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Modern architecture is inseparably linked with the Industrial Revolution. Industrially manufactured materials such as iron, steel, reinforced concrete, glass, asbestos, and later also plastics, have helped to make architecture modern. The Industrial Revolution also set planetary warming in motion. Thus, it is not far-fetched to claim that there are also correlations(...)
Modern architecture: A planetary warming history
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Modern architecture is inseparably linked with the Industrial Revolution. Industrially manufactured materials such as iron, steel, reinforced concrete, glass, asbestos, and later also plastics, have helped to make architecture modern. The Industrial Revolution also set planetary warming in motion. Thus, it is not far-fetched to claim that there are also correlations between modern architecture and planetary warming. This book is a rough sketch of a proposed history of modern architecture since the beginning of the Industrial Revolution. It aims to break away from the established neural networks of the profession’s collective memory of how modern architecture’s history has unfolded, and offers the beginning of a rewiring: by introducing new actors, and highlighting ideas and projects that deal with climate and environment, while relegating some of the usual stars of modernism and postmodernism to the background.
Modernism
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For both Jo Kruger (1914–1983) and Rob Hootsmans (1962) the architecture of the Courthouse in Zwolle, the Netherlands, was a long time in the making. Kruger began in 1963 with his project for a combined district and subdistrict court, which took fourteen years to be completed. In 2004, while still working for the Government Building Agency, Hootsmans began exploring how(...)
Courthouse Zwolle: Jo Kruger, Rob Hootsmans
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For both Jo Kruger (1914–1983) and Rob Hootsmans (1962) the architecture of the Courthouse in Zwolle, the Netherlands, was a long time in the making. Kruger began in 1963 with his project for a combined district and subdistrict court, which took fourteen years to be completed. In 2004, while still working for the Government Building Agency, Hootsmans began exploring how Kruger’s building could be expanded. He finished a new extension in 2013, and completed the renovation of Kruger’s original building in 2016. Even if the architecture of Jo Kruger is very different from that of Rob Hootsmans, it is somehow a meeting of kindred spirits.
Architecture Monographs
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Parasites are flexible and temporary structures, designed by artists or architects, that feed off existing infrastructure. "Parasite Paradise" documents 23 projects that offer new ways of designing the public domain outside the existing rules. Many of these parasites have settled in the government-designated 'Vinex' district of Leidsche Rijn near Utrecht. There they have(...)
Miniature Architecture
July 2004, Rotterdam
Parasite paradise : a manifesto for temporary architecture and flexible urbanism
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Parasites are flexible and temporary structures, designed by artists or architects, that feed off existing infrastructure. "Parasite Paradise" documents 23 projects that offer new ways of designing the public domain outside the existing rules. Many of these parasites have settled in the government-designated 'Vinex' district of Leidsche Rijn near Utrecht. There they have introduced new and unforeseen functions, turning a district almost exclusively concerned with dwelling into a more urban entity. What do these small, mobile architectural interventions mean for our strictly regulated society and for the planning of architecture and urbanism? What sense (or nonsense) is there in mobile architecture from a historical perspective? And how does it divide up the roles of art and architecture? Essays by Gijs van Oenen, Ivan Nio, Hans Ibelings, Jennifer Allen and Olof Koekebakker examine these issues in depth. The project descriptions and essays encourage us to consider another approach to planning, one where not everything is fixed beforehand. This makes Parasite Paradise required reading for architects, urban planners and artists whose concern is designing the public realm. "Parasite Paradise" features projects by a.o. Inge Roseboom and Mark Weemen, Shigeru Ban, Atelier van Lieshout, Exilhäuser Architekten, Hans Peter Wörndl, 2012 Architecten, Bik VanderPol with Korteknie Stuhlmacher Architecten, Alicia Framis, Eduard Böhtlingk, Luc Deleu, Attila Foundation (Kas Oosterhuis, Menno Rubbens, Ilona Lénárd), Daniel Milohnic & Dirk Paschke, Maurer United Architects and Dré Wapenaar.
Miniature Architecture
Nicolas Faure : landscape A
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Published on the occasion of the exhibition " Nicolas Faure, Landscape A " - Musée de l'Élysée, Lausanne, 17 november 2005 - 5 february 2006. Nicolas Faure has been working on the theme of Swiss landscape since the 1990s, concentrating in particular on the blend between the Traditional and the Modern. The motorway is the meeting point of technology, architecture and a(...)
Photography monographs
April 2006, Göttingen
Nicolas Faure : landscape A
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Published on the occasion of the exhibition " Nicolas Faure, Landscape A " - Musée de l'Élysée, Lausanne, 17 november 2005 - 5 february 2006. Nicolas Faure has been working on the theme of Swiss landscape since the 1990s, concentrating in particular on the blend between the Traditional and the Modern. The motorway is the meeting point of technology, architecture and a certain concept of Nature, and through his photographs, Faure elicits aspects that characterise Switzerland. A landscape always has a cultural component and landscape is one of the major concerns of Swiss culture. The motorways, which criss-cross the country virtually, divide it. They constitute a whole “new territory”, enlivened by apparently natural but essentially man-made surroundings. These “natural surroundings” are but illusions. These places are the epitome of paradox: built amidst concrete artefacts, they are not accessible to visitors and almost invisible to motorists.
Photography monographs
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This book does not focus on architectural fame, but tries instead to give a balanced picture of what has been realized recently, from Tallinn to the Azores, and in a variety of project types in urban, village and rural settings. In so doing it gives a different picture of Europe, or maybe,
Architecture since 1900, Europe
December 2007, Amsterdam
New European Architecture 07/08
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This book does not focus on architectural fame, but tries instead to give a balanced picture of what has been realized recently, from Tallinn to the Azores, and in a variety of project types in urban, village and rural settings. In so doing it gives a different picture of Europe, or maybe,
Architecture since 1900, Europe
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Studio 44 Architects is one of the largest private architectural firms in St Petersburg and in Russia. Founded in 1991 and led by Nikita Yavein, the company now employs over 140 highly qualified specialists, including architects, restoration experts, structural designers and engineers. Studio 44 has won over sixty prestigious awards and implemented over twenty-five public(...)
Architecture Monographs
July 2016
Studio 44
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Studio 44 Architects is one of the largest private architectural firms in St Petersburg and in Russia. Founded in 1991 and led by Nikita Yavein, the company now employs over 140 highly qualified specialists, including architects, restoration experts, structural designers and engineers. Studio 44 has won over sixty prestigious awards and implemented over twenty-five public and residential building projects, including Ladozhsky Railway Station, the Atrium Business Centre at Nevsky 25, Nevsky 38 and Linkor business centres, the Grand Palace shopping gallery, the Novy Peterhof hotel and the Boris Eifman Dance Academy in St Petersburg; the Palace of Schoolchildren in Astana (Kazakhstan); and the Olympic Park Railway Station in Sochi. Studio 44 designed the new museum complex of the State Hermitage Museum in the General Staff Building (Stage 1, 2010) that was profiled in the book 'The Hermitage XXI' (Thames & Hudson, 2014).
Architecture Monographs
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For Donna van Milligen Bielke architecture begins and ends with architecture. Even if she never mentions it explicitly, for her, architecture suffices to make architecture. Just as a language comprises all its words, including the ones that are rarely used, architecture is based on all its forms and manifestations. Wittingly or unwittingly, every architect stands in(...)
In Between: The urban architecture Of Donna Van Milligen Bielke
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For Donna van Milligen Bielke architecture begins and ends with architecture. Even if she never mentions it explicitly, for her, architecture suffices to make architecture. Just as a language comprises all its words, including the ones that are rarely used, architecture is based on all its forms and manifestations. Wittingly or unwittingly, every architect stands in relation to all architecture that has ever been made. Not every architect fully acknowledges this, but Van Milligen Bielke certainly does. In her work it is possible to see the depth of the discipline’s history.
Architecture Monographs
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Between 1950 and 1980 Danish architects Knud Friis and Elmar Moltke realized hundreds of projects. Most of their work can be found in Jutland, and within this region the majority is built in and near Aarhus. Roughly ten percent of the firm’s built work is presented here, in a cross section of their schools, town halls, sports complexes, housing, private houses and(...)
Provocations against perfectionism : The architecture of Friis & Moltke
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Between 1950 and 1980 Danish architects Knud Friis and Elmar Moltke realized hundreds of projects. Most of their work can be found in Jutland, and within this region the majority is built in and near Aarhus. Roughly ten percent of the firm’s built work is presented here, in a cross section of their schools, town halls, sports complexes, housing, private houses and summerhouses, hotels, offices, factories, churches, and conference centres. The book traces the development of Friis and Moltke’s unique and friendly brutalism, which is always comfortable, casual, and, in the words of Knud Friis, a ‘provocation against perfectionism’.
Architecture Monographs
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The main thrust of this book is the philosophy and methodology of Van Sambeek & Van Veen Architecten. The offices projects are presented according to seven themes, which all relate to organizational forms that are important to the work of Erna van Sambeek and René van Veen: neutrality, exclusivity, family, seriality, position, interiority and time. For each design,(...)
Architecture Monographs
March 2005, Rotterdam
Van Sambeek & Van Veen architecten of freedom of organization
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The main thrust of this book is the philosophy and methodology of Van Sambeek & Van Veen Architecten. The offices projects are presented according to seven themes, which all relate to organizational forms that are important to the work of Erna van Sambeek and René van Veen: neutrality, exclusivity, family, seriality, position, interiority and time. For each design, the architects ask how the essence of the task can be reduced to a combination of two or more of these themes. Each project therefore appears at least twice in the book, but with text and image tailored specifically to the theme of a particular chapter. The design philosophy of Van Sambeek & Van Veen architecten demonstrates the richness that architecture can gain from a consistent concentration on the essentials and a clear separation of primary and secondary aspects, and the broader implications of this. Typography design by Rudo Hartman.
Architecture Monographs
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With strategic interventions Serge Schoemaker has brought Fort Hoofddorp out of its isolation, by making what was previously inaccessible for defensive reasons, public. His design method can be best described as architectural editiong, keeping the tone and tenor of the fort intact, and strenghtening its character wherever possible, to elucidate its 'story', and to express(...)
Architecture Monographs
August 2021
Fort Hoofddorp: Strategic Interventions, Serge Schoemaker Architects
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With strategic interventions Serge Schoemaker has brought Fort Hoofddorp out of its isolation, by making what was previously inaccessible for defensive reasons, public. His design method can be best described as architectural editiong, keeping the tone and tenor of the fort intact, and strenghtening its character wherever possible, to elucidate its 'story', and to express the essence of its architecture.
Architecture Monographs