1311 Results
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books
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Title:
Exhibiting the moving image
Exhibiting the moving image
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
Publication:
March 2016
March 2016
Title:
Exhibiting the moving image
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$39.95
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
Exhibiting the moving image
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$39.95
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Summary:
Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
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books
books
Publication:
March 2016
March 2016
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books
books
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$9.95
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée,(...)
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée,(...)
Title:
Embarquement pour Katsura : Irene F. Whittome au CCA / Departure for Katsura : Irene F. Whittome at the CCA
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée, Whittome cherche à en révéler le pouvoir d'évocation et l'intensité contemplative. Laurier Lacroix présente la genèse de l'exposition et propose des interprétations poétiques de oeuvres et des installations. Le projet d'artiste créé pour la publication est constitué de l'impression en braille de 14 haikus de poète japonais Basho. With a text by guest curator Laurier Lacroix, and an aritst’s project by Irene F. Whittome, this exhibition catalogue examines the multifaceted relationships between art and architecture. Through a selection of works drawn from the CCA collections and new works Whittome has created specifically for the spaces of the CCA, the artist has sought to bring out the evocative and contemplative power of each. The text by Laurier Lacroix describes the genesis of the exhibition and offers a series of poetic interpretations of the works. The artist’s project created for the publication consists of 14 haiku by the Japanese poet Basho printed in braille.
Embarquement pour Katsura : Irene F. Whittome au CCA / Departure for Katsura : Irene F. Whittome at the CCA
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Ce catalogue d'exposition, qui comprend un texte du commisaire, Laurier Lacroix, et un projet d'artiste d'Irene F. Whittome, examine les rapports multiples qui existent entre l'art et l'architecure. À partir d'une sélection de pièces tirées des collections du CCA et de nouvelles installations qu'elle a conçues spécialement pour les espaces du musée, Whittome cherche à en révéler le pouvoir d'évocation et l'intensité contemplative. Laurier Lacroix présente la genèse de l'exposition et propose des interprétations poétiques de oeuvres et des installations. Le projet d'artiste créé pour la publication est constitué de l'impression en braille de 14 haikus de poète japonais Basho. With a text by guest curator Laurier Lacroix, and an aritst’s project by Irene F. Whittome, this exhibition catalogue examines the multifaceted relationships between art and architecture. Through a selection of works drawn from the CCA collections and new works Whittome has created specifically for the spaces of the CCA, the artist has sought to bring out the evocative and contemplative power of each. The text by Laurier Lacroix describes the genesis of the exhibition and offers a series of poetic interpretations of the works. The artist’s project created for the publication consists of 14 haiku by the Japanese poet Basho printed in braille.
Form:
books
books
Publication:
November 1998, Montréal
November 1998, Montréal
Subject:
CCA Publications
CCA Publications
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books
books
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$37.95
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In ''Beyond the World's End,'' T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including(...)
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In ''Beyond the World's End,'' T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including(...)
Title:
Beyond the world's end: arts of living at the crossing
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In ''Beyond the World's End,'' T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah's cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplified in the Standing Rock #NoDAPL campaign and the Zad's autonomous zone in France, are creating the imaginaries that will be crucial to building a socially just and flourishing future.
Beyond the world's end: arts of living at the crossing
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In ''Beyond the World's End,'' T. J. Demos explores cultural practices that provide radical propositions for living in a world beset by environmental and political crises. Rethinking relationships between aesthetics and an expanded political ecology that foregrounds just futurity, Demos examines how contemporary artists are diversely addressing urgent themes, including John Akomfrah's cinematic entanglements of racial capitalism with current environmental threats, the visual politics of climate refugees in work by Forensic Architecture and Teddy Cruz and Fonna Forman, and moving images of Afrofuturist climate justice in projects by Arthur Jafa and Martine Syms. Demos considers video and mixed-media art that responds to resource extraction in works by Angela Melitopoulos, Allora & Calzadilla, and Ursula Biemann, as well as the multispecies ecologies of Terike Haapoja and Public Studio. Throughout Demos contends that contemporary intersections of aesthetics and politics, as exemplified in the Standing Rock #NoDAPL campaign and the Zad's autonomous zone in France, are creating the imaginaries that will be crucial to building a socially just and flourishing future.
