2514 Results
Form:
textual records
textual records
Actions:
Reference number:
ARCH276060
Description:
16 files - Group contains office files labeled, "AE General" followed by subjects. Contains: correspondence: David Boulva Cleve; miscellaneous notes; miscellaneous correspondence; personnel applications; visitors to office; personnel correspondence; articles Re climate; biography proofs correspondence; Darlington Amenity Research Trust - Michael Dower; Keith Loffler; energy codes; furniture orders - misc.; Arcology Consultation Service; Bing Thom Association; MacMillan Building renovations, contract documents.
ARCH276060
Description:
16 files - Group contains office files labeled, "AE General" followed by subjects. Contains: correspondence: David Boulva Cleve; miscellaneous notes; miscellaneous correspondence; personnel applications; visitors to office; personnel correspondence; articles Re climate; biography proofs correspondence; Darlington Amenity Research Trust - Michael Dower; Keith Loffler; energy codes; furniture orders - misc.; Arcology Consultation Service; Bing Thom Association; MacMillan Building renovations, contract documents.
People:
Date:
1975-1980
1975-1980
Title:
Correspondence, notes, contract and furniture orders from Erickson's office
Actions:
ARCH276060
Description:
16 files - Group contains office files labeled, "AE General" followed by subjects. Contains: correspondence: David Boulva Cleve; miscellaneous notes; miscellaneous correspondence; personnel applications; visitors to office; personnel correspondence; articles Re climate; biography proofs correspondence; Darlington Amenity Research Trust - Michael Dower; Keith Loffler; energy codes; furniture orders - misc.; Arcology Consultation Service; Bing Thom Association; MacMillan Building renovations, contract documents.
Correspondence, notes, contract and furniture orders from Erickson's office
Actions:
ARCH276060
Description:
16 files - Group contains office files labeled, "AE General" followed by subjects. Contains: correspondence: David Boulva Cleve; miscellaneous notes; miscellaneous correspondence; personnel applications; visitors to office; personnel correspondence; articles Re climate; biography proofs correspondence; Darlington Amenity Research Trust - Michael Dower; Keith Loffler; energy codes; furniture orders - misc.; Arcology Consultation Service; Bing Thom Association; MacMillan Building renovations, contract documents.
Form:
textual records
textual records
Date:
1975-1980
1975-1980
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP154.S1.1979.PR01
Description:
Project series AP154.S1.1979.PR01, George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979), documents an executed project to recycle a municipal asphalt plant into a youth sports and arts center. Clients for the project were the New York City Department of General Services and the Neighborhood Committee for the Asphalt Green, chaired by Dr. George Murphy. The asphalt plant was a parabolic structure built in the 1940s by the firm Kahn and Jacobs. Pasanella + Klein worked on the adaptive reuse project with HOK, successors to Kahn and Jacobs. The transformed interior includes two gymnasia of different sizes, a running track, art and photography studios, offices, lockers, showers and a theatre. The design includes an on-site total energy plant. The project series consists of presentation drawings. References: Kerr, Laurie. "Back to the future", Oculus, v. 64, no. 7/8 (March/April 2002), p. 7-8. Dixon, John Morris. "25-year watch", Oculus, v. 71, issue 1 (spring 2009) Doubilet, Susan. "Arch support", Progressive architecture, v. 66, no. 11 (Nov. 1985), p. 101 Architektur + Wettbewerbe, 127 (Sept. 1986), p. 16-17
AP154.S1.1979.PR01
Description:
Project series AP154.S1.1979.PR01, George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979), documents an executed project to recycle a municipal asphalt plant into a youth sports and arts center. Clients for the project were the New York City Department of General Services and the Neighborhood Committee for the Asphalt Green, chaired by Dr. George Murphy. The asphalt plant was a parabolic structure built in the 1940s by the firm Kahn and Jacobs. Pasanella + Klein worked on the adaptive reuse project with HOK, successors to Kahn and Jacobs. The transformed interior includes two gymnasia of different sizes, a running track, art and photography studios, offices, lockers, showers and a theatre. The design includes an on-site total energy plant. The project series consists of presentation drawings. References: Kerr, Laurie. "Back to the future", Oculus, v. 64, no. 7/8 (March/April 2002), p. 7-8. Dixon, John Morris. "25-year watch", Oculus, v. 71, issue 1 (spring 2009) Doubilet, Susan. "Arch support", Progressive architecture, v. 66, no. 11 (Nov. 1985), p. 101 Architektur + Wettbewerbe, 127 (Sept. 1986), p. 16-17
People:
Date:
between 1979 and 1984?
between 1979 and 1984?
Title:
George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979)
Actions:
AP154.S1.1979.PR01
Description:
Project series AP154.S1.1979.PR01, George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979), documents an executed project to recycle a municipal asphalt plant into a youth sports and arts center. Clients for the project were the New York City Department of General Services and the Neighborhood Committee for the Asphalt Green, chaired by Dr. George Murphy. The asphalt plant was a parabolic structure built in the 1940s by the firm Kahn and Jacobs. Pasanella + Klein worked on the adaptive reuse project with HOK, successors to Kahn and Jacobs. The transformed interior includes two gymnasia of different sizes, a running track, art and photography studios, offices, lockers, showers and a theatre. The design includes an on-site total energy plant. The project series consists of presentation drawings. References: Kerr, Laurie. "Back to the future", Oculus, v. 64, no. 7/8 (March/April 2002), p. 7-8. Dixon, John Morris. "25-year watch", Oculus, v. 71, issue 1 (spring 2009) Doubilet, Susan. "Arch support", Progressive architecture, v. 66, no. 11 (Nov. 1985), p. 101 Architektur + Wettbewerbe, 127 (Sept. 1986), p. 16-17
George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979)
Actions:
AP154.S1.1979.PR01
Description:
Project series AP154.S1.1979.PR01, George & Annette Murphy Center at Asphalt Green, New York, N.Y. (1979), documents an executed project to recycle a municipal asphalt plant into a youth sports and arts center. Clients for the project were the New York City Department of General Services and the Neighborhood Committee for the Asphalt Green, chaired by Dr. George Murphy. The asphalt plant was a parabolic structure built in the 1940s by the firm Kahn and Jacobs. Pasanella + Klein worked on the adaptive reuse project with HOK, successors to Kahn and Jacobs. The transformed interior includes two gymnasia of different sizes, a running track, art and photography studios, offices, lockers, showers and a theatre. The design includes an on-site total energy plant. The project series consists of presentation drawings. References: Kerr, Laurie. "Back to the future", Oculus, v. 64, no. 7/8 (March/April 2002), p. 7-8. Dixon, John Morris. "25-year watch", Oculus, v. 71, issue 1 (spring 2009) Doubilet, Susan. "Arch support", Progressive architecture, v. 66, no. 11 (Nov. 1985), p. 101 Architektur + Wettbewerbe, 127 (Sept. 1986), p. 16-17
Level of archival description:
Project
Project
Date:
between 1979 and 1984?
between 1979 and 1984?
People:
Actions:
Reference number:
ARCH269234
ARCH269234
People:
Date:
1979 ou après
1979 ou après
Date:
1979 ou après
1979 ou après
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP056.S1.1994.PR07
Description:
This project series documents the offices of Gluskin Sheff and Associates Inc. in Toronto from 1994-1995. The office identified the project number as 9416. Located on the 46th floor of BCE Place on Wellington Street, the offices were shaped like two conjoined octagons and were conceived as a mix of open and closed office spaces. Beech wood, panoramic views and curved lines created serenity in an attempt to offset the high-energy of daily investment activity. Similarly, custom-curved furnishings such as the trading desk added organic forms to the office environment. Sandblasted glass screens were used throughout the office to create transparency, while clear glass created openness in enclosed spaces.[1] This project was led by Marianne McKenna and Bruce Kuwabara. The project is recorded through drawings, textual records and a project model dating from 1994-1995. The drawings are mostly originals and include sketches, model and presentation drawings, plans, elevations, perspectives, drawings of custom furnishings and construction drawings. The textual records consist of a staffing schedule. [1]Bruce Kuwabara et al., Kuwabara, Payne, McKenna, Blumberg (Gloucester, MA: Rockport Publ., 1998), 120-127.
