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There's something irresistible about a skyscraper. It can reshape an entire city skyline and from the building's top floors, people can see the world from a different perspective. Travelling from New York City to Dubai, from London to Shanghai and from Kuala Lumpur to Chicago, this colourful book features double-page spreads for each of the skyscrapers it profiles.(...)
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There's something irresistible about a skyscraper. It can reshape an entire city skyline and from the building's top floors, people can see the world from a different perspective. Travelling from New York City to Dubai, from London to Shanghai and from Kuala Lumpur to Chicago, this colourful book features double-page spreads for each of the skyscrapers it profiles.(...)
Title:
13 skyscrapers children should know
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There's something irresistible about a skyscraper. It can reshape an entire city skyline and from the building's top floors, people can see the world from a different perspective. Travelling from New York City to Dubai, from London to Shanghai and from Kuala Lumpur to Chicago, this colourful book features double-page spreads for each of the skyscrapers it profiles. Each chapter includes photographs, information on the building's architect and history and interesting facts about its construction and use. For instance, why is the Chrysler Building so admired, even though it doesn't stand nearly as tall as other skyscrapers? How do you measure the height of a building and how do you make sure it doesn't topple over in strong winds? How has skyscraper technology changed, from the steel frame skeletons that supported the earliest towers to the advanced computer programs that are now needed to design buildings more than 100 stories high? How has city life changed since the first skyscrapers were built?
13 skyscrapers children should know
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There's something irresistible about a skyscraper. It can reshape an entire city skyline and from the building's top floors, people can see the world from a different perspective. Travelling from New York City to Dubai, from London to Shanghai and from Kuala Lumpur to Chicago, this colourful book features double-page spreads for each of the skyscrapers it profiles. Each chapter includes photographs, information on the building's architect and history and interesting facts about its construction and use. For instance, why is the Chrysler Building so admired, even though it doesn't stand nearly as tall as other skyscrapers? How do you measure the height of a building and how do you make sure it doesn't topple over in strong winds? How has skyscraper technology changed, from the steel frame skeletons that supported the earliest towers to the advanced computer programs that are now needed to design buildings more than 100 stories high? How has city life changed since the first skyscrapers were built?
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Children's Books
Children's Books
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Imagine a type of writing so hard to define its very name means a trial, effort or attempt. An ancient form with an eye on the future, a genre poised between tradition and experiment. The essay wants above all to wander, but also to arrive at symmetry and wholeness; it nurses competing urges to integrity and disarray, perfection and fragmentation, confession and(...)
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Imagine a type of writing so hard to define its very name means a trial, effort or attempt. An ancient form with an eye on the future, a genre poised between tradition and experiment. The essay wants above all to wander, but also to arrive at symmetry and wholeness; it nurses competing urges to integrity and disarray, perfection and fragmentation, confession and(...)
Title:
Essayism
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Imagine a type of writing so hard to define its very name means a trial, effort or attempt. An ancient form with an eye on the future, a genre poised between tradition and experiment. The essay wants above all to wander, but also to arrive at symmetry and wholeness; it nurses competing urges to integrity and disarray, perfection and fragmentation, confession and invention. How to write about essays and essayists while staying true to these contradictions? "ESSAYISM" is a personal, critical and polemical book about the genre, its history and contemporary possibilities. It's an example of what it describes: an essay that is curious and digressive, exacting yet evasive, a form that would instruct, seduce and mystify in equal measure. Among the essayists to whom he pays tribute - from Virginia Woolf to Georges Perec, Joan Didion to Sir Thomas Browne - Brian Dillon discovers a path back into his own life as a reader, and out of melancholia to a new sense of writing as adventure.
Essayism
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Imagine a type of writing so hard to define its very name means a trial, effort or attempt. An ancient form with an eye on the future, a genre poised between tradition and experiment. The essay wants above all to wander, but also to arrive at symmetry and wholeness; it nurses competing urges to integrity and disarray, perfection and fragmentation, confession and invention. How to write about essays and essayists while staying true to these contradictions? "ESSAYISM" is a personal, critical and polemical book about the genre, its history and contemporary possibilities. It's an example of what it describes: an essay that is curious and digressive, exacting yet evasive, a form that would instruct, seduce and mystify in equal measure. Among the essayists to whom he pays tribute - from Virginia Woolf to Georges Perec, Joan Didion to Sir Thomas Browne - Brian Dillon discovers a path back into his own life as a reader, and out of melancholia to a new sense of writing as adventure.