Form:
books
books
Publication:
September 2020
September 2020
Subject:
Environment and environmental theory
Environment and environmental theory
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books
books
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Ce Dictionnaire de l’artiste architecte et urbaniste Melvin Charney se pre´sente comme une collection de de´coupages d’articles de presse illustre´s d’une photographie, classe´s par se´ries the´matiques. Ces de´coupages, ou` compte surtout l’image, sont partiellement couverts de le´gers traits de peinture qui accentuent la valeur d’exposition de l’ensemble; le(...)
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Ce Dictionnaire de l’artiste architecte et urbaniste Melvin Charney se pre´sente comme une collection de de´coupages d’articles de presse illustre´s d’une photographie, classe´s par se´ries the´matiques. Ces de´coupages, ou` compte surtout l’image, sont partiellement couverts de le´gers traits de peinture qui accentuent la valeur d’exposition de l’ensemble; le(...)
Subject:
CCA Publications
CCA Publications
Publication:
June 2000, Montréal
June 2000, Montréal
Title:
Tracking images : Melvin Charney, un dictionnaire...
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Ce Dictionnaire de l’artiste architecte et urbaniste Melvin Charney se pre´sente comme une collection de de´coupages d’articles de presse illustre´s d’une photographie, classe´s par se´ries the´matiques. Ces de´coupages, ou` compte surtout l’image, sont partiellement couverts de le´gers traits de peinture qui accentuent la valeur d’exposition de l’ensemble; le de´placement de la page imprime´e a` l’espace de la galerie ou du muse´e. Ce dictionnaire est une forme composite qui re´sulte d’une activite´ a` re´sonances multiples dans l’histoire des relations entre art et information, dans l’histoire de la critique architec- turale et dans celle de l’architecture critique. Les e´ve´nements fortuits que transmettent ces images collige´es par Charney nous forcent a` voir l’architecture dans un cadre qui n’est plus celui de sa repre´sentation comme construction monumentale isole´e. Cette publication accompagnait la participation canadienne a` la 7e Exposition internationale d’architecture de la Biennale de Venise, dont le the`me e´tait « La ville : moins d’esthe´tique, plus d’e´thique ». The Montre´al-based Canadian artist and architect Melvin Charney describes the history of modern architecture as a series of significant monuments that have been reproduced and documented. Here, the unexpected events transmitted by wire-service news photographs—selected, classified into various thematic areas, and collated by Charney—confront us with the shock or recognition that allows us to see architecture from outside its presentation as an isolated monument. The choices made by Charney from the ideas enclosed in the pre-packaged “news” images order them into a “dictionary,” and show the built and inhabited world as it appears through journalistic information. This publication accompanied the Canadian entry to the Venice Biennale’s 7th International Architecture Exhibition, whose theme was “The City: Less Aesthetics, More Ethics.”
Tracking images : Melvin Charney, un dictionnaire...
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Ce Dictionnaire de l’artiste architecte et urbaniste Melvin Charney se pre´sente comme une collection de de´coupages d’articles de presse illustre´s d’une photographie, classe´s par se´ries the´matiques. Ces de´coupages, ou` compte surtout l’image, sont partiellement couverts de le´gers traits de peinture qui accentuent la valeur d’exposition de l’ensemble; le de´placement de la page imprime´e a` l’espace de la galerie ou du muse´e. Ce dictionnaire est une forme composite qui re´sulte d’une activite´ a` re´sonances multiples dans l’histoire des relations entre art et information, dans l’histoire de la critique architec- turale et dans celle de l’architecture critique. Les e´ve´nements fortuits que transmettent ces images collige´es par Charney nous forcent a` voir l’architecture dans un cadre qui n’est plus celui de sa repre´sentation comme construction monumentale isole´e. Cette publication accompagnait la participation canadienne a` la 7e Exposition internationale d’architecture de la Biennale de Venise, dont le the`me e´tait « La ville : moins d’esthe´tique, plus d’e´thique ». The Montre´al-based Canadian artist and architect Melvin Charney describes the history of modern architecture as a series of significant monuments that have been reproduced and documented. Here, the unexpected events transmitted by wire-service news photographs—selected, classified into various thematic areas, and collated by Charney—confront us with the shock or recognition that allows us to see architecture from outside its presentation as an isolated monument. The choices made by Charney from the ideas enclosed in the pre-packaged “news” images order them into a “dictionary,” and show the built and inhabited world as it appears through journalistic information. This publication accompanied the Canadian entry to the Venice Biennale’s 7th International Architecture Exhibition, whose theme was “The City: Less Aesthetics, More Ethics.”
Form:
books
books
Publication:
June 2000, Montréal
June 2000, Montréal
Subject:
CCA Publications
CCA Publications
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books
books
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$30.00
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The Joan Miró Foundation opened in 1975, becoming Barcelona's first public institution to focus entirely on contemporary art. The architect Josep Lluís Sert designed the Foundation's building with clean, airy white shapes of curves and corners and multiple skylights, creating a decidedly Mediterranean-flavored complex arranged around a central patio, with expansive roof(...)
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The Joan Miró Foundation opened in 1975, becoming Barcelona's first public institution to focus entirely on contemporary art. The architect Josep Lluís Sert designed the Foundation's building with clean, airy white shapes of curves and corners and multiple skylights, creating a decidedly Mediterranean-flavored complex arranged around a central patio, with expansive roof(...)
Title:
Josep Lluis Sert: Joan Miro foundation
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The Joan Miró Foundation opened in 1975, becoming Barcelona's first public institution to focus entirely on contemporary art. The architect Josep Lluís Sert designed the Foundation's building with clean, airy white shapes of curves and corners and multiple skylights, creating a decidedly Mediterranean-flavored complex arranged around a central patio, with expansive roof terraces above. (Two subsequent expansions to the building were designed by Jaume Freixa, a pupil and longtime colleague of Sert's.) After the first major retrospective of Miró's work occurred in Barcelona in 1968, the artist decided to set up a building to make his work and the work of other contemporary artists permanently accessible to the public. To design the foundation's home, he tapped his old friend Sert, a pioneer in the introduction of modern architecture in Catalonia, who had first met Miró in 1932 and worked with him on the Spanish (Republican) Pavilion at the Paris World Fair in 1937. This volume, one of a series of monographs on new museum architecture, provides a careful look at the design of one of Europe's premier art institutions, and includes an interview with the architects responsible for the recent expansions.
Josep Lluis Sert: Joan Miro foundation
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The Joan Miró Foundation opened in 1975, becoming Barcelona's first public institution to focus entirely on contemporary art. The architect Josep Lluís Sert designed the Foundation's building with clean, airy white shapes of curves and corners and multiple skylights, creating a decidedly Mediterranean-flavored complex arranged around a central patio, with expansive roof terraces above. (Two subsequent expansions to the building were designed by Jaume Freixa, a pupil and longtime colleague of Sert's.) After the first major retrospective of Miró's work occurred in Barcelona in 1968, the artist decided to set up a building to make his work and the work of other contemporary artists permanently accessible to the public. To design the foundation's home, he tapped his old friend Sert, a pioneer in the introduction of modern architecture in Catalonia, who had first met Miró in 1932 and worked with him on the Spanish (Republican) Pavilion at the Paris World Fair in 1937. This volume, one of a series of monographs on new museum architecture, provides a careful look at the design of one of Europe's premier art institutions, and includes an interview with the architects responsible for the recent expansions.
Form:
books
books
Publication:
September 2010
September 2010
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
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books
books
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$66.00
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"SuperDesign" charts the Italian Radicals’ experimentation in modern design from its birth through its continued influence on design today. Radical Design was launched by art, architecture, and design students in Italy in the mid-1960s. What started as a youthful rally against the establishment and a rejection of design norms became a movement that brought together(...)
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"SuperDesign" charts the Italian Radicals’ experimentation in modern design from its birth through its continued influence on design today. Radical Design was launched by art, architecture, and design students in Italy in the mid-1960s. What started as a youthful rally against the establishment and a rejection of design norms became a movement that brought together(...)
Subject:
Design, Periods and Styles
Design, Periods and Styles
Publication:
October 2017
October 2017
Title:
Superdesign: Italian radical design 1965-1975
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"SuperDesign" charts the Italian Radicals’ experimentation in modern design from its birth through its continued influence on design today. Radical Design was launched by art, architecture, and design students in Italy in the mid-1960s. What started as a youthful rally against the establishment and a rejection of design norms became a movement that brought together avant-garde thinkers and makers across the country.Through furniture and objects as well as public innovations, the Radicals projected design’s new era as equal parts Pop Art, play, Surrealism, and futurism. Told through exclusive interviews, unreleased photographs, original drawings and artwork unearthed from personal archives, "SuperDesign" explores this period of design that played out against the era’s social and political turmoil.
Superdesign: Italian radical design 1965-1975
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"SuperDesign" charts the Italian Radicals’ experimentation in modern design from its birth through its continued influence on design today. Radical Design was launched by art, architecture, and design students in Italy in the mid-1960s. What started as a youthful rally against the establishment and a rejection of design norms became a movement that brought together avant-garde thinkers and makers across the country.Through furniture and objects as well as public innovations, the Radicals projected design’s new era as equal parts Pop Art, play, Surrealism, and futurism. Told through exclusive interviews, unreleased photographs, original drawings and artwork unearthed from personal archives, "SuperDesign" explores this period of design that played out against the era’s social and political turmoil.
Form:
books
books
Publication:
October 2017
October 2017
Subject:
Design, Periods and Styles
Design, Periods and Styles
Form:
books
books
Title:
Le style international
Le style international
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$29.95
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C’est quelque temps après la célèbre exposition du Museum of Modern Art de New York « Modern Architecture : International Exhibition », qu’a paru en 1932 le livre de Henry-Russell Hitchcock et Philip Johnson "The International Style : Architecture since 1922" qui en constitue le prolongement durable. Il s’agissait de faire connaître au public américain les développements(...)
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C’est quelque temps après la célèbre exposition du Museum of Modern Art de New York « Modern Architecture : International Exhibition », qu’a paru en 1932 le livre de Henry-Russell Hitchcock et Philip Johnson "The International Style : Architecture since 1922" qui en constitue le prolongement durable. Il s’agissait de faire connaître au public américain les développements(...)
Subject:
Architectural Theory
Architectural Theory
Publication:
April 2018
April 2018
Title:
Le style international
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$29.95
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C’est quelque temps après la célèbre exposition du Museum of Modern Art de New York « Modern Architecture : International Exhibition », qu’a paru en 1932 le livre de Henry-Russell Hitchcock et Philip Johnson "The International Style : Architecture since 1922" qui en constitue le prolongement durable. Il s’agissait de faire connaître au public américain les développements récents de l’avant-garde notamment européenne ; les auteurs avaient pu observer lors de voyages les nouvelles recherches de Alvar Aalto, André Lurçat, E.G.?Asplund, Erich Mendelsohn, Erik Bryggman, Hans Scharoun, J.J.P.?Oud, Josef Albers, Le Corbusier, Marcel Breuer, Mies van der Rohe, Otto Eisler ou Walter Gropius qui le premier avait déjà réuni en 1925 les exemples récents les plus significatifs de l’architecture européenne et nord-américaine. Le projet du livre, s’attachant à illustrer et à défendre l’architecture moderne d’avant-garde, participait d’un mouvement général qui tendait à une codification architecturale.
Le style international
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C’est quelque temps après la célèbre exposition du Museum of Modern Art de New York « Modern Architecture : International Exhibition », qu’a paru en 1932 le livre de Henry-Russell Hitchcock et Philip Johnson "The International Style : Architecture since 1922" qui en constitue le prolongement durable. Il s’agissait de faire connaître au public américain les développements récents de l’avant-garde notamment européenne ; les auteurs avaient pu observer lors de voyages les nouvelles recherches de Alvar Aalto, André Lurçat, E.G.?Asplund, Erich Mendelsohn, Erik Bryggman, Hans Scharoun, J.J.P.?Oud, Josef Albers, Le Corbusier, Marcel Breuer, Mies van der Rohe, Otto Eisler ou Walter Gropius qui le premier avait déjà réuni en 1925 les exemples récents les plus significatifs de l’architecture européenne et nord-américaine. Le projet du livre, s’attachant à illustrer et à défendre l’architecture moderne d’avant-garde, participait d’un mouvement général qui tendait à une codification architecturale.
Form:
books
books
Publication:
April 2018
April 2018
Subject:
Architectural Theory
Architectural Theory
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books
books
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$36.95
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a(...)
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a(...)
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Publication:
July 2007, London, Baden
July 2007, London, Baden
Title:
Serpentine Gallery Pavillon 2007
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a constitutive element of spaces, private or public. We both work within a field of spatial experimentation that renders conceptual differences between art and architecture superfluous.” The publication comprises extensive visual material documenting the development and realisation of the pavilion; two essays by Doreen Massey, Professor of Geography at The Open University (UK), and Andreas Ruby, architecture critic; a conversation between Olafur Eliasson, Kjetil Thorsen, Hans Ulrich Obrist and Julia Peyton-Jones (Co-directors, Serpentine Gallery).
Serpentine Gallery Pavillon 2007
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The Serpentine Gallery has commissioned Olafur Eliasson and architect Kjetil Thorsen to design its Pavilion in 2007. Based on the principle of a winding ramp, the Pavilion explores the idea of vertical circulation within a single space. “Our collaboration on the Serpentine Pavilion 2007 is defined by our mutual focus on the experience of space and on temporality as a constitutive element of spaces, private or public. We both work within a field of spatial experimentation that renders conceptual differences between art and architecture superfluous.” The publication comprises extensive visual material documenting the development and realisation of the pavilion; two essays by Doreen Massey, Professor of Geography at The Open University (UK), and Andreas Ruby, architecture critic; a conversation between Olafur Eliasson, Kjetil Thorsen, Hans Ulrich Obrist and Julia Peyton-Jones (Co-directors, Serpentine Gallery).
Form:
books
books
Publication:
July 2007, London, Baden
July 2007, London, Baden
Subject:
Museums and Universal Exhibitions
Museums and Universal Exhibitions
Form:
books
books
Price:
$70.00
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Summary:
" Techno textiles 2 " explores an exciting area of art, design and technology that defines 21st-century way of life. Here are new textiles for fabrics that shrink or expand to fit; textiles developed from carbon, steel, glass and ceramics; materials that protect the wearer from every environmental extreme, anywhere on earth or in space. So far and so fast has textile(...)
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" Techno textiles 2 " explores an exciting area of art, design and technology that defines 21st-century way of life. Here are new textiles for fabrics that shrink or expand to fit; textiles developed from carbon, steel, glass and ceramics; materials that protect the wearer from every environmental extreme, anywhere on earth or in space. So far and so fast has textile(...)
Title:
Techno textiles 2 : revolutionary fabrics for fashion and design
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$70.00
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" Techno textiles 2 " explores an exciting area of art, design and technology that defines 21st-century way of life. Here are new textiles for fabrics that shrink or expand to fit; textiles developed from carbon, steel, glass and ceramics; materials that protect the wearer from every environmental extreme, anywhere on earth or in space. So far and so fast has textile technology developed in the last five or so years that many of the ideas flagged in the first edition of " Techno textiles " have now become reality, and countless new ones have been conceived. " Techno Textiles 2 " has been thoroughly revised and updated to showcase the latest developments in the field, and includes 80 per cent new illustrations, all in colour. The book is divided into three sections : "Innovations" which explores how the newest textiles are dreamt up and made. "Applications" – from fashion and design, to architecture and art. "Reference" which includes a glossary, biographies, directories of addresses and public collections, and an extensive bibliography.
Techno textiles 2 : revolutionary fabrics for fashion and design
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$70.00
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Summary:
" Techno textiles 2 " explores an exciting area of art, design and technology that defines 21st-century way of life. Here are new textiles for fabrics that shrink or expand to fit; textiles developed from carbon, steel, glass and ceramics; materials that protect the wearer from every environmental extreme, anywhere on earth or in space. So far and so fast has textile technology developed in the last five or so years that many of the ideas flagged in the first edition of " Techno textiles " have now become reality, and countless new ones have been conceived. " Techno Textiles 2 " has been thoroughly revised and updated to showcase the latest developments in the field, and includes 80 per cent new illustrations, all in colour. The book is divided into three sections : "Innovations" which explores how the newest textiles are dreamt up and made. "Applications" – from fashion and design, to architecture and art. "Reference" which includes a glossary, biographies, directories of addresses and public collections, and an extensive bibliography.
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books
books
Publication:
March 2006, New York
March 2006, New York
Subject:
Materials and Lighting
Materials and Lighting
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books
books
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Description:
263 pages : illustrations (some color), photographs, portraits ; 31 x 25 cm
Description:
263 pages : illustrations (some color), photographs, portraits ; 31 x 25 cm
Author:
- Abbott, Berenice, 1898-1991,,
- Berenice Abbott. English,
- Estrella de Diego -- Cara Hoffman -- Gary Van Zante -- Carlos Martin --,
- Diego, Estrella de,,
- Hoffman, Cara,,
- Van Zante, Gary,,
- Martín, Carlos,,
- Davies, Diana M.,,
- Major, Kate,,
- Abbott, Berenice, 1898-1991. Photographs. Selections.,
- Casa Garriga Nogués,,
- Sala Recoletos,,
- Huis Marseille (Amsterdam, Netherlands),,
- Fundación Mapfre,
(See more)
Subject:
- Abbott, Berenice, 1898-1991 Exhibitions.,
- Abbott, Berenice, 1898-1991 Criticism and interpretation.,
- Abbott, Berenice, 1898-1991 Themes, motives.,
- Abbott, Berenice, 1898-1991.,
- Abbott, Berenice 1898-1991,
- Metropolitan Museum of Art.,
- Photography, Artistic 20th century Exhibitions.,
- Street photography 20th century Exhibitions.,
- Architectural photography 20th century Exhibitions.,
- Portrait photography 20th century Exhibitions.,
- Black-and-white photography 20th century Exhibitions.,
- Women photographers Ohio 20th century Exhibitions.,
- Lesbian photographers Ohio 20th century Exhibitions.,
- Photographie artistique 20e siècle Expositions.,
- Photographie de rue 20e siècle Expositions.,
- Photographie d'architecture 20e siècle Expositions.,
- Portraits (Photographie) 20e siècle Expositions.,
- Photographie en noir et blanc 20e siècle Expositions.,
- Femmes photographes Ohio 20e siècle Expositions.,
- Photography, Artistic Exhibitions. 20th century.,
- Street photography Exhibitions. 20th century.,
- Architectural photography Exhibitions. 20th century.,
- Portrait photography Exhibitions. 20th century.,
- Black-and-white photography Exhibitions. 20th century.,
- Women photographers Ohio Exhibitions. 20th century.,
- Lesbian photographers Ohio Exhibitions. 20th century.,
- Photography.,
- Architectural photography,
- Black-and-white photography,
- Lesbian photographers,
- Photography, Artistic,
- Portrait photography,
- Street photography,
- Themes, motives,
- Women photographers,
- Architektur,
- Porträtfotografie,
- Soziales Klima,
- Stadt,
- New York (N.Y.) 20th century Pictorial works Exhibitions.,
- New York (N.Y.) 20th century.,
- New York (State) New York.,
- Ohio.,
- Essay,
- Portrait,
- Exhibition,
- Exhibition catalogs.,
- exhibition catalogs.,
- essays.,
- photobooks.,
- portraits.,
- group portraits.,
- Criticism, interpretation, etc.,
- Essays,
- Exhibition, pictorial works,
- Photobooks,
- Portraits,
- Catalogues d'exposition.,
- Essais.,
- Livres de photographies.,
- Portraits de groupe.
