Architecture and authorship
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Architecture and Authorship comprises 17 essays, encompassing a variety of contemporary and historical case studies, which explore issues of authorship, ownership and "copyright" in architecture. The book documents how, from the fifteenth century onwards, individual architects and movements have endeavoured to maintain their status by defending what they see as their own(...)
Architectural Theory
June 2007, London
Architecture and authorship
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Architecture and Authorship comprises 17 essays, encompassing a variety of contemporary and historical case studies, which explore issues of authorship, ownership and "copyright" in architecture. The book documents how, from the fifteenth century onwards, individual architects and movements have endeavoured to maintain their status by defending what they see as their own unique territory -- the origins and intentions of their work, and their signature style. Written contributions from international experts in architecture and art history cover a variety of fascinating topics, including domestic space; eighteenth century landscape gardens; the Berlin of the late nineteenth and early twentieth century; and postmodernism and the "Death of the Author;" as well as exploring the work of luminaries from Ernst Neufert and Cedric Price to Rem Koolhaas. Architecture and Authorship is a lavishly illustrated alternative look at the history and culture of architecture, and the thought processes and ideas behind a variety of architectural "practices."
Architectural Theory
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Pigeat retraces his steps through famous and lesser-known gardens around the world,from Roman emperor Hadrian's universalist Tivoli park to Middle Eastern water gardens, and from eighteenth-century British garden design to a modern-day lightning field. Each garden has something to teach about the history of garden design, from the ostentatious design of Versailles, where(...)
Gardens of the world : two thousand years of garden design
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Pigeat retraces his steps through famous and lesser-known gardens around the world,from Roman emperor Hadrian's universalist Tivoli park to Middle Eastern water gardens, and from eighteenth-century British garden design to a modern-day lightning field. Each garden has something to teach about the history of garden design, from the ostentatious design of Versailles, where the sumptuous layout reflects the monarch's power, to the inspired innovation of the Eden Project in England; to the cutting-edge design of the Gas Works Park in Seattle, Washington, which reclaimed a former industrial site for the people of the city to enjoy.
Gardens
The English landscape garden
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The eighteenth-century phenomenon of the English landscape garden was so widespread that even today, when so much has been built over or otherwise changed, examples remain throughout England. Although seemingly natural, the English landscape was generally the result of considerable effort, contrivance, and design skill, the glorious outcome of ''the art that conceals(...)
The English landscape garden
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The eighteenth-century phenomenon of the English landscape garden was so widespread that even today, when so much has been built over or otherwise changed, examples remain throughout England. Although seemingly natural, the English landscape was generally the result of considerable effort, contrivance, and design skill, the glorious outcome of ''the art that conceals art.'' Taking many forms, the landscape garden might involve digging lakes, raising or leveling hills, or planting vast numbers of trees—whatever was required to show nature to best advantage. Illustrated throughout, this book uncovers the complex, multi-layered, and wide-ranging story of the landscape garden in England.
Gardens
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This sumptuously illustrated volume presents over 180 outstanding Viennese silver objects representing the period from Neoclassicism to the Wiener Werkstätte. Comparing early eighteenth-century works with examples of twentieth-century design and architecture, it offers a fascinating look at Vienna's contribution to the development of modern decorative arts. The authors(...)
August 2003, Ostfildern
Viennese silver : modern design 1780-1918
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This sumptuously illustrated volume presents over 180 outstanding Viennese silver objects representing the period from Neoclassicism to the Wiener Werkstätte. Comparing early eighteenth-century works with examples of twentieth-century design and architecture, it offers a fascinating look at Vienna's contribution to the development of modern decorative arts. The authors demonstrate how the roots of modern design go back further than is generally assumed. Achieving remarkable clarity and formal reduction, Viennese Biedermeier designers created everyday objects of silver with astonishingly straightforward and purposeful forms that remain as progressive as ever today. In turn-of-the-century Vienna, Josef Hoffmann and Koloman Moser drew inspiration from the intellectual legacy of the period in their designs for the Wiener Werkstätte. Many of the ideas introduced by the Viennese avant-garde were later expressed in such movements as the Bauhaus and De Stijl. By examining this history in all its complexity, the book traces the development of the vocabulary for contemporary design.
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From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, "Building : 3,000 Years of Design, Engineering, and Construction", charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume,(...)
Building : 3000 years of design engineering and construction
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From Egypt and Classical Greece and Rome through the building booms of the Gothic era and the Renaissance, and from the Industrial Revolution to the present era of digital modeling, "Building : 3,000 Years of Design, Engineering, and Construction", charts centuries of innovations in engineering and building construction. This comprehensive and heavily illustrated volume, aimed at students and young professionals as well as general readers, explores the materials, classic texts, instruments, and theories that have propelled modern engineering, and the famous and not-so-famous buildings designed through the ages, from the Parthenon to Chartes Cathedral and the dome of St. Peter's, from eighteenth-century silk mills in England to the Crystal Palace, and on to the first Chicago high-rises, the Sydney Opera House, and the latest "green" skyscrapers. The book concentrates on developments since the industrial and scientific revolutions of the seventeenth and eighteenth centuries. Incorporated within the continuous narrative are sidebars with short biographies of eminent engineers, excerpts from classic texts, stories of individual projects of major importance, and brief histories of key concepts such as calculus. Also included are extensive reference materials: appendices, a glossary, bibliography, and index.
Engineering Structures
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While the emergence of collage is frequently placed in the twentieth century when it was a favored medium of modern artists, its earliest beginnings are tied to the invention of paper in China around 200 BCE. Subsequent forms occurred in twelfth-century Japan with illuminated manuscripts that combined calligraphic poetry with torn colored papers. In early modern Europe,(...)
Fragmentary forms: A new history of collage
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While the emergence of collage is frequently placed in the twentieth century when it was a favored medium of modern artists, its earliest beginnings are tied to the invention of paper in China around 200 BCE. Subsequent forms occurred in twelfth-century Japan with illuminated manuscripts that combined calligraphic poetry with torn colored papers. In early modern Europe, collage was used to document and organize herbaria, plant specimens, and other systems of knowledge. In the eighteenth and nineteenth centuries, collage became firmly associated with the expression of intimate relations and familial affections. Fragmentary Forms offers a new, global perspective on one of the world’s oldest and most enduring means of cultural expression, tracing the rich history of collage from its ancient origins to its uses today as a powerful tool for storytelling and explorations of identity.
Art Theory
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By the late twentieth century, idyllic depictions of eighteenth-century manorial landscapes had become artistic expressions of dislocation. Western agricultural paradigms had shifted, as had the relationship between art and agriculture. The Cultivated Landscape uses over seventy illustrations to look at the development of Western agriculture from feudal times to the(...)
Landscape Architecture, Monographs
February 2008, Montréal, Kingston, London, Ithaca
The cultivated landscape: an exploration of art and agriculture
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By the late twentieth century, idyllic depictions of eighteenth-century manorial landscapes had become artistic expressions of dislocation. Western agricultural paradigms had shifted, as had the relationship between art and agriculture. The Cultivated Landscape uses over seventy illustrations to look at the development of Western agriculture from feudal times to the present. Craig Pearson and Judith Nasby discuss the evolution of how we think about agriculture, its use of the land and impact on landscape, and how landscape has been portrayed historically in art. They also offer a wider discussion on the role that science and economics have played in agricultural development and the parallels to changes in art form. The Cultivated Landscape ends with a discussion of the complex issues facing agriculture today, the need for greater connectivity between agriculture and our environment, and options for the future.
Landscape Architecture, Monographs
books
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Claude-Nicolas Ledoux’s engraving "Coup d’oeil du théâtre Besançon" in which the architect’s building is seen reflected in the eye of a viewer, is the centre-piece in this intellectual archaeology. Rodolphe el-Khoury’s close reading of Ledoux’s celebrated icon excavates the foundations of architectural transparency, Modernism’s most potent and lasting invention, which is(...)
Architecture Monographs
April 2006, San Rafael, Philadelphia
See through Ledoux: architecture, theatre, and the poursuit of transsparency
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Claude-Nicolas Ledoux’s engraving "Coup d’oeil du théâtre Besançon" in which the architect’s building is seen reflected in the eye of a viewer, is the centre-piece in this intellectual archaeology. Rodolphe el-Khoury’s close reading of Ledoux’s celebrated icon excavates the foundations of architectural transparency, Modernism’s most potent and lasting invention, which is here traced back to an intellectual milieu that precedes the industrial revolution’s glass and steel building technology. The image becomes a site of entry into the culture of the eighteenth century--debates in public health, the political ideas of Rousseau, the philosophy of Condillac, the project of the Encyclopédie--yielding insights into important, philosophical, and architectural issues.
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April 2006, San Rafael, Philadelphia
Architecture Monographs
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Elegant and magnificent, conservatories reveal fascinating social, cultural, botanical, and engineering advances as they have evolved across history. First appearing in the eighteenth century as simple structures designed to protect fruit trees and other delicate plants from harsh European winters, conservatories became grand glass houses that spread across the European(...)
The conservatory: gardens under glass
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Elegant and magnificent, conservatories reveal fascinating social, cultural, botanical, and engineering advances as they have evolved across history. First appearing in the eighteenth century as simple structures designed to protect fruit trees and other delicate plants from harsh European winters, conservatories became grand glass houses that spread across the European continent, to the Americas, and ultimately around the world. Through archival and contemporary photographs, drawings of landmark structures, and accessible text, ''The Conservatory'' celebrates the patrons and designers who advanced the technology and architectural majesty of these light-filled structures. The importance of conservatories continues to grow with efforts to conserve phenomenal plants and their environments.
Gardens
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This fiction, a collaboration between Kasper Andreasen and Louis Lüthi, takes as its starting point the painter Alexander Cozens’s publication 'A New Method of Assisting the Invention in Drawing Original Compositions of Landscape' (1785). Set one morning in an empty gallery and told from the point of view of a man who installs exhibitions for a living, 'The Preparator'(...)
Contemporary Art Monographs
November 2016
Louis Luethi, Kasper Andreasen: The Preparator
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This fiction, a collaboration between Kasper Andreasen and Louis Lüthi, takes as its starting point the painter Alexander Cozens’s publication 'A New Method of Assisting the Invention in Drawing Original Compositions of Landscape' (1785). Set one morning in an empty gallery and told from the point of view of a man who installs exhibitions for a living, 'The Preparator' combines text and image in a series of compact, associative tableaus, each revolving around a landscape: a title page, an eighteenth-century ink drawing, the network of cracks in a ceiling, a walk along the Rhine, a satellite photograph, Thomas Bernhard holding forth in a private garden, and others.
Contemporary Art Monographs