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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with(...)
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with(...)
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The corporeal life of seafaring
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with adversities – loneliness, loss, and violence, stolen wages and exploitative shipowners – as well as ephemeral moments of joy and solidarity. In the unique arena of the ship, Khalili traces the many forms of corporeality involved in work at sea and the ways the body is engaged by the institutions that engulf seafarers’ lives and work. Illustrated throughout with the author’s own photographs, this book takes in both scholarly and literary accounts to describe with care and imagination the material and physical realities of contemporary commerce at sea. Drawing on the insights of feminists and scholars of racial capitalism, it centres the lives of those so often forgotten or dismissed in enterprises of capital accumulation and the raced and gendered hierarchies that shape them.
The corporeal life of seafaring
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with adversities – loneliness, loss, and violence, stolen wages and exploitative shipowners – as well as ephemeral moments of joy and solidarity. In the unique arena of the ship, Khalili traces the many forms of corporeality involved in work at sea and the ways the body is engaged by the institutions that engulf seafarers’ lives and work. Illustrated throughout with the author’s own photographs, this book takes in both scholarly and literary accounts to describe with care and imagination the material and physical realities of contemporary commerce at sea. Drawing on the insights of feminists and scholars of racial capitalism, it centres the lives of those so often forgotten or dismissed in enterprises of capital accumulation and the raced and gendered hierarchies that shape them.
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books
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February 2024
February 2024
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books
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their(...)
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their(...)
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Harmony Korine, Mister Lonely
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their faith. On one occasion three of my teeth fell into a sandwich that I was eating. It felt like the right time to care again. I asked my brother to help me. He introduced me to a famous boxer who was good with medecine, he put my teeth back in my mouth. The nuns were testing me as well, this much I was sure of. I made this film out of the ashes of the broken nation, and it was there that I discovered that a little faith can go a long, long way.» Harmony Korine
Harmony Korine, Mister Lonely
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their faith. On one occasion three of my teeth fell into a sandwich that I was eating. It felt like the right time to care again. I asked my brother to help me. He introduced me to a famous boxer who was good with medecine, he put my teeth back in my mouth. The nuns were testing me as well, this much I was sure of. I made this film out of the ashes of the broken nation, and it was there that I discovered that a little faith can go a long, long way.» Harmony Korine
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books
books
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March 2008
March 2008
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Contemporary Art Monographs
Contemporary Art Monographs
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books
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$55.00
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Don’t be misled by the sweet pictures in pretty colours, for we’re dealing with a radical artist here. This anarchist in angel’s clothing contravenes a number of contemporary art’s unwritten laws. Gijs Frieling is a standard-bearer for ornament and decoration and he embraces exuberance. His representations are not minimal but maximal, as full as can be, and there’s always(...)
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Don’t be misled by the sweet pictures in pretty colours, for we’re dealing with a radical artist here. This anarchist in angel’s clothing contravenes a number of contemporary art’s unwritten laws. Gijs Frieling is a standard-bearer for ornament and decoration and he embraces exuberance. His representations are not minimal but maximal, as full as can be, and there’s always(...)
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That very night in Max's room a forest grew...
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Don’t be misled by the sweet pictures in pretty colours, for we’re dealing with a radical artist here. This anarchist in angel’s clothing contravenes a number of contemporary art’s unwritten laws. Gijs Frieling is a standard-bearer for ornament and decoration and he embraces exuberance. His representations are not minimal but maximal, as full as can be, and there’s always room for an extra flower. Gijs couldn’t care less about the concepts of novelty and originality; on the contrary, he wants to work as unadventurously and predictably as possible. His paintings are jam-packed with repetition and he often falls back on the same elements. Also, he copies to his heart’s delight – his own work and that of others, in versions that are painted (on glass) or embroidered (by his mother) and the distinction between the copy and the original doesn’t interest him in the slightest. Moreover, his work is not critical but it is pleasing, it is incredibly beautiful, and on top of this he is a Christian.
