1338 Results
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journals and magazines
journals and magazines
Title:
Nyctalope 6
Nyctalope 6
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Nyctalope est une revue co-fondée et pilotée par Marion Fayolle, Mathias Malingrëy et Simon Roussin : Avec Fanny Blanc, Mayumi Otero, Caroline Gamon, Aïsha Franz, John Broadley, Louis Granet, Camille Chevrillon, Annabelle Buxton, Clément Vuillier, Jérémie Fischer, Simon Roussin, Yann Kebbi, Matthias Malingrëy, Marion Fayolle, Marine Rivoal, Astrid Huguet, Clémence(...)
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Nyctalope est une revue co-fondée et pilotée par Marion Fayolle, Mathias Malingrëy et Simon Roussin : Avec Fanny Blanc, Mayumi Otero, Caroline Gamon, Aïsha Franz, John Broadley, Louis Granet, Camille Chevrillon, Annabelle Buxton, Clément Vuillier, Jérémie Fischer, Simon Roussin, Yann Kebbi, Matthias Malingrëy, Marion Fayolle, Marine Rivoal, Astrid Huguet, Clémence(...)
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Nyctalope 6
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Nyctalope est une revue co-fondée et pilotée par Marion Fayolle, Mathias Malingrëy et Simon Roussin : Avec Fanny Blanc, Mayumi Otero, Caroline Gamon, Aïsha Franz, John Broadley, Louis Granet, Camille Chevrillon, Annabelle Buxton, Clément Vuillier, Jérémie Fischer, Simon Roussin, Yann Kebbi, Matthias Malingrëy, Marion Fayolle, Marine Rivoal, Astrid Huguet, Clémence Pollet, Bénédicte Muller
Nyctalope 6
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Nyctalope est une revue co-fondée et pilotée par Marion Fayolle, Mathias Malingrëy et Simon Roussin : Avec Fanny Blanc, Mayumi Otero, Caroline Gamon, Aïsha Franz, John Broadley, Louis Granet, Camille Chevrillon, Annabelle Buxton, Clément Vuillier, Jérémie Fischer, Simon Roussin, Yann Kebbi, Matthias Malingrëy, Marion Fayolle, Marine Rivoal, Astrid Huguet, Clémence Pollet, Bénédicte Muller
Form:
journals and magazines
journals and magazines
Publication:
July 2013
July 2013
Subject:
Magazines
Magazines
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books
books
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272 pages : color illustrations ; 30 cm + 1 box (30 x 30 x 4 cm)
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272 pages : color illustrations ; 30 cm + 1 box (30 x 30 x 4 cm)
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New York : Whitney Museum of American Art : Distributed by H.N. Abrams, [2004], ©2004.
New York : Whitney Museum of American Art : Distributed by H.N. Abrams, [2004], ©2004.
Title:
Whitney biennial 2004 / Chrissie Iles, Shamim M. Momin, Debra Singer.
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272 pages : color illustrations ; 30 cm + 1 box (30 x 30 x 4 cm)
Whitney biennial 2004 / Chrissie Iles, Shamim M. Momin, Debra Singer.
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272 pages : color illustrations ; 30 cm + 1 box (30 x 30 x 4 cm)
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books
books
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New York : Whitney Museum of American Art : Distributed by H.N. Abrams, [2004], ©2004.
New York : Whitney Museum of American Art : Distributed by H.N. Abrams, [2004], ©2004.
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books
books
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volumes <1-3, 5-15> ; 24 cm
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volumes <1-3, 5-15> ; 24 cm
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Cambridge [England] ; New York : Cambridge University Press, 1978-<2019>
Cambridge [England] ; New York : Cambridge University Press, 1978-<2019>
Title:
The Cambridge history of China / general editors, Denis Twitchett and John K. Fairbank.
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volumes <1-3, 5-15> ; 24 cm
The Cambridge history of China / general editors, Denis Twitchett and John K. Fairbank.
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volumes <1-3, 5-15> ; 24 cm
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books
books
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Cambridge [England] ; New York : Cambridge University Press, 1978-<2019>
Cambridge [England] ; New York : Cambridge University Press, 1978-<2019>
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books
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$22.95
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale(...)
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale(...)
Title:
Das Märkische Viertel : idee - wirklichkeit - vision
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale residential settlement. Architects Werner Düttmann, Hans Müller and Georg Heinrichs wanted to design a better world, with humane dwellings for both inner city residents displaced by redevelopment and evacuees from the east. The concept underlying their masterplan was to shape the landscape via architectural structures. They thought in large forms and proportions, designing a prototypical satellite town for northern Berlin that would contain 16,000 apartments for 40,000 residents, while doing justice to the varied requirements of occupants. Architects such as Oswald M. Ungers, Chen Kuen Lee, Ernst Gisel and René Gagès took part in the construction of this large-scale estate, which caused a furor simply by virtue of its immense scale, unusual for Western Europe. Already in 1964, just after the first residents moved in, the Märkische Viertel, nicknamed the "MV,” was deemed controversial. Some condemned it as a "concrete citadel launched from the drafting table,” a "stony nightmare,” or "the Parrot Estate,” while others celebrated it as a glowing example of a model large-scale settlement. Only recent years have seen an unprejudiced and discriminating appraisal of the project. The residents themselves have always seen their homes in a more positive light than outside observers. In 2003, a survey commissioned by the GESOBAU AG suggested they were perfectly comfortable in their neighborhood. And their children — and even children’s children — often remain in the district. What is the secret of the Maerkische Viertel? How was this once inhospitable bedroom community transformed into a coveted residential district, and how is the transition between generations to be accomplished? Can the Maerkische Viertel sustain itself under the altered economic situation affecting residential housing, or have drastic interventions into the existing architecture become a necessity?
Das Märkische Viertel : idee - wirklichkeit - vision
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Construction on the Märkische Viertel in northern Berlin began in 1963 under the supervision of a team of nationally and internationally recognized architects. In the ensuing decades, under the management of the housing association GESOBAU AG, the Viertel evolved from a district that generated controversy throughout the Federal Republic into an exemplary large-scale residential settlement. Architects Werner Düttmann, Hans Müller and Georg Heinrichs wanted to design a better world, with humane dwellings for both inner city residents displaced by redevelopment and evacuees from the east. The concept underlying their masterplan was to shape the landscape via architectural structures. They thought in large forms and proportions, designing a prototypical satellite town for northern Berlin that would contain 16,000 apartments for 40,000 residents, while doing justice to the varied requirements of occupants. Architects such as Oswald M. Ungers, Chen Kuen Lee, Ernst Gisel and René Gagès took part in the construction of this large-scale estate, which caused a furor simply by virtue of its immense scale, unusual for Western Europe. Already in 1964, just after the first residents moved in, the Märkische Viertel, nicknamed the "MV,” was deemed controversial. Some condemned it as a "concrete citadel launched from the drafting table,” a "stony nightmare,” or "the Parrot Estate,” while others celebrated it as a glowing example of a model large-scale settlement. Only recent years have seen an unprejudiced and discriminating appraisal of the project. The residents themselves have always seen their homes in a more positive light than outside observers. In 2003, a survey commissioned by the GESOBAU AG suggested they were perfectly comfortable in their neighborhood. And their children — and even children’s children — often remain in the district. What is the secret of the Maerkische Viertel? How was this once inhospitable bedroom community transformed into a coveted residential district, and how is the transition between generations to be accomplished? Can the Maerkische Viertel sustain itself under the altered economic situation affecting residential housing, or have drastic interventions into the existing architecture become a necessity?
Form:
books
books
Publication:
July 2004, Berlin
July 2004, Berlin
Subject:
small format
small format
Form:
books
books
Title:
The designer and the grid
The designer and the grid
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$41.95
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Summary:
This book reveals the key to the hidden driving force behind almost all graphic design - the grid. Case studies and interviews with leading designers such as Simon Esterson, Vaughan Oliver, Ellen Lupton, and Muller & Hesse explore what the grid means today and these and other top names choose their favourite grids. The authors move on to take a step-by-step look at the(...)