Subject:
Literature and poetry
Literature and poetry
Title:
The first six books of the elements of Euclid : facsimile of the famous first edition of 1847
The first six books of the elements of Euclid : facsimile of the famous first edition of 1847
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Red, yellow, blue – and of course black – are the colours that Oliver Byrne employs for the figures and diagrams in his most unusual 1847 edition of Euclid, published by William Pickering and printed by Chiswick Press, and which prompt the surprised reader to think of Mondrian. The author makes it clear in his subtitle that this is a didactic measure intended to(...)
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Red, yellow, blue – and of course black – are the colours that Oliver Byrne employs for the figures and diagrams in his most unusual 1847 edition of Euclid, published by William Pickering and printed by Chiswick Press, and which prompt the surprised reader to think of Mondrian. The author makes it clear in his subtitle that this is a didactic measure intended to(...)
Title:
The first six books of the elements of Euclid : facsimile of the famous first edition of 1847
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$64.99
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Red, yellow, blue – and of course black – are the colours that Oliver Byrne employs for the figures and diagrams in his most unusual 1847 edition of Euclid, published by William Pickering and printed by Chiswick Press, and which prompt the surprised reader to think of Mondrian. The author makes it clear in his subtitle that this is a didactic measure intended to distinguish his edition from all others: "The Elements of Euclid in which coloured diagrams and symbols are used instead of letters for the greater ease of learners." Byrne is not content to trust solely in the supposed intuitive "logical" structure of Euclid's axioms and theorems – who doesn't know the first famous sentences of Euclid's Elements: "I. A point is that which has no parts. II. A line is length without breadth"? –, but translates them into colourful diagrams and symbols. He thereby thinks in terms of the school classroom : he compares his colours to the dyed chalks in which figures are drawn on the blackboard.
The first six books of the elements of Euclid : facsimile of the famous first edition of 1847
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$64.99
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Summary:
Red, yellow, blue – and of course black – are the colours that Oliver Byrne employs for the figures and diagrams in his most unusual 1847 edition of Euclid, published by William Pickering and printed by Chiswick Press, and which prompt the surprised reader to think of Mondrian. The author makes it clear in his subtitle that this is a didactic measure intended to distinguish his edition from all others: "The Elements of Euclid in which coloured diagrams and symbols are used instead of letters for the greater ease of learners." Byrne is not content to trust solely in the supposed intuitive "logical" structure of Euclid's axioms and theorems – who doesn't know the first famous sentences of Euclid's Elements: "I. A point is that which has no parts. II. A line is length without breadth"? –, but translates them into colourful diagrams and symbols. He thereby thinks in terms of the school classroom : he compares his colours to the dyed chalks in which figures are drawn on the blackboard.
Subject:
Architectural Theory
Architectural Theory
Title:
Andrew Kuo: What me worry
Andrew Kuo: What me worry
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Repurposing the sad, comical and seemingly trivial minutiae of everyday life into pie charts, flow charts and other forms of visual data sorting, New York-based artist Andrew Kuo transforms the idlest of days into a witty analysis in color and pattern. The charm of these works lies not only in their balance of what might be called "cool content in geek form," but also in(...)
$55.00
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Summary:
Repurposing the sad, comical and seemingly trivial minutiae of everyday life into pie charts, flow charts and other forms of visual data sorting, New York-based artist Andrew Kuo transforms the idlest of days into a witty analysis in color and pattern. The charm of these works lies not only in their balance of what might be called "cool content in geek form," but also in(...)