That very night in Max's room a forest grew...
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Don’t be misled by the sweet pictures in pretty colours, for we’re dealing with a radical artist here. This anarchist in angel’s clothing contravenes a number of contemporary art’s unwritten laws. Gijs Frieling is a standard-bearer for ornament and decoration and he embraces exuberance. His representations are not minimal but maximal, as full as can be, and there’s always room for an extra flower. Gijs couldn’t care less about the concepts of novelty and originality; on the contrary, he wants to work as unadventurously and predictably as possible. His paintings are jam-packed with repetition and he often falls back on the same elements. Also, he copies to his heart’s delight – his own work and that of others, in versions that are painted (on glass) or embroidered (by his mother) and the distinction between the copy and the original doesn’t interest him in the slightest. Moreover, his work is not critical but it is pleasing, it is incredibly beautiful, and on top of this he is a Christian.
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books
books
Publication:
April 2021
April 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$22.95
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In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know,(...)
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In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know,(...)
Title:
The World is a Carpet: Four seasons in an afghan village
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In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flat—like a carpet. Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and by a people who sustain an exquisite tradition there. Through the four seasons in which a new carpet is woven by the women and children of Oqa, she immortalizes their way of life much as the carpet does—from the petal half-finished where a hungry infant needs care to the interruptions when the women trade sex jokes or go fill in for wedding musicians scared away by the Taliban.
The World is a Carpet: Four seasons in an afghan village
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Summary:
In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flat—like a carpet. Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and by a people who sustain an exquisite tradition there. Through the four seasons in which a new carpet is woven by the women and children of Oqa, she immortalizes their way of life much as the carpet does—from the petal half-finished where a hungry infant needs care to the interruptions when the women trade sex jokes or go fill in for wedding musicians scared away by the Taliban.
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books
books
Publication:
November 2014
November 2014
Subject:
Literature and poetry
Literature and poetry
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books
books
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$63.95
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One of the ten largest cities in the world, São Paulo faces huge challenges in urban infrastructure. Yet despite the daunting task of supporting a population of more than twenty million, the Brazilian metropolis has since the 1950s maintained a policy of public and private investment in communal infrastructure, thus providing inclusive places and spaces for all its(...)
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One of the ten largest cities in the world, São Paulo faces huge challenges in urban infrastructure. Yet despite the daunting task of supporting a population of more than twenty million, the Brazilian metropolis has since the 1950s maintained a policy of public and private investment in communal infrastructure, thus providing inclusive places and spaces for all its(...)
Subject:
Architecture since 1900, Americas
Architecture since 1900, Americas
Publication:
February 2020
February 2020
Title:
Access for all: Sao Paulo's architectural infrastructures
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One of the ten largest cities in the world, São Paulo faces huge challenges in urban infrastructure. Yet despite the daunting task of supporting a population of more than twenty million, the Brazilian metropolis has since the 1950s maintained a policy of public and private investment in communal infrastructure, thus providing inclusive places and spaces for all its population. While many cities emulate Bilbao and other destinations by funding signature buildings by celebrated architects to attract tourists, São Paulo consistently and persistently funds programs aimed at social sustainability for its permanent residents. 'Access for All' demonstrates how architecture and infrastructure can contribute to a city’s urban development in multiple ways. Featuring a selection of buildings and projects from across seven decades, it takes readers through the city’s distinctive approach to urban infrastructure. The featured spaces range from a simple canopy over a public park to spaces for education, health care, sports and culture, and more. Beyond serving a specific purpose, one of the key roles of these spaces is to be accessible places for people to spend time together.
