Movie theaters
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They are in every American city and town—grandiose movie palaces, constructed during the heyday of the entertainment industry, that now stand abandoned, empty, decaying, or repurposed. Since 2005, the acclaimed photographic duo Marchand/Meffre have been traveling across the US to visit these early 20th-century relics. They have captured the architectural diversity of the(...)
Movie theaters
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They are in every American city and town—grandiose movie palaces, constructed during the heyday of the entertainment industry, that now stand abandoned, empty, decaying, or repurposed. Since 2005, the acclaimed photographic duo Marchand/Meffre have been traveling across the US to visit these early 20th-century relics. They have captured the architectural diversity of the theaters’ exteriors, from neo renaissance to neo-Gothic, art nouveau to Bauhaus, and neo-Byzantine to Jugendstill. They have also stepped inside to capture the commonalities of a dying culture— crumbling plaster, rows of broken crushed-velvet seats, peeling paint, defunct equipment, and abandoned concession stands—as well as their transformation into bingo halls, warehouses, fitness centers, flea markets, parking lots, and grocery stores.
Photography monographs
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Chicago is a city dedicated to the modern—from the skyscrapers that punctuate its skyline to the spirited style that inflects many of its dwellings and institutions, from the New Bauhaus to Hull-House. Despite this, the city has long been overlooked as a locus for modernism in the arts, its rich tradition of architecture, design, and education disregarded. Still the(...)
Chicago makes modern: how creative minds changed society
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Chicago is a city dedicated to the modern—from the skyscrapers that punctuate its skyline to the spirited style that inflects many of its dwellings and institutions, from the New Bauhaus to Hull-House. Despite this, the city has long been overlooked as a locus for modernism in the arts, its rich tradition of architecture, design, and education disregarded. Still the modern in Chicago continues to thrive, as new generations of artists incorporate its legacy into fresh visions for the future. Chicago Makes Modern boldly remaps twentieth-century modernism from our new-century perspective by asking an imperative question: How did the modern mind—deeply reflective, yet simultaneously directed—help to dramatically alter our perspectives on the world and make it new?
Architectural Theory
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A new edition of one of the most widely read books on modern design Nikolaus Pevsner's landmark work was first published in 1936. Pevsner saw Modernism as a synthesis of three main sources: William Morris and his followers; the work of the 19th-century engineers; and Art Nouveau. All these form the essential background to the work of the early Modernists, with their(...)
Pioneers of modern design: from William Morris to Walter Gropius
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A new edition of one of the most widely read books on modern design Nikolaus Pevsner's landmark work was first published in 1936. Pevsner saw Modernism as a synthesis of three main sources: William Morris and his followers; the work of the 19th-century engineers; and Art Nouveau. All these form the essential background to the work of the early Modernists, with their rejection of ornament, their use of new materials and their commitment to "utility" and the machine age. Pevsner looks at the early masters of the movement, such as Voysey and Rennie Mackintosh in Britain; Sullivan and Lloyd Wright in America; and Loos and Wagner in Vienna, ending in 1914, with Walter Gropius and the Bauhaus movement representing design's most radical break with the past.
Design Theory
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Arranged in chronological order, the book's five sections and its conclusion offer a synthetic portrait of Mies's career and reception, spanning sixty years, two continents and two world wars. The text tells a continuous story, however, most chapters focus on a significant work (the Seagram building or the IIT campus), allowing for an in-depth presentation of photographs(...)
Mies
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Arranged in chronological order, the book's five sections and its conclusion offer a synthetic portrait of Mies's career and reception, spanning sixty years, two continents and two world wars. The text tells a continuous story, however, most chapters focus on a significant work (the Seagram building or the IIT campus), allowing for an in-depth presentation of photographs and drawings; other chapters focus on a specific event in Mies's life (such Mies's time as the head of the Bauhaus). All the important buildings are presented through photographs, drawings and diagrams, showing the innovative structures, fine details and material richness that distinguish Mies's work. In addition, many pieces of art and architecture that influenced Mies are also illustrated as well as being discussed in the text.
Architecture Monographs
Laszlo Moholy-Nagy: 60 fotos
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In 1930, Moholy-Nagy published 60 Fotos, an almost pedagogic visual treatise in which he performed virtuoso turns on all kinds of photographic possibilities, from camara-less pictures and photograms--for which he squirted oil into developer and squeezed oil between sheets of glass during exposure (among other techniques)--to photomontage, as well as more conventional(...)
Laszlo Moholy-Nagy: 60 fotos
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In 1930, Moholy-Nagy published 60 Fotos, an almost pedagogic visual treatise in which he performed virtuoso turns on all kinds of photographic possibilities, from camara-less pictures and photograms--for which he squirted oil into developer and squeezed oil between sheets of glass during exposure (among other techniques)--to photomontage, as well as more conventional photographs. 60 Fotos proposed photography as both a medium with intrinsic material properties to explore and as an instrument capable of surpassing the human eye in its recording of the world. This classic treatise features some of the Bauhaus teacher's finest examples of photograms, negative prints and photomontage; Errata's spread-by-spread reproduction of the volume also includes a contemporary essay by noted photo-historian David Evans.
Photography monographs
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Josef Albers' rigorous investigations into color have had a decisive effect on art in the twentieth century and beyond. His teaching posts at the Bauhaus, Black Mountain College and Yale enabled him to bequeath his theories to several generations of artists and designers, from Max Bill and Mark Rothko to Eva Hesse and Ray Johnson. Published for an exhibition at the Morgan(...)
Josef Albers in America: Painting on paper
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Josef Albers' rigorous investigations into color have had a decisive effect on art in the twentieth century and beyond. His teaching posts at the Bauhaus, Black Mountain College and Yale enabled him to bequeath his theories to several generations of artists and designers, from Max Bill and Mark Rothko to Eva Hesse and Ray Johnson. Published for an exhibition at the Morgan library, and with an abundance of previously uncollected works, this volume unveils the full bounty of Albers' works on paper: lithographs, linocuts, woodcuts, screenprints and etchings. Since the prints lack the just-visible brushwork of Albers' paintings, allowing color to emerge without surface blemish, some have argued that they constitute a more effective illustration of his color theory.
Contemporary Art Monographs
Muriel Cooper
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Muriel Cooper (1925–1994) was the pioneering designer who created the MIT Press colophon (or logo)—seven bars that represent the lowercase letters “mitp” as abstracted books on a shelf. She designed a modernist monument, the encyclopedic volume The Bauhaus (1969), and the controversial first edition of Learning from Las Vegas (1972). She used an offset press as an(...)
Graphic Designers, Monographs
September 2017
Muriel Cooper
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Muriel Cooper (1925–1994) was the pioneering designer who created the MIT Press colophon (or logo)—seven bars that represent the lowercase letters “mitp” as abstracted books on a shelf. She designed a modernist monument, the encyclopedic volume The Bauhaus (1969), and the controversial first edition of Learning from Las Vegas (1972). She used an offset press as an artistic tool, worked with a large-format Polaroid camera, and had an early vision of e-books. Cooper began her four-decade career at MIT by designing printed flyers for the Office of Publications; her final projects were digital. This illustrated volume documents Cooper’s career in abundant detail, with prints, sketches, book covers, posters, mechanicals, student projects, and photographs, from her work in design, teaching, and research at MIT.
Graphic Designers, Monographs
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Since its first publication in 1969, "Pioneers of Modern Typography" has been the standard guide to the avant-garde origins of modern graphic design and typography. In this essential reference, Herbert Spencer shows how new concepts in graphic design in the early decades of the twentieth century had their roots in the artistic movements of the time in painting, poetry,(...)
Graphic Design and Typography
February 2004, Cambridge, Mass.
Pioneers of modern typography
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Since its first publication in 1969, "Pioneers of Modern Typography" has been the standard guide to the avant-garde origins of modern graphic design and typography. In this essential reference, Herbert Spencer shows how new concepts in graphic design in the early decades of the twentieth century had their roots in the artistic movements of the time in painting, poetry, and architecture. Spencer examines the "heroic" period of modern design and typography, the beginning of which he traces to the publication in Le Figaro of the Italian artist Manetti's Futurist manifesto. He discusses the work of such "pioneers" as El Lissitzky, Alexander Rodchenko, and Laszlo Moholy-Nagy. He examines the artistic background of the new concepts in graphic design, and traces the influences of futurism, Dadaism, de Stijl, suprematism, constructivism, and the Bauhaus.
Graphic Design and Typography
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This book takes the reader on a tour of the concept behind the Ulm School, its 15 years of life and its legacy. The look at the past also follows the long path taken by German design, starting with the Bauhaus, before emigrating to the USA and eventually returning to its roots. The authors illustrate the role the School continues to play by pointing out everyday products(...)
Architecture since 1900, Europe
August 2003, Berlin
The Ulm school of design : beginnings of a project of unyielding modernity
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This book takes the reader on a tour of the concept behind the Ulm School, its 15 years of life and its legacy. The look at the past also follows the long path taken by German design, starting with the Bauhaus, before emigrating to the USA and eventually returning to its roots. The authors illustrate the role the School continues to play by pointing out everyday products designed by HfG teachers and alumni, e.g the Lufthansa corporate design and the ICE train, to name but two examples. There is also a look at some visionary projects that the School never realized. On the theoretical level, the book begins and concludes with a discussion of international modernism in philosophy and design, culminating in the question of its future, especially in terms of architecture and our environment.
Architecture since 1900, Europe
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György Kepes, figure importante du modernisme de l’après-guerre, a connu une carrière singulière. D’abord formé auprès de Laszlo Moholy-Nagy, il fut enseignant au New Bauhaus de Chicago avant de devenir professeur au prestigieux MIT. À la fois artiste peintre, photographe, éditeur, curateur, enseignant et designer, Kepes voua sa vie à l’humanisme scientifique à(...)
György Kepes : du language visuel à l'art environnemental
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György Kepes, figure importante du modernisme de l’après-guerre, a connu une carrière singulière. D’abord formé auprès de Laszlo Moholy-Nagy, il fut enseignant au New Bauhaus de Chicago avant de devenir professeur au prestigieux MIT. À la fois artiste peintre, photographe, éditeur, curateur, enseignant et designer, Kepes voua sa vie à l’humanisme scientifique à travers l’étude des formes. Ce livre vise à rendre compte de manière extensive et pour la première fois en langue française de la richesse de la carrière de Kepes. Examinant tour à tour son parcours et son travail à travers les prismes de la psychologie de la forme, de la cybernétique et de l’ornement, Jean-Marie Bolay propose une lecture originale de l’oeuvre de Kepes, et rend justice à son rôle de pionnier de la pensée écologique.
Art Theory