Title:
Andrew Kuo: What me worry
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$55.00
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Repurposing the sad, comical and seemingly trivial minutiae of everyday life into pie charts, flow charts and other forms of visual data sorting, New York-based artist Andrew Kuo transforms the idlest of days into a witty analysis in color and pattern. The charm of these works lies not only in their balance of what might be called "cool content in geek form," but also in the criteria and gradations they measure. Kuo's obsessive charts, which resemble Op art, Concrete art or the abstractions of Josef Albers have reached a wide audience through his music reviews for The New York Times, as well as through numerous solo shows over the past ten years. What Me Worry adopts Mad magazine's slogan to gently poke fun at the artist's compulsive record-keeping, and compiles a range of charts, some of which are also made into colorful sculptures, alongside figurative paintings, diary musings and a series of recipes.
Andrew Kuo: What me worry
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$55.00
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Summary:
Repurposing the sad, comical and seemingly trivial minutiae of everyday life into pie charts, flow charts and other forms of visual data sorting, New York-based artist Andrew Kuo transforms the idlest of days into a witty analysis in color and pattern. The charm of these works lies not only in their balance of what might be called "cool content in geek form," but also in the criteria and gradations they measure. Kuo's obsessive charts, which resemble Op art, Concrete art or the abstractions of Josef Albers have reached a wide audience through his music reviews for The New York Times, as well as through numerous solo shows over the past ten years. What Me Worry adopts Mad magazine's slogan to gently poke fun at the artist's compulsive record-keeping, and compiles a range of charts, some of which are also made into colorful sculptures, alongside figurative paintings, diary musings and a series of recipes.
Subject:
Signage
Signage
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$29.95
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From a youth spent in different cities of the world, to his beginnings as an architect in Toronto, the author has long recognized that cities at their best provide much of what we seek in a place to call home. Community, places of culture and business that we can walk to, mass transit and a wealth of amenities that couldn't be supported without a city's density: the(...)
$29.95
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Summary:
From a youth spent in different cities of the world, to his beginnings as an architect in Toronto, the author has long recognized that cities at their best provide much of what we seek in a place to call home. Community, places of culture and business that we can walk to, mass transit and a wealth of amenities that couldn't be supported without a city's density: the(...)
Title:
Walking home: the life and lessons of a city builder
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From a youth spent in different cities of the world, to his beginnings as an architect in Toronto, the author has long recognized that cities at their best provide much of what we seek in a place to call home. Community, places of culture and business that we can walk to, mass transit and a wealth of amenities that couldn't be supported without a city's density: the mid-century drive to suburbanization deprived us of these inherent advantages of urban living. The realization of this loss, in tandem with pressing recent concerns about energy scarcity and global warming, has made us see cities with fresh eyes and a growing understanding that they can provide us with an unparalleled measure of sustainability. This publication explains how turning the world's urban spaces back into places that can give us not only a platform to face the challenges of the future, but also a place we can call, with pride and satisfaction, home.
Walking home: the life and lessons of a city builder
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$29.95
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Summary:
From a youth spent in different cities of the world, to his beginnings as an architect in Toronto, the author has long recognized that cities at their best provide much of what we seek in a place to call home. Community, places of culture and business that we can walk to, mass transit and a wealth of amenities that couldn't be supported without a city's density: the mid-century drive to suburbanization deprived us of these inherent advantages of urban living. The realization of this loss, in tandem with pressing recent concerns about energy scarcity and global warming, has made us see cities with fresh eyes and a growing understanding that they can provide us with an unparalleled measure of sustainability. This publication explains how turning the world's urban spaces back into places that can give us not only a platform to face the challenges of the future, but also a place we can call, with pride and satisfaction, home.
Subject:
Urban Theory
Urban Theory
Title:
The Immaterial
The Immaterial
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$23.95
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In ''The Immaterial'', French social philosopher André Gorz (1923–2007) argues that the economic boom that accelerated in the 1990s and crashed so spectacularly in 2008 was based largely on an immaterial consumption of symbols and ideas, as capitalism tried to overcome the crisis of the formally industrial regime by throwing itself into a new, so-called knowledge economy.(...)
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In ''The Immaterial'', French social philosopher André Gorz (1923–2007) argues that the economic boom that accelerated in the 1990s and crashed so spectacularly in 2008 was based largely on an immaterial consumption of symbols and ideas, as capitalism tried to overcome the crisis of the formally industrial regime by throwing itself into a new, so-called knowledge economy.(...)
