44145 Results
Level of archival description:
Project
Project
Reference number:
AP144.S2.D7
Description:
File documents a competition application for the National Theatre and Opera House, London [?], England, and consists of ten presentation panels that were originally bound together as a submission portfolio. Five of the presentation boards are collages of periodical clippings, and photomechanical transfers that are reduced copies of original material. Five presentation boards present textual information and include a description of relevant design work by Cedric Price. Projects included are the New Aviary (London Zoo), Experimental Theatre Ltd. (New York), the I.C.A. Building, Claverton Dome, and Fun Palace. Also included, is a cover letter, a summary of design intent, and notes on Price's office structure, operation and repeat consultants. Material in this file was produced in 1963 and probably before. File contains presentation panels and textual records.
AP144.S2.D7
Description:
File documents a competition application for the National Theatre and Opera House, London [?], England, and consists of ten presentation panels that were originally bound together as a submission portfolio. Five of the presentation boards are collages of periodical clippings, and photomechanical transfers that are reduced copies of original material. Five presentation boards present textual information and include a description of relevant design work by Cedric Price. Projects included are the New Aviary (London Zoo), Experimental Theatre Ltd. (New York), the I.C.A. Building, Claverton Dome, and Fun Palace. Also included, is a cover letter, a summary of design intent, and notes on Price's office structure, operation and repeat consultants. Material in this file was produced in 1963 and probably before. File contains presentation panels and textual records.
People:
Date:
1963
1963
Title:
National Theatre and Opera House
Actions:
AP144.S2.D7
Description:
File documents a competition application for the National Theatre and Opera House, London [?], England, and consists of ten presentation panels that were originally bound together as a submission portfolio. Five of the presentation boards are collages of periodical clippings, and photomechanical transfers that are reduced copies of original material. Five presentation boards present textual information and include a description of relevant design work by Cedric Price. Projects included are the New Aviary (London Zoo), Experimental Theatre Ltd. (New York), the I.C.A. Building, Claverton Dome, and Fun Palace. Also included, is a cover letter, a summary of design intent, and notes on Price's office structure, operation and repeat consultants. Material in this file was produced in 1963 and probably before. File contains presentation panels and textual records.
National Theatre and Opera House
Actions:
AP144.S2.D7
Description:
File documents a competition application for the National Theatre and Opera House, London [?], England, and consists of ten presentation panels that were originally bound together as a submission portfolio. Five of the presentation boards are collages of periodical clippings, and photomechanical transfers that are reduced copies of original material. Five presentation boards present textual information and include a description of relevant design work by Cedric Price. Projects included are the New Aviary (London Zoo), Experimental Theatre Ltd. (New York), the I.C.A. Building, Claverton Dome, and Fun Palace. Also included, is a cover letter, a summary of design intent, and notes on Price's office structure, operation and repeat consultants. Material in this file was produced in 1963 and probably before. File contains presentation panels and textual records.
Level of archival description:
File 7
File 7
Date:
1963
1963
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP207.S1.2013.PR02
Description:
The project series documents the digitally created performance "Testacoda" by Pettena in 2013. The performance consists of a photograph of Pettena swimming to which he added the tail of a dolphin. This performance refers to "Il Mestiere Dell'Architetto" (2002) showing the difficulties and possible impasses of the work of the architect. "However, the ‘swimmer’ must still keep his head well up, as a symbol of rationality, and look with all his attention but, when he decides, he can give himself up to emotion through the wriggles of his tail." [1] The project series contains a printed photograph of the digital performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-back-to-surface-2013/ (last accessed 28 January 2020)
AP207.S1.2013.PR02
Description:
The project series documents the digitally created performance "Testacoda" by Pettena in 2013. The performance consists of a photograph of Pettena swimming to which he added the tail of a dolphin. This performance refers to "Il Mestiere Dell'Architetto" (2002) showing the difficulties and possible impasses of the work of the architect. "However, the ‘swimmer’ must still keep his head well up, as a symbol of rationality, and look with all his attention but, when he decides, he can give himself up to emotion through the wriggles of his tail." [1] The project series contains a printed photograph of the digital performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-back-to-surface-2013/ (last accessed 28 January 2020)
People:
Date:
circa 2013
circa 2013
Title:
Testacoda [Back to Surface] (2013)
Actions:
AP207.S1.2013.PR02
Description:
The project series documents the digitally created performance "Testacoda" by Pettena in 2013. The performance consists of a photograph of Pettena swimming to which he added the tail of a dolphin. This performance refers to "Il Mestiere Dell'Architetto" (2002) showing the difficulties and possible impasses of the work of the architect. "However, the ‘swimmer’ must still keep his head well up, as a symbol of rationality, and look with all his attention but, when he decides, he can give himself up to emotion through the wriggles of his tail." [1] The project series contains a printed photograph of the digital performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-back-to-surface-2013/ (last accessed 28 January 2020)
Testacoda [Back to Surface] (2013)
Actions:
AP207.S1.2013.PR02
Description:
The project series documents the digitally created performance "Testacoda" by Pettena in 2013. The performance consists of a photograph of Pettena swimming to which he added the tail of a dolphin. This performance refers to "Il Mestiere Dell'Architetto" (2002) showing the difficulties and possible impasses of the work of the architect. "However, the ‘swimmer’ must still keep his head well up, as a symbol of rationality, and look with all his attention but, when he decides, he can give himself up to emotion through the wriggles of his tail." [1] The project series contains a printed photograph of the digital performance. Source: [1] Gianni Pettena website, https://www.giannipettena.it/italiano/opere-1/perf-back-to-surface-2013/ (last accessed 28 January 2020)
Level of archival description:
Project
Project
Date:
circa 2013
circa 2013
People:
Level of archival description:
Project
Project
Actions:
Reference number:
AP018.S1.1983.PR15
Description:
This project series documents alterations to the emergency department entrance enclosure at the Etobicoke General Hospital in Etobicoke, Ontario from 1983-1984. The office identified the project number as 8322. Along with his firm, John C. Parkin began the design and construction of the Etobicoke General Hospital in 1966. Following this date, he completed numerous additional projects for the site. This project documents alterations made to the emergency department canopy and enclosure screen after the hospital's initial construction. The project is recorded through drawings, photographs and textual records dating from 1976-1984. The drawings consist of elevations, plans and sections while photographs show the construction. The textual records deal primarily with construction requirements and certificates of payment for the work completed.
AP018.S1.1983.PR15
Description:
This project series documents alterations to the emergency department entrance enclosure at the Etobicoke General Hospital in Etobicoke, Ontario from 1983-1984. The office identified the project number as 8322. Along with his firm, John C. Parkin began the design and construction of the Etobicoke General Hospital in 1966. Following this date, he completed numerous additional projects for the site. This project documents alterations made to the emergency department canopy and enclosure screen after the hospital's initial construction. The project is recorded through drawings, photographs and textual records dating from 1976-1984. The drawings consist of elevations, plans and sections while photographs show the construction. The textual records deal primarily with construction requirements and certificates of payment for the work completed.
People:
Date:
1976-1984
1976-1984
Title:
Etobicoke General Hospital, Emergency Entrance Enclosure, Etobicoke, Ontario (1983-1984)
Actions:
AP018.S1.1983.PR15
Description:
This project series documents alterations to the emergency department entrance enclosure at the Etobicoke General Hospital in Etobicoke, Ontario from 1983-1984. The office identified the project number as 8322. Along with his firm, John C. Parkin began the design and construction of the Etobicoke General Hospital in 1966. Following this date, he completed numerous additional projects for the site. This project documents alterations made to the emergency department canopy and enclosure screen after the hospital's initial construction. The project is recorded through drawings, photographs and textual records dating from 1976-1984. The drawings consist of elevations, plans and sections while photographs show the construction. The textual records deal primarily with construction requirements and certificates of payment for the work completed.
Etobicoke General Hospital, Emergency Entrance Enclosure, Etobicoke, Ontario (1983-1984)
Actions:
AP018.S1.1983.PR15
Description:
This project series documents alterations to the emergency department entrance enclosure at the Etobicoke General Hospital in Etobicoke, Ontario from 1983-1984. The office identified the project number as 8322. Along with his firm, John C. Parkin began the design and construction of the Etobicoke General Hospital in 1966. Following this date, he completed numerous additional projects for the site. This project documents alterations made to the emergency department canopy and enclosure screen after the hospital's initial construction. The project is recorded through drawings, photographs and textual records dating from 1976-1984. The drawings consist of elevations, plans and sections while photographs show the construction. The textual records deal primarily with construction requirements and certificates of payment for the work completed.
Level of archival description:
Project
Project
Date:
1976-1984
1976-1984
People:
Level of archival description:
Project
Project
Reference number:
AP140.S2.SS1.D26
Description:
File documents a successful competition entry and an executed project for a library for the University of Cambridge, Cambridge, England, United Kingdom. Material in this file was produced between 1962 and 2000. File contains publication drawings and several working drawings. Photographic materials include views of drawings, of models, including by John Donat Photography and by photographer Richard Einzing of Brecht-Einzig studio, an aerial view of the site, views of the building site, of the completed building and of James Stirling, including by photographers Ian Nairn, Norman R.C. McGrath, James Stirling, Ezra Stoller, Alessandro Vasella and Colin Westwood. Photographs of building defects and remedial work are also present in the file. File also contains textual records, presentation models and a printing plate.
AP140.S2.SS1.D26
Description:
File documents a successful competition entry and an executed project for a library for the University of Cambridge, Cambridge, England, United Kingdom. Material in this file was produced between 1962 and 2000. File contains publication drawings and several working drawings. Photographic materials include views of drawings, of models, including by John Donat Photography and by photographer Richard Einzing of Brecht-Einzig studio, an aerial view of the site, views of the building site, of the completed building and of James Stirling, including by photographers Ian Nairn, Norman R.C. McGrath, James Stirling, Ezra Stoller, Alessandro Vasella and Colin Westwood. Photographs of building defects and remedial work are also present in the file. File also contains textual records, presentation models and a printing plate.
People:
Date:
1962-[2000], predominant 1963-1968
1962-[2000], predominant 1963-1968
Title:
History Faculty Building, University of Cambridge, Competition and Construction, Cambridge, England, United Kingdom
Actions:
AP140.S2.SS1.D26
Description:
File documents a successful competition entry and an executed project for a library for the University of Cambridge, Cambridge, England, United Kingdom. Material in this file was produced between 1962 and 2000. File contains publication drawings and several working drawings. Photographic materials include views of drawings, of models, including by John Donat Photography and by photographer Richard Einzing of Brecht-Einzig studio, an aerial view of the site, views of the building site, of the completed building and of James Stirling, including by photographers Ian Nairn, Norman R.C. McGrath, James Stirling, Ezra Stoller, Alessandro Vasella and Colin Westwood. Photographs of building defects and remedial work are also present in the file. File also contains textual records, presentation models and a printing plate.
History Faculty Building, University of Cambridge, Competition and Construction, Cambridge, England, United Kingdom
Actions:
AP140.S2.SS1.D26
Description:
File documents a successful competition entry and an executed project for a library for the University of Cambridge, Cambridge, England, United Kingdom. Material in this file was produced between 1962 and 2000. File contains publication drawings and several working drawings. Photographic materials include views of drawings, of models, including by John Donat Photography and by photographer Richard Einzing of Brecht-Einzig studio, an aerial view of the site, views of the building site, of the completed building and of James Stirling, including by photographers Ian Nairn, Norman R.C. McGrath, James Stirling, Ezra Stoller, Alessandro Vasella and Colin Westwood. Photographs of building defects and remedial work are also present in the file. File also contains textual records, presentation models and a printing plate.
Level of archival description:
File 26
File 26
Date:
1962-[2000], predominant 1963-1968
1962-[2000], predominant 1963-1968
People:
Level of archival description:
Project
Project
Reference number:
AP178.S1.1997.PR07
Description:
This project series documents the Centro Municipal no Distrito Sud in Rosario, Argentina. While the records were held in the office’s archives this project was assigned the number 89/90. The office assigned the date 1997 to this project. This was Siza's first building in South America. The Municipal center is one of six buildings for the decentralization of the city of Rosario. The buildings surround a public place. The building includes a 200 capacity auditorium, a workshop space, and offices. Documenting this project are studies, design development drawings, annotated plans, and details. Textual material includes documentation for the decentralization program, project documentation, and correspondence. Photographic material documents the project site, construction work, Siza's visit, and the built project. The project is also documented through study models.
AP178.S1.1997.PR07
Description:
This project series documents the Centro Municipal no Distrito Sud in Rosario, Argentina. While the records were held in the office’s archives this project was assigned the number 89/90. The office assigned the date 1997 to this project. This was Siza's first building in South America. The Municipal center is one of six buildings for the decentralization of the city of Rosario. The buildings surround a public place. The building includes a 200 capacity auditorium, a workshop space, and offices. Documenting this project are studies, design development drawings, annotated plans, and details. Textual material includes documentation for the decentralization program, project documentation, and correspondence. Photographic material documents the project site, construction work, Siza's visit, and the built project. The project is also documented through study models.
People:
Date:
1996-2003
1996-2003
Title:
Centro Municipal no Distrito Sud [South district Municipal center], Rosario, Argentina (1997)
Actions:
AP178.S1.1997.PR07
Description:
This project series documents the Centro Municipal no Distrito Sud in Rosario, Argentina. While the records were held in the office’s archives this project was assigned the number 89/90. The office assigned the date 1997 to this project. This was Siza's first building in South America. The Municipal center is one of six buildings for the decentralization of the city of Rosario. The buildings surround a public place. The building includes a 200 capacity auditorium, a workshop space, and offices. Documenting this project are studies, design development drawings, annotated plans, and details. Textual material includes documentation for the decentralization program, project documentation, and correspondence. Photographic material documents the project site, construction work, Siza's visit, and the built project. The project is also documented through study models.
Centro Municipal no Distrito Sud [South district Municipal center], Rosario, Argentina (1997)
Actions:
AP178.S1.1997.PR07
Description:
This project series documents the Centro Municipal no Distrito Sud in Rosario, Argentina. While the records were held in the office’s archives this project was assigned the number 89/90. The office assigned the date 1997 to this project. This was Siza's first building in South America. The Municipal center is one of six buildings for the decentralization of the city of Rosario. The buildings surround a public place. The building includes a 200 capacity auditorium, a workshop space, and offices. Documenting this project are studies, design development drawings, annotated plans, and details. Textual material includes documentation for the decentralization program, project documentation, and correspondence. Photographic material documents the project site, construction work, Siza's visit, and the built project. The project is also documented through study models.
Level of archival description:
Project
Project
Date:
1996-2003
1996-2003
People:
Level of archival description:
Project
Project
Title:
Save the Mountain
Save the Mountain
Actions:
Reference number:
AP027.S1.D12
Description:
Long-range plan to preserve and expand Mount Royal Park. Definition and recognition of the logical boundaries of the mountain park area are called for by the Save the Mountain Committee. The plan would establish the right of city to acquire all properties within the designated areas as they become available, and would restrict construction and control building heights in the park area. This project was initiated by H. P. Daniel van Ginkel and Blanche Lemco van Ginkel on their own account. The work was executed pro bono with Michel Chevalier, Harry Mayerovitch and Hazen Sise. It was effected with the support of the Montréal Parks and Playground Association. The recommendations were accepted and embodied in a private bill by the Québec Provincial Legislature and in the bylaws of the City of Montréal.
AP027.S1.D12
Description:
Long-range plan to preserve and expand Mount Royal Park. Definition and recognition of the logical boundaries of the mountain park area are called for by the Save the Mountain Committee. The plan would establish the right of city to acquire all properties within the designated areas as they become available, and would restrict construction and control building heights in the park area. This project was initiated by H. P. Daniel van Ginkel and Blanche Lemco van Ginkel on their own account. The work was executed pro bono with Michel Chevalier, Harry Mayerovitch and Hazen Sise. It was effected with the support of the Montréal Parks and Playground Association. The recommendations were accepted and embodied in a private bill by the Québec Provincial Legislature and in the bylaws of the City of Montréal.
People:
Subject:
urban planning
urban planning
Date:
1960
1960
Title:
Save the Mountain
Actions:
AP027.S1.D12
Description:
Long-range plan to preserve and expand Mount Royal Park. Definition and recognition of the logical boundaries of the mountain park area are called for by the Save the Mountain Committee. The plan would establish the right of city to acquire all properties within the designated areas as they become available, and would restrict construction and control building heights in the park area. This project was initiated by H. P. Daniel van Ginkel and Blanche Lemco van Ginkel on their own account. The work was executed pro bono with Michel Chevalier, Harry Mayerovitch and Hazen Sise. It was effected with the support of the Montréal Parks and Playground Association. The recommendations were accepted and embodied in a private bill by the Québec Provincial Legislature and in the bylaws of the City of Montréal.
Save the Mountain
Actions:
AP027.S1.D12
Description:
Long-range plan to preserve and expand Mount Royal Park. Definition and recognition of the logical boundaries of the mountain park area are called for by the Save the Mountain Committee. The plan would establish the right of city to acquire all properties within the designated areas as they become available, and would restrict construction and control building heights in the park area. This project was initiated by H. P. Daniel van Ginkel and Blanche Lemco van Ginkel on their own account. The work was executed pro bono with Michel Chevalier, Harry Mayerovitch and Hazen Sise. It was effected with the support of the Montréal Parks and Playground Association. The recommendations were accepted and embodied in a private bill by the Québec Provincial Legislature and in the bylaws of the City of Montréal.
Level of archival description:
File 12
File 12
Date:
1960
1960
People:
Subject:
urban planning
urban planning
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Title:
Wells Coates fonds
Wells Coates fonds
Actions:
Reference number:
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
People:
Date:
1909-1986
1909-1986
Title:
Wells Coates fonds
Actions:
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Wells Coates fonds
Actions:
AP030
Synopsis:
The Wells Coates Fonds, 1909-1986, documents the professional career and personal life of architect Wells Wintemute Coates. The fonds consists of the following materials: approximately 1,937 photographic materials, 530 drawings (including reprographic copies), 3 l.m. textual records, 200 slides, 37 books, 2 reels of 16mm film (400 feet Cine- Kodak Film), 2 medals, 1 box of buttons and 1 box of keys.
Form:
archives
Level of archival description:
Fonds
archives
Level of archival description:
Fonds
Date:
1909-1986
1909-1986
People:
Level of archival description:
Sub-series
Sub-series
Title:
Architectural projects
Architectural projects
Reference number:
AP114.S1.SS1
Description:
Sub-series documents Gene Summers’ architectural work from 1957 to 1985. It includes material from Summers’ collaborations with the office of Mies van der Rohe in the late 1950s, as well as records from Ridgway Development Ltd., the architectural and development firm that he founded with Phyllis Lambert in 1973. The Ridgway Ltd. projects that are best represented in this sub-series include: the Cañada Business Center in Lake Forest, Orange County, California (1975-1978), the Los Angeles Biltmore Hotel restoration project (1976-1984), an unrealized desert resort project in La Quinta, California (circa 1980), and the Newporter Resort Hotel in Newport California (1983-1985). Projects in this sub-series are mostly documented through drawings, including reprographic copies, and photographs.
AP114.S1.SS1
Description:
Sub-series documents Gene Summers’ architectural work from 1957 to 1985. It includes material from Summers’ collaborations with the office of Mies van der Rohe in the late 1950s, as well as records from Ridgway Development Ltd., the architectural and development firm that he founded with Phyllis Lambert in 1973. The Ridgway Ltd. projects that are best represented in this sub-series include: the Cañada Business Center in Lake Forest, Orange County, California (1975-1978), the Los Angeles Biltmore Hotel restoration project (1976-1984), an unrealized desert resort project in La Quinta, California (circa 1980), and the Newporter Resort Hotel in Newport California (1983-1985). Projects in this sub-series are mostly documented through drawings, including reprographic copies, and photographs.
