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431 pages : illustrations, maps ; 24 cm
New York : W.W. Norton & Company, ©1994., copyright ©1994
Flesh and stone : the body and the city in Western civilization / Richard Sennett.
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431 pages : illustrations, maps ; 24 cm
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New York : W.W. Norton & Company, ©1994., copyright ©1994
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The secret history of domesticity : public, private, and the division of knowledge / Michael McKeon.
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xxvii, 873 pages, 16 unnumbered pages of plates : illustrations ; 24 cm
Baltimore : Johns Hopkins University Press, 2007.
The secret history of domesticity : public, private, and the division of knowledge / Michael McKeon.
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xxvii, 873 pages, 16 unnumbered pages of plates : illustrations ; 24 cm
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Baltimore : Johns Hopkins University Press, 2007.
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What gardens mean
$56.00
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The author situates gardening among the other fines arts and offers both historical and contemporary material to examine the cultural significance of gardens from the eighteenth century to the present day.
What gardens mean
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$56.00
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The author situates gardening among the other fines arts and offers both historical and contemporary material to examine the cultural significance of gardens from the eighteenth century to the present day.
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April 1998, Chicago
Gardens
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What gardens mean
$39.95
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Summary:
The author situates gardening among the other fines arts and offers both historical and contemporary material to examine the cultural significance of gardens from the eighteenth century to the present day.
What gardens mean
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$39.95
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The author situates gardening among the other fines arts and offers both historical and contemporary material to examine the cultural significance of gardens from the eighteenth century to the present day.
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March 2001, Chicago
Landscape Theory
$65.00
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Louis de Carmontelle was an eighteenth-century French draftsman, painter, and garden designer. Beginning in 1783 he painted a series of panoramas on translucent paper that became a popular source of entertainment at royal court gatherings. These rolled-up transparencies (rouleaux transparents)were cranked through a backlit viewing box, and the "moving pictures" were(...)
Carmontelle's Landscape Transparencies : Cinema of the Enlightenment
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Louis de Carmontelle was an eighteenth-century French draftsman, painter, and garden designer. Beginning in 1783 he painted a series of panoramas on translucent paper that became a popular source of entertainment at royal court gatherings. These rolled-up transparencies (rouleaux transparents)were cranked through a backlit viewing box, and the "moving pictures" were accompanied by live storytelling that gave spectators the experience of journeying through beautiful landscapes. Presented chronologically, the transparencies show the evolution of eighteenth-century fashions and customs. The author re-creates the original viewing experience by leading the reader through a series of panoramic scenes, and, in the process, offers a lively analysis of eighteenth-century social life. Drawn from both museum and private collections, the charming illustrations include gatefolds showing the full extent of the J. Paul Getty Museum's Figures Walking in a Parkland as well as many exquisite details of elegant outdoor gatherings and verdant parklands. The book presents all of Carmontelle's extant transparencies, some of which survive only in fragments and a number of which have never been published.
Gardens
$37.50
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Beginning from the rise of modern history in the eighteenth century, this book examines how changing ideas in the discipline of history itself has affected architecture from the beginning of modernity up to the present day.
Architecture re-assembled : the use (and abuse) of history
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Beginning from the rise of modern history in the eighteenth century, this book examines how changing ideas in the discipline of history itself has affected architecture from the beginning of modernity up to the present day.
Architectural Theory
books
Description:
xv, 431 pages : illustrations, maps ; 25 cm
Cambridge, Mass. : Harvard University Press, 1995.
London : a social history / Roy Porter.
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xv, 431 pages : illustrations, maps ; 25 cm
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Cambridge, Mass. : Harvard University Press, 1995.
$51.95
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An exploration of infographics and data visualization as a cultural phenomenon, from eighteenth-century print culture to today's data journalism. Infographics and data visualization are ubiquitous in our everyday media diet, particularly in news—in print newspapers, on television news, and online. It has been argued that infographics are changing what it means to be(...)
The infographic: a history of data graphics in news and communications
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$51.95
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An exploration of infographics and data visualization as a cultural phenomenon, from eighteenth-century print culture to today's data journalism. Infographics and data visualization are ubiquitous in our everyday media diet, particularly in news—in print newspapers, on television news, and online. It has been argued that infographics are changing what it means to be literate in the twenty-first century—and even that they harmonize uniquely with human cognition. In this first serious exploration of the subject, Murray Dick traces the cultural evolution of the infographic, examining its use in news—and resistance to its use—from eighteenth-century print culture to today's data journalism. He identifies six historical phases of infographics in popular culture: the proto-infographic, the classical, the improving, the commercial, the ideological, and the professional.
Design Theory
Piranesi's lost words
$106.95
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Eighteenth-century european artist Giovanni Battista Piranesi was more than an artist; he was an engraver and printmaker, architect, antiquities dealer, archaeologist, draftsman, publisher, bookseller, and author. In Piranesi’s Lost Words, Heather Hyde Minor considers Piranesi the author and publisher, focusing on his major publications from 1756 to his death in 1778.(...)
Piranesi's lost words
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$106.95
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Eighteenth-century european artist Giovanni Battista Piranesi was more than an artist; he was an engraver and printmaker, architect, antiquities dealer, archaeologist, draftsman, publisher, bookseller, and author. In Piranesi’s Lost Words, Heather Hyde Minor considers Piranesi the author and publisher, focusing on his major publications from 1756 to his death in 1778. Piranesi designed and manufactured twelve beautiful, large-format books combining visual and verbal content over the course of his lifetime. While the images from these books have been widely studied, they are usually considered in isolation from the texts in which they originally appeared. This study reunites Piranesi’s texts and images, interpreting them in conjunction as composite art. Minor shows how this composite art demonstrates Piranesi’s ability for interpreting the classical world and its remains—and how his books offer a critique of both the Enlightenment project of creating an epistemology of the classical past and how eighteenth-century scholars explicated this past. Piranesi’s books, Minor argues, were integral to the emergence of the modern discipline of art history. Using new, previously unpublished archival material, Piranesi’s Lost Words refines our understanding of Piranesi’s works and the eighteenth-century context in which they were created.
History until 1900, Greece
The culture of diagram
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This book is about visual thinking. Exploring a terrain where words meet pictures and formulas meet figures, the book foregrounds diagrams as tools for blurring those boundaries to focus on the production of knowledge as process. It outlines a history of convergence among diverse streams of data in real-time: from eighteenth-century print media and the diagrammatic(...)
The culture of diagram
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$26.95
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This book is about visual thinking. Exploring a terrain where words meet pictures and formulas meet figures, the book foregrounds diagrams as tools for blurring those boundaries to focus on the production of knowledge as process. It outlines a history of convergence among diverse streams of data in real-time: from eighteenth-century print media and the diagrammatic procedures in the pages of Diderot's Encyclopedia to the paintings of Jacques-Louis David and mathematical devices that reveal the unseen worlds of quantum physics. The culture of diagram broke with the certainties of eighteenth-century science to expand the range of human experience. Speaking across disciplines and discourses, Bender and Marrinan situate our modernity in a new and revealing light.
Art Theory