AP056.S1.1994.PR07
Description:
This project series documents the offices of Gluskin Sheff and Associates Inc. in Toronto from 1994-1995. The office identified the project number as 9416. Located on the 46th floor of BCE Place on Wellington Street, the offices were shaped like two conjoined octagons and were conceived as a mix of open and closed office spaces. Beech wood, panoramic views and curved lines created serenity in an attempt to offset the high-energy of daily investment activity. Similarly, custom-curved furnishings such as the trading desk added organic forms to the office environment. Sandblasted glass screens were used throughout the office to create transparency, while clear glass created openness in enclosed spaces.[1] This project was led by Marianne McKenna and Bruce Kuwabara. The project is recorded through drawings, textual records and a project model dating from 1994-1995. The drawings are mostly originals and include sketches, model and presentation drawings, plans, elevations, perspectives, drawings of custom furnishings and construction drawings. The textual records consist of a staffing schedule. [1]Bruce Kuwabara et al., Kuwabara, Payne, McKenna, Blumberg (Gloucester, MA: Rockport Publ., 1998), 120-127.
People:
Date:
1994-1995
1994-1995
Title:
Gluskin Sheff and Associates Inc., Toronto (1994-1995)
Actions:
AP056.S1.1994.PR07
Description:
This project series documents the offices of Gluskin Sheff and Associates Inc. in Toronto from 1994-1995. The office identified the project number as 9416. Located on the 46th floor of BCE Place on Wellington Street, the offices were shaped like two conjoined octagons and were conceived as a mix of open and closed office spaces. Beech wood, panoramic views and curved lines created serenity in an attempt to offset the high-energy of daily investment activity. Similarly, custom-curved furnishings such as the trading desk added organic forms to the office environment. Sandblasted glass screens were used throughout the office to create transparency, while clear glass created openness in enclosed spaces.[1] This project was led by Marianne McKenna and Bruce Kuwabara. The project is recorded through drawings, textual records and a project model dating from 1994-1995. The drawings are mostly originals and include sketches, model and presentation drawings, plans, elevations, perspectives, drawings of custom furnishings and construction drawings. The textual records consist of a staffing schedule. [1]Bruce Kuwabara et al., Kuwabara, Payne, McKenna, Blumberg (Gloucester, MA: Rockport Publ., 1998), 120-127.
Gluskin Sheff and Associates Inc., Toronto (1994-1995)
Actions:
AP056.S1.1994.PR07
Description:
This project series documents the offices of Gluskin Sheff and Associates Inc. in Toronto from 1994-1995. The office identified the project number as 9416. Located on the 46th floor of BCE Place on Wellington Street, the offices were shaped like two conjoined octagons and were conceived as a mix of open and closed office spaces. Beech wood, panoramic views and curved lines created serenity in an attempt to offset the high-energy of daily investment activity. Similarly, custom-curved furnishings such as the trading desk added organic forms to the office environment. Sandblasted glass screens were used throughout the office to create transparency, while clear glass created openness in enclosed spaces.[1] This project was led by Marianne McKenna and Bruce Kuwabara. The project is recorded through drawings, textual records and a project model dating from 1994-1995. The drawings are mostly originals and include sketches, model and presentation drawings, plans, elevations, perspectives, drawings of custom furnishings and construction drawings. The textual records consist of a staffing schedule. [1]Bruce Kuwabara et al., Kuwabara, Payne, McKenna, Blumberg (Gloucester, MA: Rockport Publ., 1998), 120-127.