(See more)
Publication:
Madrid, Spain : Fundación MAPFRE, [2019], ©2019
Madrid, Spain : Fundación MAPFRE, [2019], ©2019
Title:
Berenice Abbott : portraits of modernity / curator, Estrella de Diego ; editor, Diana M. Davies ; translator, Kate Major.
Actions:
Holdings:
Description:
263 pages : illustrations (some color), photographs, portraits ; 31 x 25 cm
Berenice Abbott : portraits of modernity / curator, Estrella de Diego ; editor, Diana M. Davies ; translator, Kate Major.
Actions:
Holdings:
Description:
263 pages : illustrations (some color), photographs, portraits ; 31 x 25 cm
Form:
books
books
Publication:
Madrid, Spain : Fundación MAPFRE, [2019], ©2019
Madrid, Spain : Fundación MAPFRE, [2019], ©2019
Author:
- Abbott, Berenice, 1898-1991,,
- Berenice Abbott. English,
- Estrella de Diego -- Cara Hoffman -- Gary Van Zante -- Carlos Martin --,
- Diego, Estrella de,,
- Hoffman, Cara,,
- Van Zante, Gary,,
- Martín, Carlos,,
- Davies, Diana M.,,
- Major, Kate,,
- Abbott, Berenice, 1898-1991. Photographs. Selections.,
- Casa Garriga Nogués,,
- Sala Recoletos,,
- Huis Marseille (Amsterdam, Netherlands),,
- Fundación Mapfre,
(See more)
Subject:
- Abbott, Berenice, 1898-1991 Exhibitions.,
- Abbott, Berenice, 1898-1991 Criticism and interpretation.,
- Abbott, Berenice, 1898-1991 Themes, motives.,
- Abbott, Berenice, 1898-1991.,
- Abbott, Berenice 1898-1991,
- Metropolitan Museum of Art.,
- Photography, Artistic 20th century Exhibitions.,
- Street photography 20th century Exhibitions.,
- Architectural photography 20th century Exhibitions.,
- Portrait photography 20th century Exhibitions.,
- Black-and-white photography 20th century Exhibitions.,
- Women photographers Ohio 20th century Exhibitions.,
- Lesbian photographers Ohio 20th century Exhibitions.,
- Photographie artistique 20e siècle Expositions.,
- Photographie de rue 20e siècle Expositions.,
- Photographie d'architecture 20e siècle Expositions.,
- Portraits (Photographie) 20e siècle Expositions.,
- Photographie en noir et blanc 20e siècle Expositions.,
- Femmes photographes Ohio 20e siècle Expositions.,
- Photography, Artistic Exhibitions. 20th century.,
- Street photography Exhibitions. 20th century.,
- Architectural photography Exhibitions. 20th century.,
- Portrait photography Exhibitions. 20th century.,
- Black-and-white photography Exhibitions. 20th century.,
- Women photographers Ohio Exhibitions. 20th century.,
- Lesbian photographers Ohio Exhibitions. 20th century.,
- Photography.,
- Architectural photography,
- Black-and-white photography,
- Lesbian photographers,
- Photography, Artistic,
- Portrait photography,
- Street photography,
- Themes, motives,
- Women photographers,
- Architektur,
- Porträtfotografie,
- Soziales Klima,
- Stadt,
- New York (N.Y.) 20th century Pictorial works Exhibitions.,
- New York (N.Y.) 20th century.,
- New York (State) New York.,
- Ohio.,
- Essay,
- Portrait,
- Exhibition,
- Exhibition catalogs.,
- exhibition catalogs.,
- essays.,
- photobooks.,
- portraits.,
- group portraits.,
- Criticism, interpretation, etc.,
- Essays,
- Exhibition, pictorial works,
- Photobooks,
- Portraits,
- Catalogues d'exposition.,
- Essais.,
- Livres de photographies.,
- Portraits de groupe.
(See more)
