The Shenzhen experiment
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Shenzhen is ground zero for the economic transformation China has seen in recent decades. In 1979, driven by China’s widespread poverty, Deng Xiaoping supported a bold proposal to experiment with economic policies in a rural borderland next to Hong Kong. The site was designated as the City of Shenzhen and soon after became China’s first Special Economic Zone (SEZ). Four(...)
The Shenzhen experiment
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Shenzhen is ground zero for the economic transformation China has seen in recent decades. In 1979, driven by China’s widespread poverty, Deng Xiaoping supported a bold proposal to experiment with economic policies in a rural borderland next to Hong Kong. The site was designated as the City of Shenzhen and soon after became China’s first Special Economic Zone (SEZ). Four decades later, Shenzhen is a megacity of twenty million, an internationally recognized digital technology hub, and the world’s most successful economic zone. Some see it as a modern miracle city that seemingly came from nowhere, attributing its success solely to centralized planning and Shenzhen’s proximity to Hong Kong. The Chinese government has built hundreds of new towns using the Shenzhen model, yet none has come close to replicating the city’s level of economic success. But is it true that Shenzhen has no meaningful history? That the city was planned on a tabula rasa? That the region’s rural past has had no significant impact on the urban present? Juan Du unravels the myth of Shenzhen and shows us how this world-famous “instant city” has a surprising history—filled with oyster fishermen, villages that remain encased within city blocks, a secret informal housing system—and how it has been catapulted to success as much by the ingenuity of its original farmers as by Beijing’s policy makers. “The Shenzhen Experiment” is an important story for all rapidly urbanizing and industrializing nations around the world seeking to replicate China’s economic success in the twenty-first century.
Contemporary Asian Architecture
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1 online resource.
[Place of publication not identified] : Lateral Addition, 2018.
June 21, 2018 : Listening for Southwest Key in San Diego.
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[Place of publication not identified] : Lateral Addition, 2018.
Aún te espero
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On the eve of the Women’s Day manifestations of 2021, the Mexican government erected metal barricades surrounding the National Palace—the seat of federal executive power—in the heart of Mexico City. This was meant to prevent damage by demonstrators and, therefore, "protect the heritage of all Mexicans and avoid confrontation...a wall of peace that guarantees liberty and(...)
Aún te espero
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On the eve of the Women’s Day manifestations of 2021, the Mexican government erected metal barricades surrounding the National Palace—the seat of federal executive power—in the heart of Mexico City. This was meant to prevent damage by demonstrators and, therefore, "protect the heritage of all Mexicans and avoid confrontation...a wall of peace that guarantees liberty and protection from provocations," in the words of the President's spokesman. On Saturday, March 6, the feminist collective Antimonumenta CDMX decided to paint the barricades with the names of recent victims of femicide in Mexico. Over the next few hours, hundreds of women spontaneously gathered to honor the absent women, writing their names and leaving flowers: an offering to remember them, to not forget, and, by doing so, to honor them.This series of photographs documents the barricades that were intervened in those days so that they may still be read.
Photography monographs
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The improvement of public lighting is an effective and economical way to enhance the attractiveness of urban downtown areas. Many cities in Germany and Europe have already recognized this fact and used master plans to create entirely new systems of urban lighting. They have been motivated to do so by the desire to compete with other cities and to upgrade and enhance their(...)
Materials and Lighting
December 2006, Basel - Boston - Berlin
Light for cities : lighting design for urban spaces. A handbook
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The improvement of public lighting is an effective and economical way to enhance the attractiveness of urban downtown areas. Many cities in Germany and Europe have already recognized this fact and used master plans to create entirely new systems of urban lighting. They have been motivated to do so by the desire to compete with other cities and to upgrade and enhance their city centers. Although this trend is widespread and enduring, a typology of urban lighting has not been available until now. As a concrete and practical guide, this book establishes first standards for the field. Drawing on the author’s experience, it addresses the technical and planning aspects of the task and provides important information on feasibility and possible financing models. Organized systematically and with a wealth of color illustrations, detail drawings, and implementation plans, it is an indispensable guide to successfully interacting with other planners, government departments, and investors.
Materials and Lighting
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Kai Wiedenhöfer : wall
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"You cannot shake hands across a nine meter wall", says a Palestinian pensioner who lives in the shadow of the Separation Barrier currently being built by the Israeli government. Since October 2003, photographer Kai Wiedenhöfer, who has been documenting the Israeli-Palestinian conflict for more than a decade, has been meeting with inhabitants of the Occupied Palestinian(...)
Kai Wiedenhöfer : wall
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"You cannot shake hands across a nine meter wall", says a Palestinian pensioner who lives in the shadow of the Separation Barrier currently being built by the Israeli government. Since October 2003, photographer Kai Wiedenhöfer, who has been documenting the Israeli-Palestinian conflict for more than a decade, has been meeting with inhabitants of the Occupied Palestinian Territories living in the path of the barrier. Every six months, he has been returning to the territories to document the construction of the 650 kilometers of walls, fences, ditches and earth mounds, which form the border between the State of Israel and a future Palestinian entity. The series of images in this book are all 6 x 17 cm panoramics which depict the wall and fragments of life in its shadow. In 1989, the Berlin-based photographer documented the fall of the wall in his own city. Recent German history has convinced Wiedenhöfer that separation barriers offer no realistic solutions to political conflict.
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January 2007, Göttingen
Photography monographs
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The architect and theorist Walter Curt Behrendt (1884-1945) worked on public housing and urban development as a designer and administrator for the German government after World War I. From 1925 to 1926 he edited the journal "Die Form" for the German Werkbund (...)
The victory of the new building style
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The architect and theorist Walter Curt Behrendt (1884-1945) worked on public housing and urban development as a designer and administrator for the German government after World War I. From 1925 to 1926 he edited the journal "Die Form" for the German Werkbund and led an articulate and well-orchestrated campaign in support of the Modern Movement. A friend and colleague of Lewis Mumford, he immigrated in 1934 to the United States, where he taught courses on city planning and housing at Dartmouth College and the University of Buffalo. "The Victory of the New Building Style" (1927)—his principal theoretical work in German and the precursor to Modern Building, which he wrote in English—presents a revisionist conception of style that places equal emphasis on form and function. Behrendt calls for architects to return to basic geometries and to articulate explicitly the new social and economic realities. Now available in English for the first time, this incisive treatise boldly advocates international modernism to the general public. Introduction by Detlef Mertins and translation by Harry Francis Mallgrave
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January 2000, Los Angeles
Architectural Theory
The lost vanguard
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The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life.(...)
Modernism
June 2007, New York
The lost vanguard
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The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life. Rarely published and virtually inaccessible until the collapse of the Soviet regime, these important buildings have remained unknown and unappreciated. Richard Pare's photographs reveal the powerful forms of these structures, some still in use but many now abandoned and decayed. Massive industrial complexes like the Dnieper River Dam and MoGES, which supplies electricity to the city of Moscow; vast communal houses for workers, including Ginzburg's Narkomfin; commercial buildings and government offices; and smaller clubs and theaters were all built in this brief period. In an incisive essay, architectural historian Jean-Louis Cohen surveys the history of the period, providing a context for the emergence of this startling new architecture in parallel to contemporary experiments in Europe.
Modernism
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What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination? In this book, which comes twenty years after her widely acclaimed Times Square Roulette, Lynne Sagalyn masterfully tells the story of profound urban change(...)
Times Square remade: The dynamics of urban change
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What is it about Times Square that has inspired such attention for well over a century? And how is it that, despite its many changes of character, the place has maintained a unique hold on our collective imagination? In this book, which comes twenty years after her widely acclaimed Times Square Roulette, Lynne Sagalyn masterfully tells the story of profound urban change over decades in the symbolic space that is New York City’s Times Square. Drawing on the history, sociology, and political economy of the place, ''Times Square remade'' examines how the public-private transformation of 42nd Street at Times Square impacted the entertainment district and adjacent neighborhoods, particularly Hell’s Kitchen. Sagalyn chronicles the earliest halcyon days of 42nd Street and Times Square as the nexus of speculation and competitive theater building as well as its darkest days as vice central, and on to the years of aggressive government intervention to cleanse West 42nd Street of pornography and crime. Thematically, the author analyzes the three main forces that have shaped and reshaped Times Square—theater, real estate, and pornography—and explains the politics and economics of what got built and what has been restored or preserved. Accompanied by nearly 160 images, more than half in color, ''Times Square remade'' is a deftly woven narrative of urban transformation that will appeal as much to the general reader and New York City enthusiast as to urbanists, city planners, architects, urban designers, and policymakers.
Urban Theory
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At its opening on July 16, 2004, Chicago’s Millennium Park was hailed as one of the most important millennium projects in the world. “Politicians come and go; business leaders come and go,” proclaimed mayor Richard M. Daley, “but artists really define a city.” Part park, part outdoor art museum, part cultural center, and part performance space, Millennium Park is now an(...)
Architecture since 1900, Europe
April 2006, Chicago, London
Millennium park : creating a Chicago landscape
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At its opening on July 16, 2004, Chicago’s Millennium Park was hailed as one of the most important millennium projects in the world. “Politicians come and go; business leaders come and go,” proclaimed mayor Richard M. Daley, “but artists really define a city.” Part park, part outdoor art museum, part cultural center, and part performance space, Millennium Park is now an unprecedented combination of distinctive architecture, monumental sculpture, and innovative landscaping. Including structures and works by Frank Gehry, Anish Kapoor, Jaume Plensa, and Kathryn Gustafson, the park represents the collaborative efforts of hundreds to turn an unused railroad yard in the heart of the city into a world-class civic space—and, in the process, to create an entirely new kind of cultural philanthropy. Timothy Gilfoyle here offers a biography of this phenomenal undertaking, beginning before 1850 when the site of the park, the “city’s front yard,” was part of Lake Michigan. Gilfoyle studied the history of downtown; spent years with the planners, artists, and public officials behind Millennium Park; documented it at every stage of its construction; and traced the skeins of financing through municipal government, global corporations, private foundations, and wealthy civic leaders. The result is an illustrated testament to the park, the city, and all those attempting to think and act on a monumental scale. And underlying Gilfoyle’s history is also a revealing study of the globalization of art, the use of culture as an engine of economic expansion, and the nature of political and philanthropic power. Born out of civic idealism, raised in political controversy, and maturing into a symbol of the new Chicago, Millennium Park is truly a twenty-first-century landmark, and it now has the history it deserves.
Architecture since 1900, Europe
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In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy(...)
The National Gallery of Canada : ideas and architecture
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In this first critical history of the National Gallery of Canada, Douglas Ord explores how, in the gallery's development, art has consistently been linked to notions of religious truth, national spirit, and hallowed atmosphere, culminating in Moshe Safdie's design for the institution's current building. Integrating accounts of political intrigue and public controversy with philosophy, art theory, and architectural analysis, Ord provides vivid accounts of successive directors' struggles to obtain a permanent home for the nation's art. Ord looks at the gallery's historical and intellectual context - from 1910 when Eric Brown became the gallery's founding director, through Jean Sutherland Boggs, to Shirley Thomson - shedding light on its acquisitions, government policy towards the arts, and the public's deep-rooted suspicion of avant-garde art. In showing how Canadian art came to be housed in a building whose architectural and ideological sources include Gothic cathedrals, Islamic mosques, Egyptian temples, St Peter's Basilica, and the squared-stone facades of the Holy City of Jerusalem, The National Gallery of Canada insightfully explores the relationship of Canada's art and its National Gallery to the project of the Canadian nation state.
Architecture in Canada