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In a period of over thirty years, Arne van Herk and Sabien de Kleijn have achieved a varied and unconventional body of work. It consists of architecture, urban design, interior design, furniture, household objects, films and experiments in form and material. This book notes the ingenious skylights in their houseboat as well as the houses on Borneokade Amsterdam. It(...)
Architecture Monographs
January 2003, Rotterdam
Van Herk & De Kleijn : tools and architecture
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In a period of over thirty years, Arne van Herk and Sabien de Kleijn have achieved a varied and unconventional body of work. It consists of architecture, urban design, interior design, furniture, household objects, films and experiments in form and material. This book notes the ingenious skylights in their houseboat as well as the houses on Borneokade Amsterdam. It gives due attention to the foam-rubber objects, the fifty-centimetre high platform shoes, the Woutertje Pieterse School in Leiden and the accommodation building for the Dutch Royal Navy in Den Helder. The architects' working method and their projects are explored in an essay by Hans Ibelings. Adriaan Geuze and Cilia Erens present individual outlooks on the work of Van Herk & De Kleijn. Designed by Karel Martens and Aagje Martens.
books
January 2003, Rotterdam
Architecture Monographs
A10 22: July August 2008
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Bridging gaps in Budapest
A10 22: July August 2008
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Bridging gaps in Budapest
Magazines
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Dutch photographer Jeroen Lok went to Coliumo, Chile, to visit Casa Poli, designed by the firm Pezo von Ellrichshausen. In this book, Jeroen Lok documents the weathering of the house during almost a decade of existence, and places it in its context, which underwent big changes after an earthquake in 2010.
Casa Poli: Pezo von Ellrichshausen
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Dutch photographer Jeroen Lok went to Coliumo, Chile, to visit Casa Poli, designed by the firm Pezo von Ellrichshausen. In this book, Jeroen Lok documents the weathering of the house during almost a decade of existence, and places it in its context, which underwent big changes after an earthquake in 2010.
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La globalisation en architecture est généralement perçue comme une force négative conduisant à l'homogénéité et à l'uniformité. Ces dernières années cependant, sous l'influence des processus de globalisation, se dessinent les contours d'une nouvelle et intrigante architecture au sein de laquelle la superficialité et la neutralité ont acquis une signification particulière.
Supermodernisme : l'architecture à l'ère de la globalisation
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La globalisation en architecture est généralement perçue comme une force négative conduisant à l'homogénéité et à l'uniformité. Ces dernières années cependant, sous l'influence des processus de globalisation, se dessinent les contours d'une nouvelle et intrigante architecture au sein de laquelle la superficialité et la neutralité ont acquis une signification particulière.
Architecture since 1900, Europe
Rise and sprawl
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This is the story of the rise and sprawl of the condo tower in Toronto. The sheer number of new towers, their size, mass, volume, and height, let alone the speed by which they are being built, is remarkable. The only thing that isn’t remarkable about Toronto’s condominiums is their architecture. 'Rise and Sprawl' analyzes the recent condominiumization of Toronto. It is(...)
Rise and sprawl
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This is the story of the rise and sprawl of the condo tower in Toronto. The sheer number of new towers, their size, mass, volume, and height, let alone the speed by which they are being built, is remarkable. The only thing that isn’t remarkable about Toronto’s condominiums is their architecture. 'Rise and Sprawl' analyzes the recent condominiumization of Toronto. It is also a call to action to do things differently and design better, bolder buildings.
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Modern architecture is inseparably linked with the Industrial Revolution. Industrially manufactured materials such as iron, steel, reinforced concrete, glass, asbestos, and later also plastics, have helped to make architecture modern. The Industrial Revolution also set planetary warming in motion. Thus, it is not far-fetched to claim that there are also correlations(...)
Modern architecture: A planetary warming history
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Modern architecture is inseparably linked with the Industrial Revolution. Industrially manufactured materials such as iron, steel, reinforced concrete, glass, asbestos, and later also plastics, have helped to make architecture modern. The Industrial Revolution also set planetary warming in motion. Thus, it is not far-fetched to claim that there are also correlations between modern architecture and planetary warming. This book is a rough sketch of a proposed history of modern architecture since the beginning of the Industrial Revolution. It aims to break away from the established neural networks of the profession’s collective memory of how modern architecture’s history has unfolded, and offers the beginning of a rewiring: by introducing new actors, and highlighting ideas and projects that deal with climate and environment, while relegating some of the usual stars of modernism and postmodernism to the background.
Modernism
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For both Jo Kruger (1914–1983) and Rob Hootsmans (1962) the architecture of the Courthouse in Zwolle, the Netherlands, was a long time in the making. Kruger began in 1963 with his project for a combined district and subdistrict court, which took fourteen years to be completed. In 2004, while still working for the Government Building Agency, Hootsmans began exploring how(...)
Courthouse Zwolle: Jo Kruger, Rob Hootsmans
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For both Jo Kruger (1914–1983) and Rob Hootsmans (1962) the architecture of the Courthouse in Zwolle, the Netherlands, was a long time in the making. Kruger began in 1963 with his project for a combined district and subdistrict court, which took fourteen years to be completed. In 2004, while still working for the Government Building Agency, Hootsmans began exploring how Kruger’s building could be expanded. He finished a new extension in 2013, and completed the renovation of Kruger’s original building in 2016. Even if the architecture of Jo Kruger is very different from that of Rob Hootsmans, it is somehow a meeting of kindred spirits.
Architecture Monographs
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Parasites are flexible and temporary structures, designed by artists or architects, that feed off existing infrastructure. "Parasite Paradise" documents 23 projects that offer new ways of designing the public domain outside the existing rules. Many of these parasites have settled in the government-designated 'Vinex' district of Leidsche Rijn near Utrecht. There they have(...)
Miniature Architecture
July 2004, Rotterdam
Parasite paradise : a manifesto for temporary architecture and flexible urbanism
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Parasites are flexible and temporary structures, designed by artists or architects, that feed off existing infrastructure. "Parasite Paradise" documents 23 projects that offer new ways of designing the public domain outside the existing rules. Many of these parasites have settled in the government-designated 'Vinex' district of Leidsche Rijn near Utrecht. There they have introduced new and unforeseen functions, turning a district almost exclusively concerned with dwelling into a more urban entity. What do these small, mobile architectural interventions mean for our strictly regulated society and for the planning of architecture and urbanism? What sense (or nonsense) is there in mobile architecture from a historical perspective? And how does it divide up the roles of art and architecture? Essays by Gijs van Oenen, Ivan Nio, Hans Ibelings, Jennifer Allen and Olof Koekebakker examine these issues in depth. The project descriptions and essays encourage us to consider another approach to planning, one where not everything is fixed beforehand. This makes Parasite Paradise required reading for architects, urban planners and artists whose concern is designing the public realm. "Parasite Paradise" features projects by a.o. Inge Roseboom and Mark Weemen, Shigeru Ban, Atelier van Lieshout, Exilhäuser Architekten, Hans Peter Wörndl, 2012 Architecten, Bik VanderPol with Korteknie Stuhlmacher Architecten, Alicia Framis, Eduard Böhtlingk, Luc Deleu, Attila Foundation (Kas Oosterhuis, Menno Rubbens, Ilona Lénárd), Daniel Milohnic & Dirk Paschke, Maurer United Architects and Dré Wapenaar.
Miniature Architecture
Nicolas Faure : landscape A
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Published on the occasion of the exhibition " Nicolas Faure, Landscape A " - Musée de l'Élysée, Lausanne, 17 november 2005 - 5 february 2006. Nicolas Faure has been working on the theme of Swiss landscape since the 1990s, concentrating in particular on the blend between the Traditional and the Modern. The motorway is the meeting point of technology, architecture and a(...)
Photography monographs
April 2006, Göttingen
Nicolas Faure : landscape A
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Published on the occasion of the exhibition " Nicolas Faure, Landscape A " - Musée de l'Élysée, Lausanne, 17 november 2005 - 5 february 2006. Nicolas Faure has been working on the theme of Swiss landscape since the 1990s, concentrating in particular on the blend between the Traditional and the Modern. The motorway is the meeting point of technology, architecture and a certain concept of Nature, and through his photographs, Faure elicits aspects that characterise Switzerland. A landscape always has a cultural component and landscape is one of the major concerns of Swiss culture. The motorways, which criss-cross the country virtually, divide it. They constitute a whole “new territory”, enlivened by apparently natural but essentially man-made surroundings. These “natural surroundings” are but illusions. These places are the epitome of paradox: built amidst concrete artefacts, they are not accessible to visitors and almost invisible to motorists.
Photography monographs
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This book does not focus on architectural fame, but tries instead to give a balanced picture of what has been realized recently, from Tallinn to the Azores, and in a variety of project types in urban, village and rural settings. In so doing it gives a different picture of Europe, or maybe,
Architecture since 1900, Europe
December 2007, Amsterdam
New European Architecture 07/08
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This book does not focus on architectural fame, but tries instead to give a balanced picture of what has been realized recently, from Tallinn to the Azores, and in a variety of project types in urban, village and rural settings. In so doing it gives a different picture of Europe, or maybe,
Architecture since 1900, Europe