Title:
The Immaterial
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$23.95
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In ''The Immaterial'', French social philosopher André Gorz (1923–2007) argues that the economic boom that accelerated in the 1990s and crashed so spectacularly in 2008 was based largely on an immaterial consumption of symbols and ideas, as capitalism tried to overcome the crisis of the formally industrial regime by throwing itself into a new, so-called knowledge economy. In this volume, Gorz argues instead for the creation of a true knowledge economy. This economy would be based on zero-cost exchange and pooled resources, and knowledge would be treated as humanity's common property. Currently, in order to exploit knowledge and turn it into capital, the capitalist enterprise privatizes specialized knowledge and claims ownership through private licenses and copyright. But as Gorz shows, the traditional foundations of such capitalist economics have begun to crumble because of the immaterial nature of this new form of product, which makes it almost impossible to measure in monetary terms.
The Immaterial
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$23.95
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Summary:
In ''The Immaterial'', French social philosopher André Gorz (1923–2007) argues that the economic boom that accelerated in the 1990s and crashed so spectacularly in 2008 was based largely on an immaterial consumption of symbols and ideas, as capitalism tried to overcome the crisis of the formally industrial regime by throwing itself into a new, so-called knowledge economy. In this volume, Gorz argues instead for the creation of a true knowledge economy. This economy would be based on zero-cost exchange and pooled resources, and knowledge would be treated as humanity's common property. Currently, in order to exploit knowledge and turn it into capital, the capitalist enterprise privatizes specialized knowledge and claims ownership through private licenses and copyright. But as Gorz shows, the traditional foundations of such capitalist economics have begun to crumble because of the immaterial nature of this new form of product, which makes it almost impossible to measure in monetary terms.
Subject:
Art Theory
Art Theory
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books
books
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Description:
304 pages : illustrations (some color), portraits ; 25 cm
Description:
304 pages : illustrations (some color), portraits ; 25 cm
Subject:
- Photography, Artistic Exhibitions.,
- Nuclear explosions in art Exhibitions.,
- Nuclear explosions Japan Nagasaki-shi Pictorial works Exhibitions.,
- Nuclear explosions Japan Hiroshima-shi Pictorial works Exhibitions.,
- Nuclear explosions United States Testing Pictorial works Exhibitions.,
- Photography Social aspects Exhibitions.,
- Nuclear weapons Testing Exhibitions.,
- Nuclear weapons Testing Pictorial works.,
- Atomic bomb Exhibitions.,
- Atomic bomb Pictorial works.,
- Nuclear power plants Exhibitions.,
- Nuclear power plants Pictorial works.,
- Fallout shelters Exhibitions.,
- Fallout shelters Pictorial works.,
- Nuclear explosions Pictorial works Exhibitions.,
- Explosions nucléaires Ouvrages illustrés Expositions.,
- Explosions nucléaires Japon Nagasaki Ouvrages illustrés Expositions.,
- Explosions nucléaires Japon Hiroshima Ouvrages illustrés Expositions.,
- Explosions nucléaires États-Unis Essais Ouvrages illustrés Expositions.,
- Photographie Aspect social Expositions.,
- Photographie artistique Expositions.,
- Armes nucléaires Essais Expositions.,
- Armes nucléaires Essais Ouvrages illustrés.,
- Bombe atomique Expositions.,
- Bombe atomique Ouvrages illustrés.,
- Centrales nucléaires Expositions.,
- Centrales nucléaires Ouvrages illustrés.,
- Abris antiretombées Expositions.,
- Abris antiretombées Ouvrages illustrés.,
- Explosions nucléaires dans l'art Expositions.,
- Photography.,
- Atomic bomb,
- Fallout shelters,
- Nuclear explosions,
- Nuclear explosions in art,
- Nuclear explosions Testing,
- Nuclear power plants,
- Nuclear weapons Testing,
- Photography, Artistic,
- Photography Social aspects,
- Kernwaffe,
- Fotografie,
- Japan Hiroshima-shi,
- Japan Nagasaki-shi,
- United States,
- Exhibition publications.,
- exhibition catalogs.,
- Exhibition catalogs,
- Exhibition, pictorial works,
- Illustrated works,
- Catalogues d'exposition.
(See more)
Publication:
Toronto, Ontario : Art Gallery of Ontario ; London, UK : Black Dog Publishing, [2015], ©2015
Toronto, Ontario : Art Gallery of Ontario ; London, UK : Black Dog Publishing, [2015], ©2015
Title:
Camera atomica / edited by John O'Brian.
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Description:
304 pages : illustrations (some color), portraits ; 25 cm
Camera atomica / edited by John O'Brian.
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Description:
304 pages : illustrations (some color), portraits ; 25 cm
Form:
books
books
Publication:
Toronto, Ontario : Art Gallery of Ontario ; London, UK : Black Dog Publishing, [2015], ©2015
Toronto, Ontario : Art Gallery of Ontario ; London, UK : Black Dog Publishing, [2015], ©2015
Subject:
- Photography, Artistic Exhibitions.,
- Nuclear explosions in art Exhibitions.,
- Nuclear explosions Japan Nagasaki-shi Pictorial works Exhibitions.,
- Nuclear explosions Japan Hiroshima-shi Pictorial works Exhibitions.,
- Nuclear explosions United States Testing Pictorial works Exhibitions.,
- Photography Social aspects Exhibitions.,
- Nuclear weapons Testing Exhibitions.,
- Nuclear weapons Testing Pictorial works.,
- Atomic bomb Exhibitions.,
- Atomic bomb Pictorial works.,
- Nuclear power plants Exhibitions.,
- Nuclear power plants Pictorial works.,
- Fallout shelters Exhibitions.,
- Fallout shelters Pictorial works.,
- Nuclear explosions Pictorial works Exhibitions.,
- Explosions nucléaires Ouvrages illustrés Expositions.,
- Explosions nucléaires Japon Nagasaki Ouvrages illustrés Expositions.,
- Explosions nucléaires Japon Hiroshima Ouvrages illustrés Expositions.,
- Explosions nucléaires États-Unis Essais Ouvrages illustrés Expositions.,
- Photographie Aspect social Expositions.,
- Photographie artistique Expositions.,
- Armes nucléaires Essais Expositions.,
- Armes nucléaires Essais Ouvrages illustrés.,
- Bombe atomique Expositions.,
- Bombe atomique Ouvrages illustrés.,
- Centrales nucléaires Expositions.,
- Centrales nucléaires Ouvrages illustrés.,
- Abris antiretombées Expositions.,
- Abris antiretombées Ouvrages illustrés.,
- Explosions nucléaires dans l'art Expositions.,
- Photography.,
- Atomic bomb,
- Fallout shelters,
- Nuclear explosions,
- Nuclear explosions in art,
- Nuclear explosions Testing,
- Nuclear power plants,
- Nuclear weapons Testing,
- Photography, Artistic,
- Photography Social aspects,
- Kernwaffe,
- Fotografie,
- Japan Hiroshima-shi,
- Japan Nagasaki-shi,
- United States,
- Exhibition publications.,
- exhibition catalogs.,
- Exhibition catalogs,
- Exhibition, pictorial works,
- Illustrated works,
- Catalogues d'exposition.
(See more)
Form:
audio
audio
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Description:
1 online resource.
Subject:
Publication:
[Place of publication not identified] : Scratching the Surface, 2019.
[Place of publication not identified] : Scratching the Surface, 2019.
Form:
audio
audio
Publication:
[Place of publication not identified] : Scratching the Surface, 2019.
[Place of publication not identified] : Scratching the Surface, 2019.
Title:
Hanne Darboven--Writing Time
Hanne Darboven--Writing Time
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$46.00
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Summary:
Hanne Darboven (1941–2009) is best known for her immersive installations of individually framed sheets filled with written formulations and collaged images. Approaching Darboven’s life and work through the lens of drawing, this succinct survey is organized around three watershed moments in the artist’s practice. It begins with examples of Darboven’s Konstruction(...)
$46.00
(available in store)
Summary:
Hanne Darboven (1941–2009) is best known for her immersive installations of individually framed sheets filled with written formulations and collaged images. Approaching Darboven’s life and work through the lens of drawing, this succinct survey is organized around three watershed moments in the artist’s practice. It begins with examples of Darboven’s Konstruction(...)
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
Publication:
October 2023
October 2023
Title:
Hanne Darboven--Writing Time
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Summary:
Hanne Darboven (1941–2009) is best known for her immersive installations of individually framed sheets filled with written formulations and collaged images. Approaching Darboven’s life and work through the lens of drawing, this succinct survey is organized around three watershed moments in the artist’s practice. It begins with examples of Darboven’s Konstruction drawings—abstract works based in transversal and mirroring strategies—made during her two-year stay in New York in the late 1960s. The next section maps how Darboven adapted her drawing practice into formulas that calculate specific dates and durations into a single number, which the artist represented as anything from a series of calligraphic lines to a set of consecutively drawn boxes. The book concludes with a close look at Inventions that Have Changed Our World, an installation from 1996 that documents each day of the twentieth century according to Darboven’s formulas and assigns an inventor, ranging from Johannes Gutenberg to the Wright brothers, to represent each of the century’s ten decades. This engaging overview highlights how Darboven's work offers a deeply idiosyncratic accounting of art and life that challenges time as a linear and objective measure.
Hanne Darboven--Writing Time
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$46.00
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Summary:
Hanne Darboven (1941–2009) is best known for her immersive installations of individually framed sheets filled with written formulations and collaged images. Approaching Darboven’s life and work through the lens of drawing, this succinct survey is organized around three watershed moments in the artist’s practice. It begins with examples of Darboven’s Konstruction drawings—abstract works based in transversal and mirroring strategies—made during her two-year stay in New York in the late 1960s. The next section maps how Darboven adapted her drawing practice into formulas that calculate specific dates and durations into a single number, which the artist represented as anything from a series of calligraphic lines to a set of consecutively drawn boxes. The book concludes with a close look at Inventions that Have Changed Our World, an installation from 1996 that documents each day of the twentieth century according to Darboven’s formulas and assigns an inventor, ranging from Johannes Gutenberg to the Wright brothers, to represent each of the century’s ten decades. This engaging overview highlights how Darboven's work offers a deeply idiosyncratic accounting of art and life that challenges time as a linear and objective measure.
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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$88.00
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Summary:
A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid(...)
$88.00
(available in store)
Summary:
A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid(...)
Title:
Edward Burtynsky: The great acceleration
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$88.00
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Summary:
A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid rise of human impact on our planet, among them population growth, water usage, transportation, greenhouse gas emissions, resource extraction and food production, each of which Burtynsky has photographed the signs of in great detail throughout his career. From open pit mines across North America to oil derricks in Azerbaijan, from rice terraces in China to oil bunkering in Nigeria, Burtynsky has traveled the world and back again as part of his restless and seemingly inexhaustible drive to discover the ways, both old and new, that organized human activity has transformed the earth. Including many of Burtynsky's landmark images, and which have never been published, the book is an urgent call to action, inviting us to appreciate the sublimity that remains in nature while deepening our understanding of the challenges and responsibilities confronting us today.
Edward Burtynsky: The great acceleration
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$88.00
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Summary:
A retrospective of Edward Burtynsky's (born 1955) photography from the past 40 years, The Great Acceleration reveals the depth of the photographer's investigation into the human alteration of natural landscapes around the world, showing their present fragility and enduring beauty in equal measure. "The Great Acceleration" is an established term used to describe the rapid rise of human impact on our planet, among them population growth, water usage, transportation, greenhouse gas emissions, resource extraction and food production, each of which Burtynsky has photographed the signs of in great detail throughout his career. From open pit mines across North America to oil derricks in Azerbaijan, from rice terraces in China to oil bunkering in Nigeria, Burtynsky has traveled the world and back again as part of his restless and seemingly inexhaustible drive to discover the ways, both old and new, that organized human activity has transformed the earth. Including many of Burtynsky's landmark images, and which have never been published, the book is an urgent call to action, inviting us to appreciate the sublimity that remains in nature while deepening our understanding of the challenges and responsibilities confronting us today.
Subject:
Photography monographs
Photography monographs