3860 Results
Form:
audio
audio
Actions:
Description:
1 online resource.
Author:
Subject:
Publication:
[Place of publication not identified] : Raven Row, 2018.
[Place of publication not identified] : Raven Row, 2018.
Form:
audio
audio
Publication:
[Place of publication not identified] : Raven Row, 2018.
[Place of publication not identified] : Raven Row, 2018.
Author:
Subject:
Form:
books
books
Actions:
Holdings:
Description:
335 p., [32] p. of plates : ill. ; 24 cm.+ 1 sound disc (digital ; 4 3/4 in.)
Description:
335 p., [32] p. of plates : ill. ; 24 cm.+ 1 sound disc (digital ; 4 3/4 in.)
Author:
Subject:
Publication:
Grenoble : Presses universitaires de Grenoble, c2009.
Grenoble : Presses universitaires de Grenoble, c2009.
Title:
Claude-François Ménestrier : les jésuites et le monde des images / sous la direction de Gérard Sabatier.
Actions:
Holdings:
Description:
335 p., [32] p. of plates : ill. ; 24 cm.+ 1 sound disc (digital ; 4 3/4 in.)
Claude-François Ménestrier : les jésuites et le monde des images / sous la direction de Gérard Sabatier.
Actions:
Holdings:
Description:
335 p., [32] p. of plates : ill. ; 24 cm.+ 1 sound disc (digital ; 4 3/4 in.)
Form:
books
books
Publication:
Grenoble : Presses universitaires de Grenoble, c2009.
Grenoble : Presses universitaires de Grenoble, c2009.
Author:
Subject:
Form:
books
books
Actions:
Price:
$38.00
(available to order)
Summary:
Sound in Z supplies the astounding and long-lost chapter in the early story of electronic music: the Soviet experiment, a chapter that runs from 1917 to the late 1930s. Its heroes are Arseny Avraamov, inventor of Graphic Sound (drawing directly onto magnetic tape) and a 48-note scale; Alexei Gastev, who coined the term "bio-mechanics"; Leon Theremin, inventor of the(...)
$38.00
(available to order)
Summary:
Sound in Z supplies the astounding and long-lost chapter in the early story of electronic music: the Soviet experiment, a chapter that runs from 1917 to the late 1930s. Its heroes are Arseny Avraamov, inventor of Graphic Sound (drawing directly onto magnetic tape) and a 48-note scale; Alexei Gastev, who coined the term "bio-mechanics"; Leon Theremin, inventor of the(...)
Title:
Sound in Z: experiments in sound and electronic music in early 20th century Russia
Actions:
Price:
$38.00
(available to order)
Summary:
Sound in Z supplies the astounding and long-lost chapter in the early story of electronic music: the Soviet experiment, a chapter that runs from 1917 to the late 1930s. Its heroes are Arseny Avraamov, inventor of Graphic Sound (drawing directly onto magnetic tape) and a 48-note scale; Alexei Gastev, who coined the term "bio-mechanics"; Leon Theremin, inventor of the world's first electronic instrument, the Theremin; and others whose dreams for electronic sound were cut short by Stalin's regime. Drawing on materials from numerous Moscow archives, this book reconstructs Avraamov's "Symphony of Sirens," an open-air performance for factory whistles, foghorns and artillery fire first staged in 1922, explores Graphic Sound and recounts Theremin's extraordinary career-compiling the first full account of Russian electronic music.
Sound in Z: experiments in sound and electronic music in early 20th century Russia
Actions:
Price:
$38.00
(available to order)
Summary:
Sound in Z supplies the astounding and long-lost chapter in the early story of electronic music: the Soviet experiment, a chapter that runs from 1917 to the late 1930s. Its heroes are Arseny Avraamov, inventor of Graphic Sound (drawing directly onto magnetic tape) and a 48-note scale; Alexei Gastev, who coined the term "bio-mechanics"; Leon Theremin, inventor of the world's first electronic instrument, the Theremin; and others whose dreams for electronic sound were cut short by Stalin's regime. Drawing on materials from numerous Moscow archives, this book reconstructs Avraamov's "Symphony of Sirens," an open-air performance for factory whistles, foghorns and artillery fire first staged in 1922, explores Graphic Sound and recounts Theremin's extraordinary career-compiling the first full account of Russian electronic music.
Form:
books
books
Publication:
March 2010
March 2010
Subject:
Acoustics
Acoustics
Form:
books
books
Actions:
Holdings:
Description:
1 volume (unpaged) : chiefly illustrations (some color) ; 30 cm + 1 computer optical disc (4 3/4 in.)
Description:
1 volume (unpaged) : chiefly illustrations (some color) ; 30 cm + 1 computer optical disc (4 3/4 in.)
Author:
Subject:
Publication:
Rotterdam : 010 Publishers, 1995.
Rotterdam : 010 Publishers, 1995.
Title:
Sculpture city : the electronic fusion of art & architecture / by Attila [and others].
Actions:
Holdings:
Description:
1 volume (unpaged) : chiefly illustrations (some color) ; 30 cm + 1 computer optical disc (4 3/4 in.)
Sculpture city : the electronic fusion of art & architecture / by Attila [and others].
Actions:
Holdings:
Description:
1 volume (unpaged) : chiefly illustrations (some color) ; 30 cm + 1 computer optical disc (4 3/4 in.)
Form:
books
books
Publication:
Rotterdam : 010 Publishers, 1995.
Rotterdam : 010 Publishers, 1995.
Author:
Subject:
Form:
audio
audio
Actions:
Holdings:
Description:
1 audiocassette ; in plastic folder 17 x 13 cm + 24 slides (color)
Description:
1 audiocassette ; in plastic folder 17 x 13 cm + 24 slides (color)
Author:
Subject:
Publication:
London : Pidgeon Audio Visuel, [1995?]
London : Pidgeon Audio Visuel, [1995?]
Title:
Feeling the structure / Neil Thomas.
Actions:
Holdings:
Description:
1 audiocassette ; in plastic folder 17 x 13 cm + 24 slides (color)
Feeling the structure / Neil Thomas.
Actions:
Holdings:
Description:
1 audiocassette ; in plastic folder 17 x 13 cm + 24 slides (color)
Form:
audio
audio
Publication:
London : Pidgeon Audio Visuel, [1995?]
London : Pidgeon Audio Visuel, [1995?]
Author:
Subject:
Form:
journals and magazines
journals and magazines
Title:
Leonardo music journal.
Leonardo music journal.
Actions:
Description:
1 online resource (30 volumes)
Subject:
Publication:
Oxford, U.K. ; New York : Pergamon Press, 1991-2020, Cambridge, Mass. : MIT Press
Oxford, U.K. ; New York : Pergamon Press, 1991-2020, Cambridge, Mass. : MIT Press
Form:
journals and magazines
journals and magazines
Publication:
Oxford, U.K. ; New York : Pergamon Press, 1991-2020, Cambridge, Mass. : MIT Press
Oxford, U.K. ; New York : Pergamon Press, 1991-2020, Cambridge, Mass. : MIT Press
Subject:
Form:
audio
audio
Actions:
Description:
1 online resource.
Author:
Subject:
Publication:
[Place of publication not identified] : Raven Row, 2015.
[Place of publication not identified] : Raven Row, 2015.
Title:
Larry Johnson : On Location - Bruce Hainley and Wayne Koestenbaum in conversation.
Actions:
Description:
1 online resource.
Larry Johnson : On Location - Bruce Hainley and Wayne Koestenbaum in conversation.
Actions:
Description:
1 online resource.
Form:
audio
audio
Publication:
[Place of publication not identified] : Raven Row, 2015.
[Place of publication not identified] : Raven Row, 2015.
Author:
Subject:
Form:
audio
audio
Title:
The Nomadic Listener
The Nomadic Listener
Actions:
Description:
1 online resource (1 audio file)
Subject:
Publication:
Lateral Addition 2025
Lateral Addition 2025
Form:
audio
audio
Publication:
Lateral Addition 2025
Lateral Addition 2025
Subject:
Form:
books
books
Actions:
Price:
$30.95
(available to order)
Summary:
The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art(...)
$30.95
(available to order)
Summary:
The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art(...)
Title:
Background noise: perspectives on sound art
Actions:
Price:
$30.95
(available to order)
Summary:
The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework Brandon LaBelle is a writer and curator who currently lives in Denmark. From 1998 to 2002 he developed and curated an international sound art festival in Los Angeles, Beyond Music; in 2001 he developed and organized Social Music, a series of radio works for Kunstradio in Vienna; in 2002 he curated Concrete Feedback, an exhibition of sound installations working with architecture, presented at the Southern California Institute of Architecture; and in 2002-03 he researched and curated the music section to the exhibition, Beyond Geometry: Experiments in Form, 1940s - 1970s for the Los Angeles County Museum of Art.
Background noise: perspectives on sound art
Actions:
Price:
$30.95
(available to order)
Summary:
The rise of a prominent auditory culture, reveals the degree to which sound art is lending definition to the 21st Century. And yet sound art still lacks related literature to compliment, and expand, the realm of practice. Background Noise sets out an historical overview, while at the same time shaping that history according to what sound art reveals - the dynamics of art to operate spatially, through media of reproduction and broadcast, and in relation to the intensities of communication and its contextual framework Brandon LaBelle is a writer and curator who currently lives in Denmark. From 1998 to 2002 he developed and curated an international sound art festival in Los Angeles, Beyond Music; in 2001 he developed and organized Social Music, a series of radio works for Kunstradio in Vienna; in 2002 he curated Concrete Feedback, an exhibition of sound installations working with architecture, presented at the Southern California Institute of Architecture; and in 2002-03 he researched and curated the music section to the exhibition, Beyond Geometry: Experiments in Form, 1940s - 1970s for the Los Angeles County Museum of Art.
Form:
books
books
Publication:
April 2006, New York, London
April 2006, New York, London
Subject:
Acoustics
Acoustics
Form:
audio
audio
Actions:
Description:
1 online resource.
Author:
Subject:
Publication:
[Place of publication not identified] : Raven Row, 2014.
[Place of publication not identified] : Raven Row, 2014.
Form:
audio
audio
Publication:
[Place of publication not identified] : Raven Row, 2014.
[Place of publication not identified] : Raven Row, 2014.
Author:
Subject:
