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Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality,(...)
Imagining the turkish house: collective visions of home
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Bertram's exploration of the Turkish house shows how this feature of Ottoman culture took on symbolic meaning in the Turkish imagination as Turkey became more Westernized and secular in the early decades of the twentieth century. She shows how artists, writers, and architects all drew on the memory of the Turkish house as a space where changing notions of spirituality, modernity, and identity—as well as the social roles of women and the family—could be approached, contested, revised, or embraced during this period of tumultuous change.
History until 1900, Asia
Real review 5
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We live in extremely uncertain times. Our faith in the future is increasingly?tested. Far from being a hopeful, utopian domain, the future now seems doubtful. But what does it mean to doubt today? Societal levels of anxiety are rising. Insecurity is now a generalised condition. Concern that civilisation itself is on the brink of some cataclysmic change is ubiquitous. And(...)
Real review 5
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We live in extremely uncertain times. Our faith in the future is increasingly?tested. Far from being a hopeful, utopian domain, the future now seems doubtful. But what does it mean to doubt today? Societal levels of anxiety are rising. Insecurity is now a generalised condition. Concern that civilisation itself is on the brink of some cataclysmic change is ubiquitous. And yet, doubting doubt – through the scientific method, imperial evidence and systemic thought – has not only created modernity, but offers the only hope to our worry.
Magazines
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Unfinished Utopia is a social and cultural history of Nowa Huta, dubbed Poland's "first socialist city" by Communist propaganda of the 1950s. Work began on the new town, located on the banks of the Vistula River just a few miles from the historic city of Kraków, in 1949. By contrast to its older neighbor, Nowa Huta was intended to model a new kind of socialist modernity(...)
Unfinished utopia: Nowa Huta, Stalinism, and Polish Society, 1949-56
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Unfinished Utopia is a social and cultural history of Nowa Huta, dubbed Poland's "first socialist city" by Communist propaganda of the 1950s. Work began on the new town, located on the banks of the Vistula River just a few miles from the historic city of Kraków, in 1949. By contrast to its older neighbor, Nowa Huta was intended to model a new kind of socialist modernity and to be peopled with "new men," themselves both the builders and the beneficiaries of this project of socialist construction.
History since 1900, Reference Books
The power of pictures
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Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and(...)
Theory of Photography
August 2015
The power of pictures
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Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers.
Theory of Photography
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Directed by Paolo Portoghesi, the Second Venice Architecture Biennale raised questions about a postmodernity through realms extending south and east from the Mediterranean, where modernity and decolonisation were converging. Translated here for the first time for an English-speaking audience are selected texts by Mehdi Kowsar, Udo Kultermann, and Portoghesi from the(...)
Architecture in Islamic Countries: Selections from the catalogue for the second International Exhibition of Architecture Venice 1982/83
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Directed by Paolo Portoghesi, the Second Venice Architecture Biennale raised questions about a postmodernity through realms extending south and east from the Mediterranean, where modernity and decolonisation were converging. Translated here for the first time for an English-speaking audience are selected texts by Mehdi Kowsar, Udo Kultermann, and Portoghesi from the original exhibition catalogue, accompanied by additional commentary. Furthermore, Esra Akcan reflects on the historical and socio-political contexts of the exhibition, while Asli Çiçek and Véronique Patteeuw consider the catalogue itself from the perspective of architectural history.
Contemporary Architecture
Cabinet 65: Knowledge
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The sophist Hippias claimed to be able to lecture on any subject, but with modernity, this ancient desire took new forms. The Renaissance invented the encyclopedia. The modern state began to dream of knowing what every citizen does and says. Cabinet issue 65, with a special section on ''Knowledge,'' includes Simon Critchley on Philip K. Dick's vision that a fish pendant(...)
Cabinet 65: Knowledge
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The sophist Hippias claimed to be able to lecture on any subject, but with modernity, this ancient desire took new forms. The Renaissance invented the encyclopedia. The modern state began to dream of knowing what every citizen does and says. Cabinet issue 65, with a special section on ''Knowledge,'' includes Simon Critchley on Philip K. Dick's vision that a fish pendant had revealed all of knowledge to him; June Halloway on the paranoid knowledge of the modern state; and Cecilia Sjöholm on the relationship between naming and knowing.
Magazines
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Illuminated fêtes and civic celebrations began in Renaissance Italy and spread through the courts of Europe. Their fireworks, torches, lamps, and special effects glorified the monarch, marked the birth of a prince, or celebrated military victory. Nineteenth-century Americans rejected such monarchial pomp and adapted spectacular lighting to their democratic, commercial(...)
American illuminations: urban lighting 1800-1920
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Illuminated fêtes and civic celebrations began in Renaissance Italy and spread through the courts of Europe. Their fireworks, torches, lamps, and special effects glorified the monarch, marked the birth of a prince, or celebrated military victory. Nineteenth-century Americans rejected such monarchial pomp and adapted spectacular lighting to their democratic, commercial culture. In American Illuminations, David Nye explains how they experimented with gas and electric light to create illuminated cityscapes far brighter and more dynamic than those of Europe, and how these illuminations became symbols of modernity and the conquest of nature.
Urban Theory
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Spanning the history of literature, art, and architecture from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover ''Killing the Moonlight'' tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In(...)
Killing the moonlight: Modernism in Venice
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Spanning the history of literature, art, and architecture from John Ruskin, Henry James, and Ezra Pound to Manfredo Tafuri, Italo Calvino, Jeanette Winterson, and Robert Coover ''Killing the Moonlight'' tracks the pressures that modernity has placed on the legacy of romantic Venice, and the distinctive strains of aesthetic invention that resulted from the clash. In Venetian incarnations of modernism, the anachronistic urban fabric and vestigial sentiment that both the nation-state of Italy and the historical avant-garde would cast off become incompletely assimilated parts of the new.
Architectural Theory
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This singular work is one of the most outstanding buildings of the last decade in the oeuvre of Álvaro Siza, Pritzker Prize recipient in 1992. On a high plain by the river in the Roman city of Chaves, deep in the interior of his home country, Siza has built the Nadir Afonso Museum. Blending the modernity of elevation of the ground (and above the river’s flood plain) and a(...)
Architecture Monographs
February 2017
Alvaro Siza: Museu Nadir Afonso
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This singular work is one of the most outstanding buildings of the last decade in the oeuvre of Álvaro Siza, Pritzker Prize recipient in 1992. On a high plain by the river in the Roman city of Chaves, deep in the interior of his home country, Siza has built the Nadir Afonso Museum. Blending the modernity of elevation of the ground (and above the river’s flood plain) and a vernacular indented plan, the building reveals the exceptional mastery of this architect and the very condition of contemporary architecture.
Architecture Monographs
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Throughout the twentieth century, the ancient city of Athens underwent a massive transformation into simple sets of apartment blocks, or polykatoikia. Today, these multifamily residential units define the city’s landscape from center to periphery and house a majority of Greece’s population. Yet specific circumstances and cultural patterns set Athens’s transformation apart(...)
The public-private house: modern Athens and its Polykatoikia
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Throughout the twentieth century, the ancient city of Athens underwent a massive transformation into simple sets of apartment blocks, or polykatoikia. Today, these multifamily residential units define the city’s landscape from center to periphery and house a majority of Greece’s population. Yet specific circumstances and cultural patterns set Athens’s transformation apart from the arrival of architectural modernity in other countries, and what has emerged in Athens is a distinctly Greek variety of modern urban development. "The Public-Private House" examines Athens’s urban character and the apparently unlimited adaptability of polykatoikia.
Architectural Theory