1288 Results
Form:
journals and magazines
journals and magazines
Title:
The Phi Delta Kappan.
The Phi Delta Kappan.
Actions:
Description:
Online resource
Subject:
- Education Periodicals.,
- Greek letter societies Periodicals.,
- Education,
- Éducation Périodiques.,
- Associations désignées par des lettres grecques Périodiques.,
- 81.00 teaching: general.,
- 81.01 history of teaching.,
- Greek letter societies.,
- Onderwijs.,
- Teaching Periodicals.,
- Éducation.,
- Enseignement.,
- Pédagogie.,
- Politique éducative.,
- Recherche en éducation.,
- Réforme du système éducatif.,
- Services aux élèves.,
- Système éducatif.,
- États-Unis.,
- Electronic journals.,
- Periodicals.,
- Étude comparée (Descripteur de forme),
- Périodique électronique (Descripteur de forme),
- Ressource Internet (Descripteur de forme)
(See more)
Publication:
Kansas City, MO : Phi Delta Kappa, 1916-, Arlington, VA : PDK International
Kansas City, MO : Phi Delta Kappa, 1916-, Arlington, VA : PDK International
Form:
journals and magazines
journals and magazines
Publication:
Kansas City, MO : Phi Delta Kappa, 1916-, Arlington, VA : PDK International
Kansas City, MO : Phi Delta Kappa, 1916-, Arlington, VA : PDK International
Subject:
- Education Periodicals.,
- Greek letter societies Periodicals.,
- Education,
- Éducation Périodiques.,
- Associations désignées par des lettres grecques Périodiques.,
- 81.00 teaching: general.,
- 81.01 history of teaching.,
- Greek letter societies.,
- Onderwijs.,
- Teaching Periodicals.,
- Éducation.,
- Enseignement.,
- Pédagogie.,
- Politique éducative.,
- Recherche en éducation.,
- Réforme du système éducatif.,
- Services aux élèves.,
- Système éducatif.,
- États-Unis.,
- Electronic journals.,
- Periodicals.,
- Étude comparée (Descripteur de forme),
- Périodique électronique (Descripteur de forme),
- Ressource Internet (Descripteur de forme)
(See more)
Form:
books
books
Actions:
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Description:
volumes : illustrations, plates, portraits, maps ; 31 cm
- Library main canada 79711 | PO11460 CAN FC2161.B6; ID:85-B10186 | v.3 | Available
- Library main canada 79713 | PO11460 CAN FC2161.B6; ID:85-B10186 | v.4 | Available
- Library main canada 79712 | PO11460 CAN FC2161.B6; ID:85-B10186 | v.5 | Available
- Library main canada 79714 | PO12738 CAN FC2161.B6; ID:85-B10186 | v.3 | Available
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Description:
volumes : illustrations, plates, portraits, maps ; 31 cm
Subject:
Publication:
St. John's : Newfoundland Book Publishers, [©1937]-
St. John's : Newfoundland Book Publishers, [©1937]-
Title:
The book of Newfoundland / editor, Joseph R. Smallwood ; associate editor, James R. Thomas.
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Description:
volumes : illustrations, plates, portraits, maps ; 31 cm
The book of Newfoundland / editor, Joseph R. Smallwood ; associate editor, James R. Thomas.
Actions:
Holdings:
- Library main canada 79711 | PO11460 CAN FC2161.B6; ID:85-B10186 | v.3 | Available
- Library main canada 79713 | PO11460 CAN FC2161.B6; ID:85-B10186 | v.4 | Available
- Library main canada 79712 | PO11460 CAN FC2161.B6; ID:85-B10186 | v.5 | Available
- Library main canada 79714 | PO12738 CAN FC2161.B6; ID:85-B10186 | v.3 | Available
(See more)
Description:
volumes : illustrations, plates, portraits, maps ; 31 cm
Form:
books
books
Publication:
St. John's : Newfoundland Book Publishers, [©1937]-
St. John's : Newfoundland Book Publishers, [©1937]-
Form:
books
books
Price:
$45.95
(available to order)
Summary:
In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that(...)
$45.95
(available to order)
Summary:
In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that(...)
Title:
White walls, designer dresses : the fashioning of modern architecture
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Price:
$45.95
(available to order)
Summary:
In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that modern buildings are not naked. The white wall is itself a form of clothing -- the newly athletic body of the building, like that of its occupants, wears a new kind of garment and these garments are meant to match. Not only did almost all modern architects literally design dresses, Wigley points out, their arguments for a modern architecture were taken from the logic of clothing reform. Architecture was understood as a form of dress design. Wigley follows the trajectory of this key subtext by closely reading the statements and designs of most of the protagonists, demonstrating that it renders modern architecture's relationship with the psychosexual economy of fashion much more ambiguous than the architects' endlessly repeated rejections of fashion would suggest. Indeed, Wigley asserts, the very intensity of these rejections is a symptom of how deeply they are embedded in the world of clothing. By drawing on arguments about the relationship between clothing and architecture first formulated in the middle of the nineteenth century, modern architects in fact presented a sophisticated theory of the surface, modernizing architecture by transforming the status of the surface. "White Walls, Designer Dresses" shows how this seemingly incidental clothing logic actually organizes the detailed design of the modern building, dictating a system of polychromy, understood as a multicolored outfit. The familiar image of modern architecture as white turns out to be the effect of a historiographical tradition that has worked hard to suppress the color of the surfaces of the buildings that it describes. Wigley analyzes this suppression in terms of the sexual logic that invariably accompanies discussions of clothing and color, recovering those sensuously colored surfaces and the extraordinary arguments about clothing that were used to defend them.
White walls, designer dresses : the fashioning of modern architecture
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Price:
$45.95
(available to order)
Summary:
In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that modern buildings are not naked. The white wall is itself a form of clothing -- the newly athletic body of the building, like that of its occupants, wears a new kind of garment and these garments are meant to match. Not only did almost all modern architects literally design dresses, Wigley points out, their arguments for a modern architecture were taken from the logic of clothing reform. Architecture was understood as a form of dress design. Wigley follows the trajectory of this key subtext by closely reading the statements and designs of most of the protagonists, demonstrating that it renders modern architecture's relationship with the psychosexual economy of fashion much more ambiguous than the architects' endlessly repeated rejections of fashion would suggest. Indeed, Wigley asserts, the very intensity of these rejections is a symptom of how deeply they are embedded in the world of clothing. By drawing on arguments about the relationship between clothing and architecture first formulated in the middle of the nineteenth century, modern architects in fact presented a sophisticated theory of the surface, modernizing architecture by transforming the status of the surface. "White Walls, Designer Dresses" shows how this seemingly incidental clothing logic actually organizes the detailed design of the modern building, dictating a system of polychromy, understood as a multicolored outfit. The familiar image of modern architecture as white turns out to be the effect of a historiographical tradition that has worked hard to suppress the color of the surfaces of the buildings that it describes. Wigley analyzes this suppression in terms of the sexual logic that invariably accompanies discussions of clothing and color, recovering those sensuously colored surfaces and the extraordinary arguments about clothing that were used to defend them.
Form:
books
books
Publication:
October 2001, Cambridge, Mass.
October 2001, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Price:
$79.50
(available to order)
Summary:
In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that(...)
$79.50
(available to order)
Summary:
In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that(...)
Title:
White walls, designer dresses : the fashioning of modern architecture
Actions:
Price:
$79.50
(available to order)
Summary:
In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that modern buildings are not naked. The white wall is itself a form of clothing -- the newly athletic body of the building, like that of its occupants, wears a new kind of garment and these garments are meant to match. Not only did almost all modern architects literally design dresses, Wigley points out, their arguments for a modern architecture were taken from the logic of clothing reform. Architecture was understood as a form of dress design. Wigley follows the trajectory of this key subtext by closely reading the statements and designs of most of the protagonists, demonstrating that it renders modern architecture's relationship with the psychosexual economy of fashion much more ambiguous than the architects' endlessly repeated rejections of fashion would suggest. Indeed, Wigley asserts, the very intensity of these rejections is a symptom of how deeply they are embedded in the world of clothing. By drawing on arguments about the relationship between clothing and architecture first formulated in the middle of the nineteenth century, modern architects in fact presented a sophisticated theory of the surface, modernizing architecture by transforming the status of the surface. "White Walls, Designer Dresses" shows how this seemingly incidental clothing logic actually organizes the detailed design of the modern building, dictating a system of polychromy, understood as a multicolored outfit. The familiar image of modern architecture as white turns out to be the effect of a historiographical tradition that has worked hard to suppress the color of the surfaces of the buildings that it describes. Wigley analyzes this suppression in terms of the sexual logic that invariably accompanies discussions of clothing and color, recovering those sensuously colored surfaces and the extraordinary arguments about clothing that were used to defend them.
White walls, designer dresses : the fashioning of modern architecture
Actions:
Price:
$79.50
(available to order)
Summary:
In a daring revisionist history of modern architecture, Mark Wigley opens up a new understanding of the historical avant-garde. He explores the most obvious, but least discussed, feature of modern architecture: white walls. Although the white wall exemplifies the stripping away of the decorative masquerade costumes worn by nineteenth-century buildings, Wigley argues that modern buildings are not naked. The white wall is itself a form of clothing -- the newly athletic body of the building, like that of its occupants, wears a new kind of garment and these garments are meant to match. Not only did almost all modern architects literally design dresses, Wigley points out, their arguments for a modern architecture were taken from the logic of clothing reform. Architecture was understood as a form of dress design. Wigley follows the trajectory of this key subtext by closely reading the statements and designs of most of the protagonists, demonstrating that it renders modern architecture's relationship with the psychosexual economy of fashion much more ambiguous than the architects' endlessly repeated rejections of fashion would suggest. Indeed, Wigley asserts, the very intensity of these rejections is a symptom of how deeply they are embedded in the world of clothing. By drawing on arguments about the relationship between clothing and architecture first formulated in the middle of the nineteenth century, modern architects in fact presented a sophisticated theory of the surface, modernizing architecture by transforming the status of the surface. "White Walls, Designer Dresses" shows how this seemingly incidental clothing logic actually organizes the detailed design of the modern building, dictating a system of polychromy, understood as a multicolored outfit. The familiar image of modern architecture as white turns out to be the effect of a historiographical tradition that has worked hard to suppress the color of the surfaces of the buildings that it describes. Wigley analyzes this suppression in terms of the sexual logic that invariably accompanies discussions of clothing and color, recovering those sensuously colored surfaces and the extraordinary arguments about clothing that were used to defend them.
Form:
books
books
Publication:
December 1995, Cambridge, Mass.
December 1995, Cambridge, Mass.
Subject:
Architectural Theory
Architectural Theory
Form:
books
books
Actions:
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Description:
571 pages : illustrations (chiefly color), maps ; 23 cm.
Description:
571 pages : illustrations (chiefly color), maps ; 23 cm.
Author:
Subject:
- Architecture, French 19th century.,
- Architecture, Italian 19th century.,
- Architecture, European 19th century Pictorial works.,
- Architecture, Renaissance Italy Influence.,
- Urban renewal France History 19th century.,
- Urban renewal Italy History 19th century.,
- Architecture and society France.,
- Architecture and society Italy.,
- Architecture and society Europe History.,
- Architecture française 19e siècle.,
- Architecture italienne 19e siècle.,
- Architecture européenne 19e siècle Ouvrages illustrés.,
- Rénovation urbaine France Histoire 19e siècle.,
- Rénovation urbaine Italie Histoire 19e siècle.,
- Architecture et société France.,
- Architecture et société Italie.,
- Architecture et société Europe Histoire.,
- Architecture and society,
- Architecture, European,
- Architecture, French,
- Architecture, Italian,
- Architecture, Renaissance Influence,
- Urban renewal,
- France History Consulate and First Empire, 1799-1815.,
- Italy History 1789-1815.,
- Italie Histoire 1789-1815.,
- Europe,
- France,
- Italy,
- History,
- Pictorial works
(See more)
Publication:
Bruxelles (Belgique) : Mardaga, [2021]
Bruxelles (Belgique) : Mardaga, [2021]
Title:
Bâtir pour Napoléon : une architecture franco-italienne / sous la direction de Letizia Tedeschi, Jean-Philippe Garric, Daniel Rabreau.
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Description:
571 pages : illustrations (chiefly color), maps ; 23 cm.
Bâtir pour Napoléon : une architecture franco-italienne / sous la direction de Letizia Tedeschi, Jean-Philippe Garric, Daniel Rabreau.
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Description:
571 pages : illustrations (chiefly color), maps ; 23 cm.
Form:
books
books
Publication:
Bruxelles (Belgique) : Mardaga, [2021]
Bruxelles (Belgique) : Mardaga, [2021]
Subject:
- Architecture, French 19th century.,
- Architecture, Italian 19th century.,
- Architecture, European 19th century Pictorial works.,
- Architecture, Renaissance Italy Influence.,
- Urban renewal France History 19th century.,
- Urban renewal Italy History 19th century.,
- Architecture and society France.,
- Architecture and society Italy.,
- Architecture and society Europe History.,
- Architecture française 19e siècle.,
- Architecture italienne 19e siècle.,
- Architecture européenne 19e siècle Ouvrages illustrés.,
- Rénovation urbaine France Histoire 19e siècle.,
- Rénovation urbaine Italie Histoire 19e siècle.,
- Architecture et société France.,
- Architecture et société Italie.,
- Architecture et société Europe Histoire.,
- Architecture and society,
- Architecture, European,
- Architecture, French,
- Architecture, Italian,
- Architecture, Renaissance Influence,
- Urban renewal,
- France History Consulate and First Empire, 1799-1815.,
- Italy History 1789-1815.,
- Italie Histoire 1789-1815.,
- Europe,
- France,
- Italy,
- History,
- Pictorial works
(See more)
Form:
books
books
Actions:
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Description:
xv, 183 pages illustrations, color plate 25 cm
Description:
xv, 183 pages illustrations, color plate 25 cm
Subject:
- Teresa, of Avila, Saint, 1515-1582.,
- Bernini, Gian Lorenzo, 1598-1680.,
- Crashaw, Richard, 1613?-1649 Criticism and interpretation.,
- Crashaw, Richard, 1613?-1649,
- Christian poetry, English History and criticism.,
- Christian saints in literature.,
- Christian saints in art.,
- Ecstasy.,
- Poésie chrétienne anglaise Histoire et critique.,
- Saints chrétiens dans la littérature.,
- Saints chrétiens dans l'art.,
- Extase.,
- Christian poetry, English,
- Biography,
- Biographies,
- Criticism, interpretation, etc.
(See more)
Publication:
New York, Atheneum, [1970], ©1970
New York, Atheneum, [1970], ©1970
Title:
The art of ecstasy; Teresa, Bernini, and Crashaw [by] Robert T. Petersson.
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Description:
xv, 183 pages illustrations, color plate 25 cm
The art of ecstasy; Teresa, Bernini, and Crashaw [by] Robert T. Petersson.
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Description:
xv, 183 pages illustrations, color plate 25 cm
Form:
books
books
Publication:
New York, Atheneum, [1970], ©1970
New York, Atheneum, [1970], ©1970
Subject:
- Teresa, of Avila, Saint, 1515-1582.,
- Bernini, Gian Lorenzo, 1598-1680.,
- Crashaw, Richard, 1613?-1649 Criticism and interpretation.,
- Crashaw, Richard, 1613?-1649,
- Christian poetry, English History and criticism.,
- Christian saints in literature.,
- Christian saints in art.,
- Ecstasy.,
- Poésie chrétienne anglaise Histoire et critique.,
- Saints chrétiens dans la littérature.,
- Saints chrétiens dans l'art.,
- Extase.,
- Christian poetry, English,
- Biography,
- Biographies,
- Criticism, interpretation, etc.
(See more)
Form:
books
books
Actions:
Price:
$99.95
(available to order)
Summary:
For decades Frederick Law Olmsted (1822–1903) designed parks and park systems across the United States, leaving an enduring legacy of designed public space that is enjoyed, studied, and protected today. His plans and professional correspondence offer a rich source for understanding his remarkable contribution to the quality of urban life in this country and the(...)
$99.95
(available to order)
Summary:
For decades Frederick Law Olmsted (1822–1903) designed parks and park systems across the United States, leaving an enduring legacy of designed public space that is enjoyed, studied, and protected today. His plans and professional correspondence offer a rich source for understanding his remarkable contribution to the quality of urban life in this country and the(...)
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Publication:
October 2006, Baltimore
October 2006, Baltimore
Title:
The papers of Frederick Law Olmsted : volume VII, parks, politics, and patronage 1874-1882
Actions:
Price:
$99.95
(available to order)
Summary:
For decades Frederick Law Olmsted (1822–1903) designed parks and park systems across the United States, leaving an enduring legacy of designed public space that is enjoyed, studied, and protected today. His plans and professional correspondence offer a rich source for understanding his remarkable contribution to the quality of urban life in this country and the development of the profession of landscape architecture. Olmsted's writings also provide a unique record of society and politics in post–Civil War America. Historians, landscape architects, conservationists, city planners, and citizens’ groups continue to turn to Olmsted for inspiration in their planning and protection of public open space in our cities. This latest and seventh volume of the Papers of Frederick Law Olmsted presents the record of his last years of residence in New York City. It includes reports on the design of Riverside and Morningside parks and Tompkins Square in Manhattan, as well as his comprehensive plan for the street system and rapid transit routes of the Bronx. It records his continuing work on Central Park and presents his final retrospective statement, “The Spoils of the Park.” In addition, volume seven contains an annotated version of the journal in which Olmsted recorded instances of political maneuvering and patronage politics in the years before his dismissal from the New York parks department in 1878. Later documents chronicle the early stages of his planning of the Boston park system—the Back Bay Fens, Arnold Arboretum, and Riverway. Other major commissions, each with its own political complications, were the grounds of the U.S. Capitol, the completion of the new state capitol in Albany, the designing of a park on Mount Royal in Montreal, and construction of the park system of Buffalo, New York. The volume also presents Olmsted’s commentary on issues of the times including federal Reconstruction policy and civil-service reform. The Olmsted Papers project is supported by the National Endowment for the Humanities, the National Historical Publications and Records Commission, the National Trust for the Humanities, the National Association for Olmsted Parks, as well as private foundations and individuals.
The papers of Frederick Law Olmsted : volume VII, parks, politics, and patronage 1874-1882
Actions:
Price:
$99.95
(available to order)
Summary:
For decades Frederick Law Olmsted (1822–1903) designed parks and park systems across the United States, leaving an enduring legacy of designed public space that is enjoyed, studied, and protected today. His plans and professional correspondence offer a rich source for understanding his remarkable contribution to the quality of urban life in this country and the development of the profession of landscape architecture. Olmsted's writings also provide a unique record of society and politics in post–Civil War America. Historians, landscape architects, conservationists, city planners, and citizens’ groups continue to turn to Olmsted for inspiration in their planning and protection of public open space in our cities. This latest and seventh volume of the Papers of Frederick Law Olmsted presents the record of his last years of residence in New York City. It includes reports on the design of Riverside and Morningside parks and Tompkins Square in Manhattan, as well as his comprehensive plan for the street system and rapid transit routes of the Bronx. It records his continuing work on Central Park and presents his final retrospective statement, “The Spoils of the Park.” In addition, volume seven contains an annotated version of the journal in which Olmsted recorded instances of political maneuvering and patronage politics in the years before his dismissal from the New York parks department in 1878. Later documents chronicle the early stages of his planning of the Boston park system—the Back Bay Fens, Arnold Arboretum, and Riverway. Other major commissions, each with its own political complications, were the grounds of the U.S. Capitol, the completion of the new state capitol in Albany, the designing of a park on Mount Royal in Montreal, and construction of the park system of Buffalo, New York. The volume also presents Olmsted’s commentary on issues of the times including federal Reconstruction policy and civil-service reform. The Olmsted Papers project is supported by the National Endowment for the Humanities, the National Historical Publications and Records Commission, the National Trust for the Humanities, the National Association for Olmsted Parks, as well as private foundations and individuals.
Form:
books
books
Publication:
October 2006, Baltimore
October 2006, Baltimore
Subject:
Landscape Architecture, Monographs
Landscape Architecture, Monographs
Form:
books
books
Actions:
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Description:
155 S. Ill., graph. Darst. 25 cm
Description:
155 S. Ill., graph. Darst. 25 cm
Subject:
- Michel-Ange, (1475-1564),
- Basilica di San Pietro in Vaticano.,
- Basilicas Vatican City.,
- Basiliques Vatican.,
- Basilicas,
- Architektur,
- Basiliques Italie.,
- Vatican City,
- Peterskirche,
- Rom Peterskirche Geschichte Neuzeit.,
- Vatican Basilica di San Pietro.,
- Rom / Peterskirche ; SWD-ID: 40768223,
- Vatican City Buildings, structures, etc
(See more)
Publication:
Berlin Wagenbach 2000
Berlin Wagenbach 2000
Title:
Sankt Peter in Rom und das Prinzip der produktiven Zerstörung Bau und Abbau von Bramante bis Bernini Horst Bredekamp
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Description:
155 S. Ill., graph. Darst. 25 cm
Sankt Peter in Rom und das Prinzip der produktiven Zerstörung Bau und Abbau von Bramante bis Bernini Horst Bredekamp
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Holdings:
Description:
155 S. Ill., graph. Darst. 25 cm
Form:
books
books
Publication:
Berlin Wagenbach 2000
Berlin Wagenbach 2000
Subject:
- Michel-Ange, (1475-1564),
- Basilica di San Pietro in Vaticano.,
- Basilicas Vatican City.,
- Basiliques Vatican.,
- Basilicas,
- Architektur,
- Basiliques Italie.,
- Vatican City,
- Peterskirche,
- Rom Peterskirche Geschichte Neuzeit.,
- Vatican Basilica di San Pietro.,
- Rom / Peterskirche ; SWD-ID: 40768223,
- Vatican City Buildings, structures, etc
(See more)
Form:
books
books
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Description:
279 pages : illustrations (some color) ; 29 cm
Description:
279 pages : illustrations (some color) ; 29 cm
Author:
- Bertelli, Sergio.,
- Corti italiane del Rinascimento. English,
- Sergio Bertelli -- Sergio Bertelli -- Franco Cardini -- Elvira Garbero Zorzi -- Elisa Acanfora and Marcello Fantoni -- Franco Cardini -- Sergio Bertelli -- Chronology, family trees and bibliography.,
- Cardini, Franco.,
- Garbero Zorzi, Elvira.,
- Acanfora, Elisa.,
- Chesne Dauphiné Griffo, Giuliana.,
- Fantoni, Marcello.,
- Mignani Galli, Daniela.,
- Florescu, Ileana.,
- Culverwell, Geoffrey,,
- Fitton, Mary,
(See more)
Subject:
- Renaissance Italy.,
- Renaissance Italie.,
- Courts and courtiers.,
- Renaissance.,
- Hof.,
- Italy History 15th century.,
- Italy History 16th century.,
- Italy Court and courtiers.,
- Italy History 15th-16th centuries.,
- Italie Histoire 15e siècle.,
- Italie Histoire 16e siècle.,
- Italie Cour et courtisans.,
- Italy.,
- Italien,
- History.
(See more)
Publication:
New York, N.Y. : Facts on File, 1986.
New York, N.Y. : Facts on File, 1986.
Title:
The courts of the Italian Renaissance / Sergio Bertelli, Franco Cardini, Elvira Garbero Zorzi ; contributing authors, Elisa Acanfora [and others].
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Description:
279 pages : illustrations (some color) ; 29 cm
The courts of the Italian Renaissance / Sergio Bertelli, Franco Cardini, Elvira Garbero Zorzi ; contributing authors, Elisa Acanfora [and others].
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Holdings:
Description:
279 pages : illustrations (some color) ; 29 cm
Form:
books
books
Publication:
New York, N.Y. : Facts on File, 1986.
New York, N.Y. : Facts on File, 1986.
Author:
- Bertelli, Sergio.,
- Corti italiane del Rinascimento. English,
- Sergio Bertelli -- Sergio Bertelli -- Franco Cardini -- Elvira Garbero Zorzi -- Elisa Acanfora and Marcello Fantoni -- Franco Cardini -- Sergio Bertelli -- Chronology, family trees and bibliography.,
- Cardini, Franco.,
- Garbero Zorzi, Elvira.,
- Acanfora, Elisa.,
- Chesne Dauphiné Griffo, Giuliana.,
- Fantoni, Marcello.,
- Mignani Galli, Daniela.,
- Florescu, Ileana.,
- Culverwell, Geoffrey,,
- Fitton, Mary,
(See more)
Subject:
- Renaissance Italy.,
- Renaissance Italie.,
- Courts and courtiers.,
- Renaissance.,
- Hof.,
- Italy History 15th century.,
- Italy History 16th century.,
- Italy Court and courtiers.,
- Italy History 15th-16th centuries.,
- Italie Histoire 15e siècle.,
- Italie Histoire 16e siècle.,
- Italie Cour et courtisans.,
- Italy.,
- Italien,
- History.
(See more)
Form:
books
books
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Description:
52 pages : illustrations (chiefly color), facsimiles, plans ; 21 cm
Description:
52 pages : illustrations (chiefly color), facsimiles, plans ; 21 cm
Subject:
- Dorfkirche St. Martin (Riehen, Switzerland) Guidebooks.,
- Church buildings Switzerland Riehen Guidebooks.,
- Church architecture Switzerland Riehen Guidebooks.,
- Architecture chrétienne Suisse Riehen Guides.,
- Church architecture.,
- Church buildings.,
- Riehen (Switzerland) Guidebooks.,
- Switzerland Riehen.,
- Guidebooks.
(See more)
Publication:
Bern : Gesellschaft für Schweizerische Kunstgeschichte GSK, ©2017.
Bern : Gesellschaft für Schweizerische Kunstgeschichte GSK, ©2017.
Title:
Die Dorfkirche St. Martin in Riehen / Christoph Matt, Bernard Jaggi, Martina Holder.
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Holdings:
Description:
52 pages : illustrations (chiefly color), facsimiles, plans ; 21 cm
Die Dorfkirche St. Martin in Riehen / Christoph Matt, Bernard Jaggi, Martina Holder.
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Description:
52 pages : illustrations (chiefly color), facsimiles, plans ; 21 cm
Form:
books
books
Publication:
Bern : Gesellschaft für Schweizerische Kunstgeschichte GSK, ©2017.
Bern : Gesellschaft für Schweizerische Kunstgeschichte GSK, ©2017.
Subject:
- Dorfkirche St. Martin (Riehen, Switzerland) Guidebooks.,
- Church buildings Switzerland Riehen Guidebooks.,
- Church architecture Switzerland Riehen Guidebooks.,
- Architecture chrétienne Suisse Riehen Guides.,
- Church architecture.,
- Church buildings.,
- Riehen (Switzerland) Guidebooks.,
- Switzerland Riehen.,
- Guidebooks.
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