3948 Results
Level of archival description:
Project
Project
Reference number:
AP207.S1.1968.PR04
Description:
This project series documents Pettena's installation entitled "Grazia & Giustizia", named after the Ministry of Justice in Italy. This project is the third of a series of three installations created in 1968 which consisted of large three-dimensional letters, forming words, and made purposely of perishable materials. The "Grazia & Giustizia" was created and constructed in the context of the 6th Festival of Avant-Garde Music in Palermo, in 1968. Unlike the first two installations in this series, this one was destroyed intentionally and was more of a performance as each cardboard letter was taken and thrown in the sea after a funeral procession accompanied by music played by the group MEV (Musica Elettronica Viva). The installation was re-created in 2012, this time in Civitella del Tronto, at "a great fort dating from the 16th century, which was not only the dominant architectural feature in that context but in particular the place where 'justice' used to be dispensed (or not)." [1] The project series contains photographs of the procession and of the letters once in the sea, and two drawings, including one showing the letters floating in the water. The project series also contains photographs showing the installation at the fort of Civitella del Tronto in 2012 and project descriptions in English and Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-grazia-ii-2012-1/ (last accessed 30 October 2019)
AP207.S1.1968.PR04
Description:
This project series documents Pettena's installation entitled "Grazia & Giustizia", named after the Ministry of Justice in Italy. This project is the third of a series of three installations created in 1968 which consisted of large three-dimensional letters, forming words, and made purposely of perishable materials. The "Grazia & Giustizia" was created and constructed in the context of the 6th Festival of Avant-Garde Music in Palermo, in 1968. Unlike the first two installations in this series, this one was destroyed intentionally and was more of a performance as each cardboard letter was taken and thrown in the sea after a funeral procession accompanied by music played by the group MEV (Musica Elettronica Viva). The installation was re-created in 2012, this time in Civitella del Tronto, at "a great fort dating from the 16th century, which was not only the dominant architectural feature in that context but in particular the place where 'justice' used to be dispensed (or not)." [1] The project series contains photographs of the procession and of the letters once in the sea, and two drawings, including one showing the letters floating in the water. The project series also contains photographs showing the installation at the fort of Civitella del Tronto in 2012 and project descriptions in English and Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-grazia-ii-2012-1/ (last accessed 30 October 2019)
People:
Date:
1968-2017
1968-2017
Title:
Grazia & Giustizia [Grace & Justice] (1968)
Actions:
AP207.S1.1968.PR04
Description:
This project series documents Pettena's installation entitled "Grazia & Giustizia", named after the Ministry of Justice in Italy. This project is the third of a series of three installations created in 1968 which consisted of large three-dimensional letters, forming words, and made purposely of perishable materials. The "Grazia & Giustizia" was created and constructed in the context of the 6th Festival of Avant-Garde Music in Palermo, in 1968. Unlike the first two installations in this series, this one was destroyed intentionally and was more of a performance as each cardboard letter was taken and thrown in the sea after a funeral procession accompanied by music played by the group MEV (Musica Elettronica Viva). The installation was re-created in 2012, this time in Civitella del Tronto, at "a great fort dating from the 16th century, which was not only the dominant architectural feature in that context but in particular the place where 'justice' used to be dispensed (or not)." [1] The project series contains photographs of the procession and of the letters once in the sea, and two drawings, including one showing the letters floating in the water. The project series also contains photographs showing the installation at the fort of Civitella del Tronto in 2012 and project descriptions in English and Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-grazia-ii-2012-1/ (last accessed 30 October 2019)
