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$47.00
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Goldsworthy's oeuvre is made entirely of natural materials such as leaves, wood, stone or snow, resulting mainly in site-specific installations linked to a certain place. The forms and structures he creates blend in with the landscape, striving to find a balance with their setting and the effects of light and atmosphere. The resulting work interacts with its surroundings,(...)
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Goldsworthy's oeuvre is made entirely of natural materials such as leaves, wood, stone or snow, resulting mainly in site-specific installations linked to a certain place. The forms and structures he creates blend in with the landscape, striving to find a balance with their setting and the effects of light and atmosphere. The resulting work interacts with its surroundings,(...)
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Andy Goldsworthy (En las entranas del arbol)
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Goldsworthy's oeuvre is made entirely of natural materials such as leaves, wood, stone or snow, resulting mainly in site-specific installations linked to a certain place. The forms and structures he creates blend in with the landscape, striving to find a balance with their setting and the effects of light and atmosphere. The resulting work interacts with its surroundings, changing and growing as time goes by. This fleeting, variable essence drives him to photograph many of his works in order to record them and their evolution for posterity. The installation Goldsworthy prepared especially for the Crystal Palace is one of the artist's most ambitious wood dome projects so far, enlarging upon the vaulted spaces he used previously in London and Yorkshire. The form of the wooden structures blends in with the architecture of the palace which becomes its glass epidermis.
Andy Goldsworthy (En las entranas del arbol)
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Goldsworthy's oeuvre is made entirely of natural materials such as leaves, wood, stone or snow, resulting mainly in site-specific installations linked to a certain place. The forms and structures he creates blend in with the landscape, striving to find a balance with their setting and the effects of light and atmosphere. The resulting work interacts with its surroundings, changing and growing as time goes by. This fleeting, variable essence drives him to photograph many of his works in order to record them and their evolution for posterity. The installation Goldsworthy prepared especially for the Crystal Palace is one of the artist's most ambitious wood dome projects so far, enlarging upon the vaulted spaces he used previously in London and Yorkshire. The form of the wooden structures blends in with the architecture of the palace which becomes its glass epidermis.
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books
books
Publication:
January 2010
January 2010
Subject:
Land Art
Land Art
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books
books
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$38.00
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This volume serves as an illustrated herbarium, a work of popular science, and an art book, all in one. It showcases the incredible diversity and miraculous properties of nearly 150 seeds from across the globe. Each page features a single seed, brought to life through exquisite illustrations that capture its intricate details and unique characteristics; it is organized by(...)
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This volume serves as an illustrated herbarium, a work of popular science, and an art book, all in one. It showcases the incredible diversity and miraculous properties of nearly 150 seeds from across the globe. Each page features a single seed, brought to life through exquisite illustrations that capture its intricate details and unique characteristics; it is organized by(...)
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Seeds: Nature's intrepid miracles
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This volume serves as an illustrated herbarium, a work of popular science, and an art book, all in one. It showcases the incredible diversity and miraculous properties of nearly 150 seeds from across the globe. Each page features a single seed, brought to life through exquisite illustrations that capture its intricate details and unique characteristics; it is organized by the ways in which seeds are dispersed—by wind, water, or human and animal interaction. The book features brief, engaging texts that explain how nature has perfectly designed each seed for its specific role. Readers will encounter the brilliant green spiral of the alfalfa seed, which scatters far and wide when grown in the wild. They will find new fascination in familiar seeds like the sugar maple’s jewel-like propellers and the wild carrot’s dome of tiny white flowers.
Seeds: Nature's intrepid miracles
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This volume serves as an illustrated herbarium, a work of popular science, and an art book, all in one. It showcases the incredible diversity and miraculous properties of nearly 150 seeds from across the globe. Each page features a single seed, brought to life through exquisite illustrations that capture its intricate details and unique characteristics; it is organized by the ways in which seeds are dispersed—by wind, water, or human and animal interaction. The book features brief, engaging texts that explain how nature has perfectly designed each seed for its specific role. Readers will encounter the brilliant green spiral of the alfalfa seed, which scatters far and wide when grown in the wild. They will find new fascination in familiar seeds like the sugar maple’s jewel-like propellers and the wild carrot’s dome of tiny white flowers.
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books
books
Publication:
September 2025
September 2025
Subject:
Children's Books
Children's Books
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books
books
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Simone Swan : adobe building
Simone Swan : adobe building
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Like an organism sitting and breathing on its site in the Chihuahuan desert, the Swan House is a building of organic beauty and hybrid cultural intelligence. Simone Swan has created an architectural and environmental project that re-examines and promotes traditional adobe building while introducing compatible forms, such as the Nubian vault and dome. Swan studied with(...)
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Like an organism sitting and breathing on its site in the Chihuahuan desert, the Swan House is a building of organic beauty and hybrid cultural intelligence. Simone Swan has created an architectural and environmental project that re-examines and promotes traditional adobe building while introducing compatible forms, such as the Nubian vault and dome. Swan studied with(...)
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Simone Swan : adobe building
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Like an organism sitting and breathing on its site in the Chihuahuan desert, the Swan House is a building of organic beauty and hybrid cultural intelligence. Simone Swan has created an architectural and environmental project that re-examines and promotes traditional adobe building while introducing compatible forms, such as the Nubian vault and dome. Swan studied with the great Egyptian architect Hassan Fathy in his Cairo studio and after his death in 1989 adopted his mission of helping house the world’s poor. Simone Swan: Adobe Building is the first book to discuss and illustrate Swan’s architecture while also chronicling one of her annual workshops in Dollens’ first-hand account. Dollens suggests that by biologically analyzing historic adobe we may be able to hybridize its constituents as replacements for current toxic materials, creating new biomimetic, adobe-related building materials suitable for green architecture.
Simone Swan : adobe building
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Like an organism sitting and breathing on its site in the Chihuahuan desert, the Swan House is a building of organic beauty and hybrid cultural intelligence. Simone Swan has created an architectural and environmental project that re-examines and promotes traditional adobe building while introducing compatible forms, such as the Nubian vault and dome. Swan studied with the great Egyptian architect Hassan Fathy in his Cairo studio and after his death in 1989 adopted his mission of helping house the world’s poor. Simone Swan: Adobe Building is the first book to discuss and illustrate Swan’s architecture while also chronicling one of her annual workshops in Dollens’ first-hand account. Dollens suggests that by biologically analyzing historic adobe we may be able to hybridize its constituents as replacements for current toxic materials, creating new biomimetic, adobe-related building materials suitable for green architecture.
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books
books
Publication:
January 1900, Santa Fe
January 1900, Santa Fe
Subject:
Green Architecture
Green Architecture
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books
books
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Description:
xv, 287 pages, 60 pages of plates : illustrations ; 30 cm.
Description:
xv, 287 pages, 60 pages of plates : illustrations ; 30 cm.
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Publication:
Glückstadt : J.J. Augustin, 1982.
Glückstadt : J.J. Augustin, 1982.
Title:
Mittelalterliche Langhauskuppelkirchen und verwandte Typen in Oberägypten : eine Studie zum mittelalterlichen Kirchenbau in Ägypten / von Peter Grossmann.
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xv, 287 pages, 60 pages of plates : illustrations ; 30 cm.
Mittelalterliche Langhauskuppelkirchen und verwandte Typen in Oberägypten : eine Studie zum mittelalterlichen Kirchenbau in Ägypten / von Peter Grossmann.
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xv, 287 pages, 60 pages of plates : illustrations ; 30 cm.
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books
books
Publication:
Glückstadt : J.J. Augustin, 1982.
Glückstadt : J.J. Augustin, 1982.
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books
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Title:
Archaeology of the digital
Archaeology of the digital
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$42.00
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Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s. How was the transition from analog practices to new digital tools managed, and the dialogue between them exploited? What was the cultural and technological landscape of that moment? These questions are(...)
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Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s. How was the transition from analog practices to new digital tools managed, and the dialogue between them exploited? What was the cultural and technological landscape of that moment? These questions are(...)
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Archaeology of the digital
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Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s. How was the transition from analog practices to new digital tools managed, and the dialogue between them exploited? What was the cultural and technological landscape of that moment? These questions are at the foundation of this publication and its accompanying exhibition that unfold around four projects selected as seminal moments in the early development stages of digital architecture: Frank Gehry’s Lewis Residence (1989 –1995), Peter Eisenman’s Frankfurt Biozentrum (1987), Shoei Yoh’s design of the roof structure of Odawara Municipal Sports Complex and of Galaxy Toyama Gymnasium (1990 –1992) and Chuck Hoberman’s Expanding Sphere (1991) and Iris Dome (1994). Each project established a significant direction for architectural research by experimenting with the possibilities offered by novel digital tools. The dialogue between computer sciences, architecture and engineering is at the core of these experiments, which can be considered precursors of approaches still operative today.
Archaeology of the digital
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Archaeology of the Digital delves into the genesis and establishment of digital tools for design conceptualization, visualization, and production at the end of the 1980s. How was the transition from analog practices to new digital tools managed, and the dialogue between them exploited? What was the cultural and technological landscape of that moment? These questions are at the foundation of this publication and its accompanying exhibition that unfold around four projects selected as seminal moments in the early development stages of digital architecture: Frank Gehry’s Lewis Residence (1989 –1995), Peter Eisenman’s Frankfurt Biozentrum (1987), Shoei Yoh’s design of the roof structure of Odawara Municipal Sports Complex and of Galaxy Toyama Gymnasium (1990 –1992) and Chuck Hoberman’s Expanding Sphere (1991) and Iris Dome (1994). Each project established a significant direction for architectural research by experimenting with the possibilities offered by novel digital tools. The dialogue between computer sciences, architecture and engineering is at the core of these experiments, which can be considered precursors of approaches still operative today.
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books
books
Publication:
May 2013
May 2013
Subject:
CCA Publications
CCA Publications
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books
books
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$68.95
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Summary:
James Carpenter is an artist and sculptor whose work focuses on developing new glass and material technologies. His interest in architecture has evolved into a unique design practice that ranges from technical glass and materials consulting to designing curtain walls, roofing systems, bridges, and sculptures. In "James Carpenter: environmental refractions", the artist's(...)
$68.95
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Summary:
James Carpenter is an artist and sculptor whose work focuses on developing new glass and material technologies. His interest in architecture has evolved into a unique design practice that ranges from technical glass and materials consulting to designing curtain walls, roofing systems, bridges, and sculptures. In "James Carpenter: environmental refractions", the artist's(...)
Title:
James carpenter : environmental refractions
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James Carpenter is an artist and sculptor whose work focuses on developing new glass and material technologies. His interest in architecture has evolved into a unique design practice that ranges from technical glass and materials consulting to designing curtain walls, roofing systems, bridges, and sculptures. In "James Carpenter: environmental refractions", the artist's first monograph, author Sandro Marpillero explores the unique opportunities afforded by the transparency, reflectivity, and compressive strength of glass. With over 300 images, this book brings to light the work of an exciting designer crossing the boundaries between architecture, engineering, and fine arts. James Carpenter Design Associates, founded in 1978, has worked collaboratively with architects and engineers in the United States and abroad—including Norman Foster, Richard Meier, SOM, and Michael Van Valkenburgh — creating the artistic complement to many significant buildings. James Carpenter, in collaboration with Hellmuth, Obata + Kassabaum, have been chosen to design and build an undulating glass dome for the new Penn Station.
James carpenter : environmental refractions
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James Carpenter is an artist and sculptor whose work focuses on developing new glass and material technologies. His interest in architecture has evolved into a unique design practice that ranges from technical glass and materials consulting to designing curtain walls, roofing systems, bridges, and sculptures. In "James Carpenter: environmental refractions", the artist's first monograph, author Sandro Marpillero explores the unique opportunities afforded by the transparency, reflectivity, and compressive strength of glass. With over 300 images, this book brings to light the work of an exciting designer crossing the boundaries between architecture, engineering, and fine arts. James Carpenter Design Associates, founded in 1978, has worked collaboratively with architects and engineers in the United States and abroad—including Norman Foster, Richard Meier, SOM, and Michael Van Valkenburgh — creating the artistic complement to many significant buildings. James Carpenter, in collaboration with Hellmuth, Obata + Kassabaum, have been chosen to design and build an undulating glass dome for the new Penn Station.
Form:
books
books
Publication:
August 2006, New York
August 2006, New York
Subject:
Architecture Monographs
Architecture Monographs
Form:
books
books
Price:
$72.00
(available to order)
Summary:
The spread of Renaissance culture in England coincided with the birth of the profession of architecture, whose practitioners soon became superior to simple builders in social standing and perceived intellectual prowess. This book, which focuses in particular on the scientist, mathematician, and architect Sir Christopher Wren, explores the extent to which this new(...)
$72.00
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Summary:
The spread of Renaissance culture in England coincided with the birth of the profession of architecture, whose practitioners soon became superior to simple builders in social standing and perceived intellectual prowess. This book, which focuses in particular on the scientist, mathematician, and architect Sir Christopher Wren, explores the extent to which this new(...)
Title:
Compass & rule : architecture as mathematical practice in England
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$72.00
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The spread of Renaissance culture in England coincided with the birth of the profession of architecture, whose practitioners soon became superior to simple builders in social standing and perceived intellectual prowess. This book, which focuses in particular on the scientist, mathematician, and architect Sir Christopher Wren, explores the extent to which this new professional identity was based on expertise in the mathematical arts and sciences. Featuring drawings, instruments, paintings, and other examples of the material culture of English architecture, the book discusses the role of mathematics in architectural design and building technology. It begins with architectural drawing in the 16th century, moves to large-scale technical drawing under Henry VIII, considers Inigo Jones and his royal buildings and Christopher Wren and the dome of St. Paul’s, and concludes with the architectural education of George III. Interweaving text and visual image, the book investigates the boundaries between art and science in architecture—the most artistic of the sciences and the most scientific of the arts.
Compass & rule : architecture as mathematical practice in England
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$72.00
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Summary:
The spread of Renaissance culture in England coincided with the birth of the profession of architecture, whose practitioners soon became superior to simple builders in social standing and perceived intellectual prowess. This book, which focuses in particular on the scientist, mathematician, and architect Sir Christopher Wren, explores the extent to which this new professional identity was based on expertise in the mathematical arts and sciences. Featuring drawings, instruments, paintings, and other examples of the material culture of English architecture, the book discusses the role of mathematics in architectural design and building technology. It begins with architectural drawing in the 16th century, moves to large-scale technical drawing under Henry VIII, considers Inigo Jones and his royal buildings and Christopher Wren and the dome of St. Paul’s, and concludes with the architectural education of George III. Interweaving text and visual image, the book investigates the boundaries between art and science in architecture—the most artistic of the sciences and the most scientific of the arts.
Form:
books
books
Publication:
May 2009
May 2009
Subject:
Architectural Drawing
Architectural Drawing
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books
books
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$12.00
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Summary:
'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its(...)
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'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its(...)
Title:
We
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'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its chief engineer, a man called D-503, keeps a journal of his life and activities: to his mathematical mind everything seems to make sense and proceed as it should, until a chance encounter with a woman threatens to shatter the very foundations of the world he lives in. Written in a highly charged, direct and concise style, Zamyatin's 1921 seminal novel is not only an indictment of the Soviet Russia of his time and a precursor of the works of Orwell and the dystopian genre, but also a prefiguration of much of twentieth-century history and a harbinger of the ominous future that may still lay ahead of us.
We
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'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its chief engineer, a man called D-503, keeps a journal of his life and activities: to his mathematical mind everything seems to make sense and proceed as it should, until a chance encounter with a woman threatens to shatter the very foundations of the world he lives in. Written in a highly charged, direct and concise style, Zamyatin's 1921 seminal novel is not only an indictment of the Soviet Russia of his time and a precursor of the works of Orwell and the dystopian genre, but also a prefiguration of much of twentieth-century history and a harbinger of the ominous future that may still lay ahead of us.
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books
books
Publication:
May 2019
May 2019
Subject:
Current Exhibitions
Current Exhibitions
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books
books
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$85.00
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Summary:
From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, "Building : 3,000 Years of Design, Engineering, and Construction", charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume,(...)
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From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, "Building : 3,000 Years of Design, Engineering, and Construction", charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume,(...)
Title:
Building : 3000 years of design engineering and construction
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$85.00
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From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, "Building : 3,000 Years of Design, Engineering, and Construction", charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume, aimed at students and young professionals as well as general readers, explores the materials, classic texts, instruments, and theories that have propelled modern engineering, and the famous and not-so-famous buildings designed through the ages, from the Parthenon to Chartes Cathedral and the dome of St. Peter's, from eighteenth-century silk mills in England to the Crystal Palace, and on to the first Chicago high-rises, the Sydney Opera House, and the latest "green" skyscrapers. The book concentrates on developments since the industrial and scientific revolutions of the seventeenth and eighteenth centuries. Incorporated within the continuous narrative are sidebars with short biographies of eminent engineers, excerpts from classic texts, stories of individual projects of major importance, and brief histories of key concepts such as calculus. Also included are extensive reference materials: appendices, a glossary, bibliography, and index.