People:
Date:
1957 - 1985
1957 - 1985
Title:
Architectural projects
Actions:
AP114.S1.SS1
Description:
Sub-series documents Gene Summers’ architectural work from 1957 to 1985. It includes material from Summers’ collaborations with the office of Mies van der Rohe in the late 1950s, as well as records from Ridgway Development Ltd., the architectural and development firm that he founded with Phyllis Lambert in 1973. The Ridgway Ltd. projects that are best represented in this sub-series include: the Cañada Business Center in Lake Forest, Orange County, California (1975-1978), the Los Angeles Biltmore Hotel restoration project (1976-1984), an unrealized desert resort project in La Quinta, California (circa 1980), and the Newporter Resort Hotel in Newport California (1983-1985). Projects in this sub-series are mostly documented through drawings, including reprographic copies, and photographs.
Architectural projects
Actions:
AP114.S1.SS1
Description:
Sub-series documents Gene Summers’ architectural work from 1957 to 1985. It includes material from Summers’ collaborations with the office of Mies van der Rohe in the late 1950s, as well as records from Ridgway Development Ltd., the architectural and development firm that he founded with Phyllis Lambert in 1973. The Ridgway Ltd. projects that are best represented in this sub-series include: the Cañada Business Center in Lake Forest, Orange County, California (1975-1978), the Los Angeles Biltmore Hotel restoration project (1976-1984), an unrealized desert resort project in La Quinta, California (circa 1980), and the Newporter Resort Hotel in Newport California (1983-1985). Projects in this sub-series are mostly documented through drawings, including reprographic copies, and photographs.
Level of archival description:
Sub-series 1
Sub-series 1
Date:
1957 - 1985
1957 - 1985
People:
Level of archival description:
Series
Series
Title:
Carl Krayl
Carl Krayl
Reference number:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
People:
Date:
1918-1945
1918-1945
Title:
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Carl Krayl
Actions:
AP162.S5
Description:
Series documents the contribution of architect Carl Krayl to the correspondence circle of Die gläserne Kette, with Krayl writing under the pseudonym Anfang. Born in 1890 in Weinsberg, Germany, Krayl worked on building sites between 1906 to 1909 in preparation for the architectural studies he would undertake from 1910 to 1912 at the Kunstgewerbeschule and the Polytechnikum at Stuttgart. He was employed as a military architect during the First World War and was stationed at Ingolstatd. After the war, Krayl joinded the Arbeitsrat für Kunst lead by Bruno Taut. Between 1919 to 1921 he contributed to "Frühlich", a magazine published by Taut which featured works by some members of Die Gläserne Kette. Krayl joined Bruno Taut in the city architecture department at Magdeburg. From 1923, he worked independently and executed private and public architectural projects. During the Nazi regime he worked as a draftsman for the German State Railway from 1938 to 1946. He died in 1946 in Werder an der Havel, Germany. (Source: Ian Boyd Whyte, Bruno Taut and the Architecture of Activism. Cambridge: Cambridge University Press, 1982) The series comprises part of Carl Krayl's correspondence to the Die gläserne Kette circle, along with related drawings and photographs.
Level of archival description:
series
series
Date:
1918-1945
1918-1945
People:
Level of archival description:
Sub-series
Sub-series
Reference number:
AP032.S1.SS1.D5
Description:
Drawings probably collected by Goldsmith before he was inducted into the Army. Goldsmith worked in the office of William F. Deknatel, architect in 1941.
AP032.S1.SS1.D5
Description:
Drawings probably collected by Goldsmith before he was inducted into the Army. Goldsmith worked in the office of William F. Deknatel, architect in 1941.
People:
Date:
1931-1942
1931-1942
Title:
Miscellaneous Architectural and Engineering Drawings
Actions:
AP032.S1.SS1.D5
Description:
Drawings probably collected by Goldsmith before he was inducted into the Army. Goldsmith worked in the office of William F. Deknatel, architect in 1941.
Miscellaneous Architectural and Engineering Drawings
Actions:
AP032.S1.SS1.D5
Description:
Drawings probably collected by Goldsmith before he was inducted into the Army. Goldsmith worked in the office of William F. Deknatel, architect in 1941.
Level of archival description:
File 5
File 5
Date:
1931-1942
1931-1942
People:
