work to develop his submission for his CODA (Concurso para a Obtenção do Diploma de Arquitecto), which is also documented in this fonds (see project series AP178.S1.1965.PR01). Documenting this project are sketches, plans, elevations and details, as well as correspondence with the city of Caminha and competition documentation.
People:
Date:
1963-1965
1963-1965
Title:
Casa Rui Feijó [Rui Feijó house], Moledo do Minho, Caminha, Portugal (1963)
Actions:
AP178.S1.1963.PR01
Description:
This project series documents the Casa Rui Feijó house in Caminha, Portugal. While the records were held in the office’s archives this project was assigned the number 11/60. In the past the office identified the project as number 108. The office assigned the date 1963 to this project. Drawings suggest an L-shaped, single-storey building. This project was a vacation house with three bedrooms, a bathroom, kitchen, living-room, service bedroom, exterior annex, garage, lounge and terrace. The project was developed for the client Rui Feijó, however work on the project was halted in its prelimary phase. Siza used this prelimiary work to develop his submission for his CODA (Concurso para a Obtenção do Diploma de Arquitecto), which is also documented in this fonds (see project series AP178.S1.1965.PR01). Documenting this project are sketches, plans, elevations and details, as well as correspondence with the city of Caminha and competition documentation.
Casa Rui Feijó [Rui Feijó house], Moledo do Minho, Caminha, Portugal (1963)
Actions:
AP178.S1.1963.PR01
Description:
This project series documents the Casa Rui Feijó house in Caminha, Portugal. While the records were held in the office’s archives this project was assigned the number 11/60. In the past the office identified the project as number 108. The office assigned the date 1963 to this project. Drawings suggest an L-shaped, single-storey building. This project was a vacation house with three bedrooms, a bathroom, kitchen, living-room, service bedroom, exterior annex, garage, lounge and terrace. The project was developed for the client Rui Feijó, however work on the project was halted in its prelimary phase. Siza used this prelimiary work to develop his submission for his CODA (Concurso para a Obtenção do Diploma de Arquitecto), which is also documented in this fonds (see project series AP178.S1.1965.PR01). Documenting this project are sketches, plans, elevations and details, as well as correspondence with the city of Caminha and competition documentation.
Level of archival description:
Project
Project
Date:
1963-1965
1963-1965
People:
Level of archival description:
Series
Series
Title:
Architectural projects
Architectural projects
Reference number:
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
People:
Date:
1908-1963 (1911-1963 predominant)
1908-1963 (1911-1963 predominant)
Title:
Architectural projects
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
Architectural projects
CI005.S1
Description:
The Projects series, 1911-1973, consists of Oud's work on 67 projects, mainly within The Netherlands, as well as within Germany, Czechoslovakia and the United States. The Projects Series includes Oud's early conceptual drawings, such as sketches, as well as design development drawings, such as elevations and plans. The series includes photographs of Oud’s realized buildings as well as photographs of Oud's designs. The Projects Series is particularly strong in Oud's work on social housing projects while he served as municipal architect for the Rotterdam Housing Authority from 1918-1933, including his works on standardization and mass produced housing estates for low income residents. The series is also strong in Oud's designs for major public buildings and post-World War Two reconstruction, such as the Hofplein design. The series includes Oud's designs for private residences, World War Two memorials and competitions. The series also includes photographs taken of Oud exhibit models and his interior designs. Taverne, Ed, Martien De. Vletter, and Cor Wagenaar. J.J.P. Oud, Poetic Functionalist: The Complete Works, 1890-1963. Rotterdam: NAi Publishers, 2001.
Level of archival description:
series
series
Date:
1908-1963 (1911-1963 predominant)
1908-1963 (1911-1963 predominant)
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1971.PR12
Description:
This project documents the executive offices for Scrivener Projects Newfoundland Ltd. in St. John's, Newfoundland in 1971. The office identified the project number as 7121. This project consisted of work on the interiors of the offices, located on the 6th floor of the Royal Trust Building in St. John's. The project is recorded through a drawing that includes plans, elevations and details for the office interiors dating from 1971.
AP018.S1.1971.PR12
Description:
This project documents the executive offices for Scrivener Projects Newfoundland Ltd. in St. John's, Newfoundland in 1971. The office identified the project number as 7121. This project consisted of work on the interiors of the offices, located on the 6th floor of the Royal Trust Building in St. John's. The project is recorded through a drawing that includes plans, elevations and details for the office interiors dating from 1971.
People:
Date:
1971
1971
Title:
Scrivener Projects Executive Offices, St. John's, Newfoundland (1971)
Actions:
AP018.S1.1971.PR12
Description:
This project documents the executive offices for Scrivener Projects Newfoundland Ltd. in St. John's, Newfoundland in 1971. The office identified the project number as 7121. This project consisted of work on the interiors of the offices, located on the 6th floor of the Royal Trust Building in St. John's. The project is recorded through a drawing that includes plans, elevations and details for the office interiors dating from 1971.
Scrivener Projects Executive Offices, St. John's, Newfoundland (1971)
Actions:
AP018.S1.1971.PR12
Description:
This project documents the executive offices for Scrivener Projects Newfoundland Ltd. in St. John's, Newfoundland in 1971. The office identified the project number as 7121. This project consisted of work on the interiors of the offices, located on the 6th floor of the Royal Trust Building in St. John's. The project is recorded through a drawing that includes plans, elevations and details for the office interiors dating from 1971.
Level of archival description:
Project
Project
Date:
1971
1971
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
People:
Date:
2004
2004
Title:
Instalação na Exposição "Entrez Lentement" per il Salone del Mobile [Installation for the "Entrez Lentement" exhibition at the Salone de Mobile], Milan (2005)
Actions:
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
Instalação na Exposição "Entrez Lentement" per il Salone del Mobile [Installation for the "Entrez Lentement" exhibition at the Salone de Mobile], Milan (2005)
Actions:
AP178.S1.2005.PR05
Description:
This project series documents the Instalação na Exposição "Entrez Lentement" per il Salone del Mobile in Milan. While the records were held in the office’s archives this installation was assigned the label "outro" in place of the usual project number, to designate that it was work done for an exhibition. The office assigned the date 2005 for this installation. This project consisted of an exhibition installation at the 2005 edition of the famed Salone del Mobile Milano (Milan Furniture Fair). The Salone del Mobile exhibition, entitled "Entrez Lentement," invited eight architects to build installations related to famous architectural projects. Siza's work spoke to Oscar Neimeyer's personal home, Casa das Canoas in Rio de Janeiro. He designed two organic white forms and a curved yellow chaise lounge that related to the curved forms present in the original home. Documenting this project are sketches, a plan, and the exhibition space layout of the Salone. These materials date from 2004.
Level of archival description:
Project
Project
Date:
2004
2004
People:
Level of archival description:
Series
Series
Title:
Promotional materials
Promotional materials
Reference number:
CI006.S2
Description:
Series relates to a documentary on Mart Stam's work for the Budge Foundation Old People's Home, in Frankfurt, Germany. The series contains promotional material for the 1931 documentary "Wo wohnen alte Leute" ("Where Old People Live") produced by Ella Bergmann-Michel and commissioned by Mart Stam. The material in the series was produced in or around 1931. The series contains photographs by Ella Bergmann-Michel.
CI006.S2
Description:
Series relates to a documentary on Mart Stam's work for the Budge Foundation Old People's Home, in Frankfurt, Germany. The series contains promotional material for the 1931 documentary "Wo wohnen alte Leute" ("Where Old People Live") produced by Ella Bergmann-Michel and commissioned by Mart Stam. The material in the series was produced in or around 1931. The series contains photographs by Ella Bergmann-Michel.
People:
Date:
Early 1930s
Early 1930s
Title:
Promotional materials
CI006.S2
Description:
Series relates to a documentary on Mart Stam's work for the Budge Foundation Old People's Home, in Frankfurt, Germany. The series contains promotional material for the 1931 documentary "Wo wohnen alte Leute" ("Where Old People Live") produced by Ella Bergmann-Michel and commissioned by Mart Stam. The material in the series was produced in or around 1931. The series contains photographs by Ella Bergmann-Michel.
Promotional materials
CI006.S2
Description:
Series relates to a documentary on Mart Stam's work for the Budge Foundation Old People's Home, in Frankfurt, Germany. The series contains promotional material for the 1931 documentary "Wo wohnen alte Leute" ("Where Old People Live") produced by Ella Bergmann-Michel and commissioned by Mart Stam. The material in the series was produced in or around 1931. The series contains photographs by Ella Bergmann-Michel.
Level of archival description:
series
series
Date:
Early 1930s
Early 1930s
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP057.S2.SS4
Description:
Sub-series documents the organization of the IAUS' Architectural Education USA conference, held in New York City at the Museum of Modern Art (MoMA) from 11-13 November, 1971, and accompanied by an exhibition of student work at the Cooper Union for the Advancement of Science and Art. Material in sub-series was produced between 1971 and 1972. Sub-series contains correspondence with participants and guests, invitations and records of expenditure.
AP057.S2.SS4
Description:
Sub-series documents the organization of the IAUS' Architectural Education USA conference, held in New York City at the Museum of Modern Art (MoMA) from 11-13 November, 1971, and accompanied by an exhibition of student work at the Cooper Union for the Advancement of Science and Art. Material in sub-series was produced between 1971 and 1972. Sub-series contains correspondence with participants and guests, invitations and records of expenditure.
People:
Date:
1971-1972
1971-1972
Title:
Conference: Architectural Education USA, 12-13 November, 1971
Actions:
AP057.S2.SS4
Description:
Sub-series documents the organization of the IAUS' Architectural Education USA conference, held in New York City at the Museum of Modern Art (MoMA) from 11-13 November, 1971, and accompanied by an exhibition of student work at the Cooper Union for the Advancement of Science and Art. Material in sub-series was produced between 1971 and 1972. Sub-series contains correspondence with participants and guests, invitations and records of expenditure.
Conference: Architectural Education USA, 12-13 November, 1971
Actions:
AP057.S2.SS4
Description:
Sub-series documents the organization of the IAUS' Architectural Education USA conference, held in New York City at the Museum of Modern Art (MoMA) from 11-13 November, 1971, and accompanied by an exhibition of student work at the Cooper Union for the Advancement of Science and Art. Material in sub-series was produced between 1971 and 1972. Sub-series contains correspondence with participants and guests, invitations and records of expenditure.
Level of archival description:
Subseries
Subseries
Date:
1971-1972
1971-1972
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP075.S2.SS2
Description:
This sub-series documents the work of Cornelia Hahn Oberlander as a guest curator for an exhibition at the Vancouver Art Gallery in 1999, with the provisory titles "Out of this Century" and "Art in the 'Fifties." The exhibition included a selection of architectural projects from Canadian architects in the 1950s, including some of Oberlander's own projects. The sub-series contains correspondence and related documents for the planning of the exhibition.
AP075.S2.SS2
Description:
This sub-series documents the work of Cornelia Hahn Oberlander as a guest curator for an exhibition at the Vancouver Art Gallery in 1999, with the provisory titles "Out of this Century" and "Art in the 'Fifties." The exhibition included a selection of architectural projects from Canadian architects in the 1950s, including some of Oberlander's own projects. The sub-series contains correspondence and related documents for the planning of the exhibition.
People:
Subject:
landscape architecture
landscape architecture
Date:
1999
1999
Title:
Out of this Century, Vancouver Art Gallery, Vancouver, British Columbia (1999)
Actions:
AP075.S2.SS2
Description:
This sub-series documents the work of Cornelia Hahn Oberlander as a guest curator for an exhibition at the Vancouver Art Gallery in 1999, with the provisory titles "Out of this Century" and "Art in the 'Fifties." The exhibition included a selection of architectural projects from Canadian architects in the 1950s, including some of Oberlander's own projects. The sub-series contains correspondence and related documents for the planning of the exhibition.
Out of this Century, Vancouver Art Gallery, Vancouver, British Columbia (1999)
Actions:
AP075.S2.SS2
Description:
This sub-series documents the work of Cornelia Hahn Oberlander as a guest curator for an exhibition at the Vancouver Art Gallery in 1999, with the provisory titles "Out of this Century" and "Art in the 'Fifties." The exhibition included a selection of architectural projects from Canadian architects in the 1950s, including some of Oberlander's own projects. The sub-series contains correspondence and related documents for the planning of the exhibition.
Level of archival description:
Sub-series
Sub-series
Date:
1999
1999
People:
Subject:
landscape architecture
landscape architecture