$41.95
(available to order)
Summary:
This book reveals the key to the hidden driving force behind almost all graphic design - the grid. Case studies and interviews with leading designers such as Simon Esterson, Vaughan Oliver, Ellen Lupton, and Muller & Hesse explore what the grid means today and these and other top names choose their favourite grids. The authors move on to take a step-by-step look at the(...)
Subject:
Graphic Design and Typography
Graphic Design and Typography
Publication:
February 2005, Mies, Switzerland
February 2005, Mies, Switzerland
Title:
The designer and the grid
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$41.95
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This book reveals the key to the hidden driving force behind almost all graphic design - the grid. Case studies and interviews with leading designers such as Simon Esterson, Vaughan Oliver, Ellen Lupton, and Muller & Hesse explore what the grid means today and these and other top names choose their favourite grids. The authors move on to take a step-by-step look at the precision of the digital grid and ask, provocatively, whether the new CAD/CAM technologies may spell the end of the grid as we know it.
The designer and the grid
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$41.95
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This book reveals the key to the hidden driving force behind almost all graphic design - the grid. Case studies and interviews with leading designers such as Simon Esterson, Vaughan Oliver, Ellen Lupton, and Muller & Hesse explore what the grid means today and these and other top names choose their favourite grids. The authors move on to take a step-by-step look at the precision of the digital grid and ask, provocatively, whether the new CAD/CAM technologies may spell the end of the grid as we know it.
Form:
books
books
Publication:
February 2005, Mies, Switzerland
February 2005, Mies, Switzerland
Subject:
Graphic Design and Typography
Graphic Design and Typography
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books
books
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Description:
285 pages : illustrations (some color) ; 30 cm
Description:
285 pages : illustrations (some color) ; 30 cm
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Publication:
Milano : Lenz Press [2022], ©2022
Milano : Lenz Press [2022], ©2022
Title:
The art of critique / edited by Melanie Bühler.
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285 pages : illustrations (some color) ; 30 cm
The art of critique / edited by Melanie Bühler.
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285 pages : illustrations (some color) ; 30 cm
Form:
books
books
Publication:
Milano : Lenz Press [2022], ©2022
Milano : Lenz Press [2022], ©2022
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books
books
Price:
$49.95
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Summary:
The first complete monograph on the work of Swiss graphic designer Max Huber, one of the most significant designers of the 20th century. Huber's work was consistently innovative, and by combining painting and photography with other graphic media, he remained avant-garde throughout his career, bringing the utopian vision of the modern masters to bear on corporate(...)
$49.95
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Summary:
The first complete monograph on the work of Swiss graphic designer Max Huber, one of the most significant designers of the 20th century. Huber's work was consistently innovative, and by combining painting and photography with other graphic media, he remained avant-garde throughout his career, bringing the utopian vision of the modern masters to bear on corporate(...)
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Publication:
March 2011
March 2011
Title:
Max Huber
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$49.95
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The first complete monograph on the work of Swiss graphic designer Max Huber, one of the most significant designers of the 20th century. Huber's work was consistently innovative, and by combining painting and photography with other graphic media, he remained avant-garde throughout his career, bringing the utopian vision of the modern masters to bear on corporate typography and identity design. Three essays cover Huber's entire career from the early 1940s, including his wide-ranging work in the fields of magazine, identity and exhibition design as well as expanding on his close links with a circle of brilliant artists, designers and intellectuals such as Josef Muller-Brockmann, Achille Castiglioni and Italo Calvino, among others.
Max Huber
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The first complete monograph on the work of Swiss graphic designer Max Huber, one of the most significant designers of the 20th century. Huber's work was consistently innovative, and by combining painting and photography with other graphic media, he remained avant-garde throughout his career, bringing the utopian vision of the modern masters to bear on corporate typography and identity design. Three essays cover Huber's entire career from the early 1940s, including his wide-ranging work in the fields of magazine, identity and exhibition design as well as expanding on his close links with a circle of brilliant artists, designers and intellectuals such as Josef Muller-Brockmann, Achille Castiglioni and Italo Calvino, among others.
Form:
books
books
Publication:
March 2011
March 2011
Subject:
Graphic Designers, Monographs
Graphic Designers, Monographs
Form:
books
books
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$35.00
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Today, tourism is rooted in a model of environmental and cultural degradation. 'AV Proyectos' presents seven alternatives that anticipate a hopeful shift towards community-based rural life, from C733's Jaguar Park in Mexico to Ryue Nishizawa's Shishi-Iwa House in Japan. As Gonzalo Pardo and Andrés Rubio point out in the article accompanying this section, its harmful(...)
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Summary:
Today, tourism is rooted in a model of environmental and cultural degradation. 'AV Proyectos' presents seven alternatives that anticipate a hopeful shift towards community-based rural life, from C733's Jaguar Park in Mexico to Ryue Nishizawa's Shishi-Iwa House in Japan. As Gonzalo Pardo and Andrés Rubio point out in the article accompanying this section, its harmful(...)
Title:
AV Proyectos 131 : Otro turismo
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Today, tourism is rooted in a model of environmental and cultural degradation. 'AV Proyectos' presents seven alternatives that anticipate a hopeful shift towards community-based rural life, from C733's Jaguar Park in Mexico to Ryue Nishizawa's Shishi-Iwa House in Japan. As Gonzalo Pardo and Andrés Rubio point out in the article accompanying this section, its harmful impact must be confronted by defending local tradition and identity. David Chipperfield has shared his experience and also highlighted the growing difficulty of accessing housing, which has created a social crisis in London and is now surfacing in Galicia. The issue continues with the construction of the French Lycée Library in Madrid by Alberto Campo Baeza, and an introduction to the creative process of designers Muller Van Severen.
AV Proyectos 131 : Otro turismo
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Summary:
Today, tourism is rooted in a model of environmental and cultural degradation. 'AV Proyectos' presents seven alternatives that anticipate a hopeful shift towards community-based rural life, from C733's Jaguar Park in Mexico to Ryue Nishizawa's Shishi-Iwa House in Japan. As Gonzalo Pardo and Andrés Rubio point out in the article accompanying this section, its harmful impact must be confronted by defending local tradition and identity. David Chipperfield has shared his experience and also highlighted the growing difficulty of accessing housing, which has created a social crisis in London and is now surfacing in Galicia. The issue continues with the construction of the French Lycée Library in Madrid by Alberto Campo Baeza, and an introduction to the creative process of designers Muller Van Severen.
Form:
books
books
Publication:
October 2025
October 2025
Subject:
Magazines
Magazines
Form:
books
books
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$48.00
(available to order)
Summary:
In San Francisco many theaters built between 1910 and 1950 are still standing, and some even remain in operation, serving as poignant reminders of Hollywood's Golden Age and the social interactions that once came with movie-going. R.A. McBride's lush color photographs--made with film cameras, of course--showcase these temples to celluloid in all their threadbare grandeur.(...)
$48.00
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Summary:
In San Francisco many theaters built between 1910 and 1950 are still standing, and some even remain in operation, serving as poignant reminders of Hollywood's Golden Age and the social interactions that once came with movie-going. R.A. McBride's lush color photographs--made with film cameras, of course--showcase these temples to celluloid in all their threadbare grandeur.(...)
Title:
Left in the dark: Portraits of San Francisco movie theatres
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$48.00
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In San Francisco many theaters built between 1910 and 1950 are still standing, and some even remain in operation, serving as poignant reminders of Hollywood's Golden Age and the social interactions that once came with movie-going. R.A. McBride's lush color photographs--made with film cameras, of course--showcase these temples to celluloid in all their threadbare grandeur. Photographed empty, the buildings' architectural qualities, from rotunda chandeliers and warmly glowing walls to drab lobbies and worn armrests, come to the fore. Essays by scholars and film exhibitors including Rebecca Solnit, Julie Lindow, Eddie Muller, Chi-Hui Yang and Gary Meyer cast light from personal and scholarly perspectives, examining the movie houses' roles as characters in the cultural drama of the city.
Left in the dark: Portraits of San Francisco movie theatres
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$48.00
(available to order)
Summary:
In San Francisco many theaters built between 1910 and 1950 are still standing, and some even remain in operation, serving as poignant reminders of Hollywood's Golden Age and the social interactions that once came with movie-going. R.A. McBride's lush color photographs--made with film cameras, of course--showcase these temples to celluloid in all their threadbare grandeur. Photographed empty, the buildings' architectural qualities, from rotunda chandeliers and warmly glowing walls to drab lobbies and worn armrests, come to the fore. Essays by scholars and film exhibitors including Rebecca Solnit, Julie Lindow, Eddie Muller, Chi-Hui Yang and Gary Meyer cast light from personal and scholarly perspectives, examining the movie houses' roles as characters in the cultural drama of the city.
Form:
books
books
Publication:
October 2010
October 2010
Subject:
Commercial interiors, Building types
Commercial interiors, Building types
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books
books
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$35.00
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Summary:
Can art express questions about justice? Could art, perhaps, even create justice? In Aesthetic Justice, sociologist Pascal Gielen and curator Niels Van Tomme invite a variety of artists and critical thinkers—including Zoe Beloff, Arne De Boever, Mark Fisher, Matt Fraser, Tessa Overbeek, Kerry James Marshall, Viktor Misiano, Carlos Motta, Nat Muller, Julie Atlas Muz,(...)
$35.00
(available to order)
Summary:
Can art express questions about justice? Could art, perhaps, even create justice? In Aesthetic Justice, sociologist Pascal Gielen and curator Niels Van Tomme invite a variety of artists and critical thinkers—including Zoe Beloff, Arne De Boever, Mark Fisher, Matt Fraser, Tessa Overbeek, Kerry James Marshall, Viktor Misiano, Carlos Motta, Nat Muller, Julie Atlas Muz,(...)
Title:
Aesthetic justice: artistic and moral perspectives
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$35.00
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Can art express questions about justice? Could art, perhaps, even create justice? In Aesthetic Justice, sociologist Pascal Gielen and curator Niels Van Tomme invite a variety of artists and critical thinkers—including Zoe Beloff, Arne De Boever, Mark Fisher, Matt Fraser, Tessa Overbeek, Kerry James Marshall, Viktor Misiano, Carlos Motta, Nat Muller, Julie Atlas Muz, Gerald Raunig, Dieter Roelstraete, Hito Steyerl, Julia Svetlichnaja, Hakan Topal, Samuel Vriezen and Christian Wolff—to reflect on new futures for the notion and practice of justice. The book offers thought-provoking views on the ways in which art may confront and potentially redirect social and political futures. Incorporating analyses of contemporary artworks that challenge the social, political or economic status quo, as well as interviews with artists and theoretical reflections, Aesthetic Justice considers the liberating potential of aesthetic frameworks and suggests alternatives for a more just future.
Aesthetic justice: artistic and moral perspectives
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$35.00
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Summary:
Can art express questions about justice? Could art, perhaps, even create justice? In Aesthetic Justice, sociologist Pascal Gielen and curator Niels Van Tomme invite a variety of artists and critical thinkers—including Zoe Beloff, Arne De Boever, Mark Fisher, Matt Fraser, Tessa Overbeek, Kerry James Marshall, Viktor Misiano, Carlos Motta, Nat Muller, Julie Atlas Muz, Gerald Raunig, Dieter Roelstraete, Hito Steyerl, Julia Svetlichnaja, Hakan Topal, Samuel Vriezen and Christian Wolff—to reflect on new futures for the notion and practice of justice. The book offers thought-provoking views on the ways in which art may confront and potentially redirect social and political futures. Incorporating analyses of contemporary artworks that challenge the social, political or economic status quo, as well as interviews with artists and theoretical reflections, Aesthetic Justice considers the liberating potential of aesthetic frameworks and suggests alternatives for a more just future.
Form:
books
books
Publication:
March 2015
March 2015
Subject:
Art Theory
Art Theory
