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Robots designed to care for people and neglected landscapes of digital trash. The promise of synthetic biology and the panic of living on a dying planet. Wonderful feats of intelligence and systemic acts of violence. Exhilaration and exhaustion. Rosi Braidotti argues that we must think about these apparent contradictions all together in order to make differences that(...)
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Robots designed to care for people and neglected landscapes of digital trash. The promise of synthetic biology and the panic of living on a dying planet. Wonderful feats of intelligence and systemic acts of violence. Exhilaration and exhaustion. Rosi Braidotti argues that we must think about these apparent contradictions all together in order to make differences that(...)
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Posthuman knowledge and the critical posthumanities
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Robots designed to care for people and neglected landscapes of digital trash. The promise of synthetic biology and the panic of living on a dying planet. Wonderful feats of intelligence and systemic acts of violence. Exhilaration and exhaustion. Rosi Braidotti argues that we must think about these apparent contradictions all together in order to make differences that actually matter. "Posthuman knowledge and the critical posthumanities" oscillates between evocations and transections of contemporary conditions, for which Braidotti offers what she calls the "posthuman convergence" as a new paradigm for situating and navigating their problems and possibilities. Reflecting on the knotted situation of the academic humanities, cognitive capitalism, and advanced climate change, she delivers an intersectional critique of humanism and anthropocentrism, and targets their exclusions and aporias to address subjectivity, knowledge production, and academic structures within that posthuman convergence. Braidotti's convergence demands imagination, endurance, connectivity, and perspectives multiplied, embodied, and grounded in the only world we have.
Posthuman knowledge and the critical posthumanities
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Robots designed to care for people and neglected landscapes of digital trash. The promise of synthetic biology and the panic of living on a dying planet. Wonderful feats of intelligence and systemic acts of violence. Exhilaration and exhaustion. Rosi Braidotti argues that we must think about these apparent contradictions all together in order to make differences that actually matter. "Posthuman knowledge and the critical posthumanities" oscillates between evocations and transections of contemporary conditions, for which Braidotti offers what she calls the "posthuman convergence" as a new paradigm for situating and navigating their problems and possibilities. Reflecting on the knotted situation of the academic humanities, cognitive capitalism, and advanced climate change, she delivers an intersectional critique of humanism and anthropocentrism, and targets their exclusions and aporias to address subjectivity, knowledge production, and academic structures within that posthuman convergence. Braidotti's convergence demands imagination, endurance, connectivity, and perspectives multiplied, embodied, and grounded in the only world we have.
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books
books
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November 2022
November 2022
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Critical Theory
Critical Theory
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Description:
xiii, 426 pages : illustrations ; 24 cm
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xiii, 426 pages : illustrations ; 24 cm
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Baton Rouge : Louisiana State University Press, ©1997.
Baton Rouge : Louisiana State University Press, ©1997.
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Intimate enemies : the two worlds of the Baroness de Pontalba / Christina Vella.
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xiii, 426 pages : illustrations ; 24 cm
Intimate enemies : the two worlds of the Baroness de Pontalba / Christina Vella.
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xiii, 426 pages : illustrations ; 24 cm
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books
books
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Baton Rouge : Louisiana State University Press, ©1997.
Baton Rouge : Louisiana State University Press, ©1997.
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Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In ''Speculative Relations'', Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through(...)
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Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In ''Speculative Relations'', Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through(...)
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Speculative relations: Indigenous worling and repair
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Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In ''Speculative Relations'', Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through relations committed to reciprocity and care for human and more-than-human beings. Drawing on Cherokee thinking, Indigenous queer theory, literary and cultural studies, and art criticism, he illuminates pathways for understanding and resisting the ongoing damages of colonialism while pointing to future worlds and imaginaries that breathe life into Indigenous thought and practice. Analyzing a range of materials—from photography, literature, and sculpture to film and ethnography—Pierce reveals how speculation, as a form of situated knowledge production, can repair and reimagine the worlds that colonialism sought to destroy. In doing so, Pierce highlights how gestures, poetics, and embodiment can uphold tradition and harness the imaginative power of speculation to create pathways for living in good relations.
Speculative relations: Indigenous worling and repair
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Indigenous relations are often described in anthropological terms, or as expressions of timeless, unchanging kinship ties. In ''Speculative Relations'', Joseph M. Pierce challenges this view, considering the potential of these relations as a means of repairing the damages of history. Pierce approaches Indigenous art and culture not as objects of study, but through relations committed to reciprocity and care for human and more-than-human beings. Drawing on Cherokee thinking, Indigenous queer theory, literary and cultural studies, and art criticism, he illuminates pathways for understanding and resisting the ongoing damages of colonialism while pointing to future worlds and imaginaries that breathe life into Indigenous thought and practice. Analyzing a range of materials—from photography, literature, and sculpture to film and ethnography—Pierce reveals how speculation, as a form of situated knowledge production, can repair and reimagine the worlds that colonialism sought to destroy. In doing so, Pierce highlights how gestures, poetics, and embodiment can uphold tradition and harness the imaginative power of speculation to create pathways for living in good relations.
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books
books
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August 2025
August 2025
Subject:
indigenous
indigenous
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journals and magazines
journals and magazines
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This new monograph from TC Cuadernos brings us closer to the recent work of Portuguese architect Nuno Brandão Costa, one of the most interesting contemporary voices in Portuguese architecture. This publication follows issue 90, which we released in 2009 featuring his early works, and now covers a period of intense creative activity and professional consolidation from 2010(...)
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This new monograph from TC Cuadernos brings us closer to the recent work of Portuguese architect Nuno Brandão Costa, one of the most interesting contemporary voices in Portuguese architecture. This publication follows issue 90, which we released in 2009 featuring his early works, and now covers a period of intense creative activity and professional consolidation from 2010(...)
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TC 162: Nuno Brandão. Architecture 2010-2023
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This new monograph from TC Cuadernos brings us closer to the recent work of Portuguese architect Nuno Brandão Costa, one of the most interesting contemporary voices in Portuguese architecture. This publication follows issue 90, which we released in 2009 featuring his early works, and now covers a period of intense creative activity and professional consolidation from 2010 to 2023. It is a meticulous journey through fifteen selected works that demonstrate the maturity reached by this architect over the last decade. The works span various typologies and scales, from single-family homes to large complexes. Projects such as the Campanhã Intermodal Terminal and the rehabilitation of the S. João de Deus neighborhood are studied with special attention, showing how Brandão Costa has expanded his field of action towards large-scale urban projects without losing the artisanal quality of the details that characterize his most intimate residential interventions. In all cases, his conceptual coherence, the harmonious relationship of his works with the landscape, and especially the masterful use of elementary geometries, refined volumes, and care for constructive details stand out.
TC 162: Nuno Brandão. Architecture 2010-2023
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This new monograph from TC Cuadernos brings us closer to the recent work of Portuguese architect Nuno Brandão Costa, one of the most interesting contemporary voices in Portuguese architecture. This publication follows issue 90, which we released in 2009 featuring his early works, and now covers a period of intense creative activity and professional consolidation from 2010 to 2023. It is a meticulous journey through fifteen selected works that demonstrate the maturity reached by this architect over the last decade. The works span various typologies and scales, from single-family homes to large complexes. Projects such as the Campanhã Intermodal Terminal and the rehabilitation of the S. João de Deus neighborhood are studied with special attention, showing how Brandão Costa has expanded his field of action towards large-scale urban projects without losing the artisanal quality of the details that characterize his most intimate residential interventions. In all cases, his conceptual coherence, the harmonious relationship of his works with the landscape, and especially the masterful use of elementary geometries, refined volumes, and care for constructive details stand out.
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journals and magazines
journals and magazines
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December 2023
December 2023
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Architecture Monographs
Architecture Monographs
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books
books
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$56.95
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The book collects five vacation homes in Sweden designed by Stockholm-based architect Mikael Bergquist. Realized over more than two decades, they are all located in the Swedish countryside and rooted in the Nordic tradition of timber construction and the simplicity and economy of Sweden’s historic farm buildings. Bergquist’s great care for detail and choice of materials(...)
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The book collects five vacation homes in Sweden designed by Stockholm-based architect Mikael Bergquist. Realized over more than two decades, they are all located in the Swedish countryside and rooted in the Nordic tradition of timber construction and the simplicity and economy of Sweden’s historic farm buildings. Bergquist’s great care for detail and choice of materials(...)
Title:
Center and periphery: Five houses by Mikael Bergquist
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The book collects five vacation homes in Sweden designed by Stockholm-based architect Mikael Bergquist. Realized over more than two decades, they are all located in the Swedish countryside and rooted in the Nordic tradition of timber construction and the simplicity and economy of Sweden’s historic farm buildings. Bergquist’s great care for detail and choice of materials characterize these houses. They are united also by a close relationship to the surrounding nature, the experience of which is enhanced by the concepts of movement and the placement of passages between the outside and inside. The houses are documented with photographs as well as with plans and sections. In his supplementary essay, Bergquist writes about the special position of working as an architect on the periphery of Europe. He draws a picture of Swedish architecture that is marked by what he calls "fruitful misunderstandings" of current movements, and in which poverty of the rural population has been a major factor in the evolution of the design and construction of dwellings.
Center and periphery: Five houses by Mikael Bergquist
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The book collects five vacation homes in Sweden designed by Stockholm-based architect Mikael Bergquist. Realized over more than two decades, they are all located in the Swedish countryside and rooted in the Nordic tradition of timber construction and the simplicity and economy of Sweden’s historic farm buildings. Bergquist’s great care for detail and choice of materials characterize these houses. They are united also by a close relationship to the surrounding nature, the experience of which is enhanced by the concepts of movement and the placement of passages between the outside and inside. The houses are documented with photographs as well as with plans and sections. In his supplementary essay, Bergquist writes about the special position of working as an architect on the periphery of Europe. He draws a picture of Swedish architecture that is marked by what he calls "fruitful misunderstandings" of current movements, and in which poverty of the rural population has been a major factor in the evolution of the design and construction of dwellings.
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books
books
Publication:
May 2025
May 2025
Subject:
Architecture Monographs
Architecture Monographs
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books
books
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$25.00
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with(...)
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with(...)
Title:
The corporeal life of seafaring
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with adversities – loneliness, loss, and violence, stolen wages and exploitative shipowners – as well as ephemeral moments of joy and solidarity. In the unique arena of the ship, Khalili traces the many forms of corporeality involved in work at sea and the ways the body is engaged by the institutions that engulf seafarers’ lives and work. Illustrated throughout with the author’s own photographs, this book takes in both scholarly and literary accounts to describe with care and imagination the material and physical realities of contemporary commerce at sea. Drawing on the insights of feminists and scholars of racial capitalism, it centres the lives of those so often forgotten or dismissed in enterprises of capital accumulation and the raced and gendered hierarchies that shape them.
The corporeal life of seafaring
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The body of the seafarer is a fulcrum upon which global systems of power, longstanding maritime traditions, and gendered and racialised pressures all rest. In this vital new essay, scholar Laleh Khalili draws on her ongoing research and experiences of travelling on cargo ships to explore the embodied life of these labourers. She investigates an experience riddled with adversities – loneliness, loss, and violence, stolen wages and exploitative shipowners – as well as ephemeral moments of joy and solidarity. In the unique arena of the ship, Khalili traces the many forms of corporeality involved in work at sea and the ways the body is engaged by the institutions that engulf seafarers’ lives and work. Illustrated throughout with the author’s own photographs, this book takes in both scholarly and literary accounts to describe with care and imagination the material and physical realities of contemporary commerce at sea. Drawing on the insights of feminists and scholars of racial capitalism, it centres the lives of those so often forgotten or dismissed in enterprises of capital accumulation and the raced and gendered hierarchies that shape them.