Grazia & Giustizia [Grace & Justice] (1968)
Actions:
AP207.S1.1968.PR04
Description:
This project series documents Pettena's installation entitled "Grazia & Giustizia", named after the Ministry of Justice in Italy. This project is the third of a series of three installations created in 1968 which consisted of large three-dimensional letters, forming words, and made purposely of perishable materials. The "Grazia & Giustizia" was created and constructed in the context of the 6th Festival of Avant-Garde Music in Palermo, in 1968. Unlike the first two installations in this series, this one was destroyed intentionally and was more of a performance as each cardboard letter was taken and thrown in the sea after a funeral procession accompanied by music played by the group MEV (Musica Elettronica Viva). The installation was re-created in 2012, this time in Civitella del Tronto, at "a great fort dating from the 16th century, which was not only the dominant architectural feature in that context but in particular the place where 'justice' used to be dispensed (or not)." [1] The project series contains photographs of the procession and of the letters once in the sea, and two drawings, including one showing the letters floating in the water. The project series also contains photographs showing the installation at the fort of Civitella del Tronto in 2012 and project descriptions in English and Italian. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/inst-grazia-ii-2012-1/ (last accessed 30 October 2019)
Level of archival description:
Project
Project
Date:
1968-2017
1968-2017
People:
Form:
textual records, born digital
textual records, born digital
Title:
Translated articles from Florence Lispky, Pascal Rollet and Ignasi Solà-Morales, Anymore journal
Translated articles from Florence Lispky, Pascal Rollet and Ignasi Solà-Morales, Anymore journal
Actions:
Reference number:
ARCH279658
Description:
No label or annotation. File format: Microsoft Word Document. This piece of digital storage media is accompanied by a letter from the translator, M. Schiff, addressed to Cynthia Davidson.
ARCH279658
Description:
No label or annotation. File format: Microsoft Word Document. This piece of digital storage media is accompanied by a letter from the translator, M. Schiff, addressed to Cynthia Davidson.
People:
Date:
1999
1999
Title:
Translated articles from Florence Lispky, Pascal Rollet and Ignasi Solà-Morales, Anymore journal
Actions:
ARCH279658
Description:
No label or annotation. File format: Microsoft Word Document. This piece of digital storage media is accompanied by a letter from the translator, M. Schiff, addressed to Cynthia Davidson.
Translated articles from Florence Lispky, Pascal Rollet and Ignasi Solà-Morales, Anymore journal
Actions:
ARCH279658
Description:
No label or annotation. File format: Microsoft Word Document. This piece of digital storage media is accompanied by a letter from the translator, M. Schiff, addressed to Cynthia Davidson.
Form:
textual records, born digital
textual records, born digital
Date:
1999
1999
People:
Form:
textual records
Quantity:
13 textual record(s)
textual records
Quantity:
13 textual record(s)
Title:
CCM Design Acoustique
CCM Design Acoustique
Actions:
Reference number:
ARCH267567
Description:
This group consists of a letter from consultants in architectural acoustics and noise control that includes recommendations and a memorandum about the acoustics of the Palais des Congrès de Montréal.
ARCH267567
Description:
This group consists of a letter from consultants in architectural acoustics and noise control that includes recommendations and a memorandum about the acoustics of the Palais des Congrès de Montréal.
People:
Date:
April - July 1980
April - July 1980
Title:
CCM Design Acoustique
Actions:
ARCH267567
Description:
This group consists of a letter from consultants in architectural acoustics and noise control that includes recommendations and a memorandum about the acoustics of the Palais des Congrès de Montréal.
CCM Design Acoustique
Actions:
ARCH267567
Description:
This group consists of a letter from consultants in architectural acoustics and noise control that includes recommendations and a memorandum about the acoustics of the Palais des Congrès de Montréal.
Form:
textual records
Quantity:
13 textual record(s)
textual records
Quantity:
13 textual record(s)
Date:
April - July 1980
April - July 1980
People:
Form:
drawings, textual records, photographs
drawings, textual records, photographs
Reference number:
DR2004:0343
Description:
clippings from the Magnet project, notes, sketches, maps, photographs, views of Venice and London, letter, site plan from the South Bank project, and documents from the Citlin project
DR2004:0343
Description:
clippings from the Magnet project, notes, sketches, maps, photographs, views of Venice and London, letter, site plan from the South Bank project, and documents from the Citlin project
People:
Title:
Clippings from the Magnet project, notes, sketches
Actions:
DR2004:0343
Description:
clippings from the Magnet project, notes, sketches, maps, photographs, views of Venice and London, letter, site plan from the South Bank project, and documents from the Citlin project
Clippings from the Magnet project, notes, sketches
Actions:
DR2004:0343
Description:
clippings from the Magnet project, notes, sketches, maps, photographs, views of Venice and London, letter, site plan from the South Bank project, and documents from the Citlin project
Form:
drawings, textual records, photographs
drawings, textual records, photographs
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH267963
Description:
Writings by Jeet Malhotra, predominantly concerning Chandigarh, India, and the life and work of Pierre Jeanneret. File contains copies of 2 articles by Malhotra for the "Chandigarh News Letter."
ARCH267963
Description:
Writings by Jeet Malhotra, predominantly concerning Chandigarh, India, and the life and work of Pierre Jeanneret. File contains copies of 2 articles by Malhotra for the "Chandigarh News Letter."
People:
Date:
n.d.
n.d.
Title:
Writings by Jeet Malhotra, predominantly concerning Chandigarh
Actions:
ARCH267963
Description:
Writings by Jeet Malhotra, predominantly concerning Chandigarh, India, and the life and work of Pierre Jeanneret. File contains copies of 2 articles by Malhotra for the "Chandigarh News Letter."
Writings by Jeet Malhotra, predominantly concerning Chandigarh
Actions:
ARCH267963
Description:
Writings by Jeet Malhotra, predominantly concerning Chandigarh, India, and the life and work of Pierre Jeanneret. File contains copies of 2 articles by Malhotra for the "Chandigarh News Letter."
Form:
textual records
textual records
Date:
n.d.
n.d.
People:
Form:
maps, drawings, textual records
maps, drawings, textual records
Actions:
Reference number:
DR2004:0883
Description:
correspondence, translations, competition documents, memorandums, proposal documents, receipts, invoices, maps, drawings, clippings, notes, resumes, certificates, transmittal forms, sketches, customs declaration, address list, and letter to Bernard Tschumi
DR2004:0883
Description:
correspondence, translations, competition documents, memorandums, proposal documents, receipts, invoices, maps, drawings, clippings, notes, resumes, certificates, transmittal forms, sketches, customs declaration, address list, and letter to Bernard Tschumi
People:
Title:
Correspondence, translations, competition documents
Actions:
DR2004:0883
Description:
correspondence, translations, competition documents, memorandums, proposal documents, receipts, invoices, maps, drawings, clippings, notes, resumes, certificates, transmittal forms, sketches, customs declaration, address list, and letter to Bernard Tschumi
Correspondence, translations, competition documents
Actions:
DR2004:0883
Description:
correspondence, translations, competition documents, memorandums, proposal documents, receipts, invoices, maps, drawings, clippings, notes, resumes, certificates, transmittal forms, sketches, customs declaration, address list, and letter to Bernard Tschumi
Form:
maps, drawings, textual records
maps, drawings, textual records
People:
Form:
textual records
textual records
Actions:
Reference number:
DR2004:0207
Description:
correspondence, including one letter that relates to Haven (AP144.S2.D165), brochure, trade catalogue, invoice, clippings, notes, reports, including 1974 drafts of Draft for Development, and meeting notes
DR2004:0207
Description:
correspondence, including one letter that relates to Haven (AP144.S2.D165), brochure, trade catalogue, invoice, clippings, notes, reports, including 1974 drafts of Draft for Development, and meeting notes
People:
Title:
Correspondence, brochure, trade catalogue, invoice, clippings, notes, reports
Actions:
DR2004:0207
Description:
correspondence, including one letter that relates to Haven (AP144.S2.D165), brochure, trade catalogue, invoice, clippings, notes, reports, including 1974 drafts of Draft for Development, and meeting notes
Correspondence, brochure, trade catalogue, invoice, clippings, notes, reports
Actions:
DR2004:0207
Description:
correspondence, including one letter that relates to Haven (AP144.S2.D165), brochure, trade catalogue, invoice, clippings, notes, reports, including 1974 drafts of Draft for Development, and meeting notes
Form:
textual records
textual records
People:
Form:
drawings
drawings
Reference number:
PHCON2002:0016:031
Description:
Sketchbook documents Fresh Air Cart (1972) and includes other miscellaneous sketches for arrow drawings, and a draft of a letter to Alan Saret. Sketchbook contains pages of drawings and text.