Building : 3000 years of design engineering and construction
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$85.00
(available to order)
Summary:
From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, "Building : 3,000 Years of Design, Engineering, and Construction", charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume, aimed at students and young professionals as well as general readers, explores the materials, classic texts, instruments, and theories that have propelled modern engineering, and the famous and not-so-famous buildings designed through the ages, from the Parthenon to Chartes Cathedral and the dome of St. Peter's, from eighteenth-century silk mills in England to the Crystal Palace, and on to the first Chicago high-rises, the Sydney Opera House, and the latest "green" skyscrapers. The book concentrates on developments since the industrial and scientific revolutions of the seventeenth and eighteenth centuries. Incorporated within the continuous narrative are sidebars with short biographies of eminent engineers, excerpts from classic texts, stories of individual projects of major importance, and brief histories of key concepts such as calculus. Also included are extensive reference materials: appendices, a glossary, bibliography, and index.
Form:
books
books
Publication:
March 2007, London, New York
March 2007, London, New York
Subject:
Engineering Structures
Engineering Structures
Form:
books
books
Price:
$61.50
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Summary:
The book documents a unique accumulation of superlatives. Light is shed on two business strategies attempting to realise mankind’s pri- mordial dreams. The scene is the world’s largest self-supporting hall in a small village close to Berlin. At the end of the 1990s, the firm CargoLifter AG attracted international attention with its vision of(...)
$61.50
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Summary:
The book documents a unique accumulation of superlatives. Light is shed on two business strategies attempting to realise mankind’s pri- mordial dreams. The scene is the world’s largest self-supporting hall in a small village close to Berlin. At the end of the 1990s, the firm CargoLifter AG attracted international attention with its vision of(...)
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
Publication:
July 2006, Amsterdam
July 2006, Amsterdam
Title:
Making the impossible possible : the dream flying the dream of paradise
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$61.50
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The book documents a unique accumulation of superlatives. Light is shed on two business strategies attempting to realise mankind’s pri- mordial dreams. The scene is the world’s largest self-supporting hall in a small village close to Berlin. At the end of the 1990s, the firm CargoLifter AG attracted international attention with its vision of con- structing the world’s largest heavy-lift airship. By building an architecturally outstanding hangar, the company demonstrated pioneering spirit and gave rise to huge media response. After the enterprise failed, the hall was sold to a consortium of Asian firms that then presented the next superlative. The former hangar was converted into the Tropical Islands Dome, Europe’s largest indoor tropical paradise. The authors Gerlinde Schuller (Information Design Studio, Amsterdam) and Claudia Weber (artist, Berlin) compare these two visions on their paths to implementation, while simultaneously putting them in the context of current international events. The documentation is supplemented with text contributions by: Sam Jacob (FAT Ltd., London), Dingeman Kuilman (Premsela Design Foundation, Amsterdam), Jochen Becker (critic and curator, Berlin) and Prof. Dr. Bernd Kriegesmann (Institute for Applied Innovation Research, Bochum).
Making the impossible possible : the dream flying the dream of paradise
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$61.50
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Summary:
The book documents a unique accumulation of superlatives. Light is shed on two business strategies attempting to realise mankind’s pri- mordial dreams. The scene is the world’s largest self-supporting hall in a small village close to Berlin. At the end of the 1990s, the firm CargoLifter AG attracted international attention with its vision of con- structing the world’s largest heavy-lift airship. By building an architecturally outstanding hangar, the company demonstrated pioneering spirit and gave rise to huge media response. After the enterprise failed, the hall was sold to a consortium of Asian firms that then presented the next superlative. The former hangar was converted into the Tropical Islands Dome, Europe’s largest indoor tropical paradise. The authors Gerlinde Schuller (Information Design Studio, Amsterdam) and Claudia Weber (artist, Berlin) compare these two visions on their paths to implementation, while simultaneously putting them in the context of current international events. The documentation is supplemented with text contributions by: Sam Jacob (FAT Ltd., London), Dingeman Kuilman (Premsela Design Foundation, Amsterdam), Jochen Becker (critic and curator, Berlin) and Prof. Dr. Bernd Kriegesmann (Institute for Applied Innovation Research, Bochum).
Form:
books
books
Publication:
July 2006, Amsterdam
July 2006, Amsterdam
Subject:
Architecture since 1900, Europe
Architecture since 1900, Europe
