14780 Results
Form:
photographs
photographs
Title:
Reference slides
Reference slides
Actions:
Reference number:
ARCH274329
Description:
Reference slides, including: Islamic Science; Deutsches Museum, Munich; Bangkok; Singapore; Tokyo Science Museum; Telcom Tokyo; Nagoya Science Centre; Lawrence Hall of Science, Berkeley; Ethnology Osaka; Exploratorium, San Francisco; Anthropology Museum, Mexico; Technologico Museum, Mexico City.
ARCH274329
Description:
Reference slides, including: Islamic Science; Deutsches Museum, Munich; Bangkok; Singapore; Tokyo Science Museum; Telcom Tokyo; Nagoya Science Centre; Lawrence Hall of Science, Berkeley; Ethnology Osaka; Exploratorium, San Francisco; Anthropology Museum, Mexico; Technologico Museum, Mexico City.
People:
Date:
1982
1982
Title:
Reference slides
Actions:
ARCH274329
Description:
Reference slides, including: Islamic Science; Deutsches Museum, Munich; Bangkok; Singapore; Tokyo Science Museum; Telcom Tokyo; Nagoya Science Centre; Lawrence Hall of Science, Berkeley; Ethnology Osaka; Exploratorium, San Francisco; Anthropology Museum, Mexico; Technologico Museum, Mexico City.
Reference slides
Actions:
ARCH274329
Description:
Reference slides, including: Islamic Science; Deutsches Museum, Munich; Bangkok; Singapore; Tokyo Science Museum; Telcom Tokyo; Nagoya Science Centre; Lawrence Hall of Science, Berkeley; Ethnology Osaka; Exploratorium, San Francisco; Anthropology Museum, Mexico; Technologico Museum, Mexico City.
Form:
photographs
photographs
Date:
1982
1982
People:
Level of archival description:
Project
Project
Title:
Streetwork
Streetwork
Reference number:
AP041.S1.1977.D1
Description:
Streetwork was an installation/construction designed for the Art Gallery of Ontario, consisting of a wooden wall being “inserted” into the gallery, designed to transverse the gallery and pass through the existing wall that separated the gallery from the street. The “wall” becomes an arcade on the street and a “partition” inside; the existing building doesn’t so much contain the wall as combine with it. The construction opens the envelope of the building and draws the museum out onto the street. It was also presented at the Musée d'art contemporain in Montréal, in 1978. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 50-53)
AP041.S1.1977.D1
Description:
Streetwork was an installation/construction designed for the Art Gallery of Ontario, consisting of a wooden wall being “inserted” into the gallery, designed to transverse the gallery and pass through the existing wall that separated the gallery from the street. The “wall” becomes an arcade on the street and a “partition” inside; the existing building doesn’t so much contain the wall as combine with it. The construction opens the envelope of the building and draws the museum out onto the street. It was also presented at the Musée d'art contemporain in Montréal, in 1978. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 50-53)
People:
Date:
1977-1979
1977-1979
Title:
Streetwork
Actions:
AP041.S1.1977.D1
Description:
Streetwork was an installation/construction designed for the Art Gallery of Ontario, consisting of a wooden wall being “inserted” into the gallery, designed to transverse the gallery and pass through the existing wall that separated the gallery from the street. The “wall” becomes an arcade on the street and a “partition” inside; the existing building doesn’t so much contain the wall as combine with it. The construction opens the envelope of the building and draws the museum out onto the street. It was also presented at the Musée d'art contemporain in Montréal, in 1978. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 50-53)
Streetwork
Actions:
AP041.S1.1977.D1
Description:
Streetwork was an installation/construction designed for the Art Gallery of Ontario, consisting of a wooden wall being “inserted” into the gallery, designed to transverse the gallery and pass through the existing wall that separated the gallery from the street. The “wall” becomes an arcade on the street and a “partition” inside; the existing building doesn’t so much contain the wall as combine with it. The construction opens the envelope of the building and draws the museum out onto the street. It was also presented at the Musée d'art contemporain in Montréal, in 1978. Source: Montréal : Musée d’art contemporain. (1979) Melvin Charney: Oeuvres 1970-1979. (p. 50-53)
Level of archival description:
Project
Project
Date:
1977-1979
1977-1979
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP142.S1.D217
Description:
File documents an executed project by Aldo Rossi and César Portela for a maritime museum in Vigo, Spain. Material in this file was produced between 1992 and 1994. File contains conceptual drawings and presentation drawings. File also contains textual records, including sketches, drawings, photographs, maps, aerial views, correspondence, an architect's statement, technical reports, building programmes, calculations, an administrative record, clippings, a business card, schedules of drawings, colour photocopies of views of the site, a colour photocopy of a photograph of Aldo Rossi, notes, and the 8 October 1992 edition of the newspaper 'A Nosa Terra'.
