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In the 1970s, a void opened at the heart of architecture. In hotels, offices, public buildings, and commercial centers, the atrium emerged globally to challenge the modernist legacies of form and function, altering the pattern and experience of cities. While often appearing at vast scale and to striking effect, the atrium also became omnipresent and mundane. In this(...)
Atrium
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In the 1970s, a void opened at the heart of architecture. In hotels, offices, public buildings, and commercial centers, the atrium emerged globally to challenge the modernist legacies of form and function, altering the pattern and experience of cities. While often appearing at vast scale and to striking effect, the atrium also became omnipresent and mundane. In this lively critique, Charles Rice charts the atrium's appearance in the 1970s and its development through the 1980s, as it accompanied profound shifts in the discipline and practice of architecture. During this period, architectural practice especially in the United States and United Kingdom was changing rapidly, due in part to the manifold effects of deregulation. All aspects of the way buildings were designed, developed, regulated, built, managed, and occupied were being reshaped. A practice guided by the progressive tenets of modernism was being turned into a professional service fully integrated within neoliberal social and economic imperatives. As Rice shows, the atrium gives this story a distinct spatial and material figure, one that offers an inside view of architecture in transformation.
Commercial interiors, Building types
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The technological innovation and unprecedented physical growth of the cold war era permeated American life in every aspect and at every scale. From the creation of the military-industrial complex and the beginnings of suburban sprawl to the production of the ballpoint pen and the TV dinner, the artifacts of the period are as numerous and diverse as they are familiar. Over(...)
Architectural Theory
April 2004, New York
Cold war hothouses : inventing postwar culture, from cockpit to Playboy
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The technological innovation and unprecedented physical growth of the cold war era permeated American life in every aspect and at every scale. From the creation of the military-industrial complex and the beginnings of suburban sprawl to the production of the ballpoint pen and the TV dinner, the artifacts of the period are as numerous and diverse as they are familiar. Over the past half-century, our awe at the advances of postwar society has softened to nostalgia, and our affection for its material culture has clouded our memories of the enormous spatial reorganizations and infrastructural transformations that changed American life forever. "Cold War Hot Houses" casts a clear, even playful, eye on this pivotal time in history, examining topics as diverse as the creation of the interstate highway system and the shopping centre, and the domestication of the national parks as well as the production of such seemingly mundane products as the drive-in theater, aluminum foil, and the king-size bed. The result is a vivid snapshot of American culture that still resonates today.
Architectural Theory
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Equal parts mail art, data visualization, and affectionate correspondence, Dear Data celebrates "the infinitesimal, incomplete, imperfect, yet exquisitely human details of life," in the words of Maria Popova (Brain Pickings), who introduces this charming and graphically powerful book. For one year, Giorgia Lupi, an Italian living in New York, and Stefanie Posavec, an(...)
Graphic Design and Typography
September 2016
Dear Data
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Equal parts mail art, data visualization, and affectionate correspondence, Dear Data celebrates "the infinitesimal, incomplete, imperfect, yet exquisitely human details of life," in the words of Maria Popova (Brain Pickings), who introduces this charming and graphically powerful book. For one year, Giorgia Lupi, an Italian living in New York, and Stefanie Posavec, an American in London, mapped the particulars of their daily lives as a series of hand-drawn postcards they exchanged via mail weekly---small portraits as full of emotion as they are data, both mundane and magical. Dear Data reproduces in pinpoint detail the full year's set of cards, front and back, providing a remarkable portrait of two artists connected by their attention to the details of their lives---including complaints, distractions, phone addictions, physical contact, and desires. These details illuminate the lives of two remarkable young women and also inspire us to map our own lives, including specific suggestions on what data to draw and how. A captivating and unique book for designers, artists, correspondents, friends, and lovers everywhere.
Graphic Design and Typography
Can't and won't
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Her stories may be literal one-liners: the entirety of “Bloomington” reads, “Now that I have been here for a little while, I can say with confidence that I have never been here before.” Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in “A Small Story About a Small Box of Chocolates,” a professor receives a gift of(...)
Can't and won't
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Her stories may be literal one-liners: the entirety of “Bloomington” reads, “Now that I have been here for a little while, I can say with confidence that I have never been here before.” Or they may be lengthier investigations of the havoc wreaked by the most mundane disruptions to routine: in “A Small Story About a Small Box of Chocolates,” a professor receives a gift of thirty-two small chocolates and is paralyzed by the multitude of options she imagines for their consumption. The stories may appear in the form of letters of complaint; they may be extracted from Flaubert’s correspondence; or they may be inspired by the author’s own dreams, or the dreams of friends. What does not vary throughout Can’t and Won’t, Lydia Davis’s fifth collection of stories, is the power of her finely honed prose. Davis is sharply observant; she is wry or witty or poignant. Above all, she is refreshing. Davis writes with bracing candor and sly humor about the quotidian, revealing the mysterious, the foreign, the alienating, and the pleasurable within the predictable patterns of daily life.
Architecture and the imaginary
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Acclaimed still-life photographer Doherty pushes his precise visual language to a place of inarticulation and unconscious association, in a bold sequence of singular image arrangements, rhymed and bonded together. Individually, Bobby Doherty’s photographs are quite clear. In front of you, a flower, a drinks can, a courgette, next an alloy wheel. But collectively their(...)
Bobby Doherty: Dream about nothing
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Acclaimed still-life photographer Doherty pushes his precise visual language to a place of inarticulation and unconscious association, in a bold sequence of singular image arrangements, rhymed and bonded together. Individually, Bobby Doherty’s photographs are quite clear. In front of you, a flower, a drinks can, a courgette, next an alloy wheel. But collectively their meanings become distorted. A photo of a popsicle carries a different weight once it is opposite a battered butterfly. But what are you meant to be looking at? Doherty's images attempt to overwhelm the viewer with questions about what we consider mundane, and what we view as special, in order to ask a greater question: one that transcends "why this over that" but instead, "why anything at all?" In "Dream about nothing," Doherty embarks on a more introspective articulation of his remarkably consistent visual practice. He invites us to pull back from the visually-tumbling-image-overload language that much of contemporary still-life and observational photography relents itself to, instead placing, with utmost care and precision, a line of observed things and places before your eyes. What does it all mean?
Photography monographs
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Americans spend, on average, 90 percent of their lives indoors, with two-thirds of that time spent in their homes. Globally, the construction and maintenance of residential buildings account for a staggering portion of carbon emissions. In this timely and fascinating work, architect and urban-planning scholar Stefan Al deftly weaves together archaeology, engineering,(...)
Dwelling on Earth: the past and future of the places we call home
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Americans spend, on average, 90 percent of their lives indoors, with two-thirds of that time spent in their homes. Globally, the construction and maintenance of residential buildings account for a staggering portion of carbon emissions. In this timely and fascinating work, architect and urban-planning scholar Stefan Al deftly weaves together archaeology, engineering, social history, and environmental science to explain how our homes have developed through the ages and in turn shaped civilization and the planet itself. From tiny pit-houses in the Levant and Mesoamerica thousands of years ago to soaring skyscrapers in Dubai, New York, and Shanghai today, ''Dwelling on Earth'' takes readers on a swift and absorbing tour of the evolution of human habitation. Whisking readers from ancient Pompeii to contemporary Hong Kong, industrial-age Liverpool to postwar Levittown, Al shows how our choices in housing have both reflected and affected ideas about gender roles, privacy, and comfort. Discover how seemingly mundane elements—like door-knockers and corridors—have altered everyday interactions, and how material choices have remade the planet's surface. He also confronts the darker side of domesticity, exposing the unintended consequences of our architectural choices across millennia, including smoke-filled Neolithic dwellings, deadly fires in crowded Roman apartment buildings, and worsening social isolation in car-dependent suburbs. Finally, he examines the myths and reality of future housing, including 3D-printed homes and space architecture built by robots.
Social
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For Rebecca Bushnell, English gardening books tell a tale of the human love for plants and our will to make them do as we wish. These books evoke the desires of gardeners: they show us gardeners who, like poets, imagine not just what is but what should be. In particular, the earliest English garden books, such as Thomas Hill’s The Gardeners Labyrinth or Hugh Platt’s(...)
Green desire : imagining early modern English gardens
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For Rebecca Bushnell, English gardening books tell a tale of the human love for plants and our will to make them do as we wish. These books evoke the desires of gardeners: they show us gardeners who, like poets, imagine not just what is but what should be. In particular, the earliest English garden books, such as Thomas Hill’s The Gardeners Labyrinth or Hugh Platt’s Floraes Paradise, mix magical practices with mundane recipes even when the authors insist that they rely completely on their own experience in these matters. Like early modern “books of secrets,” early gardening manuals often promise the reader power to alter the essential properties of plants: to make the gillyflower double, to change the lily’s hue, or to grow a cherry without a stone. "Green Desire" describes the innovative design of the old manuals, examining how writers and printers marketed them as fiction as well as practical advice for aspiring gardeners. Along with this attention to the delights of reading, it analyzes the strange dignity and pleasure of garden labor and the division of men’s and women’s roles in creating garden art. The book ends by recounting the heated debate over how much people could do to create marvels in their own gardens. For writers and readers alike, these green desires inspired dreams of power and self-improvement, fantasies of beauty achieved without work, and hopes for order in an unpredictable world.
Landscape Theory
The other Venice
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To know a city is to become intimately intertwined with its nooks, crevices, secret passageways, and dark places where its lifeblood flows—and what city has more of those than Venice? In The Other Venice, Predrag Matvejevic ventures past the infamous canals and cobblestone streets of the tourist’s Venice to find the heart of the ancient Italian metropolis. A lyric(...)
The other Venice
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To know a city is to become intimately intertwined with its nooks, crevices, secret passageways, and dark places where its lifeblood flows—and what city has more of those than Venice? In The Other Venice, Predrag Matvejevic ventures past the infamous canals and cobblestone streets of the tourist’s Venice to find the heart of the ancient Italian metropolis. A lyric re-imagining of the City of Romance, The Other Venice utterly reconfigures the Venetian landscape, as Matvejevic follows both real and imaginary maps, contemporary and historical, to trace out the details of this sensuous city. He probes into what the ancient metropolis means to its people, the nation, and global culture. But he also finds hints of life in the smallest and most mundane details—ancient bridges, rust-flecked boats, wall sculptures, rivers, and piazzas scattered throughout the city. Each has a little-known story and with Matvejevic as our guide, he reveals the stories behind them all. The book carries readers to a Venice that has escaped the eyes of writers, artists, and photographers through the centuries, and Matejevic by turns plays a historian, cartographer, anthropologist, and philologist as he unravels elusive artifacts of time past. Arresting black-and-white photographs by renowned photographer Sarah Quill accompany the text, offering a silent testament to Matvejevic’s pilgrimage. A fascinating and beautifully written guide, The Other Venice reminds us that there is always another mystery to uncover in the city of water and stone.
City Guides
Dafydd Jones: Screen time
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Dafydd Jones is recognized as one of the world's leading social photographers, which over the years has given him unique access to an extraordinary range of social events - from exclusive parties, to the races, to fashion shows, film festivals and debutantes balls• His keen eye, and an instinct for the absurd, has allowed him to capture the behaviour of people who are(...)
Dafydd Jones: Screen time
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Dafydd Jones is recognized as one of the world's leading social photographers, which over the years has given him unique access to an extraordinary range of social events - from exclusive parties, to the races, to fashion shows, film festivals and debutantes balls• His keen eye, and an instinct for the absurd, has allowed him to capture the behaviour of people who are either unaware of or indifferent to the camera. ''Screen time'' explores a variety of social situations, from the mundane to the exalted, and features celebrities, actors, models and even the occasional princess - all glued to their phonesAlmost everyone uses a smartphone, and most of us are addicted. In this book, photographer Dafydd Jones shows us just how pervasive our screen addiction has become. In almost every social situation, he shows how the smartphone has killed conversation and changed the way we look at the world. ''In the eighties and nineties,'' says Jones, ''when I photographed young people at parties or balls, I'd find them chatting each other up, or smooching in corners. Now I see them sneaking looks on their iPhones, checking on their Instagram feeds, or whatever it is they're hooked on. They hardly talk to each other, or make eye contact at all. And it's not just a generational thing - it afflicts the oldies too. Who knows what impact it's having in the bedroom. It's probably a race to see what will wipe out humanity first - global climate change or screen-induced sexual indifference.''
Photography monographs
Phyllis Ma: Special nothing
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In a supermarket in Berlin, wandering through aisle after aisle of processed meats, the artist Phyllis Ma conceived of Special Nothing, a collection of travel photos that take the form of still lifes. To Ma, ''special nothings'' are those everyday objects that, on the right day, or in the right moment, are sources of pure delight: a very hairy flower; a block of head(...)
Phyllis Ma: Special nothing
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In a supermarket in Berlin, wandering through aisle after aisle of processed meats, the artist Phyllis Ma conceived of Special Nothing, a collection of travel photos that take the form of still lifes. To Ma, ''special nothings'' are those everyday objects that, on the right day, or in the right moment, are sources of pure delight: a very hairy flower; a block of head cheese the size and shape of an iPhone; a gherkin that looks especially perverse. If you pay attention, you can find these special nothings in your home or on your block, but we tend to be more attuned to them when we’re in an unfamiliar place. In a new country, the most mundane sights and tasks are often fascinating, difficult, and strange: doing laundry, boarding a bus, buying groceries. But it’s in supermarkets, with their promise of familiarity — the same bright overhead lighting, neat aisles, and row of checkout counters can be found the world over — where things become most uncanny. In today’s global economy, you can visit a supermarket in any major city and find many of the same goods and brands that you would in your hometown. And yet everything isn’t the same. Refrigeration practices differ, labels confuse. You are seduced by a product’s packaging, want to buy it badly, but then realize you’re not even sure what type of food it is. This feeling of wonderment is at the heart of Ma’s fantastical aesthetic. Created in Berlin, London, Tokyo, Mexico City and New York, ''Special nothing'' is a unique travel diary, a distillation of those moments when the commonplace and the strange coalesce, turn into something magical, surreal.
Photography monographs