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books
books
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February 2024
February 2024
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books
books
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$63.95
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One of the ten largest cities in the world, São Paulo faces huge challenges in urban infrastructure. Yet despite the daunting task of supporting a population of more than twenty million, the Brazilian metropolis has since the 1950s maintained a policy of public and private investment in communal infrastructure, thus providing inclusive places and spaces for all its(...)
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One of the ten largest cities in the world, São Paulo faces huge challenges in urban infrastructure. Yet despite the daunting task of supporting a population of more than twenty million, the Brazilian metropolis has since the 1950s maintained a policy of public and private investment in communal infrastructure, thus providing inclusive places and spaces for all its(...)
Subject:
Architecture since 1900, Americas
Architecture since 1900, Americas
Publication:
February 2020
February 2020
Title:
Access for all: Sao Paulo's architectural infrastructures
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One of the ten largest cities in the world, São Paulo faces huge challenges in urban infrastructure. Yet despite the daunting task of supporting a population of more than twenty million, the Brazilian metropolis has since the 1950s maintained a policy of public and private investment in communal infrastructure, thus providing inclusive places and spaces for all its population. While many cities emulate Bilbao and other destinations by funding signature buildings by celebrated architects to attract tourists, São Paulo consistently and persistently funds programs aimed at social sustainability for its permanent residents. 'Access for All' demonstrates how architecture and infrastructure can contribute to a city’s urban development in multiple ways. Featuring a selection of buildings and projects from across seven decades, it takes readers through the city’s distinctive approach to urban infrastructure. The featured spaces range from a simple canopy over a public park to spaces for education, health care, sports and culture, and more. Beyond serving a specific purpose, one of the key roles of these spaces is to be accessible places for people to spend time together.
Access for all: Sao Paulo's architectural infrastructures
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One of the ten largest cities in the world, São Paulo faces huge challenges in urban infrastructure. Yet despite the daunting task of supporting a population of more than twenty million, the Brazilian metropolis has since the 1950s maintained a policy of public and private investment in communal infrastructure, thus providing inclusive places and spaces for all its population. While many cities emulate Bilbao and other destinations by funding signature buildings by celebrated architects to attract tourists, São Paulo consistently and persistently funds programs aimed at social sustainability for its permanent residents. 'Access for All' demonstrates how architecture and infrastructure can contribute to a city’s urban development in multiple ways. Featuring a selection of buildings and projects from across seven decades, it takes readers through the city’s distinctive approach to urban infrastructure. The featured spaces range from a simple canopy over a public park to spaces for education, health care, sports and culture, and more. Beyond serving a specific purpose, one of the key roles of these spaces is to be accessible places for people to spend time together.
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books
books
Publication:
February 2020
February 2020
Subject:
Architecture since 1900, Americas
Architecture since 1900, Americas
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books
books
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$22.95
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In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know,(...)
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In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know,(...)
Title:
The World is a Carpet: Four seasons in an afghan village
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In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flat—like a carpet. Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and by a people who sustain an exquisite tradition there. Through the four seasons in which a new carpet is woven by the women and children of Oqa, she immortalizes their way of life much as the carpet does—from the petal half-finished where a hungry infant needs care to the interruptions when the women trade sex jokes or go fill in for wedding musicians scared away by the Taliban.
The World is a Carpet: Four seasons in an afghan village
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In the middle of the salt-frosted Afghan desert, in a village so remote that Google can’t find it, a woman squats on top of a loom, making flowers bloom in the thousand threads she knots by hand. Here, where heroin is cheaper than rice, every day is a fast day. B-52s pass overhead—a sign of America’s omnipotence or its vulnerability, the villagers are unsure. They know, though, that the earth is flat—like a carpet. Anna Badkhen first traveled to this country in 2001, as a war correspondent. She has returned many times since, drawn by a land that geography has made a perpetual battleground, and by a people who sustain an exquisite tradition there. Through the four seasons in which a new carpet is woven by the women and children of Oqa, she immortalizes their way of life much as the carpet does—from the petal half-finished where a hungry infant needs care to the interruptions when the women trade sex jokes or go fill in for wedding musicians scared away by the Taliban.
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books
books
Publication:
November 2014
November 2014
Subject:
Literature and poetry
Literature and poetry
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books
books
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their(...)
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their(...)
Title:
Harmony Korine, Mister Lonely
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their faith. On one occasion three of my teeth fell into a sandwich that I was eating. It felt like the right time to care again. I asked my brother to help me. He introduced me to a famous boxer who was good with medecine, he put my teeth back in my mouth. The nuns were testing me as well, this much I was sure of. I made this film out of the ashes of the broken nation, and it was there that I discovered that a little faith can go a long, long way.» Harmony Korine
Harmony Korine, Mister Lonely
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«I was not sure I would make a film ever again. I spent many years dreaming of pigs that could walk up walls. I was living completely debased, like a tramp and a criminal. I had turned into a bastard with no home or friends. One day I started to dream of nuns. I began to imagine nuns dancing in the sky and riding bicycles in the clouds. I knew the nuns wew testing their faith. On one occasion three of my teeth fell into a sandwich that I was eating. It felt like the right time to care again. I asked my brother to help me. He introduced me to a famous boxer who was good with medecine, he put my teeth back in my mouth. The nuns were testing me as well, this much I was sure of. I made this film out of the ashes of the broken nation, and it was there that I discovered that a little faith can go a long, long way.» Harmony Korine
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books
books
Publication:
March 2008
March 2008
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
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books
books
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$55.00
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Don’t be misled by the sweet pictures in pretty colours, for we’re dealing with a radical artist here. This anarchist in angel’s clothing contravenes a number of contemporary art’s unwritten laws. Gijs Frieling is a standard-bearer for ornament and decoration and he embraces exuberance. His representations are not minimal but maximal, as full as can be, and there’s always(...)
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Don’t be misled by the sweet pictures in pretty colours, for we’re dealing with a radical artist here. This anarchist in angel’s clothing contravenes a number of contemporary art’s unwritten laws. Gijs Frieling is a standard-bearer for ornament and decoration and he embraces exuberance. His representations are not minimal but maximal, as full as can be, and there’s always(...)
Title:
That very night in Max's room a forest grew...
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Don’t be misled by the sweet pictures in pretty colours, for we’re dealing with a radical artist here. This anarchist in angel’s clothing contravenes a number of contemporary art’s unwritten laws. Gijs Frieling is a standard-bearer for ornament and decoration and he embraces exuberance. His representations are not minimal but maximal, as full as can be, and there’s always room for an extra flower. Gijs couldn’t care less about the concepts of novelty and originality; on the contrary, he wants to work as unadventurously and predictably as possible. His paintings are jam-packed with repetition and he often falls back on the same elements. Also, he copies to his heart’s delight – his own work and that of others, in versions that are painted (on glass) or embroidered (by his mother) and the distinction between the copy and the original doesn’t interest him in the slightest. Moreover, his work is not critical but it is pleasing, it is incredibly beautiful, and on top of this he is a Christian.
That very night in Max's room a forest grew...
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Don’t be misled by the sweet pictures in pretty colours, for we’re dealing with a radical artist here. This anarchist in angel’s clothing contravenes a number of contemporary art’s unwritten laws. Gijs Frieling is a standard-bearer for ornament and decoration and he embraces exuberance. His representations are not minimal but maximal, as full as can be, and there’s always room for an extra flower. Gijs couldn’t care less about the concepts of novelty and originality; on the contrary, he wants to work as unadventurously and predictably as possible. His paintings are jam-packed with repetition and he often falls back on the same elements. Also, he copies to his heart’s delight – his own work and that of others, in versions that are painted (on glass) or embroidered (by his mother) and the distinction between the copy and the original doesn’t interest him in the slightest. Moreover, his work is not critical but it is pleasing, it is incredibly beautiful, and on top of this he is a Christian.
Form:
books
books
Publication:
April 2021
April 2021
Subject:
Contemporary Art Monographs
Contemporary Art Monographs