Level of archival description:
Project
Project
Date:
1994-1995
1994-1995
People:
Form:
articles
articles
Issue:
The planet is the client
The planet is the client
Form:
textual records
textual records
Reference number:
AP206.S2.010
Description:
File was originally housed in a binder along with content arranged in AP206.S2.011 and AP206.S2.012. This file contains the following papers: "The role of Architecture and Community Planners in the Planning, Development and Management of Urban Systems [...]," seminar talk, 1981 "Sobha Singh," 1981 "Energy Crisis and Future Pattern of Human Settlements in Developing Countries" "The Role of Architects in Urban and Rural Growth," 1984 "Chandigarh: Capital of Two States," circa 1966 “Aesthetic: Reflections on Beauty of Line, Shape and Form,” by P. Jeanneret
AP206.S2.010
Description:
File was originally housed in a binder along with content arranged in AP206.S2.011 and AP206.S2.012. This file contains the following papers: "The role of Architecture and Community Planners in the Planning, Development and Management of Urban Systems [...]," seminar talk, 1981 "Sobha Singh," 1981 "Energy Crisis and Future Pattern of Human Settlements in Developing Countries" "The Role of Architects in Urban and Rural Growth," 1984 "Chandigarh: Capital of Two States," circa 1966 “Aesthetic: Reflections on Beauty of Line, Shape and Form,” by P. Jeanneret
People:
Date:
circa 1966-1982
circa 1966-1982
Title:
Published and unpublished papers (folder 1 of 3)
Actions:
AP206.S2.010
Description:
File was originally housed in a binder along with content arranged in AP206.S2.011 and AP206.S2.012. This file contains the following papers: "The role of Architecture and Community Planners in the Planning, Development and Management of Urban Systems [...]," seminar talk, 1981 "Sobha Singh," 1981 "Energy Crisis and Future Pattern of Human Settlements in Developing Countries" "The Role of Architects in Urban and Rural Growth," 1984 "Chandigarh: Capital of Two States," circa 1966 “Aesthetic: Reflections on Beauty of Line, Shape and Form,” by P. Jeanneret
Published and unpublished papers (folder 1 of 3)
Actions:
AP206.S2.010
Description:
File was originally housed in a binder along with content arranged in AP206.S2.011 and AP206.S2.012. This file contains the following papers: "The role of Architecture and Community Planners in the Planning, Development and Management of Urban Systems [...]," seminar talk, 1981 "Sobha Singh," 1981 "Energy Crisis and Future Pattern of Human Settlements in Developing Countries" "The Role of Architects in Urban and Rural Growth," 1984 "Chandigarh: Capital of Two States," circa 1966 “Aesthetic: Reflections on Beauty of Line, Shape and Form,” by P. Jeanneret
Form:
textual records
textual records
Date:
circa 1966-1982
circa 1966-1982
People:
Level of archival description:
Project
Project
Title:
Carbon Tower (2001)
Carbon Tower (2001)
Reference number:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
People:
Date:
2002-2014
2002-2014
Title:
Carbon Tower (2001)
Actions:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
Carbon Tower (2001)
Actions:
AP174.S1.2001.D1
Description:
This project file documents an unbuilt design by Testa & Weiser for Carbon Tower (2001), a forty-storey building made almost entirely of carbon fibre. The project was developed in parallel with scripting software designed while Peter Testa and Devyn Weiser co-directed the Emergent Design Group at MIT. "The tower consists of an interdependent set of parts: floor plates hang from a diagrid structure of bundled fibres reinforced by two double-helix covered ramps, which are run in and out of the structure and are themselves made of strands woven at a finer scale. A thin composite skin—glass would be too heavy—wraps the tower’s parts together. A collaboration with Arup in 2002 allowed Testa & Weiser to simplify the scheme even further, by moving all core elements, from elevators to structural supports, to the tower’s perimeter. To take full advantage of the flexibility and energy efficiency of composite materials, Testa & Weiser also imagined that the carbon fibre structures would be formed on site through a process called pultrusion."[1] The file contains a large number of digital files documenting the conceptual and design development of the project; consultation with Arup Consulting Engineers, New York; research on composite materials; fabrication of 3D printed physical models by 3D Systems and Windform; and exhibition of the project at several museums and galleries, including the Museum of Contemporary Art, Los Angeles and the Cooper-Hewitt Smithsonian Design Museum, New York. Also contained in the file are 56 paper drawings (including some sketches done on top of printed computer-aided designs) and two 3D printed physical models produced by 3D Systems. Sources: [1] Canadian Centre for Architecture. Archaeology of the Digital 12: Testa & Weiser, Carbon Tower, ed. Greg Lynn (2015), ISBN 978-1-927071-25-0.
Level of archival description:
Project
Project
Date:
2002-2014
2002-2014
People:
Form:
textual records
textual records
Actions:
Reference number:
ARCH271649
Description:
Group consists of documentation and texts about the Kelbaugh House in Princeton, New Jersey, including diagrams and calculations sheets and notes about air temperatures and energy consomation, local climatogical data sheets and texts or abstracts by Douglas Kelbaugh about solar heating systems or the thermal performances of Kelbaugh House. There is also a draft version of a text by Douglas Kelbaugh entitled "Meter Musings". There are also project description forms including an application form for the Passive Solar Residential Design Competition and Demonstration of the Solar Heating and Cooling Demonstration Program. The group also includes a merit award presented to Douglas Kelbaugh and his wife for Kelbaugh House.
ARCH271649
Description:
Group consists of documentation and texts about the Kelbaugh House in Princeton, New Jersey, including diagrams and calculations sheets and notes about air temperatures and energy consomation, local climatogical data sheets and texts or abstracts by Douglas Kelbaugh about solar heating systems or the thermal performances of Kelbaugh House. There is also a draft version of a text by Douglas Kelbaugh entitled "Meter Musings". There are also project description forms including an application form for the Passive Solar Residential Design Competition and Demonstration of the Solar Heating and Cooling Demonstration Program. The group also includes a merit award presented to Douglas Kelbaugh and his wife for Kelbaugh House.
People:
Date:
1976-1983
1976-1983
Title:
Documentation and texts about the Kelbaugh House in Princeton
Actions:
ARCH271649
Description:
Group consists of documentation and texts about the Kelbaugh House in Princeton, New Jersey, including diagrams and calculations sheets and notes about air temperatures and energy consomation, local climatogical data sheets and texts or abstracts by Douglas Kelbaugh about solar heating systems or the thermal performances of Kelbaugh House. There is also a draft version of a text by Douglas Kelbaugh entitled "Meter Musings". There are also project description forms including an application form for the Passive Solar Residential Design Competition and Demonstration of the Solar Heating and Cooling Demonstration Program. The group also includes a merit award presented to Douglas Kelbaugh and his wife for Kelbaugh House.
Documentation and texts about the Kelbaugh House in Princeton
Actions:
ARCH271649
Description:
Group consists of documentation and texts about the Kelbaugh House in Princeton, New Jersey, including diagrams and calculations sheets and notes about air temperatures and energy consomation, local climatogical data sheets and texts or abstracts by Douglas Kelbaugh about solar heating systems or the thermal performances of Kelbaugh House. There is also a draft version of a text by Douglas Kelbaugh entitled "Meter Musings". There are also project description forms including an application form for the Passive Solar Residential Design Competition and Demonstration of the Solar Heating and Cooling Demonstration Program. The group also includes a merit award presented to Douglas Kelbaugh and his wife for Kelbaugh House.
Form:
textual records
textual records
Date:
1976-1983
1976-1983
People:
Level of archival description:
Series
Series
Title:
George Rohault de Fleury
George Rohault de Fleury
Reference number:
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
People:
Date:
1866, 1874
1866, 1874
Title:
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
George Rohault de Fleury
CI001.S3
Description:
The CCA's Rohault de Fleury collection includes two of Georges' historical and archeological studies of medieval Italian architecture: 'Les Monuments de Pise au Moyen', 1866 (DR1974:028:001:066) and 'La Toscane au Moyen Age Lettres sur L' Architecture Civile et Militaire en 1400' 2 vols.,1874 (DR1974:0002:039 and DR1974:0002:040). 'Monuments de Pise au Moyen Age' is an atlas consisting solely of 66 prints of Pisan architecture, sculpture, and painting. The section on architecture is the largest, and is divided into three sections for the Lombard, Roman, and Gothic periods. The accompanying text, and an identical atlas of prints, is located in the CCA library. 'La Toscane au Moyen Age Lettres...' is a history of Tuscan civil and military architecture to 1400. The text is in the form of a fictitious correspondence between Raimond du Temple, a famous architect of the Louvre under Charles V, and his son Charles who is traveling through Tuscany. The text is accompanied by photomechanical illustrations, mostly sketches of scenes from bas-reliefs and manuscripts, and a few of built structures. The CCA library has two sets of a related publication entitled 'La Toscane au Moyen Age architecture civile et militaire' 2 vols. These earlier and larger publications are probably the source for some of the text and plates of 'La Toscane au Moyen Age Lettres...'. The introductory remarks, to 'La Toscane au Moyen Age Lettres..' and to the text (CCA library) of the 'Monuments de Pise au Moyen Age' are particularly informative as they provide an insight into Georges Rohault de Fleury's interpretation of historical periods of artistic renewal, decline, and decadence, and their didactic relationship to contemporary architectural and religious concerns.
Level of archival description:
Series 3
Series 3
Date:
1866, 1874
1866, 1874
People:
Form:
textual records
textual records
Title:
70 PINE ST. - PROMOTION
70 PINE ST. - PROMOTION
Actions:
Reference number:
ARCH271654
Description:
Group consists of documentation and clippings of articles about Kelbaugh House in Princeton, New Jersey. There are also texts and abstracts by Douglas Kelbaugh about the Kelbaugh House and its solar heating system for promotion, including a copy of the article of "A Thermal History of the Kelbaugh House" by Douglas Kelbaugh published in "Progress in Passive Solar Energy Systems" and other articles by Douglas Kelbaugh about the termal performances of Kelbaugh House. There are also notes, correspondence, a leaflet "Solar Tour in Princeton" by the New Jersey Environmental Voters Alliance and a descriptive data form for the 1977 Home for Better Living Awards Program sponsored by The American Institute of Architects.
ARCH271654
Description:
Group consists of documentation and clippings of articles about Kelbaugh House in Princeton, New Jersey. There are also texts and abstracts by Douglas Kelbaugh about the Kelbaugh House and its solar heating system for promotion, including a copy of the article of "A Thermal History of the Kelbaugh House" by Douglas Kelbaugh published in "Progress in Passive Solar Energy Systems" and other articles by Douglas Kelbaugh about the termal performances of Kelbaugh House. There are also notes, correspondence, a leaflet "Solar Tour in Princeton" by the New Jersey Environmental Voters Alliance and a descriptive data form for the 1977 Home for Better Living Awards Program sponsored by The American Institute of Architects.
People:
Date:
1976-1984
1976-1984
Title:
70 PINE ST. - PROMOTION
Actions:
ARCH271654
Description:
Group consists of documentation and clippings of articles about Kelbaugh House in Princeton, New Jersey. There are also texts and abstracts by Douglas Kelbaugh about the Kelbaugh House and its solar heating system for promotion, including a copy of the article of "A Thermal History of the Kelbaugh House" by Douglas Kelbaugh published in "Progress in Passive Solar Energy Systems" and other articles by Douglas Kelbaugh about the termal performances of Kelbaugh House. There are also notes, correspondence, a leaflet "Solar Tour in Princeton" by the New Jersey Environmental Voters Alliance and a descriptive data form for the 1977 Home for Better Living Awards Program sponsored by The American Institute of Architects.
70 PINE ST. - PROMOTION
Actions:
ARCH271654
Description:
Group consists of documentation and clippings of articles about Kelbaugh House in Princeton, New Jersey. There are also texts and abstracts by Douglas Kelbaugh about the Kelbaugh House and its solar heating system for promotion, including a copy of the article of "A Thermal History of the Kelbaugh House" by Douglas Kelbaugh published in "Progress in Passive Solar Energy Systems" and other articles by Douglas Kelbaugh about the termal performances of Kelbaugh House. There are also notes, correspondence, a leaflet "Solar Tour in Princeton" by the New Jersey Environmental Voters Alliance and a descriptive data form for the 1977 Home for Better Living Awards Program sponsored by The American Institute of Architects.
Form:
textual records
textual records
Date:
1976-1984
1976-1984
People:
