650 Results
Form:
exhibitions
exhibitions
Title:
Starting From... The Suburbs
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Location:
Hall cases
Hall cases
Date:
16 February 2012 to 10 June 2012
16 February 2012 to 10 June 2012
Title:
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Starting From... The Suburbs
Actions:
Description:
We are more likely today to consider suburbs formless, vacant, or unsustainable compared to the dense social and economic activity of cities. Starting from… The Suburbs looks at the past fifty years of suburban culture through the lens of the CCA Collection’s photography holdings, produced by photographers’ longstanding attraction and aversion to this urban form. The(...)
Form:
exhibitions
exhibitions
Date:
16 February 2012 to
10 June 2012
16 February 2012 to
10 June 2012
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Title:
Arrivals
Arrivals
Actions:
Description:
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Location:
Hall cases
Hall cases
Date:
24 January 2008 to 23 March 2008
24 January 2008 to 23 March 2008
Title:
Arrivals
Actions:
Description:
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Arrivals
Actions:
Description:
Arrivals features gifts to the collection received in honour of Phyllis Lambert’s eightieth birthday. It includes original prints by acclaimed photographers and artists experimenting with the language of photography: Dieter Appelt, Robert Burley, Edward Burtynsky, Giovanni Chiaramonte, Thomas Florschuetz, John Gossage, Guido Guidi, Gordon Matta-Clark (donated by Jane(...)
Form:
exhibitions
exhibitions
Date:
24 January 2008 to
23 March 2008
24 January 2008 to
23 March 2008
Location:
Hall cases
Hall cases
Form:
research
research
Actions:
Description:
TD Bank Group-CCA Collection Research Grant recipients: José Aragüez (Princeton University, Graduate School of Architecture); Britt Eversole (Princeton University, Graduate School of Architecture); Michael Kubo (Massachusetts Institute of Technology); Peter Minosh (Columbia University, Graduate School of Architecture, Planning and Preservation); Bryan Norwood (Harvard(...)
TD Bank Group-CCA Collection Research Grant recipients: José Aragüez (Princeton University, Graduate School of Architecture); Britt Eversole (Princeton University, Graduate School of Architecture); Michael Kubo (Massachusetts Institute of Technology); Peter Minosh (Columbia University, Graduate School of Architecture, Planning and Preservation); Bryan Norwood (Harvard(...)
Date:
June 2013 to August 2013
June 2013 to August 2013
Title:
Doctoral Students Program 2013
Actions:
Description:
TD Bank Group-CCA Collection Research Grant recipients: José Aragüez (Princeton University, Graduate School of Architecture); Britt Eversole (Princeton University, Graduate School of Architecture); Michael Kubo (Massachusetts Institute of Technology); Peter Minosh (Columbia University, Graduate School of Architecture, Planning and Preservation); Bryan Norwood (Harvard(...)
Doctoral Students Program 2013
Actions:
Description:
TD Bank Group-CCA Collection Research Grant recipients: José Aragüez (Princeton University, Graduate School of Architecture); Britt Eversole (Princeton University, Graduate School of Architecture); Michael Kubo (Massachusetts Institute of Technology); Peter Minosh (Columbia University, Graduate School of Architecture, Planning and Preservation); Bryan Norwood (Harvard(...)
Form:
research
research
Date:
June 2013 to
August 2013
June 2013 to
August 2013
Form:
research
research
Actions:
Description:
TD Bank Group-CCA Collection Research Grant Recipients: Alma Mikulinsky (University of Toronto); Inhye Kang (McGill University); Nicholas Roquet (McGill University); Leila Farah (McGill University); Deborah J. Watt (University of British Columbia); Nancy Cuthbert (University of Victoria); Dana Broadbent (McGill University); Carole Lévesque (Université de Montréal);(...)
TD Bank Group-CCA Collection Research Grant Recipients: Alma Mikulinsky (University of Toronto); Inhye Kang (McGill University); Nicholas Roquet (McGill University); Leila Farah (McGill University); Deborah J. Watt (University of British Columbia); Nancy Cuthbert (University of Victoria); Dana Broadbent (McGill University); Carole Lévesque (Université de Montréal);(...)
Date:
January 2007 to November 2007
January 2007 to November 2007
Title:
Doctoral Students Program 2007
Actions:
Description:
TD Bank Group-CCA Collection Research Grant Recipients: Alma Mikulinsky (University of Toronto); Inhye Kang (McGill University); Nicholas Roquet (McGill University); Leila Farah (McGill University); Deborah J. Watt (University of British Columbia); Nancy Cuthbert (University of Victoria); Dana Broadbent (McGill University); Carole Lévesque (Université de Montréal);(...)
Doctoral Students Program 2007
Actions:
Description:
TD Bank Group-CCA Collection Research Grant Recipients: Alma Mikulinsky (University of Toronto); Inhye Kang (McGill University); Nicholas Roquet (McGill University); Leila Farah (McGill University); Deborah J. Watt (University of British Columbia); Nancy Cuthbert (University of Victoria); Dana Broadbent (McGill University); Carole Lévesque (Université de Montréal);(...)
Form:
research
research
Date:
January 2007 to
November 2007
January 2007 to
November 2007
Form:
exhibitions
exhibitions
Title:
Starting From... Windows
Starting From... Windows
Actions:
Description:
A window can be a void, an aperture, or a glass surface. Existing at the boundary between interior and exterior, windows admit light and air and frame views. The idea of the window, combined with advances in glass as a building material, became central to architectural experimentation during the modern period. This selection from the CCA collection presents a range of(...)
A window can be a void, an aperture, or a glass surface. Existing at the boundary between interior and exterior, windows admit light and air and frame views. The idea of the window, combined with advances in glass as a building material, became central to architectural experimentation during the modern period. This selection from the CCA collection presents a range of(...)
Location:
Hall cases
Hall cases
Date:
17 June 2010 to 27 September 2010
17 June 2010 to 27 September 2010
Title:
Starting From... Windows
Actions:
Description:
A window can be a void, an aperture, or a glass surface. Existing at the boundary between interior and exterior, windows admit light and air and frame views. The idea of the window, combined with advances in glass as a building material, became central to architectural experimentation during the modern period. This selection from the CCA collection presents a range of(...)
Starting From... Windows
Actions:
Description:
A window can be a void, an aperture, or a glass surface. Existing at the boundary between interior and exterior, windows admit light and air and frame views. The idea of the window, combined with advances in glass as a building material, became central to architectural experimentation during the modern period. This selection from the CCA collection presents a range of(...)
Form:
exhibitions
exhibitions
Date:
17 June 2010 to
27 September 2010
17 June 2010 to
27 September 2010
Location:
Hall cases
Hall cases
Form:
exhibitions
exhibitions
Actions:
Description:
Richard Pare – Tadao Ando: The Colours of Light explores the relationship between the work of Japanese architect Tadao Ando, one of the major protagonists of a new sense of poetry in the architecture of our time, and the work of British photographer Richard Pare, pioneer in the study of the place of photography in the representation of architecture. Rather than to(...)
Richard Pare – Tadao Ando: The Colours of Light explores the relationship between the work of Japanese architect Tadao Ando, one of the major protagonists of a new sense of poetry in the architecture of our time, and the work of British photographer Richard Pare, pioneer in the study of the place of photography in the representation of architecture. Rather than to(...)
Location:
Octagonal gallery
Octagonal gallery
Date:
26 March 1997 to 1 June 1997
26 March 1997 to 1 June 1997
Title:
Richard Pare – Tadao Ando: The Colours of Light
Actions:
Description:
Richard Pare – Tadao Ando: The Colours of Light explores the relationship between the work of Japanese architect Tadao Ando, one of the major protagonists of a new sense of poetry in the architecture of our time, and the work of British photographer Richard Pare, pioneer in the study of the place of photography in the representation of architecture. Rather than to(...)
Richard Pare – Tadao Ando: The Colours of Light
Actions:
Description:
Richard Pare – Tadao Ando: The Colours of Light explores the relationship between the work of Japanese architect Tadao Ando, one of the major protagonists of a new sense of poetry in the architecture of our time, and the work of British photographer Richard Pare, pioneer in the study of the place of photography in the representation of architecture. Rather than to(...)
Form:
exhibitions
exhibitions
Date:
26 March 1997 to
1 June 1997
26 March 1997 to
1 June 1997
Location:
Octagonal gallery
Octagonal gallery
Form:
events
events
Actions:
Location:
Shaughnessy House Keyword(s):
research fellow 2022, seminar, research, Desirée Valadares, infrastructure, railway, highway, colonial history
Shaughnessy House Keyword(s):
research fellow 2022, seminar, research, Desirée Valadares, infrastructure, railway, highway, colonial history
Date:
10 November 2022, 6pm
10 November 2022, 6pm
Form:
events
events
Date:
10 November 2022
6pm
10 November 2022
6pm
Location:
Shaughnessy House Keyword(s):
research fellow 2022, seminar, research, Desirée Valadares, infrastructure, railway, highway, colonial history
Shaughnessy House Keyword(s):
research fellow 2022, seminar, research, Desirée Valadares, infrastructure, railway, highway, colonial history
Form:
drawings
drawings
Actions:
Reference number:
DR1996:0001
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0001
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
People:
Subject:
architecture
architecture
Date:
December 1952
December 1952
Title:
Perspective for a guest villa showing the terrace and the principal and lateral façades, Village Polychrome, near Biot, France
Actions:
DR1996:0001
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Perspective for a guest villa showing the terrace and the principal and lateral façades, Village Polychrome, near Biot, France
Actions:
DR1996:0001
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Form:
drawings
drawings
Date:
December 1952
December 1952
People:
Subject:
architecture
architecture
Form:
drawings
drawings
Actions:
Reference number:
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
People:
Subject:
architecture, urban planning
architecture, urban planning
Date:
1953
1953
Title:
Perspective for a villa with three workshops, Village Polychrome, near Biot, France
Actions:
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Perspective for a villa with three workshops, Village Polychrome, near Biot, France
Actions:
DR1996:0003
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Form:
drawings
drawings
Date:
1953
1953
People:
Subject:
architecture, urban planning
architecture, urban planning
Form:
drawings
drawings
Reference number:
DR1996:0004
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
DR1996:0004
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
People:
Subject:
architecture, urban planning
architecture, urban planning
Date:
1952-1953
1952-1953
Title:
Bird's-eye perspective for Village Polychrome, near Biot, France
Actions:
DR1996:0004
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Bird's-eye perspective for Village Polychrome, near Biot, France
Actions:
DR1996:0004
Description:
- Two groups of four pastel drawings were originally produced in connection with the Village Polychrome project. The architect André Bruyère had retained one group, while the other was given to the patron and client, Francisco de Assis Chateaubriand Bandeira de Melo, who then donated it to the Sao Paolo Museum of Modern Art. Bruyère subsequently gave one of the four drawings in his group to a friend. The three remaining drawings from Bruyère's group are in the CCA Prints and Drawings collection (DR1996:0001 - DR1996:0003) ("Projet de Village Polychrome, Biot, France").
Form:
drawings
drawings
Date:
1952-1953
1952-1953
People:
Subject:
architecture, urban planning
architecture, urban planning
