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"Ghostly ruins" shows the life and death of thirty structures, from transportation depots, factories, and jails to amusement parks, mansions, hotels, and entire towns. Author Harry Skrdla gives a guided tour of these structures at their peak of popularity juxtaposed with their current state. Structures discussed include the infamous Eastern State Penitentiary and(...)
October 2006, New York
Ghostly ruins : America's forgotten architecture
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"Ghostly ruins" shows the life and death of thirty structures, from transportation depots, factories, and jails to amusement parks, mansions, hotels, and entire towns. Author Harry Skrdla gives a guided tour of these structures at their peak of popularity juxtaposed with their current state. Structures discussed include the infamous Eastern State Penitentiary and Bethlehem Steel factory in Pennsylvania, the Packard Motors Plant and Book-Cadillac Hotel in Detroit, and Philip Johnson's New York State Pavilion from the 1964/65 World's Fair. There is the entire town of Centralia, Pennsylvania, where a trash fire set inside an old mine in 1962 morphed into an underground inferno that incinerated the town from underneath; more than forty years later, the subterranean fire still rages. The town is empty now, just as the many other abandoned places in this chronicle.
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136 pages : illustrations (chiefly color) ; 30 cm
[Paris] : Inventaire général du patrimoine culturel ; Lyon : Éditions Lieux dits, [2018], ©2018
Vitraux de Normandie : une histoire de la Grande Guerre / textes, Philippe Chéron, Sophie Delauney ; enquêtes d'inventaire, Philippe Chéron, Sophie Delauney, Jean-Yves Coulon ; photographies, Christophe Kollmann, Patrick Merret ; cartographie, Administration et animation de l'information géographique, Région Normandie.
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136 pages : illustrations (chiefly color) ; 30 cm
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[Paris] : Inventaire général du patrimoine culturel ; Lyon : Éditions Lieux dits, [2018], ©2018
$44.95
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Focusing on black Americans' participation in world's fairs, Emancipation expositions, and early black grassroots museums, ''Negro building'' traces the evolution of black public history from the Civil War through the civil rights movement of the 1960s. Mabel O. Wilson gives voice to the figures who conceived the curatorial content: Booker T. Washington, W.B. Du Bois, Ida(...)
Negro building: Black Americans in the world of fairs and museums
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Focusing on black Americans' participation in world's fairs, Emancipation expositions, and early black grassroots museums, ''Negro building'' traces the evolution of black public history from the Civil War through the civil rights movement of the 1960s. Mabel O. Wilson gives voice to the figures who conceived the curatorial content: Booker T. Washington, W.B. Du Bois, Ida B. Wells, A. Philip Randolph, Horace Cayton, and Margaret Burroughs. Originally published in 2012, the book reveals why the black cities of Chicago and Detroit became the sites of major black historical museums rather than the nation's capital, which would eventually become home for the Smithsonian's National Museum of African American History and Culture, which opened in 2016.
Museology
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Owen Jones was, and still remains, an influential force in the world of architecture and design. His prolific work is captured here in its various stages through drawings, architectural plans, and photographs. "Owen Jones: Design, Ornament, Architecture & Theory in an Age in Transition" fills a gap in the history of Victorian design. In his early career Jones was(...)
Owen Jones : design, ornament, architecture, and theory in an age in transition
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Owen Jones was, and still remains, an influential force in the world of architecture and design. His prolific work is captured here in its various stages through drawings, architectural plans, and photographs. "Owen Jones: Design, Ornament, Architecture & Theory in an Age in Transition" fills a gap in the history of Victorian design. In his early career Jones was recognized as an authority on Oriental design. In the 1850s he was commissioned to decorate the interior of Joseph Paxton's World's Fair Crystal Palace in London. Other projects include St. James' Hall, the Crystal Palace Bazaar, Osler's Glass Shop, and Eynsham Hall at Oxford. In 1856 he completed his "Grammar of Ornament", which remains one of the most influential works on design published and is a source for many artists and designers today. More than just an architect, Jones' skills were applied to designing interiors, books, textiles, furniture, and carpet.
Ornementation
From nature to form
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The world's enthusiasm for Art Nouveau reached its apex at The World Fair in Paris in 1900. There René Binet created the main entrance, "la Porte Monumentale." To coincide with the exposition, Binet published in Esquisses decoratives (1896) the plate designs for the gate, along with other sketches of furniture, jewelry, wallpaper, lighting, stained glass windows, signs,(...)
Design Monographs
March 2007, Munich - Berlin - London - New York
From nature to form
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The world's enthusiasm for Art Nouveau reached its apex at The World Fair in Paris in 1900. There René Binet created the main entrance, "la Porte Monumentale." To coincide with the exposition, Binet published in Esquisses decoratives (1896) the plate designs for the gate, along with other sketches of furniture, jewelry, wallpaper, lighting, stained glass windows, signs, wrought iron, and architectural details. The entire collection of Binet's sketches for Esquisses decoratives are beautifully presented here in color and black and white. Like his renowned gate, they feature the organic structures and intricate embellishments that mirror the great variety of patterns and ornamentation found in the microcosm of nature and epitomize the Art Nouveau aesthetic. Binet credited scientist and artist Ernst Haeckel's work on radiolarians as his inspiration. Two prominent experts on art and architectural history lend their perspectives to this important work in the realm of the decorative arts.
Design Monographs
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In 1958, Swiss-French architect and urban planner Le Corbusier designed the Philips Pavilion for the World's Fair in Brussels. It is the only building the artist produced for a Dutch client. The unconventional pavilion was the setting for the experimental performance "Le Poème électronique," by avant-garde composer Edgard Varèse, seen by one and a half million visitors.(...)
Inside Le Corbusier's Philips Pavilion
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In 1958, Swiss-French architect and urban planner Le Corbusier designed the Philips Pavilion for the World's Fair in Brussels. It is the only building the artist produced for a Dutch client. The unconventional pavilion was the setting for the experimental performance "Le Poème électronique," by avant-garde composer Edgard Varèse, seen by one and a half million visitors. Combining film, color, music and light, this event is regarded as the first multimedia performance for the general public. After its demolition in 1959, the pavilion became an icon of 20th-century art. The Rijksmuseum in Amsterdam hosts a scale model of the pavilion and also provides the eight-minute soundtrack of "Le Poème électronique." EYE Filmmuseum, also in Amsterdam, has kept the film footage of the performance. This monograph includes a complete overview of the Philips Pavilion, including its history, construction and detailed documentation of "Le Poème électronique."
Architecture Monographs
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In 1958, illustrator Saul Steinberg, a well-known gallery and mural artist as well as a celebrated contributor to The New Yorker, was tasked to design a mural for the US Pavilion at the Brussels World’s Fair. The resulting vibrant, boisterous, and gently satirical collage, named simply The Americans, depicted the diversity of modern life through Steinberg’s eyes—from the(...)
Saul Steinberg: The Americans
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In 1958, illustrator Saul Steinberg, a well-known gallery and mural artist as well as a celebrated contributor to The New Yorker, was tasked to design a mural for the US Pavilion at the Brussels World’s Fair. The resulting vibrant, boisterous, and gently satirical collage, named simply The Americans, depicted the diversity of modern life through Steinberg’s eyes—from the small town to the big city, from the drugstore counter to the baseball diamond, from cocktail party sophisticates to middle American farmers.
Contemporary Art Monographs
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144 pages : illustrations ; 30 cm
Boston ; Toronto ; London : Little, Brown and Company, [1992], ©1992
Paris : the city and its photographers / Patrick Deedes-Vincke.
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144 pages : illustrations ; 30 cm
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Boston ; Toronto ; London : Little, Brown and Company, [1992], ©1992
$75.00
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This volume explores Bel Geddes’s life and career in detail through nearly 100 projects, ranging from streamlined airplanes, ships, and cars, to stage sets, appliances, and much more. It brings together never-before-seen drawings, models, photographs, and films drawn from the Ransom Center’s Bel Geddes collection. He is perhaps best known for his Futurama display for the(...)
Norman Bel Geddes designs America
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This volume explores Bel Geddes’s life and career in detail through nearly 100 projects, ranging from streamlined airplanes, ships, and cars, to stage sets, appliances, and much more. It brings together never-before-seen drawings, models, photographs, and films drawn from the Ransom Center’s Bel Geddes collection. He is perhaps best known for his Futurama display for the General Motors Highways and Horizons exhibit at the New York World’s Fair of 1939–40, which to this day remains a useful model for city planning and design.
Design Monographs
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Things are still fun, innocent, and wholesome in the suburbs: there’s road hockey in the streets, boys have their friends over for sleepovers, and kids play freely on their own outside, with little or no parental supervision. The pantomime strip does reference contemporary life, however, with the entire Wright family making an excursion to downtown Montreal for the 1967(...)
Doug Wright : Nipper 1967-1968
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Things are still fun, innocent, and wholesome in the suburbs: there’s road hockey in the streets, boys have their friends over for sleepovers, and kids play freely on their own outside, with little or no parental supervision. The pantomime strip does reference contemporary life, however, with the entire Wright family making an excursion to downtown Montreal for the 1967 World’s Fair. As always, Wright’s stellar draftsmanship, fond eye for detail, and brilliant sense of comic timing shines throughout this volume of the Nipper series.
Illustration