AP142.S1.D217
Description:
File documents an executed project by Aldo Rossi and César Portela for a maritime museum in Vigo, Spain. Material in this file was produced between 1992 and 1994. File contains conceptual drawings and presentation drawings. File also contains textual records, including sketches, drawings, photographs, maps, aerial views, correspondence, an architect's statement, technical reports, building programmes, calculations, an administrative record, clippings, a business card, schedules of drawings, colour photocopies of views of the site, a colour photocopy of a photograph of Aldo Rossi, notes, and the 8 October 1992 edition of the newspaper 'A Nosa Terra'.
People:
Date:
1992-1994
1992-1994
Title:
Museo do Mar de Galicia, Alcabre, Vigo
Actions:
AP142.S1.D217
Description:
File documents an executed project by Aldo Rossi and César Portela for a maritime museum in Vigo, Spain. Material in this file was produced between 1992 and 1994. File contains conceptual drawings and presentation drawings. File also contains textual records, including sketches, drawings, photographs, maps, aerial views, correspondence, an architect's statement, technical reports, building programmes, calculations, an administrative record, clippings, a business card, schedules of drawings, colour photocopies of views of the site, a colour photocopy of a photograph of Aldo Rossi, notes, and the 8 October 1992 edition of the newspaper 'A Nosa Terra'.
Museo do Mar de Galicia, Alcabre, Vigo
Actions:
AP142.S1.D217
Description:
File documents an executed project by Aldo Rossi and César Portela for a maritime museum in Vigo, Spain. Material in this file was produced between 1992 and 1994. File contains conceptual drawings and presentation drawings. File also contains textual records, including sketches, drawings, photographs, maps, aerial views, correspondence, an architect's statement, technical reports, building programmes, calculations, an administrative record, clippings, a business card, schedules of drawings, colour photocopies of views of the site, a colour photocopy of a photograph of Aldo Rossi, notes, and the 8 October 1992 edition of the newspaper 'A Nosa Terra'.
Level of archival description:
File 217
File 217
Date:
1992-1994
1992-1994
People:
Actions:
Reference number:
PHCON2003:0005:024
Description:
Inscriptions read: "79046 Carnegie Museum of Art"; "Conical Intersect A/P"; "Reference Only (Emul Out)"; "Beaubourg Museum."
PHCON2003:0005:024
Description:
Inscriptions read: "79046 Carnegie Museum of Art"; "Conical Intersect A/P"; "Reference Only (Emul Out)"; "Beaubourg Museum."
People:
Date:
1975
1975
Title:
16mm answer print of Conical Intersect
Actions:
PHCON2003:0005:024
Description:
Inscriptions read: "79046 Carnegie Museum of Art"; "Conical Intersect A/P"; "Reference Only (Emul Out)"; "Beaubourg Museum."
16mm answer print of Conical Intersect
Actions:
PHCON2003:0005:024
Description:
Inscriptions read: "79046 Carnegie Museum of Art"; "Conical Intersect A/P"; "Reference Only (Emul Out)"; "Beaubourg Museum."
Date:
1975
1975
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP116.S3.SS23
Description:
Sub-series documents the planning and content of How the Critic Sees: Seven Critics on Seven buildings, issue 21 of ANY magazine (December) and the corresponding In ANY Event Seminar (entitled 8 Critics on 8 Buildings originally, but which in subsequent documents is referred to as 6 on 6; possibly Herbert Muschamp and Michael Sorkin withdrew), held 3 May 1997 at the Guggenheim Museum in New York. Sub-series is arranged into seven files, by object type. Material in sub-series was produced between 1996 and 1998. Sub-series contains correspondence, posters, press clippings, illustrations, articles, photographs, audiocassettes, videocassettes, and copies of the issue.
AP116.S3.SS23
Description:
Sub-series documents the planning and content of How the Critic Sees: Seven Critics on Seven buildings, issue 21 of ANY magazine (December) and the corresponding In ANY Event Seminar (entitled 8 Critics on 8 Buildings originally, but which in subsequent documents is referred to as 6 on 6; possibly Herbert Muschamp and Michael Sorkin withdrew), held 3 May 1997 at the Guggenheim Museum in New York. Sub-series is arranged into seven files, by object type. Material in sub-series was produced between 1996 and 1998. Sub-series contains correspondence, posters, press clippings, illustrations, articles, photographs, audiocassettes, videocassettes, and copies of the issue.
People:
Date:
1996-1998
1996-1998
Title:
How the Critic Sees: Seven Critics on Seven Buildings
Actions:
AP116.S3.SS23
Description:
Sub-series documents the planning and content of How the Critic Sees: Seven Critics on Seven buildings, issue 21 of ANY magazine (December) and the corresponding In ANY Event Seminar (entitled 8 Critics on 8 Buildings originally, but which in subsequent documents is referred to as 6 on 6; possibly Herbert Muschamp and Michael Sorkin withdrew), held 3 May 1997 at the Guggenheim Museum in New York. Sub-series is arranged into seven files, by object type. Material in sub-series was produced between 1996 and 1998. Sub-series contains correspondence, posters, press clippings, illustrations, articles, photographs, audiocassettes, videocassettes, and copies of the issue.
How the Critic Sees: Seven Critics on Seven Buildings
Actions:
AP116.S3.SS23
Description:
Sub-series documents the planning and content of How the Critic Sees: Seven Critics on Seven buildings, issue 21 of ANY magazine (December) and the corresponding In ANY Event Seminar (entitled 8 Critics on 8 Buildings originally, but which in subsequent documents is referred to as 6 on 6; possibly Herbert Muschamp and Michael Sorkin withdrew), held 3 May 1997 at the Guggenheim Museum in New York. Sub-series is arranged into seven files, by object type. Material in sub-series was produced between 1996 and 1998. Sub-series contains correspondence, posters, press clippings, illustrations, articles, photographs, audiocassettes, videocassettes, and copies of the issue.
Level of archival description:
Sub-series 23
Sub-series 23
Date:
1996-1998
1996-1998
People:
Level of archival description:
Sub-series
Sub-series
Actions:
Reference number:
AP075.S2.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's work exhibited in "Art and Design Canada 2000” at the Royal Canadian Academy of Arts in1994. Five of Oberlander's landscape projects were exhibited: Robson Square and the Law Court (1974-1982); Museum of Anthropology at the University of British Columbia (1975-1977); the National Gallery of Canada (1983-1990); Ritsumeikan House at the University of British Columbia (1990-1993); and Institute of Asian Research at the University of British Columbia (1993-1996). The sub-series contains seven presentation panels produced for this exhibition on a selection of Oberlander's Canadian projects, and a file of correspondence regarding exhibiting this work.
AP075.S2.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's work exhibited in "Art and Design Canada 2000” at the Royal Canadian Academy of Arts in1994. Five of Oberlander's landscape projects were exhibited: Robson Square and the Law Court (1974-1982); Museum of Anthropology at the University of British Columbia (1975-1977); the National Gallery of Canada (1983-1990); Ritsumeikan House at the University of British Columbia (1990-1993); and Institute of Asian Research at the University of British Columbia (1993-1996). The sub-series contains seven presentation panels produced for this exhibition on a selection of Oberlander's Canadian projects, and a file of correspondence regarding exhibiting this work.
People:
Subject:
landscape architecture
landscape architecture
Date:
1994-1995
1994-1995
Title:
Art and Design Canada 2000, Royal Canadian Academy of Arts, Toronto, Ontario (1994)
Actions:
AP075.S2.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's work exhibited in "Art and Design Canada 2000” at the Royal Canadian Academy of Arts in1994. Five of Oberlander's landscape projects were exhibited: Robson Square and the Law Court (1974-1982); Museum of Anthropology at the University of British Columbia (1975-1977); the National Gallery of Canada (1983-1990); Ritsumeikan House at the University of British Columbia (1990-1993); and Institute of Asian Research at the University of British Columbia (1993-1996). The sub-series contains seven presentation panels produced for this exhibition on a selection of Oberlander's Canadian projects, and a file of correspondence regarding exhibiting this work.
Art and Design Canada 2000, Royal Canadian Academy of Arts, Toronto, Ontario (1994)
Actions:
AP075.S2.SS1
Description:
This sub-series documents Cornelia Hahn Oberlander's work exhibited in "Art and Design Canada 2000” at the Royal Canadian Academy of Arts in1994. Five of Oberlander's landscape projects were exhibited: Robson Square and the Law Court (1974-1982); Museum of Anthropology at the University of British Columbia (1975-1977); the National Gallery of Canada (1983-1990); Ritsumeikan House at the University of British Columbia (1990-1993); and Institute of Asian Research at the University of British Columbia (1993-1996). The sub-series contains seven presentation panels produced for this exhibition on a selection of Oberlander's Canadian projects, and a file of correspondence regarding exhibiting this work.
Level of archival description:
Sub-series
Sub-series
Date:
1994-1995
1994-1995
People:
Subject:
landscape architecture
landscape architecture
Level of archival description:
Project
Project
Reference number:
AP178.S1.1982.PR04
Description:
This project series document the Centro Cultural de Sines in Sines, Portugal. While the records were held in the office’s archives this project was assigned the number 15/80. The office assigned the dates 1982-1985 to this project. The project was for the Sines Cultural Centre, which was divided into three buildings (A, B, and C). Building A included offices, an auditorium, meeting rooms and a bar, Building B held a museum, and Building C included a library on two floors. The project was not built. Documenting this project are sketches, studies, design development drawings and plans. Textual materials include project documentation and correspondence. Photographic materials document the models.
AP178.S1.1982.PR04
Description:
This project series document the Centro Cultural de Sines in Sines, Portugal. While the records were held in the office’s archives this project was assigned the number 15/80. The office assigned the dates 1982-1985 to this project. The project was for the Sines Cultural Centre, which was divided into three buildings (A, B, and C). Building A included offices, an auditorium, meeting rooms and a bar, Building B held a museum, and Building C included a library on two floors. The project was not built. Documenting this project are sketches, studies, design development drawings and plans. Textual materials include project documentation and correspondence. Photographic materials document the models.
People:
Date:
1982-1985
1982-1985
Title:
Centro Cultural de Sines [Sines Cultural Centre], Sines, Portugal (1982-1985)
Actions:
AP178.S1.1982.PR04
Description:
This project series document the Centro Cultural de Sines in Sines, Portugal. While the records were held in the office’s archives this project was assigned the number 15/80. The office assigned the dates 1982-1985 to this project. The project was for the Sines Cultural Centre, which was divided into three buildings (A, B, and C). Building A included offices, an auditorium, meeting rooms and a bar, Building B held a museum, and Building C included a library on two floors. The project was not built. Documenting this project are sketches, studies, design development drawings and plans. Textual materials include project documentation and correspondence. Photographic materials document the models.
Centro Cultural de Sines [Sines Cultural Centre], Sines, Portugal (1982-1985)
Actions:
AP178.S1.1982.PR04
Description:
This project series document the Centro Cultural de Sines in Sines, Portugal. While the records were held in the office’s archives this project was assigned the number 15/80. The office assigned the dates 1982-1985 to this project. The project was for the Sines Cultural Centre, which was divided into three buildings (A, B, and C). Building A included offices, an auditorium, meeting rooms and a bar, Building B held a museum, and Building C included a library on two floors. The project was not built. Documenting this project are sketches, studies, design development drawings and plans. Textual materials include project documentation and correspondence. Photographic materials document the models.
Level of archival description:
Project
Project
Date:
1982-1985
1982-1985
People:
Form:
textual records
textual records
Actions:
Reference number:
PHCON2002:0016:003:075
Description:
Letter contains a diagram for the project "six houses in a row".
PHCON2002:0016:003:075
Description:
Letter contains a diagram for the project "six houses in a row".
People:
Date:
15 May 1975
15 May 1975
Title:
Letter from Gordon Matta-Clark to Marilyn Lubetkin
Actions:
PHCON2002:0016:003:075
Description:
Letter contains a diagram for the project "six houses in a row".
Letter from Gordon Matta-Clark to Marilyn Lubetkin
Actions:
PHCON2002:0016:003:075
Description:
Letter contains a diagram for the project "six houses in a row".
Form:
textual records
textual records
Date:
15 May 1975
15 May 1975
People:
Form:
exhibitions
exhibitions
Actions:
Description:
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
Date:
15 September 1982 to 16 October 1982
15 September 1982 to 16 October 1982
Title:
Photography and Architecture: 1839–1939
Actions:
Description:
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
Photography and Architecture: 1839–1939
Actions:
Description:
In 1982, the CCA organized its first exhibition, Photography and Architecture: 1839–1939, prior to the construction of the CCA’s current building. The exhibition was shown in Galerie Lempertz Contempora in Cologne (1982), the Art Institute of Chicago (1983), the Cooper-Hewitt National Design Museum in New York (1983), Centre Georges Pompidou in Paris (1984), and the(...)
Form:
exhibitions
exhibitions
Date:
15 September 1982 to
16 October 1982
15 September 1982 to
16 October 1982
Form:
events
events
Title:
Siza Speaks
Siza Speaks
Actions:
Description:
Portuguese architect and Pritzker prize-winner Álvaro Siza presents a rare lecture in North America on the design development of the Iberê Camargo Museum in Porto Alegre, a structure noted for its sculptural volumes and tight integration with a coastal escarpment. He discusses the key role of hand sketches in the design process, from massing studies to fine-tuning(...)
Portuguese architect and Pritzker prize-winner Álvaro Siza presents a rare lecture in North America on the design development of the Iberê Camargo Museum in Porto Alegre, a structure noted for its sculptural volumes and tight integration with a coastal escarpment. He discusses the key role of hand sketches in the design process, from massing studies to fine-tuning(...)
Location:
Paul-Desmarais Theater
Paul-Desmarais Theater
Date:
26 April 2012 , 7pm
26 April 2012 , 7pm
Title:
Siza Speaks
Actions:
Description:
Portuguese architect and Pritzker prize-winner Álvaro Siza presents a rare lecture in North America on the design development of the Iberê Camargo Museum in Porto Alegre, a structure noted for its sculptural volumes and tight integration with a coastal escarpment. He discusses the key role of hand sketches in the design process, from massing studies to fine-tuning(...)
Siza Speaks
Actions:
Description:
Portuguese architect and Pritzker prize-winner Álvaro Siza presents a rare lecture in North America on the design development of the Iberê Camargo Museum in Porto Alegre, a structure noted for its sculptural volumes and tight integration with a coastal escarpment. He discusses the key role of hand sketches in the design process, from massing studies to fine-tuning(...)
Form:
events
events
Date:
26 April 2012
7pm
26 April 2012
7pm
Location:
Paul-Desmarais Theater
Paul-Desmarais Theater
