4108 Results
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The field of art, as this issue proposes, currently seems to be undergoing a similar upheaval to what Cythia and Harrison White identified as the replacement of the Salon system by the dealer-critic system in the 19th century. While this saw art dealers and critics become far more important in processes of value formation, the significance of criticism seems to have(...)
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The field of art, as this issue proposes, currently seems to be undergoing a similar upheaval to what Cythia and Harrison White identified as the replacement of the Salon system by the dealer-critic system in the 19th century. While this saw art dealers and critics become far more important in processes of value formation, the significance of criticism seems to have(...)
Title:
Texte zur kunst #140 : System change
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The field of art, as this issue proposes, currently seems to be undergoing a similar upheaval to what Cythia and Harrison White identified as the replacement of the Salon system by the dealer-critic system in the 19th century. While this saw art dealers and critics become far more important in processes of value formation, the significance of criticism seems to have gradually waned since the 1990s. Gallerists and curators have now also lost some of their former influence, leading to fundamental shifts in the power relations of the art economy. This issue analyzes the question of whether and how the current situation differs from previous crises in the art market from the perspectives of art history, the art trade, and the auction sphere, and in view of major political and technological changes.
Texte zur kunst #140 : System change
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The field of art, as this issue proposes, currently seems to be undergoing a similar upheaval to what Cythia and Harrison White identified as the replacement of the Salon system by the dealer-critic system in the 19th century. While this saw art dealers and critics become far more important in processes of value formation, the significance of criticism seems to have gradually waned since the 1990s. Gallerists and curators have now also lost some of their former influence, leading to fundamental shifts in the power relations of the art economy. This issue analyzes the question of whether and how the current situation differs from previous crises in the art market from the perspectives of art history, the art trade, and the auction sphere, and in view of major political and technological changes.
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journals and magazines
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December 2025
December 2025
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Magazines
Magazines
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For its main feature, this edition showcases three European examples of the small church typology. In their diversity, these churches – sited in the Czech Republic, Sicily, and Tenerife – illustrate the breadth of interpretations that contemporary architecture can apply to identical liturgical criteria. In addition, the magazine examines urban context, morphological(...)
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For its main feature, this edition showcases three European examples of the small church typology. In their diversity, these churches – sited in the Czech Republic, Sicily, and Tenerife – illustrate the breadth of interpretations that contemporary architecture can apply to identical liturgical criteria. In addition, the magazine examines urban context, morphological(...)
Title:
C3 438 : The walls are new but the air is the same
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For its main feature, this edition showcases three European examples of the small church typology. In their diversity, these churches – sited in the Czech Republic, Sicily, and Tenerife – illustrate the breadth of interpretations that contemporary architecture can apply to identical liturgical criteria. In addition, the magazine examines urban context, morphological rhythm, and material imagination through the theme “Continuity vs. Intermittence”, with three projects in ''South Korea: Seoul Theater Creation Center'', ''Photography Seoul Museum of Art'', and ''Elystay Boryeong''. The issue also presents new projects by Benedetta Tagliabue and EMBT Architects, Colectivo C733, and more.
C3 438 : The walls are new but the air is the same
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For its main feature, this edition showcases three European examples of the small church typology. In their diversity, these churches – sited in the Czech Republic, Sicily, and Tenerife – illustrate the breadth of interpretations that contemporary architecture can apply to identical liturgical criteria. In addition, the magazine examines urban context, morphological rhythm, and material imagination through the theme “Continuity vs. Intermittence”, with three projects in ''South Korea: Seoul Theater Creation Center'', ''Photography Seoul Museum of Art'', and ''Elystay Boryeong''. The issue also presents new projects by Benedetta Tagliabue and EMBT Architects, Colectivo C733, and more.
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journals and magazines
journals and magazines
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December 2025
December 2025
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Magazines
Magazines
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journals and magazines
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Assemblé dans la banlieue rhizome des Outaouais, ce numéro pose la question : comment ne pas tourner en rond dans l’impuissance? À l’atelier, au salon, dans la remise, au patio, sur l’autoroute à 12 voies ou en canotage sur Kichi Sibi, Puissances dans le retrait—hyperlocality témoigne d’espaces et d’expériences où s’inventent les moyens de briser le sentiment(...)
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Assemblé dans la banlieue rhizome des Outaouais, ce numéro pose la question : comment ne pas tourner en rond dans l’impuissance? À l’atelier, au salon, dans la remise, au patio, sur l’autoroute à 12 voies ou en canotage sur Kichi Sibi, Puissances dans le retrait—hyperlocality témoigne d’espaces et d’expériences où s’inventent les moyens de briser le sentiment(...)
Title:
Le Merle vol. 7 n.1 automne 2024
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Assemblé dans la banlieue rhizome des Outaouais, ce numéro pose la question : comment ne pas tourner en rond dans l’impuissance? À l’atelier, au salon, dans la remise, au patio, sur l’autoroute à 12 voies ou en canotage sur Kichi Sibi, Puissances dans le retrait—hyperlocality témoigne d’espaces et d’expériences où s’inventent les moyens de briser le sentiment d’impuissance, là où s’élaborent des manières de faire collectif et des manières de raconter.
Le Merle vol. 7 n.1 automne 2024
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Assemblé dans la banlieue rhizome des Outaouais, ce numéro pose la question : comment ne pas tourner en rond dans l’impuissance? À l’atelier, au salon, dans la remise, au patio, sur l’autoroute à 12 voies ou en canotage sur Kichi Sibi, Puissances dans le retrait—hyperlocality témoigne d’espaces et d’expériences où s’inventent les moyens de briser le sentiment d’impuissance, là où s’élaborent des manières de faire collectif et des manières de raconter.
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journals and magazines
journals and magazines
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October 2024
October 2024
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Magazines
Magazines
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journals and magazines
journals and magazines
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For this 63rd issue, The Funambulist teamed-up with Tunisian anthropologist and visual artist Myriam Amri and invites you to "Follow the money." In it, the issue enters the crevices of a capitalist system and trace it back to its central nodes: property, land, capital, and class. It reads how money is central to colonial and imperial projects, but also how sovereignty and(...)
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For this 63rd issue, The Funambulist teamed-up with Tunisian anthropologist and visual artist Myriam Amri and invites you to "Follow the money." In it, the issue enters the crevices of a capitalist system and trace it back to its central nodes: property, land, capital, and class. It reads how money is central to colonial and imperial projects, but also how sovereignty and(...)
Title:
The Funambulist n.63 : follow the money
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For this 63rd issue, The Funambulist teamed-up with Tunisian anthropologist and visual artist Myriam Amri and invites you to "Follow the money." In it, the issue enters the crevices of a capitalist system and trace it back to its central nodes: property, land, capital, and class. It reads how money is central to colonial and imperial projects, but also how sovereignty and the liberation of our monetary imaginary can be tools of emancipation. From the CFA franc (Ndongo Samba Sylla, Moses März) to the US dollar (Lily H. Chumley) or the Palestinian Pound (Hicham Safieddine), The Funambulist navigates monetary politics around the world, and more specifically in Sudan (Nisrin Elamin & Laleh Khalili), Puerto Rico (Roque Salas Rivera) or Brazil (Cho). The issue also contains a board game entitled "You’ve Got Yourselves a Revolution, Now What?" imagined by the issue editors Myriam Amri and Léopold Lambert and designed by Aude Abou Nasr. As for the cover, it features an artwork by Adriana Martínez Barón.
The Funambulist n.63 : follow the money
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For this 63rd issue, The Funambulist teamed-up with Tunisian anthropologist and visual artist Myriam Amri and invites you to "Follow the money." In it, the issue enters the crevices of a capitalist system and trace it back to its central nodes: property, land, capital, and class. It reads how money is central to colonial and imperial projects, but also how sovereignty and the liberation of our monetary imaginary can be tools of emancipation. From the CFA franc (Ndongo Samba Sylla, Moses März) to the US dollar (Lily H. Chumley) or the Palestinian Pound (Hicham Safieddine), The Funambulist navigates monetary politics around the world, and more specifically in Sudan (Nisrin Elamin & Laleh Khalili), Puerto Rico (Roque Salas Rivera) or Brazil (Cho). The issue also contains a board game entitled "You’ve Got Yourselves a Revolution, Now What?" imagined by the issue editors Myriam Amri and Léopold Lambert and designed by Aude Abou Nasr. As for the cover, it features an artwork by Adriana Martínez Barón.
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journals and magazines
journals and magazines
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January 2026
January 2026
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Magazines
Magazines
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journals and magazines
journals and magazines
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L’art déco, véritable trait d’union entre la tradition et la modernité, a laissé sa signature sur l’architecture, le design intérieur, le mobilier, les objets et les arts visuels. Un moment phare de son histoire célèbre son centenaire : l’Exposition internationale des arts décoratifs et industriels modernes tenue à Paris en 1925. Pour souligner cet anniversaire,(...)
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L’art déco, véritable trait d’union entre la tradition et la modernité, a laissé sa signature sur l’architecture, le design intérieur, le mobilier, les objets et les arts visuels. Un moment phare de son histoire célèbre son centenaire : l’Exposition internationale des arts décoratifs et industriels modernes tenue à Paris en 1925. Pour souligner cet anniversaire,(...)
Title:
Continuité 187 : Célébrer l'art déco
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L’art déco, véritable trait d’union entre la tradition et la modernité, a laissé sa signature sur l’architecture, le design intérieur, le mobilier, les objets et les arts visuels. Un moment phare de son histoire célèbre son centenaire : l’Exposition internationale des arts décoratifs et industriels modernes tenue à Paris en 1925. Pour souligner cet anniversaire, Continuité vous invite à plonger dans le XXe siècle afin de mieux comprendre l’influence durable que l’art déco a exercé sur le paysage culturel et bâti du Québec. Les différents articles : retraceront l’histoire de l’art déco; permettront une incursion dans les collections d’objets et d’œuvres art déco; brosseront le portrait d’Ernest Cormier : sa vie, son œuvre, son héritage; feront découvrir un projet de restauration exemplaire d’un espace art déco : le restaurant Le 9e, au Centre Eaton de Montréal; exploreront le décor intérieur de la salle J. Antonio Thompson à Trois-Rivières.
Continuité 187 : Célébrer l'art déco
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L’art déco, véritable trait d’union entre la tradition et la modernité, a laissé sa signature sur l’architecture, le design intérieur, le mobilier, les objets et les arts visuels. Un moment phare de son histoire célèbre son centenaire : l’Exposition internationale des arts décoratifs et industriels modernes tenue à Paris en 1925. Pour souligner cet anniversaire, Continuité vous invite à plonger dans le XXe siècle afin de mieux comprendre l’influence durable que l’art déco a exercé sur le paysage culturel et bâti du Québec. Les différents articles : retraceront l’histoire de l’art déco; permettront une incursion dans les collections d’objets et d’œuvres art déco; brosseront le portrait d’Ernest Cormier : sa vie, son œuvre, son héritage; feront découvrir un projet de restauration exemplaire d’un espace art déco : le restaurant Le 9e, au Centre Eaton de Montréal; exploreront le décor intérieur de la salle J. Antonio Thompson à Trois-Rivières.
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journals and magazines
journals and magazines
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January 2026
January 2026
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Magazines
Magazines
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journals and magazines
journals and magazines
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Au Québec, on aime ça, se raconter des histoires. On ne s’étonnera pas qu’un territoire qui valorise la parole, la mémoire et la transmission dispose aujourd’hui encore d’un répertoire riche et vivant de contes et de légendes. Dans ce numéro d’Histoire Québec on se penche sur ce patrimoine immatériel en explorant le folklore et les légendes de notre province. On y(...)
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Au Québec, on aime ça, se raconter des histoires. On ne s’étonnera pas qu’un territoire qui valorise la parole, la mémoire et la transmission dispose aujourd’hui encore d’un répertoire riche et vivant de contes et de légendes. Dans ce numéro d’Histoire Québec on se penche sur ce patrimoine immatériel en explorant le folklore et les légendes de notre province. On y(...)
Title:
Histoire Québec vol. 31 n. 2 : folklore et légendes
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Au Québec, on aime ça, se raconter des histoires. On ne s’étonnera pas qu’un territoire qui valorise la parole, la mémoire et la transmission dispose aujourd’hui encore d’un répertoire riche et vivant de contes et de légendes. Dans ce numéro d’Histoire Québec on se penche sur ce patrimoine immatériel en explorant le folklore et les légendes de notre province. On y retrouvera ainsi le poisson monstrueux de Baie-des-Rochers, le mystérieux Chien d’Or de Québec et la maison hantée de Simon McTavish. On s’interrogera aussi sur la place des curés de campagne dans l’imaginaire collectif, et sur la façon dont le métier de cageux s’est inscrit dans notre identité commune. Dans chacun de ces récits, le mythe dialogue avec l’histoire et se nourrit des traces du réel pour transformer notre rapport au passé.
Histoire Québec vol. 31 n. 2 : folklore et légendes
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Au Québec, on aime ça, se raconter des histoires. On ne s’étonnera pas qu’un territoire qui valorise la parole, la mémoire et la transmission dispose aujourd’hui encore d’un répertoire riche et vivant de contes et de légendes. Dans ce numéro d’Histoire Québec on se penche sur ce patrimoine immatériel en explorant le folklore et les légendes de notre province. On y retrouvera ainsi le poisson monstrueux de Baie-des-Rochers, le mystérieux Chien d’Or de Québec et la maison hantée de Simon McTavish. On s’interrogera aussi sur la place des curés de campagne dans l’imaginaire collectif, et sur la façon dont le métier de cageux s’est inscrit dans notre identité commune. Dans chacun de ces récits, le mythe dialogue avec l’histoire et se nourrit des traces du réel pour transformer notre rapport au passé.
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journals and magazines
journals and magazines
Publication:
January 2026
January 2026
Subject:
Magazines
Magazines
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journals and magazines
journals and magazines
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$52.00
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Summary:
We humans long for daylight, a view of greenery, and a sense of connection. Yet today, transparent building envelopes seem less in demand. Instead of granting views in and out, we create retreats. What forms of transparency remain desirable amid social uncertainty and urban densification? And do transparent or translucent envelopes still make sense when contemporary(...)
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Summary:
We humans long for daylight, a view of greenery, and a sense of connection. Yet today, transparent building envelopes seem less in demand. Instead of granting views in and out, we create retreats. What forms of transparency remain desirable amid social uncertainty and urban densification? And do transparent or translucent envelopes still make sense when contemporary(...)
Title:
Detail 12 2025 : Transparency translucency
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We humans long for daylight, a view of greenery, and a sense of connection. Yet today, transparent building envelopes seem less in demand. Instead of granting views in and out, we create retreats. What forms of transparency remain desirable amid social uncertainty and urban densification? And do transparent or translucent envelopes still make sense when contemporary energy concepts are applied? Light, air, and sun are no longer universally welcome. The spaces behind the climate envelope must be protected from solar gains and heat loss. Limited opening ratios, smart building technology, and algorithm-driven facade design have become the norm. In such scenarios, people are treated as disruptive elements, better kept passive. Anne Lacaton and Jean-Philippe Vassal show that another way is possible. Working with 51N4E in Brussels, Lacaton & Vassal recently extended a residential block in the Peterbos district using their familiar approach: adding new winter gardens. Transparent and translucent sliding panels alternate, while curtains provide shade or privacy when needed. The result is adaptable space that responds to changing conditions – yet always leaves the final decision to the human user. A drawn curtain can create a sense of withdrawal, but it can just as easily be opened again
Detail 12 2025 : Transparency translucency
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Summary:
We humans long for daylight, a view of greenery, and a sense of connection. Yet today, transparent building envelopes seem less in demand. Instead of granting views in and out, we create retreats. What forms of transparency remain desirable amid social uncertainty and urban densification? And do transparent or translucent envelopes still make sense when contemporary energy concepts are applied? Light, air, and sun are no longer universally welcome. The spaces behind the climate envelope must be protected from solar gains and heat loss. Limited opening ratios, smart building technology, and algorithm-driven facade design have become the norm. In such scenarios, people are treated as disruptive elements, better kept passive. Anne Lacaton and Jean-Philippe Vassal show that another way is possible. Working with 51N4E in Brussels, Lacaton & Vassal recently extended a residential block in the Peterbos district using their familiar approach: adding new winter gardens. Transparent and translucent sliding panels alternate, while curtains provide shade or privacy when needed. The result is adaptable space that responds to changing conditions – yet always leaves the final decision to the human user. A drawn curtain can create a sense of withdrawal, but it can just as easily be opened again
Form:
journals and magazines
journals and magazines
Publication:
December 2025
December 2025
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
Azure 314 : Houses
Azure 314 : Houses
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What’s inside: fabulous flooring, tiles for miles, hospitality hardware, lighting for every room and more. The AZURE Houses issue returns in 2026 with stunning, innovative residential projects from Canada and around the world. Plus, we take a look at that seeming relic of the past: the mall!
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Summary:
What’s inside: fabulous flooring, tiles for miles, hospitality hardware, lighting for every room and more. The AZURE Houses issue returns in 2026 with stunning, innovative residential projects from Canada and around the world. Plus, we take a look at that seeming relic of the past: the mall!
Title:
Azure 314 : Houses
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What’s inside: fabulous flooring, tiles for miles, hospitality hardware, lighting for every room and more. The AZURE Houses issue returns in 2026 with stunning, innovative residential projects from Canada and around the world. Plus, we take a look at that seeming relic of the past: the mall!
Azure 314 : Houses
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What’s inside: fabulous flooring, tiles for miles, hospitality hardware, lighting for every room and more. The AZURE Houses issue returns in 2026 with stunning, innovative residential projects from Canada and around the world. Plus, we take a look at that seeming relic of the past: the mall!
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journals and magazines
journals and magazines
Publication:
January 2026
January 2026
Subject:
Magazines
Magazines
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journals and magazines
journals and magazines
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"Now, and Then” is a nice elliptical phrase, never standing on its own — inconclusive in an expansive kind of way. It can be read to mean “occasionally,” as in — now and then I have a craving for raw oysters. It can be understood comparatively: this is now and that was then or it can be read as a double state of mind, considering what we are doing now and what took place(...)
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Summary:
"Now, and Then” is a nice elliptical phrase, never standing on its own — inconclusive in an expansive kind of way. It can be read to mean “occasionally,” as in — now and then I have a craving for raw oysters. It can be understood comparatively: this is now and that was then or it can be read as a double state of mind, considering what we are doing now and what took place(...)
Title:
Border Crossings 169 : Now, and then
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"Now, and Then” is a nice elliptical phrase, never standing on its own — inconclusive in an expansive kind of way. It can be read to mean “occasionally,” as in — now and then I have a craving for raw oysters. It can be understood comparatively: this is now and that was then or it can be read as a double state of mind, considering what we are doing now and what took place then. This is the way in which our topic for the current issue came to mind. It might also serve as an anchor in our rudderless time, to be consistently nautical, in that we can be engaged in the unavoidable present but we can also be assured that there is a history behind us — both bolstering, and dreadful, some of it we can draw and build on and much for which we ask to be forgiven.
Border Crossings 169 : Now, and then
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"Now, and Then” is a nice elliptical phrase, never standing on its own — inconclusive in an expansive kind of way. It can be read to mean “occasionally,” as in — now and then I have a craving for raw oysters. It can be understood comparatively: this is now and that was then or it can be read as a double state of mind, considering what we are doing now and what took place then. This is the way in which our topic for the current issue came to mind. It might also serve as an anchor in our rudderless time, to be consistently nautical, in that we can be engaged in the unavoidable present but we can also be assured that there is a history behind us — both bolstering, and dreadful, some of it we can draw and build on and much for which we ask to be forgiven.
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journals and magazines
journals and magazines
Publication:
January 2026
January 2026
Subject:
Magazines
Magazines
Form:
journals and magazines
journals and magazines
Title:
C magazine 162 : Tidal
C magazine 162 : Tidal
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This issue begins from the tidal as literal image and metaphor for ceaseless movement and its force. We think alongside the inseparability of ocean and land, inspired by Barbadian poet and scholar Kamau Brathwaite’s idea of tidalectics that moves away from easy binaries—the ones that continually justify colonial and capital expansion. From Turtle Island to the Caribbean(...)
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This issue begins from the tidal as literal image and metaphor for ceaseless movement and its force. We think alongside the inseparability of ocean and land, inspired by Barbadian poet and scholar Kamau Brathwaite’s idea of tidalectics that moves away from easy binaries—the ones that continually justify colonial and capital expansion. From Turtle Island to the Caribbean(...)
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C magazine 162 : Tidal
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This issue begins from the tidal as literal image and metaphor for ceaseless movement and its force. We think alongside the inseparability of ocean and land, inspired by Barbadian poet and scholar Kamau Brathwaite’s idea of tidalectics that moves away from easy binaries—the ones that continually justify colonial and capital expansion. From Turtle Island to the Caribbean archipelago, Palestine, Central America, and Bidong Island in Malaysia, artists wade through interconnected and overlapping struggles across multiple shores, times, and material inheritances.
C magazine 162 : Tidal
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This issue begins from the tidal as literal image and metaphor for ceaseless movement and its force. We think alongside the inseparability of ocean and land, inspired by Barbadian poet and scholar Kamau Brathwaite’s idea of tidalectics that moves away from easy binaries—the ones that continually justify colonial and capital expansion. From Turtle Island to the Caribbean archipelago, Palestine, Central America, and Bidong Island in Malaysia, artists wade through interconnected and overlapping struggles across multiple shores, times, and material inheritances.
Form:
journals and magazines
journals and magazines
Publication:
January 2026
January 2026
Subject:
Magazines
Magazines
