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Conceived and designed by Ma Yansong, founder of MAD Architects, MAD Rhapsody documents the buildings of this avant-garde architecture firm and traces the development of their ideas through associated practice including art, research, and exhibition projects. With photographs, drawings, and models, the book highlights 23 projects from the past six years, both built and in(...)
MAD rhapsody: Past, present, future
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Conceived and designed by Ma Yansong, founder of MAD Architects, MAD Rhapsody documents the buildings of this avant-garde architecture firm and traces the development of their ideas through associated practice including art, research, and exhibition projects. With photographs, drawings, and models, the book highlights 23 projects from the past six years, both built and in process. Known for their ',organic and dreamlike architecture'' that creates a dialogue with nature, earth, and sky, MAD projects reach all over the globe. At age 46, Ma Yansong is one of China’s best-known architects. His curvilinear, free-form, and futuristic designs are often compared to those of his mentor, Zaha Hadid. Ma’s greatest inspiration is nature; his opera house in the northern Chinese city of Harbin resembles a snow-capped mountain, while his master plan for the city of Nanjing calls for sloping buildings covered with vertical louvers that resemble waterfalls. Other projects include the Ordos Museum in the wilderness of Inner Mongolia, the Absolute Towers in Canada, and the Lucas Museum of Narrative Art in Los Angeles.
Architecture Monographs
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With over 150 photographs, this publication covers the main themes in the body of work of Gabriele Basilico (Milan, 1944–2013), in particular his relationship with cities and urban landscapes. Beginning with the Milano: Ritratti di fabbriche cycle from the late 1970s, this book follows the evolution of Basilico’s artistic language from his legendary pictures taken in(...)
Photography monographs
October 2016
Gabriele Basilico: I listen to your heart, city
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With over 150 photographs, this publication covers the main themes in the body of work of Gabriele Basilico (Milan, 1944–2013), in particular his relationship with cities and urban landscapes. Beginning with the Milano: Ritratti di fabbriche cycle from the late 1970s, this book follows the evolution of Basilico’s artistic language from his legendary pictures taken in France and in major ports across Europe in the 1980s to the 1991 series devoted to Beirut, which had just left behind its long civil war, up to his final work on the renewal of the Porta Nuova district in Milan. The main core of works in this publication consists of the fifty portraits of cities which the artist took over the course of his career: Paris, Madrid, Berlin, Moscow, San Francisco, Istanbul, Rio de Janeiro, and Shanghai intermingle and dialogue through Basilico’s impassioned and contemplative gaze. He was able to interpret the passage of time, transformations in architecture, and unexpected analogies in an endless journey across the bodies of cities.
Photography monographs
books
Eden by design
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In 1930 the Olmsted Brothers and Harland Bartholomew & Associates submitted a report, "Parks, Playgrounds, and Beaches for the Los Angeles Region," to the Los Angeles Chamber of Commerce. After a day or two of coverage in the newspapers, the report dropped(...)
Eden by design
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In 1930 the Olmsted Brothers and Harland Bartholomew & Associates submitted a report, "Parks, Playgrounds, and Beaches for the Los Angeles Region," to the Los Angeles Chamber of Commerce. After a day or two of coverage in the newspapers, the report dropped from sight. The plan set out a system of parks and parkways, children's playgrounds, and public beaches. It is a model of ambitious, intelligent, sensitive planning commissioned at a time when land was available, if only the city planners had had the fortitude and vision to act on its recommendations. "Parks, Playgrounds, and Beaches" has become a highly valued but difficult-to-find document. In this book, Greg Hise and William Deverell examine the reasons it was called for, analyze why it failed, and open a discussion about the future of urban public space. In addition to their introduction and a facsimile reproduction of the report, "Eden by Design" includes a dialogue between Hise, Deverell, and landscape architect Laurie Olin that illuminates the significance of the Olmsted-Bartholomew report and situates it in the history of American landscape planning.
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April 2000, Berkeley - Los Angeles
Gardens
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Over the course of a residency at a London gallery, Swiss designer Demian Conrad invited an array of graphic designers and typographers past and present to share the anecdotes, stories and scandals that have marked the international design scene over the course of the last century. The result is an examination of the ways in which the Swiss Style influenced British(...)
Who the hell is Müller-Brockmann? Conversations about Swiss style
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Over the course of a residency at a London gallery, Swiss designer Demian Conrad invited an array of graphic designers and typographers past and present to share the anecdotes, stories and scandals that have marked the international design scene over the course of the last century. The result is an examination of the ways in which the Swiss Style influenced British graphic design and vice versa. This celebration of the ongoing dialogue and collaboration that has existed between the design traditions of these two countries also lays bare the divergences and conflicts that lie beneath the surface, and examines how such things as a typeface or a layout grid can come to have such an enduring impact on a global community and elicit such strong emotions. Each participant was asked to bring a design-related artefact that represents their personal connection with the Swiss Style, all of which are presented in this volume. These images and the dialogues they generate create a bridge between the typographic traditions and practices of Britain and Switzerland.
Graphic Design and Typography
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Les ghat de Bénarès forment un ensemble de constructions ingénieuses et modulables, qui se déploie de façon monumentale sur la rive concave d’un méandre du Gange. Ce site exceptionnel, constituant un espace public de plus de six kilomètres, matérialise la relation étroite qui lie les habitants de la ville et les pèlerins au fleuve sacré, dans un contexte culturel et(...)
Les ghat de Bénarès : Variations architecturales d'une rive sacrée
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Les ghat de Bénarès forment un ensemble de constructions ingénieuses et modulables, qui se déploie de façon monumentale sur la rive concave d’un méandre du Gange. Ce site exceptionnel, constituant un espace public de plus de six kilomètres, matérialise la relation étroite qui lie les habitants de la ville et les pèlerins au fleuve sacré, dans un contexte culturel et religieux où l’accès à l’eau est primordial. En s’appuyant sur une enquête de terrain approfondie, sur de nombreux relevés architecturaux et sur une série de panoramas datant du 18e et du 19e siècles, Savitri Jalais interroge les éléments qui ont concouru à la naissance et au développement de ce front d’eau sur le temps long. À travers l’analyse des formes et techniques de construction employées dans le but de résister aux contraintes exercées par l’eau, l’auteure retrace le dialogue pluriséculaire qui s’est établi entre la géographie des lieux et le paysage urbain et révèle le potentiel urbanistique de ces berges en gradins et leur pertinence quant aux pratiques quotidiennes des habitants et des pèlerins.
Urban Landscapes
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This is not a book about sound. It is a study of sounds that aims to write the resonance and response they call for. John Mowitt seeks to critique existing models in the expanding field of sound studies and draw attention to sound as an object of study that solicits a humanistic approach encompassing many types of sounds, not just readily classified examples such as(...)
Sounds: the ambient humanities
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This is not a book about sound. It is a study of sounds that aims to write the resonance and response they call for. John Mowitt seeks to critique existing models in the expanding field of sound studies and draw attention to sound as an object of study that solicits a humanistic approach encompassing many types of sounds, not just readily classified examples such as speech, music, industrial sounds, or codified signals. Mowitt is particularly interested in the fact that beyond hearing and listening we “audit” sounds and do so by drawing on paradigms of thought not easily accommodated within the concept of "sound studies." To draw attention to the ways in which sounds often are not perceived for the social and political functions they serve, each chapter presents a culturally resonant sound—including a whistle, an echo, a gasp, and silence—to show how sounds enable critical social and political concepts such as dialogue, privacy, memory, social order, and art-making. Sounds: The Ambient Humanities significantly engages, provokes, and contributes to the dynamic field and inquiry of sound studies.
Acoustics
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Ce livre est né de la volonté de l’auteure de sauvegarder des traces des vieilles publicités peintes qu’on voit encore sur les murs de Montréal. Ce riche patrimoine urbain qui, peu à peu, disparaît témoigne d’une époque marquée par l’essor d’une classe moyenne au Québec, où tout semblait possible pour ceux qui trimaient fort. En écho à ces images d’aujourd’hui, une(...)
November 2012
Sur les murs d'un Montréal qui s'efface
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Ce livre est né de la volonté de l’auteure de sauvegarder des traces des vieilles publicités peintes qu’on voit encore sur les murs de Montréal. Ce riche patrimoine urbain qui, peu à peu, disparaît témoigne d’une époque marquée par l’essor d’une classe moyenne au Québec, où tout semblait possible pour ceux qui trimaient fort. En écho à ces images d’aujourd’hui, une recherche a permis de retrouver plusieurs de ces publicités alors qu’elles brillaient de tous leurs feux! Le passé et le présent se chevauchent dans un dialogue éloquent qui fait prendre conscience de l’usure du temps. À ces photos documentaires, se greffent de courts textes biographiques et évocateurs faisant revivre le climat du Montréal des années soixante, celui de l’enfance de l’auteure. La vie de quartier racontée ici rayonne à partir de l’épicerie familiale, l’Épicerie Québec, que ses parents tenaient sur le Plateau Mont-Royal. La petite histoire portant la grande, c’est celle du Québec tout entier qui se lit dans ce récit jalonné de capsules documentaires rappelant, de manière plus objective, certains faits cocasses et à la fois marquants.
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A collection of primary sources chosen by the research fellows ''Centring Africa: Postcolonial Perspectives on Architecture'', Doreen Adengo, Dele Adeyemo, Warebi Gabriel Brisibe and Ramota Obagah-Stephen, Rachel Lee and Monika Motylinska, Ikem Stanley Okoye, Cole Roskam, Lukasz Stanek, and Huda Tayob. ''Fugitive Archives'' is not a book about African architecture or(...)
Fugitive Archives: A Sourcebook for Centring Africa in Histories of Architecture
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A collection of primary sources chosen by the research fellows ''Centring Africa: Postcolonial Perspectives on Architecture'', Doreen Adengo, Dele Adeyemo, Warebi Gabriel Brisibe and Ramota Obagah-Stephen, Rachel Lee and Monika Motylinska, Ikem Stanley Okoye, Cole Roskam, Lukasz Stanek, and Huda Tayob. ''Fugitive Archives'' is not a book about African architecture or its history. It is a book about the role of primary research in the work of the fellows and about how, to centre Africa in histories of modern architecture, they had to develop new ways of finding, seeing, and listening. The sources presented here are starting points for dismantling and expanding existing architectural archives, in which what is considered valuable enough to archive remains dominated by colonial or Western knowledge frameworks. Through varied media and formats, the sources multiply narratives by highlighting diverse actors, practices, and geographies—on and off the continent—implicated in the history of modern African architecture. Rather than suggesting key, but inevitably reductive, themes, this book brings the fellows and their sources into dialogue in three sections that foreground similar methods and challenges to locating, accessing, reading, and constructing otherwise fugitive archives.
CCA Publications
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The Colour Journal is not simply another publication about the meaning of colour. Colours have not been approached in a literal way but as a starting point, a pretext to tell bigger stories, a means of revealing the story within the story: we all know Henri Matisse's Blue Nudes, but who can say the same about Biskra, the forgotten Algerian oasis that inspired him? We may(...)
The Colour Journal: The blue issue, Vol. 1
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The Colour Journal is not simply another publication about the meaning of colour. Colours have not been approached in a literal way but as a starting point, a pretext to tell bigger stories, a means of revealing the story within the story: we all know Henri Matisse's Blue Nudes, but who can say the same about Biskra, the forgotten Algerian oasis that inspired him? We may also know about the ultramarine pigment that Yves Klein patented, but who has heard of Edouard Adam, a merchant in Montparnasse who discovered its formula? The Colour Journal intends to fight against the dictatorship of immediacy, to give depth to the pretty images of fashion magazines and Instagram feeds, to delve into familiar moments of art history and discover what lies beneath, to dig into museum libraries and reveal unseen treasures. To bring this enterprise to life, The Colour Journal travelled from Idaho to Guangxi, from antiquity to the present day, to bring you a dialogue between forgotten archives and contemporary photography: follow a denim hunter in the American West, visit one of China's last cultural minorities, peek into Helmut Newton's private collection of Polaroids and dive into David Hockney's chlorinated swimming pools.
Colour Theory and Design
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This book deals with objects of migration on the central Mediterranean route. Traces of this phenomenon include objects left more or less voluntarily by migrant people along their journey, particularly upon arrival on the shores of Lampedusa and Sicily. Since 2013, hundreds of these objects have been retrieved by Massimo Ricciardo with his colleague Thomas Kilpper, and(...)
Encounters in an archive: Objects of migration / photo-objects of art history
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This book deals with objects of migration on the central Mediterranean route. Traces of this phenomenon include objects left more or less voluntarily by migrant people along their journey, particularly upon arrival on the shores of Lampedusa and Sicily. Since 2013, hundreds of these objects have been retrieved by Massimo Ricciardo with his colleague Thomas Kilpper, and are now part of the “Objects of Escape – Inventories of Migration’’ archive. These objects are functional to the journey, such as biscuit tins and water bottles, passports and nautical charts, but they also relate to identity and memory, such as family photographs, diaries, or a handful of earth from their homeland. In the installation “Objects of Migration, Photo-Objects of Art History: Encounters in an Archive,” Ricciardo creates a dialogue between selected objects from this archive and structures from the KHI Photothek on the other. The installation, which led to this book, raises a series of highly relevant questions about these ‘talking’ objects: who do they belong to? Are they part of the cultural heritage? What would be the appropriate artistic and curatorial approach if one decided to collect, archive, exhibit, transform them?
Theory of Photography