Access for all: Sao Paulo's architectural infrastructures
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One of the ten largest cities in the world, São Paulo faces huge challenges in urban infrastructure. Yet despite the daunting task of supporting a population of more than twenty million, the Brazilian metropolis has since the 1950s maintained a policy of public and private investment in communal infrastructure, thus providing inclusive places and spaces for all its population. While many cities emulate Bilbao and other destinations by funding signature buildings by celebrated architects to attract tourists, São Paulo consistently and persistently funds programs aimed at social sustainability for its permanent residents. 'Access for All' demonstrates how architecture and infrastructure can contribute to a city’s urban development in multiple ways. Featuring a selection of buildings and projects from across seven decades, it takes readers through the city’s distinctive approach to urban infrastructure. The featured spaces range from a simple canopy over a public park to spaces for education, health care, sports and culture, and more. Beyond serving a specific purpose, one of the key roles of these spaces is to be accessible places for people to spend time together.
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books
books
Publication:
February 2020
February 2020
Subject:
Architecture since 1900, Americas
Architecture since 1900, Americas
Form:
books
books
Title:
New architecture in Britain
New architecture in Britain
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$95.95
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Architects increasingly operate on a global scene, and just as numerous British architects have proved highly successful at winning projects abroad, so architects from Europe, the United States and the Far East are making their mark in Britain. One thinks, for example, of Daniel Libeskind’s Imperial War Museum and Tadao Ando’s new square and pavilion project, both in(...)
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Architects increasingly operate on a global scene, and just as numerous British architects have proved highly successful at winning projects abroad, so architects from Europe, the United States and the Far East are making their mark in Britain. One thinks, for example, of Daniel Libeskind’s Imperial War Museum and Tadao Ando’s new square and pavilion project, both in(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
September 2003, London / New York
September 2003, London / New York
Title:
New architecture in Britain
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Architects increasingly operate on a global scene, and just as numerous British architects have proved highly successful at winning projects abroad, so architects from Europe, the United States and the Far East are making their mark in Britain. One thinks, for example, of Daniel Libeskind’s Imperial War Museum and Tadao Ando’s new square and pavilion project, both in Manchester, or of Frank Gehry’s Cancer Care Centre in Dundee. Well-known British practices such as Future Systems, Alsop Architects and Nicholas Grimshaw & Partners also inevitably feature prominently in the international story of the country’s recent architectural renaissance, but so too do newer, smaller practices, including many based outside the capital. This book describes and illustrates over 100 outstanding projects, both large and small, from around Britain – none completed earlier than 2001, and some still under construction or at planning stage. Covering every conceivable building type, from houses, offices and department stores to theatres, heritage sites and museums, this book makes a contribution to the continuing debate about the role of architecture in forging a new environment and underpinning the growth of a healthy society.
New architecture in Britain
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$95.95
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Architects increasingly operate on a global scene, and just as numerous British architects have proved highly successful at winning projects abroad, so architects from Europe, the United States and the Far East are making their mark in Britain. One thinks, for example, of Daniel Libeskind’s Imperial War Museum and Tadao Ando’s new square and pavilion project, both in Manchester, or of Frank Gehry’s Cancer Care Centre in Dundee. Well-known British practices such as Future Systems, Alsop Architects and Nicholas Grimshaw & Partners also inevitably feature prominently in the international story of the country’s recent architectural renaissance, but so too do newer, smaller practices, including many based outside the capital. This book describes and illustrates over 100 outstanding projects, both large and small, from around Britain – none completed earlier than 2001, and some still under construction or at planning stage. Covering every conceivable building type, from houses, offices and department stores to theatres, heritage sites and museums, this book makes a contribution to the continuing debate about the role of architecture in forging a new environment and underpinning the growth of a healthy society.
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books
books
Publication:
September 2003, London / New York
September 2003, London / New York
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
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books
books
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Description:
308 pages : illustrations ; 23 cm.
Description:
308 pages : illustrations ; 23 cm.
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Montréal, Québec : Noroît, [2025], ©2025
Montréal, Québec : Noroît, [2025], ©2025
Title:
Sous les eaux de Chaboillez : l'ombre d'un square montréalais disparu / écrit et dessiné par Étienne Prud'homme.
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308 pages : illustrations ; 23 cm.
Sous les eaux de Chaboillez : l'ombre d'un square montréalais disparu / écrit et dessiné par Étienne Prud'homme.
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308 pages : illustrations ; 23 cm.
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books
books
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Montréal, Québec : Noroît, [2025], ©2025
Montréal, Québec : Noroît, [2025], ©2025
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$39.95
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Summary:
''Feminist designer'' brings together a constellation of voices and perspectives to examine the intersection of design and feminist theory. For decades, the feminist refrain within design has hinged on the representation and inclusion of women in the field. This collection, edited by Alison Place, however, is a call to move beyond this narrow application. Feminist design(...)
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''Feminist designer'' brings together a constellation of voices and perspectives to examine the intersection of design and feminist theory. For decades, the feminist refrain within design has hinged on the representation and inclusion of women in the field. This collection, edited by Alison Place, however, is a call to move beyond this narrow application. Feminist design(...)
Title:
Feminist designer: On the personal and the political in design
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''Feminist designer'' brings together a constellation of voices and perspectives to examine the intersection of design and feminist theory. For decades, the feminist refrain within design has hinged on the representation and inclusion of women in the field. This collection, edited by Alison Place, however, is a call to move beyond this narrow application. Feminist design is not just about who does design—it is about how we do design and why. Feminist frameworks for design activism are now more relevant than ever, as they emphasize collaborative processes that aim to disrupt and dismantle power hierarchies while centering feminist ways of knowing and doing. ''Feminist designer'' contains essays, case studies, and dialogues by 43 contributors from 16 different countries. It engages a wide variety of design disciplines, from graphic design to disability design to algorithmic design, and explores key feminist themes, such as power, knowledge, care, plurality, liberation, and community. Through diverse, sometimes conflicting, intersectional perspectives, this book contributes new design methods informed by a multiplicity of feminisms that confront design’s patriarchal origins while ushering in new pathways for making critical and meaningful change.
Feminist designer: On the personal and the political in design
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''Feminist designer'' brings together a constellation of voices and perspectives to examine the intersection of design and feminist theory. For decades, the feminist refrain within design has hinged on the representation and inclusion of women in the field. This collection, edited by Alison Place, however, is a call to move beyond this narrow application. Feminist design is not just about who does design—it is about how we do design and why. Feminist frameworks for design activism are now more relevant than ever, as they emphasize collaborative processes that aim to disrupt and dismantle power hierarchies while centering feminist ways of knowing and doing. ''Feminist designer'' contains essays, case studies, and dialogues by 43 contributors from 16 different countries. It engages a wide variety of design disciplines, from graphic design to disability design to algorithmic design, and explores key feminist themes, such as power, knowledge, care, plurality, liberation, and community. Through diverse, sometimes conflicting, intersectional perspectives, this book contributes new design methods informed by a multiplicity of feminisms that confront design’s patriarchal origins while ushering in new pathways for making critical and meaningful change.
Form:
books
books
Publication:
September 2023
September 2023
Subject:
Design Theory
Design Theory
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books
books
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$43.95
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''An anthology of Blackness'' examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of(...)
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''An anthology of Blackness'' examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of(...)
Title:
An anthology of Blackness: the state of Black design
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''An anthology of Blackness'' examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of inclusivity, including Black representation in designed media, anti-racist pedagogy, and radical self-care. Through autoethnography, lived experience, scholarship, and applied research, these contributors share proven methods for creating an anti-racist and inclusive design practice. The contributions in ''An anthology of Blackness'' include essays, opinion pieces, case studies, and visual narratives. Many contributors write from an intersectional perspective on race, gender, sexuality, ethnicity, and ability. Each section of the book expands on community-driven concerns about the state of the design industry, design pedagogy, and design activism. Ultimately, this articulated intersection of Black identity and Black design practice reveals the power of resistance, community, and solidarity—and the hope for a more equitable future. With a foreword written by design luminary Elizabeth (Dori) Tunstall, ''An anthology of Blackness'' is a pioneering contribution to the literature of social justice.
An anthology of Blackness: the state of Black design
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$43.95
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Summary:
''An anthology of Blackness'' examines the intersection of Black identity and practice, probing why the design field has failed to attract Black professionals, how Eurocentric hegemony impacts Black professionals, and how Black designers can create an anti-racist design industry. Contributing authors and creators demonstrate how to develop a pro-Black design practice of inclusivity, including Black representation in designed media, anti-racist pedagogy, and radical self-care. Through autoethnography, lived experience, scholarship, and applied research, these contributors share proven methods for creating an anti-racist and inclusive design practice. The contributions in ''An anthology of Blackness'' include essays, opinion pieces, case studies, and visual narratives. Many contributors write from an intersectional perspective on race, gender, sexuality, ethnicity, and ability. Each section of the book expands on community-driven concerns about the state of the design industry, design pedagogy, and design activism. Ultimately, this articulated intersection of Black identity and Black design practice reveals the power of resistance, community, and solidarity—and the hope for a more equitable future. With a foreword written by design luminary Elizabeth (Dori) Tunstall, ''An anthology of Blackness'' is a pioneering contribution to the literature of social justice.
Form:
books
books
Publication:
October 2023
October 2023
Subject:
Design Theory
Design Theory
Form:
books
books
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$100.00
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Summary:
Acclaimed still-life photographer Doherty pushes his precise visual language to a place of inarticulation and unconscious association, in a bold sequence of singular image arrangements, rhymed and bonded together. Individually, Bobby Doherty’s photographs are quite clear. In front of you, a flower, a drinks can, a courgette, next an alloy wheel. But collectively their(...)
$100.00
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Summary:
Acclaimed still-life photographer Doherty pushes his precise visual language to a place of inarticulation and unconscious association, in a bold sequence of singular image arrangements, rhymed and bonded together. Individually, Bobby Doherty’s photographs are quite clear. In front of you, a flower, a drinks can, a courgette, next an alloy wheel. But collectively their(...)
Title:
Bobby Doherty: Dream about nothing
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Acclaimed still-life photographer Doherty pushes his precise visual language to a place of inarticulation and unconscious association, in a bold sequence of singular image arrangements, rhymed and bonded together. Individually, Bobby Doherty’s photographs are quite clear. In front of you, a flower, a drinks can, a courgette, next an alloy wheel. But collectively their meanings become distorted. A photo of a popsicle carries a different weight once it is opposite a battered butterfly. But what are you meant to be looking at? Doherty's images attempt to overwhelm the viewer with questions about what we consider mundane, and what we view as special, in order to ask a greater question: one that transcends "why this over that" but instead, "why anything at all?" In "Dream about nothing," Doherty embarks on a more introspective articulation of his remarkably consistent visual practice. He invites us to pull back from the visually-tumbling-image-overload language that much of contemporary still-life and observational photography relents itself to, instead placing, with utmost care and precision, a line of observed things and places before your eyes. What does it all mean?
Bobby Doherty: Dream about nothing
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Acclaimed still-life photographer Doherty pushes his precise visual language to a place of inarticulation and unconscious association, in a bold sequence of singular image arrangements, rhymed and bonded together. Individually, Bobby Doherty’s photographs are quite clear. In front of you, a flower, a drinks can, a courgette, next an alloy wheel. But collectively their meanings become distorted. A photo of a popsicle carries a different weight once it is opposite a battered butterfly. But what are you meant to be looking at? Doherty's images attempt to overwhelm the viewer with questions about what we consider mundane, and what we view as special, in order to ask a greater question: one that transcends "why this over that" but instead, "why anything at all?" In "Dream about nothing," Doherty embarks on a more introspective articulation of his remarkably consistent visual practice. He invites us to pull back from the visually-tumbling-image-overload language that much of contemporary still-life and observational photography relents itself to, instead placing, with utmost care and precision, a line of observed things and places before your eyes. What does it all mean?
Form:
books
books
Publication:
November 2023
November 2023
Subject:
Photography monographs
Photography monographs
