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From the moment it opened on the first of May in the Crystal Palace in Hyde Park, London, the Great Exhibition of 1851 was one of the defining events of the Victorian period. It stood not only as a visible symbol of British industrial and technological progress but as a figure for modernity—a figure that has often been thought to convey one coherent message and vision of(...)
$66.50
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Summary:
From the moment it opened on the first of May in the Crystal Palace in Hyde Park, London, the Great Exhibition of 1851 was one of the defining events of the Victorian period. It stood not only as a visible symbol of British industrial and technological progress but as a figure for modernity—a figure that has often been thought to convey one coherent message and vision of(...)
Subject:
History until 1900, Great Britain
History until 1900, Great Britain
Publication:
July 2007, Charlottesville - London
July 2007, Charlottesville - London
Title:
Victorian prism : refractions of the crystal palace
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Summary:
From the moment it opened on the first of May in the Crystal Palace in Hyde Park, London, the Great Exhibition of 1851 was one of the defining events of the Victorian period. It stood not only as a visible symbol of British industrial and technological progress but as a figure for modernity—a figure that has often been thought to convey one coherent message and vision of culture and society. This volume examines the place occupied both materially and discursively by the Crystal Palace and other nineteenth- and twentieth-century exhibitions in the struggle to understand what it means to be modern. Initiated in part by a number of conferences held in 2001 to commemorate the 150th anniversary of the Crystal Palace, Victorian Prism provides new perspectives to historians, literary critics, art historians, and others interested in how a large glass building in a London park could refract meaning from Caracas to Calcutta. In its investigations of the ways of knowing and shaping the world that emerged during the planning and execution of this first "world's fair," Victorian Prism not only restores the multiplicity of experiences and other determining factors to our picture of the Great Exhibition; it makes reevaluation of the exhibition and its legacies the occasion for reevaluating modernity itself in its broadest sense—as the cultures, potentialities, and liabilities of the Enlightenment. With essays by a number of leading scholars in their fields, the collection as a whole focuses on how these exhibitions, in attempting to define the cultures of their day, incorporated a range of conflicting ideologies and agendas. In doing so, it offers a richer, more complex understanding of the experience of modernity than we have previously acknowledged. The volume also addresses the ways in which the cultural processes and tendencies brought together in these exhibitions have been refracted down to the present, thus informing and complicating our own relationship to both modernity and postmodernity.
Victorian prism : refractions of the crystal palace
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$66.50
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Summary:
From the moment it opened on the first of May in the Crystal Palace in Hyde Park, London, the Great Exhibition of 1851 was one of the defining events of the Victorian period. It stood not only as a visible symbol of British industrial and technological progress but as a figure for modernity—a figure that has often been thought to convey one coherent message and vision of culture and society. This volume examines the place occupied both materially and discursively by the Crystal Palace and other nineteenth- and twentieth-century exhibitions in the struggle to understand what it means to be modern. Initiated in part by a number of conferences held in 2001 to commemorate the 150th anniversary of the Crystal Palace, Victorian Prism provides new perspectives to historians, literary critics, art historians, and others interested in how a large glass building in a London park could refract meaning from Caracas to Calcutta. In its investigations of the ways of knowing and shaping the world that emerged during the planning and execution of this first "world's fair," Victorian Prism not only restores the multiplicity of experiences and other determining factors to our picture of the Great Exhibition; it makes reevaluation of the exhibition and its legacies the occasion for reevaluating modernity itself in its broadest sense—as the cultures, potentialities, and liabilities of the Enlightenment. With essays by a number of leading scholars in their fields, the collection as a whole focuses on how these exhibitions, in attempting to define the cultures of their day, incorporated a range of conflicting ideologies and agendas. In doing so, it offers a richer, more complex understanding of the experience of modernity than we have previously acknowledged. The volume also addresses the ways in which the cultural processes and tendencies brought together in these exhibitions have been refracted down to the present, thus informing and complicating our own relationship to both modernity and postmodernity.
Subject:
History until 1900, Great Britain
History until 1900, Great Britain
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$44.95
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Summary:
Modelling Time: The Permanent Collection 1925–2014 chronicles the exhibition Model as Ruin at the House of Artists in Oslo, November 1 – December 15, 2013. Together with master students from the Oslo School of Architecture and Design, Mari Hvattum and Mari Lending brought a unique, modernist model collection out of the archives, re-exhibiting it at the venue that once(...)
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Summary:
Modelling Time: The Permanent Collection 1925–2014 chronicles the exhibition Model as Ruin at the House of Artists in Oslo, November 1 – December 15, 2013. Together with master students from the Oslo School of Architecture and Design, Mari Hvattum and Mari Lending brought a unique, modernist model collection out of the archives, re-exhibiting it at the venue that once(...)
Title:
Modelling time: the permanent collection 1925-2014
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Modelling Time: The Permanent Collection 1925–2014 chronicles the exhibition Model as Ruin at the House of Artists in Oslo, November 1 – December 15, 2013. Together with master students from the Oslo School of Architecture and Design, Mari Hvattum and Mari Lending brought a unique, modernist model collection out of the archives, re-exhibiting it at the venue that once hosted its biggest ever display in 1931. The collection testifies to a different modernism; not white and austere but colourful, diverse, and full of detail. Modelling Time gives an in-depth portrayal of the so-called ‘Permanent Collection’ of Norwegian scale models, photographs and drawings, tracing its international trajectory of exhibitions from Brussels in 1927 to its last appearance at the World’s Fair in New York in 1939. The book documents the collection’s heydays as part of a vivid international modernist culture, as well as its archival diaspora as it falls into oblivion after WWII. In an extensive, archive-based essay editors Lending and Hvattum give the full context of the collection, while Juliane Derry and Jorge Otero-Pailos look into the models’ materiality and issues of decay. Model scholars and architecture curators Barry Bergdoll, Carson Chan, Pippo Ciorra, Oliver Elser, Juliet Koss, Andres Lepik, Adam Lowe, Wallis Miller, Jorge Otero-Pailos, Léa-Catherine Szacka, and Victor Plathe Tschudi presents a variety of perspectives inspired by the Oslo collection.
Modelling time: the permanent collection 1925-2014
Actions:
Price:
$44.95
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Summary:
Modelling Time: The Permanent Collection 1925–2014 chronicles the exhibition Model as Ruin at the House of Artists in Oslo, November 1 – December 15, 2013. Together with master students from the Oslo School of Architecture and Design, Mari Hvattum and Mari Lending brought a unique, modernist model collection out of the archives, re-exhibiting it at the venue that once hosted its biggest ever display in 1931. The collection testifies to a different modernism; not white and austere but colourful, diverse, and full of detail. Modelling Time gives an in-depth portrayal of the so-called ‘Permanent Collection’ of Norwegian scale models, photographs and drawings, tracing its international trajectory of exhibitions from Brussels in 1927 to its last appearance at the World’s Fair in New York in 1939. The book documents the collection’s heydays as part of a vivid international modernist culture, as well as its archival diaspora as it falls into oblivion after WWII. In an extensive, archive-based essay editors Lending and Hvattum give the full context of the collection, while Juliane Derry and Jorge Otero-Pailos look into the models’ materiality and issues of decay. Model scholars and architecture curators Barry Bergdoll, Carson Chan, Pippo Ciorra, Oliver Elser, Juliet Koss, Andres Lepik, Adam Lowe, Wallis Miller, Jorge Otero-Pailos, Léa-Catherine Szacka, and Victor Plathe Tschudi presents a variety of perspectives inspired by the Oslo collection.
Subject:
Models
Models
Form:
books
books
Holdings:
Description:
139 pages : illustrations (some color) ; 24 cm
Description:
139 pages : illustrations (some color) ; 24 cm
Title:
Baudrillard et le monstre : (l'architecture) / Jean-Louis Violeau.
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Description:
139 pages : illustrations (some color) ; 24 cm
Baudrillard et le monstre : (l'architecture) / Jean-Louis Violeau.
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Holdings:
Description:
139 pages : illustrations (some color) ; 24 cm
Form:
books
books
Publication:
Marseille : Parenthèses, [ 2024], ©2024
Marseille : Parenthèses, [ 2024], ©2024
Form:
books
books
Holdings:
Description:
x, 320 pages ; 22 cm
Description:
x, 320 pages ; 22 cm
Subject:
- Information society.,
- Information technology Social aspects.,
- Social ecology.,
- Information Storage and Retrieval,
- Social Environment,
- Société de l'information.,
- Technologie de l'information Aspect social.,
- Écologie sociale.,
- human ecology.,
- Informatiemaatschappij.,
- Informatietechnologie.,
- Sociaal-economische verandering.,
- information.,
- information industry.,
- information technology.,
- communication.,
- social implication.,
- computer programme.,
- information processing.,
- information service.,
- e-mail.,
- telework.,
- work at home.,
- social network.,
- human relations.,
- organization development.,
- work organization.,
- workplace communication.,
- knowhow.,
- learning.,
- distance study.,
- group work.,
- innovation.,
- industrial district.,
- Internet.,
- electronic network.,
- community.,
- higher education.,
- Tecnologia da informação (aspectos sociais),
- Sociedade da informação.,
- industrie de l'information.,
- technologie de l'information.,
- conséquences sociales.,
- logiciel.,
- traitement de l'information.,
- service d'information.,
- courrier électronique.,
- télétravail.,
- travail à domicile.,
- réseau social.,
- relations humaines.,
- développement de l'organisation.,
- organisation du travail.,
- communication au niveau du travail.,
- savoir-faire.,
- acquisition de connaissances.,
- enseignement à distance.,
- travail en groupe.,
- parc industriel.,
- réseau électronique.,
- communauté,
- enseignement supérieur.,
- información.,
- industria de la información.,
- tecnología de la información.,
- comunicación.,
- consecuencias sociales.,
- programa de computación.,
- procesamiento de la información.,
- servicio de información.,
- correo electrónico.,
- teletrabajo.,
- trabajo a domicilio.,
- red social.,
- relaciones humanas.,
- desarrollo de la organización.,
- organización del trabajo.,
- comunicación en el trabajo.,
- conocimiento técnico.,
- adquisición de conocimientos.,
- educación a distancia.,
- trabajo en grupo.,
- innovación.,
- distrito industrial.,
- red electrónica.,
- comunidad.,
- enseñanza superior.,
- USA.,
- Etats-Unis.,
- Estados Unidos.,
- illustration.,
- ilustración.
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Publication:
Boston : Harvard Business School Press, ©2000.
Boston : Harvard Business School Press, ©2000.
Title:
The social life of information / John Seely Brown and Paul Duguid.
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Description:
x, 320 pages ; 22 cm
The social life of information / John Seely Brown and Paul Duguid.
Actions:
Holdings:
Description:
x, 320 pages ; 22 cm
Form:
books
books
Publication:
Boston : Harvard Business School Press, ©2000.
Boston : Harvard Business School Press, ©2000.
Subject:
- Information society.,
- Information technology Social aspects.,
- Social ecology.,
- Information Storage and Retrieval,
- Social Environment,
- Société de l'information.,
- Technologie de l'information Aspect social.,
- Écologie sociale.,
- human ecology.,
- Informatiemaatschappij.,
- Informatietechnologie.,
- Sociaal-economische verandering.,
- information.,
- information industry.,
- information technology.,
- communication.,
- social implication.,
- computer programme.,
- information processing.,
- information service.,
- e-mail.,
- telework.,
- work at home.,
- social network.,
- human relations.,
- organization development.,
- work organization.,
- workplace communication.,
- knowhow.,
- learning.,
- distance study.,
- group work.,
- innovation.,
- industrial district.,
- Internet.,
- electronic network.,
- community.,
- higher education.,
- Tecnologia da informação (aspectos sociais),
- Sociedade da informação.,
- industrie de l'information.,
- technologie de l'information.,
- conséquences sociales.,
- logiciel.,
- traitement de l'information.,
- service d'information.,
- courrier électronique.,
- télétravail.,
- travail à domicile.,
- réseau social.,
- relations humaines.,
- développement de l'organisation.,
- organisation du travail.,
- communication au niveau du travail.,
- savoir-faire.,
- acquisition de connaissances.,
- enseignement à distance.,
- travail en groupe.,
- parc industriel.,
- réseau électronique.,
- communauté,
- enseignement supérieur.,
- información.,
- industria de la información.,
- tecnología de la información.,
- comunicación.,
- consecuencias sociales.,
- programa de computación.,
- procesamiento de la información.,
- servicio de información.,
- correo electrónico.,
- teletrabajo.,
- trabajo a domicilio.,
- red social.,
- relaciones humanas.,
- desarrollo de la organización.,
- organización del trabajo.,
- comunicación en el trabajo.,
- conocimiento técnico.,
- adquisición de conocimientos.,
- educación a distancia.,
- trabajo en grupo.,
- innovación.,
- distrito industrial.,
- red electrónica.,
- comunidad.,
- enseñanza superior.,
- USA.,
- Etats-Unis.,
- Estados Unidos.,
- illustration.,
- ilustración.
(See more)