PHCON2002:0016:031
Description:
Sketchbook documents Fresh Air Cart (1972) and includes other miscellaneous sketches for arrow drawings, and a draft of a letter to Alan Saret. Sketchbook contains pages of drawings and text.
People:
Date:
1971
1971
Title:
Sketchbook including drawings for Fresh Air Cart, arrow drawings, and other projects
Actions:
PHCON2002:0016:031
Description:
Sketchbook documents Fresh Air Cart (1972) and includes other miscellaneous sketches for arrow drawings, and a draft of a letter to Alan Saret. Sketchbook contains pages of drawings and text.
Sketchbook including drawings for Fresh Air Cart, arrow drawings, and other projects
Actions:
PHCON2002:0016:031
Description:
Sketchbook documents Fresh Air Cart (1972) and includes other miscellaneous sketches for arrow drawings, and a draft of a letter to Alan Saret. Sketchbook contains pages of drawings and text.
Form:
drawings
drawings
Date:
1971
1971
People:
Form:
textual records
textual records
Actions:
Reference number:
DR1999:0474
Description:
documents include program hand written notes, design objectives, computer drawings, agreement, publication, letter, essay, accounting files, schedule, memo, phone conversation, correspondence, drawing list, cost analysis, calculations, drawings, transmittals
DR1999:0474
Description:
documents include program hand written notes, design objectives, computer drawings, agreement, publication, letter, essay, accounting files, schedule, memo, phone conversation, correspondence, drawing list, cost analysis, calculations, drawings, transmittals
People:
Title:
Program hand written notes, design objectives, computer drawings, Rebstockpark Master Plan
Actions:
DR1999:0474
Description:
documents include program hand written notes, design objectives, computer drawings, agreement, publication, letter, essay, accounting files, schedule, memo, phone conversation, correspondence, drawing list, cost analysis, calculations, drawings, transmittals
Program hand written notes, design objectives, computer drawings, Rebstockpark Master Plan
Actions:
DR1999:0474
Description:
documents include program hand written notes, design objectives, computer drawings, agreement, publication, letter, essay, accounting files, schedule, memo, phone conversation, correspondence, drawing list, cost analysis, calculations, drawings, transmittals
Form:
textual records
textual records
People:
Level of archival description:
Series
Series
Title:
Paul Goesch
Paul Goesch
Reference number:
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
People:
Date:
1890-1911
1890-1911
Title:
Paul Goesch
Actions:
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
Paul Goesch
Actions:
AP162.S2
Description:
Series documents the contribution of architect Paul Goesch to the correspondence circle of Die gläserne Kette. Goesch participated using the pseudonym Tancred. Born in Schwerin, Germany in 1985, Goesch studied architecture at the Technische Hochschule at Berlin-Charlottenburg. After his studies, he worked as a civil servant in Kulm and started producing his first drawings and watercolours between 1914 and 1916. He joined the Novembergruppe, an exhibiting group of painters, sculptors, architects and musicians that later merged with the Arbeitsrat für Kunst group led by Bruno Taut. He collaborated with Bruno Taut on the coloured-architecture program in Magdeburg, Germany in 1921, but was later hospitalized for mental illness, first in Göttingen, then in the Teupitz Hospital near Berlin in 1933 or 1934. In 1940, he was taken by the SS to Hartheim Euthanasia Centre where he was murdered on 6 September the same year. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises a letter of Paul Goesch to the Die gläserne Kette circle, as well as portraits, including a carte-de-visite, and a diploma.
Level of archival description:
series
series
Date:
1890-1911
1890-1911
People:
