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Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue(...)
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Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue(...)
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Aperture conversations: 1985 to the present
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Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Drawn primarily from "Aperture" magazine with selections from Aperture’s booklist and online platform, "Aperture Conversations" celebrates the artist’s voice, collaborations, and the photography community at large.
Aperture conversations: 1985 to the present
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Why did Henri Cartier-Bresson nearly have a posthumous exhibition while still alive? What led Stephen Shore to work with color? Why was Sophie Calle accused of stealing Vermeer’s "The Concert"? And what is Susan Meiselas’s take on Instagram and the future of online storytelling? "Aperture Conversations" presents a selection of interviews highlighting critical dialogue between photographers, esteemed critics, curators, editors, and artists from 1985 to the present day. Emerging talent along with well-established photographers discuss their work openly and examine the future of the medium. Drawn primarily from "Aperture" magazine with selections from Aperture’s booklist and online platform, "Aperture Conversations" celebrates the artist’s voice, collaborations, and the photography community at large.
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books
books
Publication:
May 2018
May 2018
Subject:
Theory of Photography
Theory of Photography
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books
books
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« L’Oiseau noir perché à droite dans ma tête » est un récit autobiographique qui mêle des photographies faussement disparates et des textes issus du journal intime de Jean-Christian Bourcart. Photographies et textes sont mis en dialogue, se répondant parfois directement, parfois de façon plus subjective. Alternant fragments narratifs issus de voyages lointains(...)
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« L’Oiseau noir perché à droite dans ma tête » est un récit autobiographique qui mêle des photographies faussement disparates et des textes issus du journal intime de Jean-Christian Bourcart. Photographies et textes sont mis en dialogue, se répondant parfois directement, parfois de façon plus subjective. Alternant fragments narratifs issus de voyages lointains(...)
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L'oiseau noir perché à droite dans ma tête
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« L’Oiseau noir perché à droite dans ma tête » est un récit autobiographique qui mêle des photographies faussement disparates et des textes issus du journal intime de Jean-Christian Bourcart. Photographies et textes sont mis en dialogue, se répondant parfois directement, parfois de façon plus subjective. Alternant fragments narratifs issus de voyages lointains (Madagascar, Chine, Japon, Nicaragua…), reflets de vie intérieure (rêves, sentiments, fantasmes), regards sur la société américaine dans laquelle il vit, et scènes de vie familiale – tantôt sombre et douloureux, tantôt lumineux et doux –, le livre témoigne de l’évolution de l’auteur dans une période de transition. En transposant ainsi sa propre vie, il suggère la possibilité d'explorer de nouveaux territoires de l'expérience humaine.
L'oiseau noir perché à droite dans ma tête
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« L’Oiseau noir perché à droite dans ma tête » est un récit autobiographique qui mêle des photographies faussement disparates et des textes issus du journal intime de Jean-Christian Bourcart. Photographies et textes sont mis en dialogue, se répondant parfois directement, parfois de façon plus subjective. Alternant fragments narratifs issus de voyages lointains (Madagascar, Chine, Japon, Nicaragua…), reflets de vie intérieure (rêves, sentiments, fantasmes), regards sur la société américaine dans laquelle il vit, et scènes de vie familiale – tantôt sombre et douloureux, tantôt lumineux et doux –, le livre témoigne de l’évolution de l’auteur dans une période de transition. En transposant ainsi sa propre vie, il suggère la possibilité d'explorer de nouveaux territoires de l'expérience humaine.
Form:
books
books
Publication:
November 2019
November 2019
Subject:
Photography monographs
Photography monographs
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books
books
Title:
Call ampersand response
Call ampersand response
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Call Ampersand Response is a collaborative artwork made of images exchanged via email. Over a period of several months, Dumontier and Lexier sustained an image-based correspondence by sending each other scans of book covers, found objects, drawings and illustrations belonging to each artist’s respective collection. The project is based on the idea that their collections(...)
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Call Ampersand Response is a collaborative artwork made of images exchanged via email. Over a period of several months, Dumontier and Lexier sustained an image-based correspondence by sending each other scans of book covers, found objects, drawings and illustrations belonging to each artist’s respective collection. The project is based on the idea that their collections(...)
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Call ampersand response
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Call Ampersand Response is a collaborative artwork made of images exchanged via email. Over a period of several months, Dumontier and Lexier sustained an image-based correspondence by sending each other scans of book covers, found objects, drawings and illustrations belonging to each artist’s respective collection. The project is based on the idea that their collections speak of their shared artistic affinities while informing their practices. Two rules dictated their conduct : each image was to function as a “call” seeking a “response” from the other artist, and the dialogue was to end when an image recalling the project’s opening image emerged, thereby constituting a narrative loop. Their conversation gave rise to a bookwork co-edited by Nieves and Artexte.
Call ampersand response
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Call Ampersand Response is a collaborative artwork made of images exchanged via email. Over a period of several months, Dumontier and Lexier sustained an image-based correspondence by sending each other scans of book covers, found objects, drawings and illustrations belonging to each artist’s respective collection. The project is based on the idea that their collections speak of their shared artistic affinities while informing their practices. Two rules dictated their conduct : each image was to function as a “call” seeking a “response” from the other artist, and the dialogue was to end when an image recalling the project’s opening image emerged, thereby constituting a narrative loop. Their conversation gave rise to a bookwork co-edited by Nieves and Artexte.
Form:
books
books
Publication:
June 2012
June 2012
Subject:
Illustration
Illustration
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books
books
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Dans cet ouvrage, les idées, les anecdotes, les passions et l’humour de Hockney présentent son point de vue sur les problématiques et les paradoxes de la représentation d’un monde en trois dimensions sur une surface plane. Nos deux interlocuteurs ponctuent leur conversation d’observations éclairantes sur nombre d’autres artistes comme Van Gogh ou Vermeer, Monet ou(...)
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Dans cet ouvrage, les idées, les anecdotes, les passions et l’humour de Hockney présentent son point de vue sur les problématiques et les paradoxes de la représentation d’un monde en trois dimensions sur une surface plane. Nos deux interlocuteurs ponctuent leur conversation d’observations éclairantes sur nombre d’autres artistes comme Van Gogh ou Vermeer, Monet ou(...)
Title:
Conversations avec David Hockney
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Dans cet ouvrage, les idées, les anecdotes, les passions et l’humour de Hockney présentent son point de vue sur les problématiques et les paradoxes de la représentation d’un monde en trois dimensions sur une surface plane. Nos deux interlocuteurs ponctuent leur conversation d’observations éclairantes sur nombre d’autres artistes comme Van Gogh ou Vermeer, Monet ou Picasso, et formulent des remarques lumineuses sur le contraste frappant entre les paysages de la Californie, où Hockney a passé tant d’années, et du Yorkshire, la région de son enfance où il vit à nouveau aujourd'hui. Quelques-uns des artistes qu’il a rencontrés en chemin – notamment Henri Cartier-Bresson et Billy Wilder – font des apparitions intéressantes au détour du dialogue.
Conversations avec David Hockney
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Dans cet ouvrage, les idées, les anecdotes, les passions et l’humour de Hockney présentent son point de vue sur les problématiques et les paradoxes de la représentation d’un monde en trois dimensions sur une surface plane. Nos deux interlocuteurs ponctuent leur conversation d’observations éclairantes sur nombre d’autres artistes comme Van Gogh ou Vermeer, Monet ou Picasso, et formulent des remarques lumineuses sur le contraste frappant entre les paysages de la Californie, où Hockney a passé tant d’années, et du Yorkshire, la région de son enfance où il vit à nouveau aujourd'hui. Quelques-uns des artistes qu’il a rencontrés en chemin – notamment Henri Cartier-Bresson et Billy Wilder – font des apparitions intéressantes au détour du dialogue.
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books
books
Publication:
May 2022
May 2022
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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Cette première anthologie française de la revue allemande Texte zur Kunst confère une nouvelle valeur d'usage à une sélection d'écrits publiés entre 1990 et 1998. Elle doit permettre d'engager – ou de poursuivre – un dialogue incisif avec certaines approches théoriques américaines incontournables (October ou Artforum), comme avec les diverses réceptions de la French(...)
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Cette première anthologie française de la revue allemande Texte zur Kunst confère une nouvelle valeur d'usage à une sélection d'écrits publiés entre 1990 et 1998. Elle doit permettre d'engager – ou de poursuivre – un dialogue incisif avec certaines approches théoriques américaines incontournables (October ou Artforum), comme avec les diverses réceptions de la French(...)
Title:
Une anthologie de la revue Texte zur Kunst de 1990 à 1998
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Cette première anthologie française de la revue allemande Texte zur Kunst confère une nouvelle valeur d'usage à une sélection d'écrits publiés entre 1990 et 1998. Elle doit permettre d'engager – ou de poursuivre – un dialogue incisif avec certaines approches théoriques américaines incontournables (October ou Artforum), comme avec les diverses réceptions de la French Theory ou celle des études culturelles, féministes et post-coloniales. Elle témoigne aussi d'une forme d'écriture de la critique expérimentée de manière orientée et méthodique. Enfin, elle restitue le contexte immédiat de son élaboration et – plus largement –l'environnement intellectuel et artistique de Cologne dans ces années, en évitant de céder au mythe d'une scène recentrée autour de quelques figures artistiques.
Une anthologie de la revue Texte zur Kunst de 1990 à 1998
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Cette première anthologie française de la revue allemande Texte zur Kunst confère une nouvelle valeur d'usage à une sélection d'écrits publiés entre 1990 et 1998. Elle doit permettre d'engager – ou de poursuivre – un dialogue incisif avec certaines approches théoriques américaines incontournables (October ou Artforum), comme avec les diverses réceptions de la French Theory ou celle des études culturelles, féministes et post-coloniales. Elle témoigne aussi d'une forme d'écriture de la critique expérimentée de manière orientée et méthodique. Enfin, elle restitue le contexte immédiat de son élaboration et – plus largement –l'environnement intellectuel et artistique de Cologne dans ces années, en évitant de céder au mythe d'une scène recentrée autour de quelques figures artistiques.
Form:
books
books
Publication:
June 2011
June 2011
Subject:
Art Theory
Art Theory
Form:
books
books
Title:
Work-place: Studio Mumbai
Work-place: Studio Mumbai
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Catalogue published in conjunction with the exhibition ‘Work-Place’ produced for the Venice Architecture Biennale in 2010. Studio Mumbai is composed of a few architects and nearly a hundred craftsmen– carpenters, masons, plumbers, electricians, and stonecutters– all working full time. Their work is based on a constant dialogue: “In India, a country with a population of(...)
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Catalogue published in conjunction with the exhibition ‘Work-Place’ produced for the Venice Architecture Biennale in 2010. Studio Mumbai is composed of a few architects and nearly a hundred craftsmen– carpenters, masons, plumbers, electricians, and stonecutters– all working full time. Their work is based on a constant dialogue: “In India, a country with a population of(...)
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Work-place: Studio Mumbai
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Catalogue published in conjunction with the exhibition ‘Work-Place’ produced for the Venice Architecture Biennale in 2010. Studio Mumbai is composed of a few architects and nearly a hundred craftsmen– carpenters, masons, plumbers, electricians, and stonecutters– all working full time. Their work is based on a constant dialogue: “In India, a country with a population of 1,2 billion, the majority of construction is carried out without architects, which does not prevent them from being human in the largest sense. This reflection also forms part of one of our work’s most critical aspect…” reveals Bijoy Jain, the founder of Studio Mumbai. The Studio is a human infrastructure of skilled craftsmen and architects who design and build the work directly.
Work-place: Studio Mumbai
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Catalogue published in conjunction with the exhibition ‘Work-Place’ produced for the Venice Architecture Biennale in 2010. Studio Mumbai is composed of a few architects and nearly a hundred craftsmen– carpenters, masons, plumbers, electricians, and stonecutters– all working full time. Their work is based on a constant dialogue: “In India, a country with a population of 1,2 billion, the majority of construction is carried out without architects, which does not prevent them from being human in the largest sense. This reflection also forms part of one of our work’s most critical aspect…” reveals Bijoy Jain, the founder of Studio Mumbai. The Studio is a human infrastructure of skilled craftsmen and architects who design and build the work directly.
Form:
books
books
Publication:
October 2011
October 2011
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Title:
Yuichi Yokoyama: Garden
Yuichi Yokoyama: Garden
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$27.00
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A group of friends is attempting to enter a garden just beyond a wall. When they succeed, the garden they finally enter is no Eden, but rather a massive landscape of machines, geometric forms and all manner of nonorganic objects. In Japanese comic-book artist Yuichi Yokoyama's newest and longest work, his characters become enmeshed in a fantastic wonderland of distorted(...)
$27.00
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Summary:
A group of friends is attempting to enter a garden just beyond a wall. When they succeed, the garden they finally enter is no Eden, but rather a massive landscape of machines, geometric forms and all manner of nonorganic objects. In Japanese comic-book artist Yuichi Yokoyama's newest and longest work, his characters become enmeshed in a fantastic wonderland of distorted(...)
Title:
Yuichi Yokoyama: Garden
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$27.00
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A group of friends is attempting to enter a garden just beyond a wall. When they succeed, the garden they finally enter is no Eden, but rather a massive landscape of machines, geometric forms and all manner of nonorganic objects. In Japanese comic-book artist Yuichi Yokoyama's newest and longest work, his characters become enmeshed in a fantastic wonderland of distorted mirrors, photographic equipment, massive libraries and complex pathways. To his signature vivid visual style, Yokoyama has added more dialogue than in past works, fleshing out the characters and allowing them equal billing with his spectacular architectural creations, thus yielding a reflection on the myriad ways human interact with the complex mechanical world we have created.
Yuichi Yokoyama: Garden
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$27.00
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Summary:
A group of friends is attempting to enter a garden just beyond a wall. When they succeed, the garden they finally enter is no Eden, but rather a massive landscape of machines, geometric forms and all manner of nonorganic objects. In Japanese comic-book artist Yuichi Yokoyama's newest and longest work, his characters become enmeshed in a fantastic wonderland of distorted mirrors, photographic equipment, massive libraries and complex pathways. To his signature vivid visual style, Yokoyama has added more dialogue than in past works, fleshing out the characters and allowing them equal billing with his spectacular architectural creations, thus yielding a reflection on the myriad ways human interact with the complex mechanical world we have created.
Form:
books
books
Publication:
November 2010
November 2010
Subject:
Illustration
Illustration
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books
books
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$59.95
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Coming out of an international symposium at Germany's University of St. Gallen and Hamburg's Kampnagel Culture Factory in 2007, this book addresses the question of how art affects urban space. ParCITYpate is a departure for artists, curators and innovative minds in the urban and spatial realms far from the beaten path of art theory and urban political dialogue. Bringing(...)
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Coming out of an international symposium at Germany's University of St. Gallen and Hamburg's Kampnagel Culture Factory in 2007, this book addresses the question of how art affects urban space. ParCITYpate is a departure for artists, curators and innovative minds in the urban and spatial realms far from the beaten path of art theory and urban political dialogue. Bringing(...)
Publication:
April 2010
April 2010
Title:
Parcitypate: Art and urban space
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Coming out of an international symposium at Germany's University of St. Gallen and Hamburg's Kampnagel Culture Factory in 2007, this book addresses the question of how art affects urban space. ParCITYpate is a departure for artists, curators and innovative minds in the urban and spatial realms far from the beaten path of art theory and urban political dialogue. Bringing together the perspectives of international urban researchers and social scientists with artists, art theorists and curators, this fertile collection offers new ideas on the effects of urban art projects and their interaction with urban culture, development, economics and politics. Beyond praise or criticism, artistic interventions take part in the production of city space by opening new possibilities for urban action.
Parcitypate: Art and urban space
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$59.95
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Coming out of an international symposium at Germany's University of St. Gallen and Hamburg's Kampnagel Culture Factory in 2007, this book addresses the question of how art affects urban space. ParCITYpate is a departure for artists, curators and innovative minds in the urban and spatial realms far from the beaten path of art theory and urban political dialogue. Bringing together the perspectives of international urban researchers and social scientists with artists, art theorists and curators, this fertile collection offers new ideas on the effects of urban art projects and their interaction with urban culture, development, economics and politics. Beyond praise or criticism, artistic interventions take part in the production of city space by opening new possibilities for urban action.
Form:
books
books
Publication:
April 2010
April 2010
Form:
books
books
Title:
Alvar Aalto: second nature
Alvar Aalto: second nature
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$110.00
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This richly illustrated book is the first in many years to offer a comprehensive and current overview of Aalto's oeuvre as an architect, designer and urban planner. Ten authors, including the renowned architectural historians Eeva-Liisa Pelkonen and Akos Moravanszky, and MoMA curator Pedro Gadanho, address central aspects of Aalto's work. Particular attention is paid to(...)
$110.00
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This richly illustrated book is the first in many years to offer a comprehensive and current overview of Aalto's oeuvre as an architect, designer and urban planner. Ten authors, including the renowned architectural historians Eeva-Liisa Pelkonen and Akos Moravanszky, and MoMA curator Pedro Gadanho, address central aspects of Aalto's work. Particular attention is paid to(...)
Title:
Alvar Aalto: second nature
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$110.00
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This richly illustrated book is the first in many years to offer a comprehensive and current overview of Aalto's oeuvre as an architect, designer and urban planner. Ten authors, including the renowned architectural historians Eeva-Liisa Pelkonen and Akos Moravanszky, and MoMA curator Pedro Gadanho, address central aspects of Aalto's work. Particular attention is paid to Aalto's dialogue with important artists of his day, including Laszlo Moholy-Nagy, Jean Arp, Alexander Calder and Fernand Léger, as well as his interest in film, cinema and photography, whose influences on his work are examined here for the first time. The catalogue section presents numerous never-before-seen original drawings and architectural models from the archive of the Alvar Aalto Foundation.
Alvar Aalto: second nature
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$110.00
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This richly illustrated book is the first in many years to offer a comprehensive and current overview of Aalto's oeuvre as an architect, designer and urban planner. Ten authors, including the renowned architectural historians Eeva-Liisa Pelkonen and Akos Moravanszky, and MoMA curator Pedro Gadanho, address central aspects of Aalto's work. Particular attention is paid to Aalto's dialogue with important artists of his day, including Laszlo Moholy-Nagy, Jean Arp, Alexander Calder and Fernand Léger, as well as his interest in film, cinema and photography, whose influences on his work are examined here for the first time. The catalogue section presents numerous never-before-seen original drawings and architectural models from the archive of the Alvar Aalto Foundation.
Form:
books
books
Publication:
August 2014
August 2014
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
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$55.00
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Summary:
Melvin Charney (1935-2012) spent his career working on the border between art and architecture. His internationally celebrated art employed a variety of media including photography, montage, painting, sculpture, and temporary and permanent installations, relentlessly pursuing the meaning of architectural images in the age of mass communication. This volume includes a(...)
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Summary:
Melvin Charney (1935-2012) spent his career working on the border between art and architecture. His internationally celebrated art employed a variety of media including photography, montage, painting, sculpture, and temporary and permanent installations, relentlessly pursuing the meaning of architectural images in the age of mass communication. This volume includes a(...)
Title:
On architecture: Melvin Charney, a critical anthology
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Melvin Charney (1935-2012) spent his career working on the border between art and architecture. His internationally celebrated art employed a variety of media including photography, montage, painting, sculpture, and temporary and permanent installations, relentlessly pursuing the meaning of architectural images in the age of mass communication. This volume includes a visual archive of over three hundred illustrations, many of which served as source material and inspiration for Charney's work, and set up a dialogue between his criticism and his landmark projects. Essays from architectural scholars provide critical assessments of Charney’s body of work as well as new perspectives on many of the key issues he grappled with and that have transformed architecture since the 1960s.
On architecture: Melvin Charney, a critical anthology
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Melvin Charney (1935-2012) spent his career working on the border between art and architecture. His internationally celebrated art employed a variety of media including photography, montage, painting, sculpture, and temporary and permanent installations, relentlessly pursuing the meaning of architectural images in the age of mass communication. This volume includes a visual archive of over three hundred illustrations, many of which served as source material and inspiration for Charney's work, and set up a dialogue between his criticism and his landmark projects. Essays from architectural scholars provide critical assessments of Charney’s body of work as well as new perspectives on many of the key issues he grappled with and that have transformed architecture since the 1960s.
Form:
books
books
Publication:
November 2013
November 2013
Subject:
Architecture Monographs
Architecture Monographs
