The radicant
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First published in English. Version française va sortir en automne 2009. French edition to follow in fall 2009. “In ordinary language, ‘modernizing’ has come to mean reducing cultural and social reality to Western formats. And today, modernism amounts to a form of complicity with colonialism and Eurocentrism. Let us bet on a modernity which, far from absurdly duplicating(...)
Contemporary Art Monographs
September 2008, New York/Berlin
The radicant
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First published in English. Version française va sortir en automne 2009. French edition to follow in fall 2009. “In ordinary language, ‘modernizing’ has come to mean reducing cultural and social reality to Western formats. And today, modernism amounts to a form of complicity with colonialism and Eurocentrism. Let us bet on a modernity which, far from absurdly duplicating that of the last century, would be specific to our epoch and would echo its own problematics: an altermodernity whose issues and features this book seeks to sketch out.”
Contemporary Art Monographs
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Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality,(...)
Imagining the turkish house: collective visions of home
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Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality, modernity, and identity—as well as the social roles of women and the family—could be approached, contested, revised, or embraced during this period of tumultuous change.
History until 1900, Asia
Real review 5
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We live in extremely uncertain times. Our faith in the future is increasingly?tested. Far from being a hopeful, utopian domain, the future now seems doubtful. But what does it mean to doubt today? Societal levels of anxiety are rising. Insecurity is now a generalised condition. Concern that civilisation itself is on the brink of some cataclysmic change is ubiquitous. And(...)
Real review 5
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We live in extremely uncertain times. Our faith in the future is increasingly?tested. Far from being a hopeful, utopian domain, the future now seems doubtful. But what does it mean to doubt today? Societal levels of anxiety are rising. Insecurity is now a generalised condition. Concern that civilisation itself is on the brink of some cataclysmic change is ubiquitous. And yet, doubting doubt – through the scientific method, imperial evidence and systemic thought – has not only created modernity, but offers the only hope to our worry.
Magazines
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Unfinished Utopia is a social and cultural history of Nowa Huta, dubbed Poland's "first socialist city" by Communist propaganda of the 1950s. Work began on the new town, located on the banks of the Vistula River just a few miles from the historic city of Kraków, in 1949. By contrast to its older neighbor, Nowa Huta was intended to model a new kind of socialist modernity(...)
Unfinished utopia: Nowa Huta, Stalinism, and Polish Society, 1949-56
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Unfinished Utopia is a social and cultural history of Nowa Huta, dubbed Poland's "first socialist city" by Communist propaganda of the 1950s. Work began on the new town, located on the banks of the Vistula River just a few miles from the historic city of Kraków, in 1949. By contrast to its older neighbor, Nowa Huta was intended to model a new kind of socialist modernity and to be peopled with "new men," themselves both the builders and the beneficiaries of this project of socialist construction.
History since 1900, Reference Books
The power of pictures
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Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and(...)
Theory of Photography
August 2015
The power of pictures
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Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers.
Theory of Photography
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Directed by Paolo Portoghesi, the Second Venice Architecture Biennale raised questions about a postmodernity through realms extending south and east from the Mediterranean, where modernity and decolonisation were converging. Translated here for the first time for an English-speaking audience are selected texts by Mehdi Kowsar, Udo Kultermann, and Portoghesi from the(...)
Architecture in Islamic Countries: Selections from the catalogue for the second International Exhibition of Architecture Venice 1982/83
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Directed by Paolo Portoghesi, the Second Venice Architecture Biennale raised questions about a postmodernity through realms extending south and east from the Mediterranean, where modernity and decolonisation were converging. Translated here for the first time for an English-speaking audience are selected texts by Mehdi Kowsar, Udo Kultermann, and Portoghesi from the original exhibition catalogue, accompanied by additional commentary. Furthermore, Esra Akcan reflects on the historical and socio-political contexts of the exhibition, while Asli Çiçek and Véronique Patteeuw consider the catalogue itself from the perspective of architectural history.
Contemporary Architecture
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This issue is dedicated to Boltshauser Architekten, founded and directed by Roger Boltshauser. The Swiss firm experiments with geometry and materials to reach a poetic balance between tradition and modernity. This section is followed by the competition for the National Archaeological Museum of Athens, won by the studio of the latest Pritzker laureate, David Chipperfield,(...)
AV Proyectos 116: Boltshauser Architekten
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This issue is dedicated to Boltshauser Architekten, founded and directed by Roger Boltshauser. The Swiss firm experiments with geometry and materials to reach a poetic balance between tradition and modernity. This section is followed by the competition for the National Archaeological Museum of Athens, won by the studio of the latest Pritzker laureate, David Chipperfield, whose proposal is presented along with several of the shortlisted projects. The issue also showcases the creativity of emerging studios in Madrid presenting seven temporary installations, from pavilions for trade fairs to exhibition proposals to stage designs.
Magazines
Kyoto : a cultural history
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Kyoto, the ancient former capital of Japan, breathes history and mystery. Its temples, gardens and palaces are testimony to many centuries of aristocratic and religious grandeur. Under the veneer of modernity, the city remains filled with countless reminders of a proud past. John Dougill explores this most venerable of Japanese cities, revealing the spirit of place and(...)
Kyoto : a cultural history
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Kyoto, the ancient former capital of Japan, breathes history and mystery. Its temples, gardens and palaces are testimony to many centuries of aristocratic and religious grandeur. Under the veneer of modernity, the city remains filled with countless reminders of a proud past. John Dougill explores this most venerable of Japanese cities, revealing the spirit of place and the individuals that have shaped its often dramatic history. Courtiers and courtesans, poets and priests, samurai and geisha people the pages of his account. Covering twelve centuries in all, the book provides a historical overview.
Contemporary Asian Architecture
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The Architecture Observer offers an overview of different forms of modern architecture in Central America since the outset of the 20th century. Although modern architectures constituted only a small percentage of the total building production in Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama, they hold in these countries an evident symbolic(...)
Architecture since 1900, Americas
January 2024
Modern architectures in Central America
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The Architecture Observer offers an overview of different forms of modern architecture in Central America since the outset of the 20th century. Although modern architectures constituted only a small percentage of the total building production in Guatemala, Honduras, El Salvador, Nicaragua, Costa Rica, and Panama, they hold in these countries an evident symbolic significance. Such buildings functioned as models for the desired societal, economic, and cultural changes, or as aspirational placeholders for a future state of modernity. With contributions by Mauricio Quirós Pacheco, Andrés Fernández, Hans Ibelings, Gloria Grimaldi, Sandra Gutiérrez, Martín Majewsky, and others.
Architecture since 1900, Americas
Modern architecture
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This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun(...)
Modern architecture
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This new account of international modernism explores the complex motivations behind this revolutionary movement and assesses its triumphs and failures. The work of the main architects of the movement such as Frank Lloyd Wright, Adolf Loos, Le Corbusier, and Mies van der Rohe is re-examined shedding new light on their roles as acknowledged masters. Alan Colquhoun explores the evolution of the movement from Art Nouveau in the 1890s to the megastructures of the 1960s, revealing the often contradictory demands of form, function, social engagement, modernity and tradition.
Modernism