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Marvels of human ingenuity, so small they can fit in the palm of your hand, miniature boxwood carvings from the early 16th century have long remained a mystery because of the enormous virtuosity with which they were made. Presenting 60 statuettes, miniature altars, prayer nuts, rosaries, skuls and other memento mori-pendants, 'Small Wonders' focuses for the first time on(...)
Small wonders: late Gothic boxwood microcarvings from the low countries
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Marvels of human ingenuity, so small they can fit in the palm of your hand, miniature boxwood carvings from the early 16th century have long remained a mystery because of the enormous virtuosity with which they were made. Presenting 60 statuettes, miniature altars, prayer nuts, rosaries, skuls and other memento mori-pendants, 'Small Wonders' focuses for the first time on these Late Gothic, pocket size carvings from the Low Countries. These ingeniously constructed, awe-inspiring detailed cut artworks depicting biblical scenes were made as sophisticated ‘toys’ for private devotion and amusement, as well as collectibles that only the rich could afford.
Industrial Design
Sinan's Mosque
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Catalog published on the occasion of the exhibition "Ottoman architecture of the 16th century: mosques of Sinan. Drawings by Augusto Romano Burelli and Paola Gennaro", september-november 2008, Frankfurt, Deutsches Architekturmuseum. The architect (1489-1588) was a master mosque builder who employed perfect proportions to create astonishing lightness in(...)
History until 1900, Asia
January 1900, Berlin
Sinan's Mosque
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Catalog published on the occasion of the exhibition "Ottoman architecture of the 16th century: mosques of Sinan. Drawings by Augusto Romano Burelli and Paola Gennaro", september-november 2008, Frankfurt, Deutsches Architekturmuseum. The architect (1489-1588) was a master mosque builder who employed perfect proportions to create astonishing lightness in architecture--especially in his gravity-defying cupolas. He is renowned for having borrowed Roman and Byzantine techniques in order to create something new in mosque design--centralized organisms of absolute space, unhindered by pillars or columns. This beautifully illustrated volume, which features stunning reconstructed architectural renderings and diagrams, is the first to fully analyze his method.
History until 1900, Asia
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Envisioning Architecture, the first in a series of three titles showcasing selected works from The Museum of Modern Art's superlative architecture and design collection, features a wide variety of drawings by great architects of the modern period, from early masters such as Frank Lloyd Wright, Le Corbusier, and Ludwig Mies van der Rohe to contemporary practitioners(...)
Envisioning architecture : drawings from the Museum of Modern Art
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Envisioning Architecture, the first in a series of three titles showcasing selected works from The Museum of Modern Art's superlative architecture and design collection, features a wide variety of drawings by great architects of the modern period, from early masters such as Frank Lloyd Wright, Le Corbusier, and Ludwig Mies van der Rohe to contemporary practitioners including Frank Gehry, Zaha Hadid, Rem Koolhaas, and others. Revealing the range of aesthetic viewpoints in architecture since the late 19th century, these drawings also cumulatively trace the development of the field, almost incidentally making the crucial point that in this increasingly technological age, the age-old discipline of drawing is as vital and inventive as ever. The book opens with an exploration of the relatively brief history of collecting architectural drawings, whose practice dates back little farther than the 16th century.
Architectural Drawing
Mapping New York
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A beautifully illustrated book with distinctive maps dating back to the 16th Century, when New York was known as New Amsterdam and founded by the Dutch as a commercial trading post, right up to the present day. Mapping New York provides a pictorial history of the city – both documenting it as a leader in commerce and as one of the most built up urban areas in the world.(...)
Mapping New York
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A beautifully illustrated book with distinctive maps dating back to the 16th Century, when New York was known as New Amsterdam and founded by the Dutch as a commercial trading post, right up to the present day. Mapping New York provides a pictorial history of the city – both documenting it as a leader in commerce and as one of the most built up urban areas in the world. This book focuses on maps from the 20th and 21st century, thematically arranged with maps on population, military, water, transport, commerce, crime, as well as planning and developing maps, and boundaries of the five boroughs. Featuring well known graphics such as the New York City subway map, artists’ representations include Claes Oldenburg’s Soft Manhattan #1: Postal Codes from 1966 and the poem, “Manhattan,” in the shape of the city by Howard Horowitz.
Architectural Plans and Cartography
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The great parks and gardens of Europe come alive by the skillful interplay of natural landscape and architectural elements. Throughout the ages, however, this relationship has been treated in very different ways. The gardens of the Italian renaissance in the 15th or 16th century were based on rational plans, whereas the French parks of the Baroque period seem rather more(...)
Architecture and landscape : the design experiments of the great European gardens and landscapes, revised and expanded edition
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The great parks and gardens of Europe come alive by the skillful interplay of natural landscape and architectural elements. Throughout the ages, however, this relationship has been treated in very different ways. The gardens of the Italian renaissance in the 15th or 16th century were based on rational plans, whereas the French parks of the Baroque period seem rather more geometric in design, and the English parklands of the 18th century present a scenic composition. In this publication famous historical gardens from all over Europe are analysed, and these graphic analyses allow us to see into the mind of the designers. By highlighting the design processes, they also function as models for future landscape projects. More than 30 renowned gardens have been examined and documented with a wealth of illustrations. Amongst the parks presented are Palladio’s Villa Emo, the perfect order of the Baroque garden Vaux-le-Vicomte near Paris or the pastoral yet mysterious park of Blenheim Palace near Oxford.
Gardens
Villa d'Este in Tivoli
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The Villa d'Este is a 16th-century villa in Tivoli, near Rome, internationally renowned for its terraced hillside Italian Renaissance garden containing an outstanding array of fountains, nymphaea, grottoes, water features and atmospheric sound effects. Named a UNESCO World Heritage Site in 2001, the garden is widely considered to be one of the finest examples of Italian(...)
Villa d'Este in Tivoli
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The Villa d'Este is a 16th-century villa in Tivoli, near Rome, internationally renowned for its terraced hillside Italian Renaissance garden containing an outstanding array of fountains, nymphaea, grottoes, water features and atmospheric sound effects. Named a UNESCO World Heritage Site in 2001, the garden is widely considered to be one of the finest examples of Italian Renaissance gardens in Europe. Villa d’Este was first conceived of in 1550 by the governor of Tivoli, Cardinal Ippolito II d’Este, who had long envisioned a garden built on the slopes of the valley known as Valle Gaudente. But it was only after 1560 that the villa’s architectural and iconological blueprint was defined by painter-archaeologist-architect Pirro Ligorio and executed by court architect Alberto Galvani. When Ippolito d’Este died in 1572, the project was nearly complete.
Gardens
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The spread of Renaissance culture in England coincided with the birth of the profession of architecture, whose practitioners soon became superior to simple builders in social standing and perceived intellectual prowess. This book, which focuses in particular on the scientist, mathematician, and architect Sir Christopher Wren, explores the extent to which this new(...)
Compass & rule : architecture as mathematical practice in England
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The spread of Renaissance culture in England coincided with the birth of the profession of architecture, whose practitioners soon became superior to simple builders in social standing and perceived intellectual prowess. This book, which focuses in particular on the scientist, mathematician, and architect Sir Christopher Wren, explores the extent to which this new professional identity was based on expertise in the mathematical arts and sciences. Featuring drawings, instruments, paintings, and other examples of the material culture of English architecture, the book discusses the role of mathematics in architectural design and building technology. It begins with architectural drawing in the 16th century, moves to large-scale technical drawing under Henry VIII, considers Inigo Jones and his royal buildings and Christopher Wren and the dome of St. Paul’s, and concludes with the architectural education of George III. Interweaving text and visual image, the book investigates the boundaries between art and science in architecture—the most artistic of the sciences and the most scientific of the arts.
Architectural Drawing
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What use can we make today of a prints collection dating between the 16th and 19th century housed in a library storage room? What does it tell us of the periods in which it was created, preserved and reorganised? How can this information relate to the contemporary? Can an artist re-enact shared scenarios emphasising what of the old persists in the present? This(...)
Present archives: Reflections from a collection of prints
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What use can we make today of a prints collection dating between the 16th and 19th century housed in a library storage room? What does it tell us of the periods in which it was created, preserved and reorganised? How can this information relate to the contemporary? Can an artist re-enact shared scenarios emphasising what of the old persists in the present? This publication collects three years' work within present_continuous, a project aimed at enhancing a collection of prints housed at the Biblioteca Nazionale Universitaria in Turin. A still rather unexplored point of excellence in the institution’s holdings, which was organised in albums in the 1860s by the eclectic Piedmontese collector and connoisseur Giovanni Volpato. The project includes a cataloguing campaign, a symposium whose purpose was to renew the contemporary perception of the archive and in an international call was opened in order to select two artists – Alessandra Messali and Ryts Monet (Enrico De Napoli) – for a residency program dedicated to creating new perspectives, right from the collection of print, trying to voicing the social and cultural issues of our time.
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As Art Director for Muji since 2002, Japanese graphic designer Kenya Hara (born 1958) and his aesthetic of pared-back, beautifully functional objects has taken the world by (quiet) storm. With “Kenya Hara: Designing Japan”, the designer presents his vision of how his industry can contribute to the future of his country: a future founded on Hara’s unique philosophy of(...)
Kenya Hara, designing Japan: a future built on aesthetics
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As Art Director for Muji since 2002, Japanese graphic designer Kenya Hara (born 1958) and his aesthetic of pared-back, beautifully functional objects has taken the world by (quiet) storm. With “Kenya Hara: Designing Japan”, the designer presents his vision of how his industry can contribute to the future of his country: a future founded on Hara’s unique philosophy of beauty as well as crowd-sourced wisdom from around the world. The book spans history, from the beginnings of professional Japanese design in the 16th century to the impact of the 2011 Tohoku earthquake. But Hara's real focus is on the future. A master collaborator, meticulous organizer and globally conscious innovator, Hara draws on more than three decades of work in design and exhibition curating, as well his professional interactions with creators from many fields. “Designing Japan” offers a foundation course on the essence of Japanese aesthetics, while maintaining a practical approach to Japan’s circumstances and future possibilities. Hara reveals the methods by which designers in Japan work with government and industry, and considers how design can propose solutions for this island nation as its population ages, other nations take over manufacturing and technology develops. Illustrations and examples recognize successful problem-solving through design, proving that design is a living, changing industry that remains relevant not in spite of, but as a partner to, advancing technology.
Graphic Designers, Monographs
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1 online resource.
[Place of publication not identified] : Lateral Addition, 2018.
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[Place of publication not identified] : Lateral Addition, 2018.